Veta Records & Get In Her Ears LIVE @ Servant Jazz Quarters w/ HAVVK, 06.12.18

Having just launched their utterly compelling and intensely poignant new single ‘Always The Same’, last Thursday GIHE faves HAVVK headlined East London venue Servant Jazz Quarters. To celebrate the release, the band’s label Veta Records, with a little bit of help from yours truly, put on a night filled with great vibes, awesome women and – of course – the best live music.

Kicking off the night’s music is Birmingham born, London based artist Rookes. Delivering her rich, sweeping vocals alongside shimmering melodies and infectious swirling loops, she treats our ears to anthemic pop anthems with her distinctive sparkling charm. 

Second band of the night After London have already wowed us once with their live show at The Finsbury earlier this year, but tonight they succeed in completely blowing us away. With an immense energy and alluring charisma, they deliver their gritty alt-rock with the soaring power of front woman Francesca’s vocals taking an empowering hold.

Gracing the stage to headline this intimate venue, HAVVK make their welcome return to their London fans with a subtle captivating power. Powered by front woman Julie’s trademark celestial vocals, the band treat us to offerings old and new. From the sparkling emotion of tracks such as ‘Take It Away’, to the grittier edge of latest single ‘Always The Same’,  each and every moment spent with HAVVK is one of exquisite, spine-tingling splendour.

Huge thanks to all involved for making the night so special! Catch some more of the best live music at The Finsbury this Friday 14th December, with Fightmilk, Handsome Eric, Hanya and Candy Cane!

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

Get In Her Ears Live @ The Finsbury w/ Wendy Rae Fowler, 14.09.18

Following a host of super amazing bands playing for us recently – including LIINES, Witch Fever, The Magnettes, H.Grimace, The Menstrual Cramps and Thunder On The Left  – we were back at The Finsbury on Friday for another jam-packed night of the best new music.

Kicking things off, the absolutely stunning Caswell returns to play for us – full band in tow – after captivating us all last year. As her silky smooth, luscious vocals soar alongside deep pulsating beats and twinkling soundscapes, she charms the crowd with the uplifting, sparkling splendour of her catchy creations.

Next up, utterly immense duo Belle Scar take to the stage. Delivering her sweeping, majestic offerings, Geeta casts her spell over us all an instant. As the intense power of her spectacular vocals ooze a beguiling grandeur alongside innovative, mind blowing hooks, she shimmers and shines with a unique grace.

Penultimate band of the night, the many members of After London, treat the jam-packed venue to their anthemic alt-rock with an infectious, uninhibited energy. As front woman Francesca’s gritty, soulful vocals cascade over swirling riffs, the band draw us all into their high-octane creations, cementing themselves as definite ones to watch.

Finally, Wendy Rae Fowler and her band (including GIHE fave Jemma Freeman) take to the stage, immediately capturing our attention with a completely immersive presence and innovative soundscape. As Fowler’s deep, resonant vocals soar with a spellbinding power, whirring hooks and tribal beats create a captivating, cinematic atmosphere, filling the room with a sense of wonder; a soul-grabbing, breath-taking set that I’m truly honoured to have hosted.

Massive thanks to all the artist who played for us on Friday – it really was an amazing night of live music, and we’re so grateful to have you all play for us!

Catch us next month at The Finsbury for our Blogtober event on 12th October with Peach Club! It will also be our website’s first birthday, so make sure you come and join in the celebrations!

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

 

PLAYLIST: February 2018

February might be the shortest month of the year, but it’s been a near impossible task for us GIHEs girls to scale down our choices for this month’s playlist. We’ve been overwhelmed by the sheer volume of new music that’s been flooding our inboxes, and we’re excited to finally share some of our favourites with you. Have a listen, head down to some of the gigs we’ve mentioned, and hold tight for another month of marvelous new music.

