Track Of The Day: Fears – ’16’

Transforming her ruminations on a troubled past relationship into an elegant, exquisitely raw new offering, Irish musician and producer Constance Keane aka Fears has shared her latest single ’16’. Released via her own imprint TULLE, the track is a combination of meditative synth loops, tentative beats – inspired by the traditional Irish bodhrán drum – and the instrumentals of her late friend, classically trained cellist and trans rights activist Sophie Gwen Williams, which all mesh together to create a truly soothing, magnetic soundscape.

Accompanied by a beautiful video, shot in The Maharees in County Kerry in south west Ireland and directed by Zoe Greenway who performs alongside Keane in punk band M(h)aol, the visuals are a poignant tribute to Williams too.

“Sophie was an incredible artist and a very close friend of mine,” Keane explains. “We did a filmed performance together last March, thinking we’d get a chance to record it ‘properly’ in a studio, but she passed away before we could. Zoe and I dedicate the video for ’16’ to her memory. I had made her a dress for the original performance out of pink tulle – the same fabric I have with me in the video. She was a really inspirational and encouraging person, and I wanted to create something that shows how I carry her with me, even though I no longer have her physically here.”

Using her art as a canvas to express and process her grief, Keane’s soft vocals and candid lyrics – “It’s been a while since I cried / unusual for me / normally once a week / since we were 16” – combine to create a delicate, shadowy landscape for her listeners to dwell in. On her debut album Oíche, she underwent a significant and moving personal metamorphosis and now with ’16’ she continues to shapeshift and thread her own experiences into immersive, illuminating sounds.

Fears will perform live in London as part of a TULLE Collective showcase on 7th May at Chat’s Palace. Watch the video for ’16’ below.

Sophie Gwen Williams was an acclaimed performance artist, classically trained musician and trans rights activist from Northern Ireland who co-founded We Exist, a charity which raises vital funds to help trans people across the UK pay for healthcare costs. She was also the chair and one of the original members of The 343, a Belfast-based queer art collective. Here she also founded 343 radio, which is Ireland’s first ever queer radio.

Follow Fears on bandcamp, Spotify, Instagram, Twitter & Facebook
Follow TULLE on Instagram & Twitter

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

Track Of The Day: Francis of Delirium – ‘The Funhouse’

“This is a call to arms” sings Jana Bahrich aka Francis Of Delirium in the opening to her latest single ‘The Funhouse’, instantly commanding listeners with her grungy riffs and clear vocals. A reflection on the manic and disorientating mindset that’s been accepted as “the new normal” over the past few years, Bahrich’s track is a cathartic rush of angst that questions what’s “left to believe” in such an overwhelming world.

“’The Funhouse’ is largely about how we are adapting to the chaos that is present in our everyday lives,” Bahrich explains about her new single. “The way it can feel that the world is crashing down around us and in order to protect ourselves, we become numb to the sheer terror of it all. Sort of like walking through a funhouse and attempting to remain un-phased by the mayhem that surrounds you.”

Through her frantic riffs, urgent vocals and conflicted lyrics, Bahrich explores the strange mix of apathy, adrenaline and dread that we’ve all been ricocheting between since the Covid-19 pandemic hit in 2020. The track is accompanied by a self-directed video, with its fast-paced editing and flashing lights reflecting the chaos she sings of. Despite its uneasy context, ‘The Funhouse’ is a powerful dose of riotous guitar music that breaks down the remnants of underlying anxiety that originally fuelled it.

Watch the video for ‘The Funhouse’ below.

Follow Francis Of Delirium on bandcamp, Spotify, Facebook, Twitter & Instagram

Francis of Delirium will play their first-ever North American tour supporting The Districts this spring.

Photo Credit: Pit Reding
 
Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

Track Of The Day: Maria BC – ‘Good Before’

An atmospheric rumination inspired by the joy you can find in a moment of spontaneity, Maria BC has shared their latest single ‘Good Before’. Taken from their debut album Hyaline, which is set for release on 27th May via Fear Of Missing Out records in the UK, the track is an uplifting, ambient offering that sees the songwriter embrace a sudden influx of new inspiration.

Following on from their dreamy debut EP Devil’s Rain (2021), on Hylaine, Maria BC has created another tender collection of songs that “Let the world wash over you…rather than trying to pin it to one single thing.” This immersive quality was captured beautifully on previous single ‘The Only Thing’ but ‘Good Before’ filters these tendencies through a slightly poppier lens, whilst retaining their soothing vocals and tentative guitar picks.

“I wrote ‘Good Before’ in 2019, before any of the other songs on Hyaline — and before any of the songs on Devil’s Rain, for that matter,” Maria explains. “I put it away for a while because I thought it was too poppy, but eventually I got over that. Now it holds a special place in my heart. Some of the lyrics came to me on the highway, when the sun was starting to rise, and I was running on no sleep, just Dunkin’. It’s unusual for lyrics to come to me ~in the wild~ like this. I like to block out time to sit in a spot and write. That’s just my style. When inspiration comes to me out of nowhere, I’m immensely grateful.”

Listen to ‘Good Before’ below.

Follow Maria BC on bandcamp, Spotify, Instagram, Twitter & Facebook

Photo Credit: Ulysses Ortega

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment

LIVE: A.A. Williams – Lafayette, London 04.03.22

After two years of re-scheduling show dates and a tentative return to live music across the UK, London-based songwriter A.A. Williams delivered a stunning performance that showcased her heavy sound in all its glory at Lafayette last night.

A classically trained multi-instrumentalist, Williams’ blending of post-rock and post-classical elements has a hypnotising quality, one that was clearly appreciated by her silent crowd. It’s rare to hear a venue so quiet between songs, but Williams congregation remained devotedly still throughout her set.

Performing songs from her debut album Forever Blue, which she released in 2020, Williams opened the show with an exquisite rendition of ‘All I Asked For (Was To End It All)’. Her soft vocals floated above beguiling keys before heavy riffs and percussion broke the spell and dominated the track’s closing minute. What’s obvious throughout the set is Williams’ and her bandmate’s impressive instinct for volume fluctuation. Her balancing between loud and quiet is the lifeblood of Forever Blue, and it’s something that translates beautifully into a live setting.

Suited in black and playing her guitar in the spotlight, Williams cut a calm and captivating figure, enhanced by her ability to switch from a fragile-sounding exhale of words to a powerful extended vocal. Her voice was occasionally lost in the flood of heavy, feverish sound, but in the moments where it did cut through, it made for intense and cathartic listening, effortlessly elevating the rapturous mood.

It’s hard to pick standout tracks from the set, as Williams’ performance had a whole, defined, cinematic quality to it. Her poignant renditions of ‘Dirt’, ‘Fearless’ and the emotionally raw ‘I’m Fine’ made listeners hold their collective breath, but closing her set with ‘Melt’ was undoubtedly a highlight. The smouldering, brooding track was stripped of its more melancholic feel once the blitz-like volume change kicked in, once again displaying Williams’ and her bandmate’s instincts for intricately cauterizing the ear drums.

Taking time to thank her fans between songs and genuinely appreciative of their applause at the end of the show, A.A. Williams provided an aural tonic of intense, beautifully executed sound at Lafayette, proving that the two year wait to hear her poetic ruminations on Forever Blue was well and truly worth it.

Follow A.A. Williams on bandcamp, Spotify, Instagram, Twitter & Facebook

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment