WATCH: Nuha Ruby Ra – ‘Erase Me’

For Nuha Ruby Ra, music is just one aspect of her work as a self-described “experimental artist”. Having emerged as part of the Vicious Collective – a collection of ziners, satirists and fashion designers, based in Hackney – music has begun to take centre-stage for Ra, following rave reviews of her appearances supporting Warmduscher (on whose recordings she has also appeared) and Snapped Ankles, as well as performances alongside some of the best emerging artists of last year, such as Amyl and the Sniffers, Bo Ningen and Bambara.

With such a diverse background in art and music, it’s perhaps no surprise that ‘Erase Me’, her debut single from the forthcoming How to Move EP, is a deftly crafted and deeply emotional performance, both in its lyrics and in the video, made by Ra in collaboration with her friend, Billie Turnbull.

Sonically, a repetitive piece, formed from warped percussion and a raw, softly detuned guitar line, ‘Erase Me’ has a dark psych feel, initially, that grows into something more foreboding through the industrial sounds that grow from the background of the track, into a roar by its close.

Lyrically, it’s similarly repetitive, particularly as Ra’s plaintive voice echoes the word “heavy”, just as the music starts to increasingly weigh on the listener. A tale of dark affections and addiction, it’s a grower, with the hypnotic effect of its sound mimicked by that of its simple-palette video, which features overlaid images of Ra dancing and singing against a black background, lit solely in a red or blue hue.

Given the balance of art, experimentalism, performance and pop in ‘Erase Me’, it’s perhaps no surprise that Ra’s diverse influences include the likes of Philip Glass, Brian Eno and Einsturzende Neubaten; the darkness of The Birthday Party, the auto-biographical hip-hop of Princess Nokia, and the Egyptian torch songs of Abdel Halim Hafez – presumably a reflection of her upbringing in Cairo. Similarly, her visual style – described by the single’s press release as “Grace Jones meets Fat White Family” and by Ra herself as “part-time punk, part-time goth” – is a unique mish-mash of old and new, art and fashion. And, with her mesmerising combination of imagery and sound, it seems unlikely that you’ll be erasing Nuha Ruby Ra from your mind, any time soon.

Check out Nuha Ruby Ra’s website and Instagram for more examples of her creativity.

John McGovern
@etinsuburbiaego

Track Of The Day: Penfriend – ‘Everything Looks Normal In The Sunshine’

Amidst the thick of global uncertainty and turmoil, Penfriend (Laura Kidd) releases her new mighty anthem ‘Everything Looks Normal In The Sunshine’, emitting undeniable and hard-hitting hope against our universal haze.

Written in reflection of the state of a pandemic and the emotional strife that it perpetuates, Penfriend asks us to not “second-guess humanity away” and illustrates her current journey with catchy pop melodies in a controlled, yet scuzzy, alternative-rock soundscape.

Crunchy wide-spread guitar tones sit just right, allowing her supportive lyrics to lend a helping hand to listeners as they are whisked away by energetic synth lines and booming drums. Grunge era elements set a solid bed for Penfriend’s lead guitar parts to dance upon its noise, giving the tune a contagious indie hook to its taste.

‘Everything Looks Normal In The Sunshine’ is the supportive essence of a true best-friend, or everyone’s favourite Auntie, and the feeling of dancing a night away. It is the freshness of stretching your lungs with your deepest breath in a while, and the lightness in your footsteps on your home’s carpet after a day’s work. It’s an equal marriage between reflective catharsis and a plan to move forward. Let’s “stand tall and we’ll all take the weight” together, with Penfriend as our inspiration and soundtrack.

 

‘Everything Looks Normal In The Sunshine’ is out now.

Jillian Goyeau
@jillybxxn

ALBUM: Liar, Flower – ‘Geiger Counter’

Released via One Little Indian Records, Liar, Flower‘s new album Geiger Counter – the latest project from KatieJane Garside (Daisy Chainsaw, QueenAdreena, Lalleshwari) and Chris Whittingham – is a collection of songs that blend honey-sweet vocals with dreamy, beautifully produced instrumental soundscapes.

Opening track ‘I Am Sundress (She Of Infinite Flowers)’ is a hauntingly beautiful offering that gives way to the hypnotic rock concoction of ‘My Brain Is Lit Like An Airport’. The angry soundscape then transforms into the psychedelic, deconstructed ‘9N-AFE’. Its robotic, glitchy sonics make it a stand-out track on the record.

The rock-tinged stylings of ‘Mud Stars’ juxtaposed with melodic ‘Broken Light’ teases your brain with its varied range. Following track ‘Even The Darkest Clouds’ is an off-kilter banger that uses lacerating guitars and booming beats with raw vocals, throwing Geiger Counter into complete tortured disarray; essentially making it a cacophony of mismatched musicality.

In comparison, next track ‘Blood Berries’ is a slow lullaby with a foreboding touch. The pair’s brilliant production skills are shown off proudly on the post-punk sounding ‘Little Brown Shoes’. The tail end of the record is sunshine after a storm, as the instrumentals begin leaning away from the tinges of gloom, lust and loathing which have remained front and centre for most of the LP.

The sultry, seductive ‘Baby Teeth’ flawlessly blends into the country-tinged ‘Hole In My Hand’, while the light touches of title track ‘Geiger Counter’ provide a simple, yet memorable melody. Final track ‘Doors Locked, Oven’s Off’ is the perfect closer that brings together the darker sounds of the album with its airy corners, ending the record with the strongest instrumentals thus far.

A disorienting combination of loud violence and gentle caresses that keeps listeners on their toes throughout; Geiger Counter is as meditative as it is nightmarish, as mysterious as it is all-knowing. The record grows on you with each track and by the end of it, you’re ready to play it all over again.

Listen to Geiger Counter by Liar, Flower on Spotify

Malvika Padin
@malvika_padin26

Track Of The Day: OHMME – ‘Selling Candy’

A sweet new offering of guitar distortion and smooth dual harmonies; OHMME have shared their latest single, ‘Selling Candy’. The track is lifted from their upcoming album, Fantasize Your Ghost, which is set for release on 5th June via Joyful Noise Recordings.

Formed of Sima Cunningham and Macie Stewart; Chicago-based OHMME blend driving beats and brooding guitars to create their deceptively simple, catchy songs. On their latest single, the pair repeatedly sing the same six lines over heavy guitars and persistent, crashing percussion to reflect both the excitement and mundanities of childhood experiences.

“‘Selling Candy’ was pieced together from little snapshots of my childhood growing up on my block in Chicago” explains Cunnigham. “It felt like its own tiny world where I could explore my imagination, enjoy independence from my parents, and meet all kinds of people, including the pissed off hot dog vendor from whom I bought a boiled hot dog from as often as I could get my hands on a buck.” This sweet sense of freedom is reflected in the cathartic, noisy breakdown at the end of the track.

Listen to ‘Selling Candy’ below and follow OHMME on Spotify and Facebook for more updates.

Photo credit: Ash Dye

Kate Crudgington
@KCBobCut