La Lune – ‘He Breathes Colour When I Feel So Grey’
‘He Breathes Colour When I Feel So Grey’ is such a beautiful sentiment and such a visual image. La Lune’s email popped into my inbox and within a couple of clicks I was listening… melting into my ears with its slow electronica and gentle murmuring vocals. A big slice of me. It’s taken from La Lune’s debut EP Bliss which is out NOW. (Tash Walker)

Complicated Animals – ‘Show Me’
If you dig 80s music, David Lynch films, and “dreamy synth-pop songs” – you’re going to love Complicated Animals latest single. The Brazilian-American duo’s track is a lush electronic exploration of the magic that happens when we experience pure, genuine human emotion in a world where most of our interactions are dictated by technology. (FYI – If you’re heading to see Greta Gerwig’s Lady Bird in a UK cinema this month, listen out for Monica da Silva’s song ‘Back To His Girl’, which is featured in the scene where Lady Bird is trying on prom dresses) (Kate Crudgington)

Sink Ya Teeth – ‘Pushin’
Having blown us away with their completely captivating live performance at The Finsbury last year, Norwich duo Sink Ya Teeth are fast becoming one of our favourite bands. Following the completely addictive sounds of ‘If You See Me’ and ‘Glass’, new release ‘Pushin’ is propelled by pounding beats and funk-fused bass hooks. Add Maria Uzor’s smooth, soaring vocals into the mix and the result is an utterly infectious, whirring soundscape that’ll have you up on the floor in no time. (Mari Lane)

Olivia Nelson – ‘Hideaway’ (K, Le Maestro Remix)
‘Hideaway’ came out in the dwindling days of 2017 and now it’s been freshened up by producer K, Le Maestro. Always one to go weak at the knees at the slightest hint of a remix, I have fellow GIHEs gal Kate to thank for giving me the heads up on this one. Strong beats, strong vocals and strong samples. Needless to say we’re stoked to have Olivia as a guest on Get In Her Ears Radio Show on the 8th February, so be sure to tune into that! (TW)

Black Gold Buffalo – ‘Lay It Down’
“Your mind will fester and your head will roll” sings Black Gold Buffalo‘s front woman Keziah Stillwell on new single ‘Lay It Down,’ a song she wrote about overcoming anxiety. It’s a well-crafted, slow-burning, beautiful track that I can’t wait to hear live at The Waiting Room on February 7th (gig details here). (KC)

After London – ‘Bitter Man’
If you’re looking for a slice of anthemic, alternative indie-rock, look no further than After London’s ‘Bitter Man’. The five-piece released their eponymous debut EP last month, and it’s a record that proves they’re well-rehearsed, wickedly talented, and ready for their launch party at Hoxton Square Bar & Kitchen on 7th February (RSVP here). (KC)

Soccer Mommy – ‘Cool’
I’m trying (and failing) to play it cool whenever I hear one of Soccer Mommy’s new tunes. She released the brilliant ‘Your Dog’ a few weeks ago, and she’s followed it up with the equally impressive ‘Cool’. I can’t wait to listen to her debut album Clean in full (released via Fat Possum Records on March 2nd) and hopefully hear a few of the tracks lives when she performs at Moth Club on March 6th. (KC)

Carolyn’s Fingers – ‘Her Howl’
‘Her Howl’ is the first official release from experimental pop band Carolyn’s Fingers and I just love it’s unexpected twists and turns with the vocals & samples plucking their way throughout the track. Carolyn’s Fingers sing about love, mental health, mythology and queer and social politics – this track in particular is about depression in what they describe as a weird but hopeful way. ‘Her Howl’ is 100% DIY, recorded and produced by themselves. Enough said. Get listening. (TW)

Partner – ‘Everybody Knows’
The latest single from our favourite Canadian duo, ‘Everybody Knows’ tells of the paranoia following one too many bong hits. Filled with a jangly guitar fuzz and delightful, sparkling harmonies, it gives a nostalgic nod to ’90s punk-pop whilst maintaining its own refreshing wit and sunny energy. Complete with impressive, racing licks, it’s a wonderfully infectious offering that’ll leave you longing for another hit of Partner’s playful, uplifting sounds. (ML)

Dream Wife – ‘Act My Age’
“Do I amuse you? Do I confuse you?” – Dream Wife’s vocalist Rakel confronts her listeners in trademark sweet & shouty style on this superb new track, taken from the band’s self-titled debut album (released via Lucky Number last month). Fearless on stage and now on record; Dream Wife’s debut is a joyful declaration of defiance and self-autonomy, designed to motivate listeners in to embracing life, love, and the fires that spark when you overcome adversity. (KC)

