EP: Julia-Sophie – ‘Y?’

Describing herself as finally finding her hullabaloo within the storm, new electronic artist Julia-Sophie jumped onto the scene supporting GIHE faves Sink Ya Teeth. Last week she released her debut EP, Y?, and we cannot stop listening to it.

This record draws you in from the outset. Lead track ‘Breathe’ envelopes you with its sound as the pulsating title lyric repeats, leaving it reverberating around your head after only the second listen. At points, especially on ‘x0x’, I feel that I can hear the influences of Gazelle Twin, where I am sat watching this music performed in a darkened auditorium with a light show that electrifies the stage as the music electrifies your ears.

Of the record Julia-Sophie explains “I came to point in my life when I realised that I had been coasting through life and in these songs, rather than carrying on floating I chose to rip myself open and see what would come out the other side.”

Y? is a sublime four track record of emotionally intelligent electrifying electronica. Music which builds and layers, over and over, resulting in an almost painfully blissful experience. I’m completely addicted and have not enjoyed an EP this much in a long while – Julia-Sophie is clearly an artist who has a solid understanding of producing, removing boundaries and letting music speak for itself. I cannot, and do not want to stop listening. 

Listen to Julia-Sophie’s EP Y? here. Follow Julia-Sophie on Instagram for more updates.

LISTEN: Fears – ‘two_’

**Content Warning: Talk of self harm and mental health issues.**

A poignant meditation on some of her darkest hours, Constance Keane aka Fears has shared her latest single ‘two_’. The experimental pop artist has transformed her struggles with self-harm into a gentle, cathartic new offering, specially commissioned for the Northern Ireland Mental Health Arts Festival.

Today marks the beginning of Mental Health Awareness Week here in the UK & Northern Ireland and Fears is helping to raise awareness of this with the self-directed accompanying video for her track. The visuals feature repurposed footage of Fears and her family, depicting the non-linear path of recovery from trauma. She tenderly confesses in her lyrics “If not for my family / I’d never have healed,” a sentiment that’s reflected in the footage she’s chosen to share.

Two years on from receiving inpatient treatment in a hospital in Dublin, Fears now uses her musical creations as a form of therapy. “Creativity was, and still is, such a huge part of recovery for me,” she explains. “So to be part of a festival showcasing the creativity of people with mental health issues is incredible. I think when it comes to budget cuts for the mental health sector, creative resources are too often the first to go, so it’s great to see a group celebrating the significance of being creative in maintaining positive mental health.”

For many who suffer with mental health issues, the road to recovery requires immense amounts of patience and a huge shift in perspective. Fears extrapolates on this further: “For me, there is no final point where I’ve ‘gotten better’. I am better than I was before, but ‘better’ isn’t a destination. It’s about learning, maintenance and forging trust in myself.”

“It’s important for me to discuss the topic of self harm; it’s something I’ve been trying to figure out how to approach for a while now. I don’t endorse self harm. It’s an unhealthy coping mechanism when you’re distressed; but it’s also incredibly common. Within the improving awareness and discussion around mental health, I feel self harm still carries the weight of secrecy and shame. I have lines on my leg from hurting myself a few years ago. They’re most likely going to be there for a very long time. I want to wear shorts in summer. I’m going to wear shorts in summer.”

Fears’ determination and honesty in the face of adversity makes listening to ‘two_’ all the more poignant and necessary. If you’ve been affected by any of the issues discussed in this post, please reach out to Mind or other mental health charities.

Follow Fears on Spotify & Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: DEHD – ‘Loner’

After touring Europe with Twin Peaks last year, Chicago’s DEHD are coming to the international stage for the first time. This week the trio announced their new album Flower Of Devotion alongside killer lead track ‘Loner’.

‘Loner’ examines lead singer Emily Kempf’s need for isolation and time to focus on herself, following the band’s recent extensive touring period. Rather than focusing on the negative, ‘Loner’ speaks to the often cyclical nature of life. It’s a theme that runs throughout the album; at every turn, sadness is countered by joy, joy is tempered by sadness. Explaining this theme, Emily says:

“Being alone and grieving is very isolating… but then you come out of your little cave of grief, and your friends and family and partner are all there to pat you on the back and hold you until you have to go back into the cave of grief alone.”

Accepting your own need for isolation, especially during hard times can be liberating. A bittersweet sentiment we can all get behind at the moment.

‘Loner’ certainly provides us with a more polished sound than any of the tracks on the band’s 2019 debut Water, but it still packs the same raw edge that fans have come to expect from the trio. Emily Kempf’s vocal cuts through as distinctive and gritty as ever, backed up by spirited guitar and pulsating drums.

The accompanying video is a trip. Directed by Kempf with collaborator Ryan Hart and shot on location in Joshua Tree, and at beloved Chicago venue The Hideout, the video is a highly surreal clip and well worth a watch.

DEHD’s upcoming new album Flower of Devotion is set for release 17th July via Fire Talk, and is available to pre-order now.

Ellie Ball

Photo Credit: Alexa Viscius

Track Of The Day: Hunger Moon – ‘Patience’

Birmingham born duo Hunger Moon released their latest single ‘Patience’ on April 10th and it’s just beautiful from start to finish. The melancholy pop track is an expression of the internal battle songwriter Natalie Jenkins faced to leave a relationship that was, in her mind, already over.

Of the track Natalie explains, “I knew things needed to change, but I didn’t anticipate the level of change to come. I didn’t want to cause hurt, but had to learn to accept that I couldn’t become the right person. I had to have patience with myself and recognise that what I wanted was not mutual”.

Already a firm fan of these two, this latest single is an eruption of musical emotions I’ll happily dive into. Hunger Moon’s music has been described as a sonic canvas, and I couldn’t think of a better way to sum up the emotional strength and tenderness that is carried in both the vocals and crescendo of the guitars on this track.

 

And check out this live performance of Hunger Moon in in Cologne, Germany with Sofar Sounds. Sublime.

Tash Walker
@maudeandtrevor

Photo Credit: Laura Chen Photography