Track Of The Day: Fräulein – ‘Belly’

Originally hailing from Northern Ireland and the Netherlands respectively, London-based duo Joni Samuels and Karsten van der Tol – aka Fräulein – have been winning us over since we first became pretty obsessed with last year’s single ‘Drag Behind’. Now, following their majestic last single ‘Pretty People‘ and acclaim from the likes of BBC Radio 1’s Daniel P. Carter, they have shared the first taste of a new double a-side release.

Exuding a stirring sense of frustration, ‘Belly‘ is propelled by dark, sparse hooks and raw, loose beats as the sweeping, captivating allure of Joni’s vocals take centre stage. With shades of Rid Of Me era PJ Harvey, it flows with an eerie, spellbinding energy, interwoven with a gritty, grunge-fuelled drive. Building with a visceral power to a brooding, immersive cacophony, ‘Belly’ will take you on a fierce sonic journey; an evocative soundscape showcasing this innovative duo’s consistent ability to develop their exquisite musical prowess with each new release.

Of the meaning behind the track, Joni Samuels explains:

“‘Belly’ is a song that is written around its lyrics. I’m talking about how creativity can be bloody and exhausting for some people but really organic and energising for some others.”

Fräulein headline The Windmill in Brixton on 25th October, tickets available here.

Mari Lane
@marimindles

Photo Credit: Emma Swann

Comic Review: Bad Waitress – ‘Rabbit Hole’

The latest in our ‘Comic Reviews’ feature – where illustrator Sally-Anne responds to a new release with her wonderfully unique drawings – we check out the raging latest single from Toronto’s Bad Waitress. Following the riotous power of ‘Strawberry Milkshake‘, the band have now shared a playful new video for ‘Rabbit Hole‘, ahead of the release of their debut album later this week.

Of ‘Rabbit Hole’, the band explain:

“Rabbit Hole’ plunges you headfirst into an airless spiral. You’re unreachable, growing comfortable in the bleak nest you’ve found yourself in, knowing those you love will tire of trying to dig you out. The song begins with rising tension that, with a rough shove, gives way to a deep sludgy conclusion. Dissonant guitars and jarring vocals bring you to that dark place and swallow you whole.”

No Taste, the upcoming debut album from Bad Waitress, is set for release 3rd September via Royal Mountain.

Sally-Anne Hickman
@sallyshinystars

EP: all cats are beautiful – ‘the things we made’

Released at the beginning of the month via Moshi Moshi, all cats are beautiful’s latest EP the things we made provides a heartfelt, off-kilter take on pop in the twenty first century with a beautifully developed sense of melody and texture. Where more self-conscious artists might have slipped into irony or even parody when playing with genre in the way this record does, the honesty and vulnerability of the lyrics instead steer it down a far more rewarding path; one that combines the hooks and emotional kick of the best pop with a willingness to experiment, keeping the listener guessing.

The band consists of “queer best friends” Elena and Kyle and this seven track release has a truly collaborative feel to it. Both are credited with playing multiple instruments and switch vocal duties throughout, while the way that the songs have been pieced together – often relatively sparse arrangements which sound nonetheless full of feeling – seems, somehow, reflective of the process of sending and receiving musical ideas across the internet during lockdown. The opening track of the EP – ‘(u know) u mean a long minute 2 me’, in which the lyrics apparently came from Kyle mishearing a line of dialogue in Netflix docu-series Tiger King, a fact that in itself makes the early-lockdown writing period extremely clear – was also the EP’s lead single. It sets the scene for what follows beautifully: a long, soft, introduction to the record which finally kicks into gear with the introduction of drums about two and a half minutes in, shifting from atmospheric pop to a shimmering lowkey take on disco.

If you’ve ever wondered (and I’m not sure why you would) what it would sound like if The XX tried their talented hands at making early 2000s slow jams, it might not sound a million miles away from ‘u c right thru me like a windowpane’. Certainly the atmospherics and soft vocal delivery which The XX made their trademark is evident here, but ACAB have far greater warmth in their lyrics and have more fully embraced pop sensibilities. So, in fact, a comparison to XX solo project Romy is probably more apt. The band themselves credit Owen Pallett’s ‘I Am Not Afraid’ as an inspiration for this track and the connection extends beyond a lyrical reference – both treat genre with the same flexibility while remaining refreshingly earnest. Julia Holter is another useful melodic reference point for the EP as a whole.

Other highlights include the rolling melodies of ‘skippin down the stairs like a slinky’ and the Blood Orange-esque ‘i get dayblindness when ur nearby’ which skitters along, built around a chorus to make connoisseurs of 2010s R’n’B swoon. Meanwhile, EP-closer ‘tryna b the 1 2 solve ur shape’ is the kind of ambient-inspired pop which wouldn’t have sounded out of place on Frank Ocean’s Blonde. 

There has clearly been a great deal of care taken in the construction of these songs – in their lyrics, their melodies, their arrangements and their recording and engineering. As a result, there isn’t a loose moment across the seven tracks; not a wasted or superfluous second, just twenty two and a half minutes of wonderfully imperfect pop.

the things we made, the new EP from all cats are beautiful, is out now via Moshi Moshi Records. Listen/download here.

Gregory Metcalfe
@GregorysParty

Photo Credit: Aaron Price

Track Of The Day: girlhouse – ‘concussion’

A hazy, bitter sweet reflection on the unexpected challenges of overcoming heartbreak, US bedroom-pop artist girlhouse has shared her latest single ‘concussion’. Taken from her upcoming record the second EP, the track is a gentle, lo-fi offering inspired by girlhouse aka Lauren Luiz’s own experience of being involved in a both physical and emotional car crash.

“‘concussion’ is about a monumentally shit day,” Luiz explains. “My first and favorite car got smashed (it was a bright orange 81 Honda Civic with a stick shift), next thing I knew I was lying on the ground, being harassed by LA firemen while a woman was screaming at me calling me a dumb bitch. I just have no idea what happened, all I could think about was this person that had just broken my heart, somehow nothing else mattered. I think I used that relationship as a distraction in a big way, it was that moment where I realized that person was taking up a lot of mental real estate and I needed to make room for actual problems in my life and move on.”

Luiz has transformed her ruminations on this traumatic event into a bright, playful slice of bedroom-pop. Moving on from the anxiety that underscored her debut self-titled EP, girlhouse’s new efforts look set to be just as emotive, but more mature in sound and delivery.

Watch the video for ‘concussion’ below.

Follow girlhouse on Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut