EP: all cats are beautiful – ‘the things we made’

Released at the beginning of the month via Moshi Moshi, all cats are beautiful’s latest EP the things we made provides a heartfelt, off-kilter take on pop in the twenty first century with a beautifully developed sense of melody and texture. Where more self-conscious artists might have slipped into irony or even parody when playing with genre in the way this record does, the honesty and vulnerability of the lyrics instead steer it down a far more rewarding path; one that combines the hooks and emotional kick of the best pop with a willingness to experiment, keeping the listener guessing.

The band consists of “queer best friends” Elena and Kyle and this seven track release has a truly collaborative feel to it. Both are credited with playing multiple instruments and switch vocal duties throughout, while the way that the songs have been pieced together – often relatively sparse arrangements which sound nonetheless full of feeling – seems, somehow, reflective of the process of sending and receiving musical ideas across the internet during lockdown. The opening track of the EP – ‘(u know) u mean a long minute 2 me’, in which the lyrics apparently came from Kyle mishearing a line of dialogue in Netflix docu-series Tiger King, a fact that in itself makes the early-lockdown writing period extremely clear – was also the EP’s lead single. It sets the scene for what follows beautifully: a long, soft, introduction to the record which finally kicks into gear with the introduction of drums about two and a half minutes in, shifting from atmospheric pop to a shimmering lowkey take on disco.

If you’ve ever wondered (and I’m not sure why you would) what it would sound like if The XX tried their talented hands at making early 2000s slow jams, it might not sound a million miles away from ‘u c right thru me like a windowpane’. Certainly the atmospherics and soft vocal delivery which The XX made their trademark is evident here, but ACAB have far greater warmth in their lyrics and have more fully embraced pop sensibilities. So, in fact, a comparison to XX solo project Romy is probably more apt. The band themselves credit Owen Pallett’s ‘I Am Not Afraid’ as an inspiration for this track and the connection extends beyond a lyrical reference – both treat genre with the same flexibility while remaining refreshingly earnest. Julia Holter is another useful melodic reference point for the EP as a whole.

Other highlights include the rolling melodies of ‘skippin down the stairs like a slinky’ and the Blood Orange-esque ‘i get dayblindness when ur nearby’ which skitters along, built around a chorus to make connoisseurs of 2010s R’n’B swoon. Meanwhile, EP-closer ‘tryna b the 1 2 solve ur shape’ is the kind of ambient-inspired pop which wouldn’t have sounded out of place on Frank Ocean’s Blonde

There has clearly been a great deal of care taken in the construction of these songs – in their lyrics, their melodies, their arrangements and their recording and engineering. As a result, there isn’t a loose moment across the seven tracks; not a wasted or superfluous second, just twenty two and a half minutes of wonderfully imperfect pop.

the things we made, the new EP from all cats are beautiful, is out now via Moshi Moshi Records. Listen/download here.

Gregory Metcalfe
@GregorysParty

Photo Credit: Aaron Price

Track Of The Day: girlhouse – ‘concussion’

A hazy, bitter sweet reflection on the unexpected challenges of overcoming heartbreak, US bedroom-pop artist girlhouse has shared her latest single ‘concussion’. Taken from her upcoming record the second EP, the track is a gentle, lo-fi offering inspired by girlhouse aka Lauren Luiz’s own experience of being involved in a both physical and emotional car crash.

“‘concussion’ is about a monumentally shit day,” Luiz explains. “My first and favorite car got smashed (it was a bright orange 81 Honda Civic with a stick shift), next thing I knew I was lying on the ground, being harassed by LA firemen while a woman was screaming at me calling me a dumb bitch. I just have no idea what happened, all I could think about was this person that had just broken my heart, somehow nothing else mattered. I think I used that relationship as a distraction in a big way, it was that moment where I realized that person was taking up a lot of mental real estate and I needed to make room for actual problems in my life and move on.”

Luiz has transformed her ruminations on this traumatic event into a bright, playful slice of bedroom-pop. Moving on from the anxiety that underscored her debut self-titled EP, girlhouse’s new efforts look set to be just as emotive, but more mature in sound and delivery.

Watch the video for ‘concussion’ below.

Follow girlhouse on SpotifyTwitterInstagram & Facebook

Kate Crudgington
@KCBobCut

ALBUM: Lingua Ignota – ‘SINNER GET READY’

“And all that I’ve learned / is everything burns” laments Lingua Ignota aka Kristin Hayter on ‘Pennsylvania Furnace’, the fourth track on her latest album SINNER GET READY – an apt sentiment for a record that blazes with a unique orchestral agony.