Blue Crime – ‘TYR’
I’m a bit late to the game on this one but as they say better late than never. Born in an Amsterdam bunker, Blue Crime are an experimental doom-pop/new wave four-piece self-described as a “trip from the disarming to the wrenching”. This track is taken from their debut EP TYR, released back in 2015 on their very own Meduse MagiQ label – an all female arts/music collective. ‘TYR’ draws you in with its hazy guitar and atmospheric vocals, like slowly falling into an endless kaleidoscope of music mist. Bliss. (TW)

The Nyx – ‘Patience’
Our favourite London rockers have released another new single to coincide with the appearance of another full moon, and we’re hooked on their powerful riffs and affecting vocals. We’re 99.9% sure The Nyx will be appearing on our monthly playlists for the remainder of 2018. #sorrynotsorry (KC)

Suggested Friends – ‘Mother Fucking Tree’
Taken from their fantastic self-titled album, this track oozes the band’s uptempo, ‘tweemo’ punk-pop and twinkling charm, showcasing the band’s infectious melodies and luscious harmonies as they tell frank, witty everyday life stories. Also, with amazing lyrics like “I thought you had a halo, but it was just the backlight from your iPhone…”, what is there not to love? We cannot wait to see them live next Friday, 9th February, at The Finsbury along with LIINES, Bugeye and Duck (RSVP here). (ML)

Kesha – ‘Praying’
Though I couldn’t bring myself to watch the whole of the Grammys last week, I did watch the full performance of Kesha performing ‘Praying’, taken from last year’s Rainbow. Though this song appallingly lost out to Ed Sheeran in the awards, her incredible, emotive performance of the track is the clear winner in my opinion. Surrounded by a mass of women dressed in white (including Cyndi Lauper and Camila Cabello), it was an exceptional, empowering moment in the face of all Kesha has had to go through with Dr Luke, and the challenges women in the music industry face in general (highlighted by the lack of women winning awards at the ceremony!). (ML)

Lady Gaga – ‘John Wayne’
Lady Gaga had to cancel 10 of her upcoming tour dates last week, after announcing that she was in chronic pain due to suffering from fibromyalgia (a condition which can cause pain all over the body). I’m gutted I’ll have to wait even longer to see The Grammy award-winning singer, but I’ve got good company and good gin lined up to drink the pain away. I’ll be raising a glass to her swift recovery whilst simultaneously belting out the lyrics to this Joanne track. (KC)

EMA – ‘Breathalyzer Instrumental’
This epic track is taken from EMA’s recent EP Outtakes From Exile, and I can’t get it out of my head. It’s twenty minutes of intriguing noise which broods somewhere between intense awareness, and a need to be aurally anesthetised. An intoxicating sonic assault that should not be skipped! (KC)

EP: After London – ‘After London’

If you’re looking for a slice of anthemic, alternative indie-rock, look no further than After London. The five-piece have released their eponymous debut EP, and it’s a record that proves they’re well-rehearsed, wickedly talented, and ready for bigger things.

‘Bitter Man’ kicks things off with sardonic yet sublime vocals that recollect a blur of sexist poison and disappointment. They combine with reverb-heavy guitar riffs to make this powerful opener one to remember. Following track ‘Dreams’ flickers with the energy of over-active pupils during a case of REM sleep, and fans of London-rockers Anteros will approve this indie tune.

On the penultimate ‘Highlife’, vocalist Francesca sings “you don’t like the taste of my despair” – but it’s hard to imagine anyone not savouring the sweet qualities of her voice, even if they do lament the sourness of dejection. The care and quality that has gone in to the production of this EP allows her vocals to sit clearly above swirling riffs and steady drums.

The opening lyric on final track ‘Waiting For You’ feels particularly poignant – “Silence says more than what you think, it colours things that you can’t see” – and paves the way for an anthemic four minutes that are littered with taut percussion and melodic, belting guitars.

Have a listen to After London’s EP in full on Spotify, and head down to their launch party at Hoxton Square Bar & Kitchen on 7th February to see their talent in the flesh (RSVP here).

Follow After London on Facebook for more updates.

Kate Crudgington
@KCBobCut