WATCH: HMS Morris – ‘Family Souls

‘Family Souls’ – the latest single by the Welsh art-rock band HMS Morris – is as fun and surreal as the band’s name suggests. A joyful collage of a song, it brings together elements of soul, funk and indie to create a bouncy pop banger that’s both experimental and perfectly polished.  

Reminiscent of Tuneyards, ‘Family Souls’ quickly wedges its way into your brain, as front person Heledd Watkins unleashes the song’s infectious, angular hook. When she dreamily utters “yeah, yeah, yeah, yeah” it blends jerky instrumentation with sweet pop harmonies like a wonky ’60s girl group. 

At the heart of the song is a creative conundrum. The lyrics explore why Watkins finds it hard to perform in front of her family or, as the band put it: “the dissonance between Heledd’s roles as a dutiful west-Walian daughter on one hand, and as a badass creative force to be reckoned with on the other.” As the front person of a band with such vibrant eccentricity, it’s hardly surprising that Watkins wrestles with this. But I hope she resolves it soon; if this song and the incredible video are anything to go by, her family are missing out on an incredible performer! 

Created by Trigger Happy Creative, watch the new video below:

‘Family Souls’ is out now via Bubblewrap Records.

Vic Conway
@thepicsofvic

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LISTEN: jellyskin – ‘Bringer Of Brine’

A heady rush of thumping beats, smooth vocals and dense synth textures, jellyskin have shared their latest single ‘Bringer Of Brine’. Taken from their upcoming debut album In Brine, which is set for release on 9th June via Wrong Speed Records, The Leeds-based duo combine their eccentric ideas with throbbing percussion and commanding electronics to create their techno-inspired, industrial sounds.

Formed of Will Ainsley and Zia Larty-Healy, jellyskin have spent the past four years meticulously writing and recording their debut record between Leeds, Liverpool, Bristol, Palamos and Berlin. The pair invited Berlin-based producer Lewis D-t to co-produce, mix and master In Brine, and to “finesse the tracks into fat-free hunks of ecstasy and sonic exploration”. The result of this collaboration is a record that brims with a palpable sense of urgency and euphoria, with narrative themes that range from intense longing and desire, to misadventure by the sea and aquatic apparitions.

jellyskin somehow combine all of these elements on their latest single, ‘Bringer Of Brine’. Accompanied by a music video, shot and directed by Misha Warren, jellyskin star in the nautical themed visuals, which compliment the themes they explore on In Brine. Following high-profile UK festival slots and shows alongside luminaries, The Brian Jonestown Massacre, Warmduscher, Sea Power, Moonlandingz and The KVB, and with their debut album on the horizon, 2023 looks set to be an exciting year for jellyskin.

Watch the video for ‘Bringer Of Brine’ below.

jellyskin’s upcoming debut album In Brine is available for pre-order from 5th May via bandcamp

Follow jellyskin on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Misha Warren

Kate Crudgington
@KCBobCut

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LIVE: Ailbhe Reddy – Moth Club, London 18.04.23

“I’m a one trick pony” joked Ailbhe Reddy to her attentive crowd at Hackney’s Moth Club last week. Referring to the similar content of the songs that make up her latest album, Endless Affair – “this one’s about being hungover” – Reddy’s self deprecating remarks and tender, clear vocals charmed her listeners at the East London venue.

Opening her set with bittersweet anthem ‘Between Your Teeth’, which is taken from her debut album Personal History, Reddy was backed by a full band for the majority of her show. Pausing briefly between songs to share personal anecdotes, including her memory of the disastrous last time she played piano live – “I covered a little song called ‘Imagine’, don’t know if you’ve heard of it? It didn’t go well” – Reddy’s headline performance made up for her past mistakes.

With a setlist full of tracks from her second album Endless Affair, Reddy delivered great renditions of ‘Inhaling’, ‘Shoulderblades’, ‘Last To Leave’ and the hugely relatable ‘Shitshow’, on which she scrutinizes her drunken reflection. On record, Reddy’s poetic, vulnerable lyrics are balanced alongside her wry humour, and this translated well in a live setting too. Whether Reddy was learning to “take love where it’s planted” on the beautifully sincere ‘Bloom’, trying to get under and ex’s skin on ‘ILYW’ (‘I’m Losing You’re Winning’), or simply owning up to being ‘A Mess’, she managed to retain these key elements of her craft under the spotlight.

Songs from her debut album, Personal History, also made the cut, including ‘Looking Happy’ and the title track, on which Reddy passionately repeated the lyric “I don’t want to go on dates / and hear personal history / I don’t want to share my own / unless it’s you listening”, which proved to be a real highlight of the set.

Whilst Reddy clearly relished playing with a full band behind her, there were moments when the collective volume of the instruments overpowered her vocal. This was atoned for at the end of the set, when she played her final three songs solo. Closing the night with the emotive ‘Pray For Me’, which was dedicated to her late Grandmother, Reddy’s crowd listened intently as she shared stories about the “wordless promises” she made to her relative in the latter stages of her life. It was a poignant and powerful note to end the set on, and one which will ensure fans keep coming back to see Reddy play live again.

Follow Ailbhe Reddy on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo credit: Niamh Barry

Kate Crudgington
@KCBobCut

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WATCH: Alex Lahey – ‘They Wouldn’t Let Me In’

Following the release of lead single ‘Good Time’, the infectious ‘They Wouldn’t Let Me In’ is the latest single from Australian artist Alex Lahey‘s upcoming third album and debut for Liberation, The Answer Is Always Yes; a reflective post-punk track inspired by the isolation she experienced during her teenage years. “I spent a lot of time thinking about my own experiences growing up as a queer teenager…being excluded from conventional romantic rites of passage…feeling like I couldn’t relate to anyone around me.”

Finding inspiration after watching the coming-of-age TV romantic comedy-drama ‘Heartstopper’ (adapted from the webcomic of the same name by Alice Oseman), Alex put into words those tough moments many queer teens experience as they try to adapt to a seemingly non-inclusive world: “I couldn’t get into the bar or the church / Or the backseat of your mother’s car / The club or the bus or the band where no one plays guitar / The dance at your school / Or the change rooms at the swimming pool / The haunted house down the street / That all those people died in…”

Venturing into a furniture store for the accompanying music video – co-directed with Claire Giuffre – Alex Lahey furnishes us (literally!) with a multitude of emotions. Through self-discovery, co-writing alongside Chris Collins, she revels in the absurdity through propulsive rhythm and cathartic honesty; finding comfort in discomfort.

“Living in a world that wasn’t made for you makes you pretty strong and adaptive… It also makes you realise how absurd everything is. With this record, I wanted to get weird because the world is weird, and it’s even weirder when you realise you don’t fit into it all the time.”

“They wouldn’t let me in / C’mon just let me in / Why don’t you just fucking let me in?”

The Answer Is Always Yes, the upcoming album from Alex Lahey, is set for release on 19th May via Liberation.

Ken Wynne
@ken_wynne

Photo Credit: Pooneh Ghana

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