PREMIERE: Dream Phone – ‘Bad Girls’

Having been completely blown away by Oxford duo Dream Phone when they played live for us supporting Me Rex last month, I was thrilled to hear they’ll be releasing their debut EP in May. Counting BBC Radio 6Music amongst their fans, and sharing stages with the likes of Cheerbleederz and Supermilk, the duo started off as a pop-punk guitar and drums duo, before transforming into the wonderful auto-tuned glitch-pop sensation that we know today – ready to unleash more of their utterly unique sonic delights to the world.

Taken from the EP, new single ‘Bad Girls’ offers a joyous ode to Buffy and Faith (from best TV show ever, Buffy The Vampire Slayer), celebrating friendship and discovering your “bad side” as Jenny Bell and Hannah Watts’ sparkling charisma and vibrant energy shine through. Showcasing the duo’s ability to combine quirky voice augmentation with infectious, synth-driven glitch-pop soundscapes, it harks back to the innovative layering and sampling of Kathleen Hanna’s solo Julie Ruin record; oozing a euphoric riot grrrl inspired drive, whilst maintaining Dream Phone’s trademark playful allure. Of the track, Jenny explains:

“Bad Girls is about the excitement of making a new friend who has a big influence on you, and finding your partner in crime. When we’re not jumping around in Dream Phone, we spend a lot of our downtime watching Buffy – and in the ‘Bad Girls’ episode I love that Buffy is able to cut loose with her new friendship with Faith. We originally wrote the song as a simple guitar and drums pop punk song, and recently transformed it into this new glitch-pop sound”.  

Since the immense excitement of seeing them live last month, it’s in no way an exaggeration to say that I have not stopped thinking about Dream Phone (aka my new favourite band)’s wonderfully wacky and truly original offerings, and will be hitting repeat on the glorious hype-pop tenacity of ‘Bad Girls’ for the foreseeable future.

So, don your knee-high boots and wooden stakes, watch the new video for ‘Bad Girls’, and feel instantly better about life!

The self-titled debut EP from Dream Phone is set for release on 19th May via Divine Schism.

Mari Lane
@marimindles

mariangelicalaneLeave a comment

NEW TRACK: CLT DRP – ‘New Boy’

A visceral, incendiary anthem exploring the conflicting thoughts in the aftermath of a breakup, Brighton Feminist Electro-Punks CLT DRP have shared their latest single ‘New Boy’. Released via Gallows’ label Venn Records, who the band have recently singed to, the track is a rush of potent emotion, from it’s candid opening line about barely affording therapy, to its various cathartic, noisy breakdowns.

“‘New Boy’ reflects a very manic immediate post-break-up brain. As if I was sitting in therapy desperately trying to figure out why it didn’t work,” explains vocalist Annie Dorrett. “I was switching from hyper-independence to then trying to find love literally anywhere else around me. A lot of questioning my gender, sexuality, and past painful history. Hence ‘New Boy’ — hoping for a new love interest but also me coming out of the heartbreak era a ‘New Boy’.”

Dorrett’s ruminations have resulted in an urgent four minutes of genre-bending sound. Their crystalline vocals cut through the cacophony of knockout drumming and corrosive riffs that are doused in FX, providing listeners with a burst of intense, vital energy. ‘New Boy’ is lifted from CLT DRP’s upcoming album, which is set for release later this year. The single is accompanied by a video, directed by Harry Steel, which shows the band in their natural habitat: sweating it out under a spotlight.

“The three of us have never actually featured in a music video together so we thought it was time to get a high energy group music video to really show the force that is the three of us playing live,” says Dorrett. “The playfulness and energy that comes with the excitement of the recorded sound. Harry Steel did an incredible job of capturing our natural performances, both as a team and individually. The video beams personality and attitude—it’s a perfect insight of what to expect from our band live.”

CLT DRP are gearing up for an extensive run of UK and EU live dates and festival appearances this year, including a support slot with label-mates Tokky Horror alongside the iconic Alice Glass. Full details below.

