ALBUM: Asylums – ‘Alien Human Emotions’

Released via their own label Cool Thing Records, a strong sense of fun and frustration fuels Southend-based rockers Asylums‘ brand new album, Alien Human Emotions. The band’s second record is a turbulent, tenacious collection of tracks that buzz with enthusiasm and self-awareness.

After the success of their critically-acclaimed debut Killer Brain Waves in 2016, Asylums have embarked on a new aural adventure. If they were presented differently, the tracks on Alien Human Emotions would shrink your heart with sadness, but the band’s riotous delivery makes this record a hopeful, heart-swelling affair.

The album kicks off with ‘Day Release To The Moon’, documenting a grand, but turbulent emotional journey that will “pull us closer to the sun / annihilate everyone,” with Jazz’s manic guitar riffs masking the dark side of vocalist Luke’s pessimistic wish. Henry’s relentless percussion punches through on second track ‘When We Wake Up’, which assaults the senses from start to finish. Luke’s anthemic lyrics invite listeners to take a “front row seat for Armageddon,” which sounds tempting against their back drop of manic guitar noise. ‘Bottle Bank’ follows with more of Jazz’s trademark spiralling riffs and Mike’s thundering bass lines, leaving listeners sweaty and short of breath just three tracks in.

The eponymous ‘Alien Human Emotions’ comprehends emotional black holes via dense bass lines and thoughtful lyrics, before the gentler ‘Millennials’ provides a moment for introspective reflection. Named after a social label that’s doused in negativity, Asylums have reclaimed the term and turned it into a thought provoking, comforting tune.

Just as listeners are on their way back down to earth, the toxic punk blur of ‘Napalm Bubblegum’ blasts them back into the band’s sonic atmosphere. Luke’s visceral Essex intonation and Henry’s savage drumming provide the ultimate punk-infused sound to bounce around your bedroom walls to. ‘Pause’ is an aptly named interlude track – even Asylums need to take a second to catch their breath sometimes.

‘Graveyard Tourism’ is a distraction from “morbid fascination”, whilst the timely ‘Homeowners Guilt’ dissects feelings towards “characterless buildings” and the unfair working-class reality of having to always make sure ends meet. The penultimate ‘Sexual Automation’ starts the gentle descent down to earth, manically resisting the “impulses you can’t castrate.” The rawness of ‘The Company You Keep’ closes the record on an optimistic note – an ode to true love, friendship and a poignant reminder to appreciate the people around you.

Alien in the sense that it blasts you into an sonic universe, but Human in its quest to make sure no listener feels left behind, Asylums’ Alien Human Emotions is an intense, joyful second record that kicks and comforts in equal measure.

 

Order your copy of Alien Human Emotions here.
Follow Asylums on Facebook for more updates.

Photo Credit: Kana Waiwaiku

Kate Crudgington
@KCBobCut

Track Of The Day: Gaffa Tape Sandy – ‘Meat Head’

Having recently charmed crowds at The Great Escape, as well as playing at Glastonbury last year, Brighton-based Gaffa Tape Sandy are becoming fast favourites here at GIHE. And we can’t get enough of new single ‘Meat Head’.

Propelled by jangly hooks and the honey-sweet vocals of Catherine Lindley-Neilson, building to the raw, angst-driven power of the chorus, ‘Meat Head’ addresses the assumption some people feel they have over other peoples’ bodies. Addressing rape culture head on (“My body is my body it’s not yours to confiscate… I can’t live in a world where you can break somebody and get away with it.”), it’s a massively infectious, energy-fuelled anthem that carries with it a poignant, and pointedly relevant, message.

With ‘Meat Head’, Gaffa Tape Sandy have shown themselves to be not only creators of fun-filled summer delights, but a necessary voice at a time when as many people as possible need to be encouraged to speak up against all that’s wrong with the world.

 

Mari Lane
@marimindles

Track Of The Day: New Optimism – ‘Jetsetters’

Playful electronics and pop hooks galore, NYC’s New Optimism has shared her latest track ‘Jetsetters’. The track is taken from her upcoming EP Amazon To LeFrak, which will be released via Phantom Limb on 27th July.

A co-founder of Cibo Matto and a collaborative partner of Gorillaz (she was the voice of Noodles), The Beastie Boys & John Zorn, it’s no wonder New Optimism’s (aka Miho Hatori’s) sounds are sharply produced and catchy as hell. Her previous experiences have informed the strange, all encompassing experimental pop music she creates now under her new moniker.

The name New Optimism “is a response to the post-postmodernist term ‘New Sincerity’, pertaining to contemporary anti-cynical and anti-ironical earnest creative expressions,” Miho explains. “‘New Optimism’ as a title means the opposite of this”.

We’re intrigued by Miho’s unusual new project. Listen to ‘Jetsetters’ below and follow New Optimism on Bandcamp for more updates.

Photo Credit: Kimisa.H

Kate Crudgington
@KCBobCut

Track Of The Day: Kiran Leonard – ‘Paralysed Force’

Following last year’s innovative Derevaun Seraun and its absolutely spellbinding predecessor Grapefruit, Manchester’s Kiran Leonard is back with news of an upcoming new album, Western Culture. 

Taken from the album, ‘Paralysed Force’ is a heart-wrenchingly beautiful creation. Perhaps more melodic in the conventional sense than some previous offerings, Leonard hasn’t lost any of the raw, soaring emotion and rich, intricate musicality I’ve come to know and love. I don’t like to focus on an artist’s age, but I feel like I’ve be a fan of Kiran Leonard forever, and yet he’s still just 22; from the frenzied intensity of ‘Pink Fruit’, to the sweeping, cinematic splendour of ‘Living With Your Ailments’, and now the impassioned majesty of ‘Paralysed Force’, he never fails to draw me in and create something truly epic. From first being blown away by him at Green Man Festival back in 2015, and then again at The Victoria and The 100 Club the following year, he continues to captivate with his  impressive sonic soundscapes.

Of this latest track, Leonard explains:

“‘Paralysed Force’ is about how insecurities you should settle within yourself often get transplanted onto other people you know. Projecting the question towards another allows you to shirk responsibility for your own wellbeing, but all this does is suspend the issue at hand, and prolong an inevitable falling back.”

The first album of Kiran Leonard’s to have been made in a professional studio, Western Culture is due for release 19th October via Moshi Moshi. Catch Kiran Leonard live at the following dates:

26th August – Leeds, This Must Be The Place
29th August – London, The Victoria
30th August – End of the Road Festival
8th September – Manchester, Partisan

Mari Lane
@marimindles