ALBUM: Heather Woods Broderick – ‘Invitation’

Oregon-based songwriter and multi-instrumentalist Heather Woods Broderick releases her third album Invitation this month. Having toured with Sharon Van Etten, Efterklang, and Lisa Hannigan, her new album is laden with dreamy Baroque pop sounds, built around piano and vocal melodies, with poetic lyrics inspired by her move to a quiet corner of the Pacific North West.

Opener ‘Stilling Wind’, with its gentle electronics and slow dreamy guitar, deals with memories invoked by once familiar landscapes – “how did you slow the tide and disappear so quickly… Have I changed yet, or do my habits still remain?” The lush atmosphere leads into the beautifully poetic ‘I Try’, whilst imagery of the natural surroundings intertwines with the music in the country-sounding ‘Nightcrawler’, and in ‘Where I Lay’ producing a haunting effect.

The piano opens out into an elegiac chorus, like the powerful, crashing waves of the landscape in ‘Slow Dazzle’, and ‘A Daydream’ provide moments of pleasure in solitude, before the pace picks up again on ‘White Tail’ with its nocturnal forest sounds and ethereal vocal exploring Heather’s experiences with depression and finding a transcendence.

The beautifully personal piano ballads ‘Quicksand’ and ‘My Sunny One’ deal with alcoholism and failed relationships respectively, whilst closing track ‘Invitation’ completes the journey of self-acceptance: “I left that candle burning… I dreamt it took me last night into the darker side of life.”

I too accept the invitation this delicately-crafted album offers for introspection and the beauty found in stillness. The sentiment, that it is not the fear of falling, but getting back up again, recurs throughout each captivating song, offering hope and light.

Invitation is out 19th April via Western Vinyl.

Fi Ni Aicead
@gotnomoniker

WATCH: Hatchie – ‘Stay With Me’

“I’m a sucker for crying-in-the-club tracks” says Australia’s Hatchie – and we’re happy to sob under the strobe lights to her catchy new single ‘Stay With Me’. The electronic-pop gem is taken from her highly anticipated debut album Keepsake, which is set for release on June 21st via Heavenly.

Hatchie (aka Harriette Pilbeam) explains how ‘Stay With Me’ came to be: “[The song] was written as a writing exercise in an effort to step away from my usual style into something more fun and dancey. We originally wrote it with someone else in mind, but realized it was the perfect fit for my album as I wanted to expand into a different sound. It became one of my favourite songs on the record”.

On her upcoming album, Hatchie has blended and explored new textures – from industrial to new wave to dance-pop. Despite not being a sentimental person, Hatchie says the record is “a keepsake in itself” – an aural memory of moments and experiences translated with her shining, upbeat energy.

Watch the video for ‘Stay With Me’ below and pre-order your copy of Keepsake here.

Hatchie UK live Dates 2019
9-Jun Green Door Store, BRIGHTON UK
11-Jun The Louisiana, BRISTOL UK
12-Jun Moth Club, LONDON UK
13-Jun Yes, MANCHESTER UK
14-Jun Brudenell Social Club, LEEDS UK (Heavenly Weekender)

Photo credit: Joe Agius

Kate Crudgington
@KCBobCut

LISTEN: Hockeysmith – ‘Never Knowing’

Self described as “Kylie on acid”, Cornish electronic Producer Hockeysmith has shared her new track ‘Never Knowning’ taken from compilation album EEL.COMP1. Released via new label EEL – which was set up by Annie Hockeysmith (Hockeysmith) & Lukasz Kucharski (omoo) – the collection is designed to celebrate artists connected to the new Cornish underground scene, and is set for release on 18th April.

Following on from the release of her EP Tears At My Age earlier this year via Ex-Local, Hockeysmith is now turning her attention firmly to the talent in her hometown. EEL intends to broaden the scope of listeners to the Falmouth electronic music scene through their independent label that lays homageto the history of Cornwall’s rave scene, and the likes of Aphex Twin, John Peel and Luke Vibert.

EEL recordings takes its name firstly from Earth, from Cornwall. The second ‘E’ stands for eel, for the eely, slimy, grimy electronic music. The ‘L’ is for Loop, the repetitive cylinder of sounds and for the loopy musicians soon to be on the label. It’s an exciting new venture, and one we’re sure will be prosperous for Hockeysmith and her talented friends.

Listen to ‘Never Knowing’ below and follow Hockeysmith on Facebook for more updates.

Hockeysmith UK Live Dates 2019
14th April – Thekla, Bristol (TVAM Support)
26th May – Poltimore Festival, Cornwall
10th August – Boardmasters, Cornwall

Kate Crudgington
@KCBobCut

ALBUM: Mally Harpaz – ‘Zoom In, Zoom Out’

There are some compositions that were created to inspire, and Mally Harpaz’s self-released album, Zoom In, Zoom Out, is fuelled by them. On 5th April, Mally Harpaz released an album that has been almost two years in the making. For anyone that has been lucky enough to attend one of the primarily North London-based Blind Dog Studio gigs, you’ll at least have a sense of the material contained within.

Trite though it is for me to say (again) but wholly true, Mally Harpaz is a musician. She is an artist, a composer, a percussionist, and a beautiful soul. Mally is a musician’s musician and the musical landscape that she’s created on Zoom In, Zoom Out is every bit as artful as the stunningly poignant video art by Clara Aparicio Yoldi projected behind each live show.

While the live show visuals aid the music in reaching epic heights, one listen to the record and you’ll see your own. Recorded between Harpaz’s own Blind Dog Studio – a studio on her property named after her dog – and Hackney Road Studios with sound engineer, Shuta Shinoda, listening to Zoom In, Zoom Out is every bit the spiritual experience it should be.

All too many times people have uttered the phrase that they need words to music, but all I can think is that they don’t quite appreciate the atmosphere of a score. Zoom In, Zoom Out is a score; tracks like ‘Voices’ and ‘Not Without Pain’ say everything that has to be said: to anyone, wherever they are when listening. For me, a dark room through studio headphones with an aching soul.

Any vocal accompaniments are from Blind Dog Studio regulars Hazel Iris, James Marples, Eran Karniel, and Anna Calvi. And of course, the heartbreakingly sound ‘Not Without Pain’ mixing somber spoken word from Harpaz with Calvi’s haunting vocals washing in like a tidal wave alongside the great swell of instrumentation composed from the stunning depths of Harpaz’s mind.

Words don’t do justice to a record built on feeling, but then again, without the pursuit, music would be far duller a landscape. Thanks to artists like Mally Harpaz, however, that’s never gonna happen.

Zoom In, Zoom Out is available now via Bandcamp.

Em Burfitt
@fenderqueer

Photo Credit: Stéphane Guilley