LISTEN: Emerson – ‘A Longing And Needing’

‘A Longing And Needing’ is the first single from new North London artist Emerson, whose creative spirit is inspired by poetry and rooted in collaboration. Emerson works closely with producers, choreographers, photographers, videographers and artists to bridge the worlds of art and pop together. The single features her soulful vocals against expressive electronic beats, which do not overpower the song.

It has a slow, soft start, introducing a breezy vocal, implying that this is a love song, but it isn’t… “God knows I tried, you didn’t see her lies, it’s plain to see that the Devil has meddled between you and me.” The song is about two friends who have betrayed her trust, and how she deals with the feelings. These range from nostalgia – “I like to think to think that you think of me”, to passionate and confused, where the tempo is increased and some distortion creeps into the sound. The song ends with a self-imposed acceptance, “It’s fine,” but it also draws you in and leaves you wondering if acceptance is the better half of loneliness, and if the ‘friend’ ever cared.

A very promising start from this innovative artist, and I look forward to hearing more.

Listen to ‘A Longing And Needing’ on Spotify now :

 

Fi Ni Aicead
@gotnomoniker

Photo Credit: Jemima Marriott

Track Of The Day: Hilary Woods – ‘Orange Tree’

A tentative exploration of inner fears, Hilary Woods‘ latest single ‘Orange Tree’ is an atmospheric, brooding affair. Taken from her upcoming second album Birthmarks, set for release on 13th March via Sacred Bones, the Irish musician has crafted another dark, beguiling soundscape that smoulders with quiet intensity.

“For me, ‘Orange Tree’ is a personal song acknowledging an inner fear of the unknown,” Woods explains. “It’s an exercise in overcoming, becoming more planted and rooted in the earth and in the body.” Woods’ thoughts are reflected in the accompanying visuals for the track, which she created and directed with Joshua Wright.

Written & recorded over the course of two years between Galway and Oslo, whilst Woods was heavily pregnant, Birthmarks looks set to be her most personal and powerful record to date. Inspired by the works of Norwegian experimental noise producer & filmmaker Lasse Marhaug, the images from post-war Japanese and wet-plate photography, to the secret life of trees; Woods’ far-reaching influences are what make her art so mesmerising and transcendent.

Watch the video for ‘Orange Tree’ below, and follow Hilary Woods on Facebook & Spotify for more updates.

Hilary Woods EU/UK Live Dates 2020
April 19, Tilberg, NL @ Roadburn Festival
May 18, London, UK @ Cafe Oto

Photo credit: Joshua Wright

Kate Crudgington
@KCBobCut

LISTEN: LegPuppy – ‘Secret Friend’ (feat. Josefin Öhrn)

A slow-burning, atmospheric new offering; South London band LegPuppy have collaborated with award-winning Swedish musician Josefin Öhrn on their latest track, ‘Secret Friend’. Independently released on Valentine’s Day, the new song is a smoldering four minutes of electro-psych sound.

When LegPuppy first heard Josefin Öhrn + the Liberation’s album Mirage, they described it as “like discovering the Velvet Underground for the first time.” The band instantly knew they wanted to collaborate with Swedish Grammy nominated Öhrn, and ‘Secret Friend’ was the result. Öhrn’s exquisite French accent floats above the band’s moody music, and contrasts well with the accompanying male vocal.

LegPuppy are set the release their new album There’s No Rock Stars later this year, and will be announcing tour, and festival dates in the near future. For now, listen to ‘Secret Friend’ below, and follow LegPuppy on Facebook & Spotify for more updates.

Secret Friend feat Josefin Öhrn (radio edit) by Leg Puppy

Follow Josefin Öhrn on Facebook and Spotify too.

Kate Crudgington
@KCBobCut

LISTEN: I Am HER – ‘Big Monster’

Following 2018’s poignant Herstory, alt-punk outfit I Am HER are back with an angst-driven new single.

Reflecting on feelings of anxiety, ‘Big Monster’ oozes a captivating haunting power with shades of the gritty sounds of early PJ Harvey. Propelled by the soaring majesty of Julie Riley’s rousing vocals, it builds to a stirring frenzied anthem, driven by an impassioned force and raw emotion. Of the track, Julie explains:

“… this song was triggered by someone telling me their experience of an anxiety attack. It got me thinking how anxiety/stress is like a beast separate to us that stalks us and preys on us.”

Listen to ‘Big Monster’ now:

 

Catch I Am HER playing live for us tonight at The Finsbury, along with Piney Gir, Grawl!x and Captain Handsome. All for free!

Mari Lane
@marimindles