Track Of The Day: Barrie – ‘Tal Uno’

Brooklyn-based multi-national band Barrie met through a mutual friend at a community-run radio station, and recruited bassist Sabine through a Tinder profile set up to track down a suitable candidate. Now, having previously charmed ears with debut single ‘Canyons’, they’re back with another lush offering.

Filled with jangly hooks and swooning vocals, ‘Tal Uno’ oozes a totally dreamy, twinkling soundscape. As glistening synth-filled melodies glide alongside glitchy beats, it’s impossible not to float away in the shimmering, psychedelic haze that Barrie create.

Mari Lane
@marimindles

Track Of The Day: VOIID – ‘Silly Girl’

A raucous set of visuals that prove they have zero tolerance towards chip-stealing fraudsters, Brisbane bad asses VOIID have shared a video for their latest single ‘Silly Girl’. Directed by local Gold Coast resident Harley Jones, the video shows the band dismantling a ‘Silly Girl’ whilst rocking out to their riotous new tune.

Watch the video for ‘Silly Girl’ below and follow VOIID on Facebook for more updates.

Kate Crudgington
@KCBobCut

ALBUM: Skating Polly – ‘The Make It All Show’

Skating Polly transcend genres with their eclectic melodies and undeniable punk attitude – aiming to take on the world with the release of their fifth LP, The Make It All Show. Formed in Oklahoma City almost a decade ago by step-siblings Kelli Mayo and Peyton Bighorse, The Make It All Show sees the “Ugly Pop” multi-instrumentalist duo expand as a group. Not just by morphing into a trio, due to the addition of Kelli’s younger brother Kurtis on drums, but by expanding their already impressive sound, and flaunting their DIY punk-rock roots.

Opening with the infectious ‘Classless Act’, Skating Polly set the bar high for the rest of the record with politically charged screams (“I want better than that classless act”) offsetting grunge-inspired guitar riffs, before slowing everything down with ‘Little Girl Blue and The Battle Envy’ – perhaps their most poetic track to date.

‘Free Will At Ease’ picks up the pace with a bassline that defines the track’s power pop melody, before breaking into ‘Queen For A Day’ – co-written, and featuring guest vocals from Exene Cervenka (of the seminal punk rock band X) – a punk-rock song with a traditional punk-rock chorus full of raw emotion and glimpses of vulnerability.

Skating Polly instinctively let loose on ‘They’re Cheap (I’m Free)’, drawing their thrashing sound and ferocious vocal delivery from the riot grrrl movement – Kelli emulating Kathleen Hanna’s signature screech. Indie-pop track ‘Long Ride’ follows with duelling, multi-layered vocals about shitty friends, before tearing apart the misogynistic nature of the American frat-boy culture with future punk anthem ‘Camelot’ – “Are you upset? Did I hurt your little feelings?”

Continuing their soft/loud/soft dynamic – their more subdued, reflective verses leading way to drive and distortion, and vice versa – Skating Polly poke fun at the idea of “selling out” with ‘Hollywood Factory’; hooking you in with their sarcastic wit, before expressing their frustration with yet more shitty friends on the Queens of the Stone Age inspired track ‘This Vacation’. The final two tracks – the rhythmic love song ‘Flatwound Strings’, and the gentle, piano-driven ‘Don’t Leave Me Gravity’ – bring closure to The Make It All Show with their comforting harmonies, and prove that Skating Polly have honed their own, distinctive style.

Over five records Skating Polly have displayed maturity as songwriters, having grown-up producing music under the watchful eye of both their fans and their peers. The band wear their influences on their sleeves, crossing genre boundaries with their unique and varied sound, and as performers they just ooze pure unadulterated chaos. The Make It All Show proves that Kelli and Peyton have not lost any of their punk-rock grit. Skating Polly vs. the world.

The Make It All Show is out now via El Camino Media.

Ken Wynne
@attackplanetb

Photo Credit: Amina Cruz

 

LIVE (Photos): The Great Escape Festival 2018

The Great Escape kicked off UK festival season in sun-soaked style last weekend, and it’s taken us a few days to gather our thoughts on the prolific 3-day event, renowned for championing new music. Spread across multiple venues in Brighton, we managed to catch some of the brightest talents in between sunbathing on the beach and consuming our body weight in fish & chips.

Irish beauts Pillow Queens kicked off proceedings with their packed set at The Prince Albert on Thursday afternoon, setting a high standard for the rest of the weekend, before Scottish alt-rockers The Ninth Wave blew us away at Horatios at the end of the Pier. They had three shows by the sea, so they definitely made waves.

Soccer Mommy

Gracing the brand new Beach House stage were Snail Mail and Soccer Mommy, and both performed to big crowds with their catchy slacker-pop anthems. We saw out Thursday in spectacular style at The Hope and Ruin with our favourites Queen Zee. Their packed set included a cover of Dizzee Rascal’s ‘Bonkers’ and their usual crowd-pleasers ‘Boy’ and ‘Sass Or Die’.

Queen Zee

We partied a little too hard post Queen Zee, so Friday was pretty hazy until our favourite rock-pop duo REWS blew our hangovers away with their set at the Beach House. We caught this duo in 2016 at The Speigltent and since then they’ve signed to Marshall Records, released their debut album Pyro, and have started sharing their singles in America. These girls are exceptionally talented and always entertaining to see live.

REWS

We had high hopes of catching Bodega, but the queue outside The Haunt was longer than the equator, so we took off in search of venues supporting The Alternative Escape. We caught some of psych-rockers Strange Cages before calling it a night.

Saturday started off with Canada’s Partner, who were a complete joy to watch live at The Walrus. We caught some final rays of sunshine and had our last portion of chips before heading over to Sticky Mikes Frog Bar to catch Copenhagen’s Nelson Can, who were ultra-cool all clad in white. We spotted Brighton’s ARRX on the barrier watching them too. Electronic one-woman-wonder Elsa Hewitt was the last act we caught in Komedia before the festival was over. She hypnotised us with her well-crafted electronic sounds.

Our photographer Jon Mo was arguably the most productive man in Britain over The Great Escape weekend and he managed to catch all the bands we didn’t (aside from Dream Wife, who unsurprisingly packed out The Beach stage to capacity.) Check out his incredible shots below. Brighton, we’ll see you again in 2019!

Audiobooks

Brooke Bentham

Chroma

Hatchie

Jealous Of The Birds

Stella Donnelly

Photo Credit: Jon Mo

Kate Crudgington
@KCBobCut