Track Of The Day: Venus Grrrls – ‘Violet State Of Mind’

Having received acclaim from the likes of BBC Radio 1’s Jack Saunders for their 2021 EP Potions, Leeds rockers Venus Grrrls have now blasted into our ears with the perfect “hot-girl-summer anthem”.

Coming in at just 2.20 minutes long, ‘Violet State Of Mind‘ is an explosive track that deserves full head-banging energy from start to finish. Opening with a fuzzy bassline and thick distorted guitars, Venus Grrrls blend ’90s riot grrrl energy with ’80s synths creating a colossal wall of sound. It’s no surprise they are inspired by bands like L7, Veruca Salt and Bikini Kill.

The formidable vocals sit clean and crisp against the gritty, raw musicality and are really the centre-piece of the track. Lead singer GK’s vocals are seriously impressive; the climactic power note at 1 minute 36 totally blew me away.

The chorus is catchy and the group vocals offer a sense of fun and unity. With lyrics like “our egos are losing, the bar is closing”, it seems that Venus Grrrls aren’t trying to be profound – it’s simply a song about the chase and playing hard to get on a night out. And, as the band explain: “we want this song to be on your get ready playlists and allow you to reach into those inner deities that we know you are.”

‘Violet State Of Mind’ keeps us captivated with moments of quiet between the loud, and the chaotic feedback-swamped guitar panning left to right in the outro was a nice touch for the song’s climax.

You can check out Venus Grrrls this weekend at Truck Festival or on 28th July if you are at Kendal Calling. Otherwise, keep an eye out for gigs from this dynamic and energetic 5-piece!

Ella Patenall
@ellapatenall


Photo Credit: Tash Koziarska

Track Of The Day: Well Yeah – ‘Ritmo’

As a fan of instrumental act Los Bitchos, I was excited to discover Well Yeah – a band led by their former guitarist Carolina Faruolo. Describing their latest release ‘Ritmo’ as “Manchester meets Latin America”, I was intrigued. It’s their second single since their debut ‘Hello’, a track combining atmospheric guitar lines and a classic latin pop rhythm. 

‘Ritmo’ starts with a lush synth pad and Santana-style guitar lead, making the Latin American feel immediately obvious. Flowing with a lounge-inspired, chilled out energy, it provides the perfect accompaniment for the the unusually warm English weather we’re having right now. 

As the opening two minutes introduce you to the track’s swirling refrain, it soon builds as Well Yeah cleverly and subtly give us a change in tempo and energy, bringing the song fully to life in a burst of vibrant musicality. The bass steps up to a funkier and more energetic groove, the drums intensify and a rich Hammond organ enters, creating a funk-fuelled retro vibe reminiscent of ’90s rave culture and ’60s psychedelia. 

The song continues at this pace before a moment of quiet where just the bass plays, before hitting us with an colourful climax of synth horns, funky bass and latin rhythms all fused together with polished production. The animated drive of the track brings to mind a fun-filled amalgamation of Primal Scream’s ‘Loaded’, The Happy Mondays, and Peruvian Cumbia band Los Detellos.

Ultimately, instrumental music needs to work harder to keep people engaged, and Well Yeah are certainly a band who can pull it off. If you like this track, give their B-side ‘Magic’ a listen too and cross your fingers to for some gigs in the near future!   

‘Ritmo‘ is out now via Strong Island Recordings and was recorded live in Well Yeah’s own studio in Brunswick Mill, Manchester.

Ella Patenall
@ellapatenall

EP: deep tan – ‘diamond horsetail’

Infectiously off-kilter, Hackney-based queer punk trio deep tan have re-emerged with their sophomore extended play, diamond horsetail; five minimalistic DIY tracks of uncompromising post post-punk. Following the shimmering psychedelic pop of 2019 singles ‘Air’ and ‘Shimmer’, and the haunting discordant hooks of their subversive debut EP – 2021’s creeping speedwells – diamond horsetail propels deep tan’s otherworldly sound into the exosphere through dissonant guitar riffs, eccentric bass-lines, syncopated rhythm, and intimate vocals. Embracing the seductive allure of their swirling sound, guitarist/vocalist Wafah Dufour, bassist Celeste Guinness and drummer Lucy Rushton will hypnotise listeners into questioning their identity.

Hitting hard with opener ‘beginners’ krav maga’, deep tan explore angular arrangement on a track that is as aggressive as its own namesake; contact combat! Juxtaposed over an irresistible twangy groove, Wafah’s soft, dexterous, and often critical vocals remind us that learning self-defence will unfortunately not help most women feel safe walking alone at night (male violence is an epidemic) – “I stand outside / I bide my time / Wait for the mood to pass / Night-time checklist / Keys in a fist / In the dark can’t relax.”

Inserting itself into your brain, ‘device devotion’ follows as an ode to deep tan’s browser history; the trio share their fascination with (and critique of) internet subcultures – from lobster erotica to vore-porn subreddits – hooking you in with delicate vocal notes and erratic instrumentation. The presence of the world wide web also influences ‘gender expansion pack’, a mostly instrumental track utilising WikiHow hypnosis through subliminal messaging. Underlying spoken word is low-pitched to a subliminal frequency allowing deep tan to challenge cis-het men – “the demographic that buys most of our vinyl” – into exploring their gender.

Caught with his hands down his pants, Rudy Giuliani’s public image melts under deep tan’s sardonic black humour during the “diss track you never asked for” ‘rudy ya ya ya’ – “We’re seeking law advice / ‘Cause he’s a legal eagle supersized / A considerable adversary / Rudy ya ya ya / Giuli ya ya ya!” – before the cathartic title track disturbs with abrasive outbursts of ancient and justified rage.

Maintaining their intensity, deep tan crescendo into a cataclysm of obliterating melody and anthemic vitriol; channelling the chaos of The KLF, the defiant attitude of The Slits, and the gloomy new wave of Joy Division. And yet diamond horsetail isn’t constricted by influence. Every detail has been carefully considered in the creation of deep tan’s strangely addictive sound, further developing their identity through ceaseless DIY punk energy.

diamond horsetail is out now via Practise Music.

Ken Wynne
@Ken_Wynne

Photo Credit: Alex Matraxia

Track Of The Day: Electric Pets – ‘That Way’

‘That Way’, the second single from Electric Pets’ debut EP is a bold, empowering battle-cry for anyone who’s ever felt like they don’t fit in. Opening with the raw power of Emma Buckley’s unwavering vocal, the lyrics defiantly tell us who Buckley is and dismiss what others tell her she should be.   

But the song’s intimate, confessional tone soon steps up, buoyed by scuzzy, swaggering guitars, to become a proper garage-infused rock ‘n’ roll banger. Buckley sings: “Maybe I should bite my tongue and try to play the game?” But we know she won’t. This is a front-person – and a band – that doesn’t play by the rules. Of the track, Buckley explains:

“You could say ‘That Way’ is my autobiographical ‘f**k you’ to the music industry. I spent so long being too much of something to someone and not enough of the same thing for someone else. I needed to remind myself who I was.” 

And it really is the perfect redemption song. With its sassy, grown-up pop polish and uncompromising lyrics, ‘That Way’ is a great introduction to a band that are brave and completely badass. More please!

Vic Conway
@thepicsofvic

‘That Way’ is taken from Electric Pets’ Rhinoceros EP, which is out soon on Reckless Yes records.