Watch the video for ‘NEW BOY’ here:

CLT DRP UK Live Dates 2023
08th Apr – TakeDown Festival @ Portsmouth Guildhall (UK)
26th Apr – Belgrave Music Hall, Leeds (UK) *^
27th Apr – Hug and Pint, Glasgow (UK)
28th Apr – The Lodge, Manchester (UK)
02nd May – Concorde 2, Brighton (UK) ^
03rd May – Voodoo Daddy’s, Norwich (UK)
04th May – Shacklewell Arms, London (UK)
05th May – Exchange, Bristol (UK)
06th May – Zerox, Newcastle (UK)
11th May – The Great Escape Festival, Brighton (UK)

^ w/ Alice Glass
* w/ Tokky Horror

Follow CLT DRP on bandcamp, Spotify, Twitter, Facebook & Instagram

Photo Credit: moralxdecay

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

NEW TRACK: The Pearl Harts – ‘Hypocritical’

Described as a “bratty, fun” song to scream along to, London-based duo The Pearl Harts have shared their latest single ‘Hypocritical’. Lifted from their upcoming second album Love, Chaos, which is set for release on 21st April via Double Bang Records, the track is full of swaggering riffs, commanding beats and chant-worthy lyrics that bite back at the restrictive stereotypes surrounding women in rock.

“’Hypocritical’ is influenced by the hi-octane pop of Miley Cyrus and Gwen Stefani with the punk attitude of ‘Impeach My Bush’-era Peaches,” the band explain. “It’s an empowerment song for women and girls taking on the world.” Following on from their previous single ‘More’ – a defiant declaration of self-autonomy that demands listener’s full attention – The Pearl Hart’s latest cut flows in a similarly unapologetic vein.

Across the twelve tracks that make up their new album, Love Chaos, which they produced in collaboration with Danio (Husky Loops, Kari Faux), the duo reflect on what it means to stay true to themselves in the face of adversity – whether that’s on a personal or industry level.

“As women in rock’n’roll we have had to fight and unpick a load of history and patterns to accept ourselves as we are today,” they explain, “Shake off the ‘good girls’ we have been brought up to be’, not to become ‘bad’ but to become our real, true, authentic selves. We are starting a new conscious pattern of how we want to play rock’n’roll our way. We don’t just have to be hard, tough women. We can be sensitive ones too.”

Fuelled by this new attitude, The Pearl Harts will be touring their new music across the UK & Ireland this Spring, with HotWax as support. Full details below.

Watch the video for ‘Hypocritical’ here:

The Pearl Harts UK Tour Dates 2023
3rd May ST ALBANS The Horn
4th May NORWICH Voodoo Daddy’s
16th May LONDON The Lower Third
17th May BRIGHTON The Prince Albert
18th May PORTSMOUTH Edge of the Wedge
19th May BRISTOL The Lanes
25th May BELFAST Voodoo
26th May DUBLIN, The Workmans Cellar
27th May LIMERICK Kasbah

Follow The Pearl Harts on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: @del_photos

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

New Track: The Empty Page – ‘Level Sedentary’

In a world that moves so quickly, it’s refreshing to hear a song that praises slowness. The second single from previous GIHE headliners The Empty Page’s second album, ‘Level Sedentary’, is an empowering slice of ’90s-inspired indie rock, which applauds the time we spend doing nothing at all. 

Front person Kel explains: “I heard John Cooper Clarke say something like, you need two things to be a writer, a pen and idleness. I want to celebrate idleness in this song.” And the band certainly does. Kel’s gritty vocals are long and languid as she sings about being flat and still, buoyed further by fuzzy layers of instrumentation courtesy of guitarist Giz. 

The song’s middle section is a chaotic clash of experimental piano and doom-laden distorted guitar, reminiscent of Sonic Youth. This helps to make ‘Level Sedentary’ a whopping four and a half minutes long, so it’s far from a punchy pop banger. Instead, it’s a song that you can really bask in and savour; much like those idle, lazy days that Kel sings of.

Produced by Morton Kong, ‘Level Sedentary’ is out now.

Vic Conway
@thepicsofvic

killingfantasy6583Leave a comment