Released via Sargent House, Hayter’s fourth full length offering is an emotional exorcism inspired by the severe brand of Christianity in rural Pennsylvania where she currently lives. Its strictness permeates her vision to the core; her lyrics, majestic hymn-like instrumentation and gothic aesthetic smoulder with a righteous thirst that can only be sated by the blood of Jesus – a recurring lyrical and visual motif on the album.

Whilst it’s clear that Hayter has made a distinct departure from the furious, visceral sounds of CALIGULA, her sensational vocals are still the lifeblood of SINNER GET READY. She uses her voice to devastating effect, harrowing up the soul with her effortless ability to switch from a soft, divine cry to a cord-ripping, desperate plea. She is like a one woman version of the chorus of ancient furies that saturate Greek mythology; Medea-like in her repulsion, relentless in the revenge she reeks upon the souls who cross her path.

From the unsettling, majestic keys of epic opener ‘The Order Of Spiritual Virgins’ on which she warns “Hide your children / hide your husband / I am relentless / I am incessant / I am the ocean” to the theatrical, cathedral-worthy organ on ‘I Who Bend The Tall Grasses’, Hayter’s furious summons often give the impression of a preacher who has lost their way. Her guttural, spitefully shouted lyrics “I don’t give a fuck / just kill him / you have to / I’m not asking” on the latter are matched by the violent imagery on ‘Repent Now Confess Now’ – “He will knock the breath from you / he will ram your eyes with glass” – all culminating to create a palpable sense of dread.

A vessel for exposing rage, hypocrisy and suffering; Hayter leaves no stone unturned. She blends self and social flagellation together effortlessly on three tracks that centre around the questionable sincerity of disgraced American Evangelist TV Preacher Jimmy Swaggart. The audio of his televised confession is layered over the instrumentation at the end of ‘The Sacred Linament Of Judgment’, featuring his “blood of Jesus'” remark which Hayter then uses as a lyrical backbone for the sombre ‘Perpetual Flame Of Centralia’. It’s bookended with ‘Man Is Like A Spring Flower’, which opens with the audio of an interview with the prostitute who brought Swaggart’s indiscretions to the surface, embellished by Hayter’s potent, destructive lyric “The heart of man is a furnace.”

With her archaic song titles, immersion into Christian iconography and distinctive vocal delivery, Hayter invites her listeners to dwell in the chaotic, divine abyss on SINNER GET READY. “Do you want to be / in hell with me?” she asks – if hell sounds like this, we’ll gladly walk into the flames. Even without a full understanding of the album’s religious context, SINNER GET READY provides a profound emotional release.

Follow Lingua Ignota on bandcampSpotifyTwitterInstagram & Facebook

Kate Crudgington
@KCBobCut

Track Of The Day: Billie Flynn – ‘Someone’s Daughter’

Having previously charmed our ears with her soulful previous single ‘Hey Stranger’, Cornish artist Billie Flynn has now returned with a brand new offering. ‘Someone’s Daughter‘ is a comforting acoustic dreamscape which plays to the artist’s strengths while showcasing a few more of the tricks up her sleeve. If you’re already a fan of Flynn’s earthy acoustic vibes, this track won’t disappoint. And, for new listeners, this is an apt introduction to her blend of soft vocals and artfully simple lyrics set against a backdrop of gently strumming guitars. 

Though new, Flynn’s signature style seems rooted in her gift for texture. Her music feels multi-sensory in a way that’s balmy and immersive. Whereas the layering of her debut single was led by the instruments, this time Flynn opts to lead with her vocals, making this track seem more personal – more like an invitation to get to know her as an artist. The way Flynn utilises low sumptuous repetitions and a handful of well timed loops as she expresses satisfying lyrics such as “this world keeps turning, while I’m still burning…” suggest to me she has a penchant for the occasional nostalgic and ever so slightly poppy lilt; a detail I’m absolutely here for.

Of the track, Flynn explains:

This was a big song for me when writing it, it felt like a real release. I was struggling at the time and I just had the thought that, if nothing else, I will always be a daughter, and that’s an important thing to be.

Flynn shows us what her voice can do in a way that doesn’t feel contrived but, instead, playful and joyful. Another promising track from this upcoming artist.

‘Someone’s Daughter’ is out now via Never Fade Records.

Tutku Barbaros
@@tutkubarbaros