After sharing our Tracks Of 2025 last week, the Get In Her Ears team want to shine a light on some of the brilliant Albums & EPs that have been released during the past 12 months. These eclectic records resonated with us deeply and we hope they’ll do the same for all future listeners.

Huge thanks to all of the bands and artists who have submitted music to us this year. We appreciate how much love, determination, money and admin goes into creating your records and we feel privileged to have been able to share your art with our community.

So, in alphabetical order (and including multiple ‘Honourable Mentions’ at the end because we hate leaving people out) here are our top Albums & EPs of 2025…

 

ALBUMS

Blonde Maze – Second Sight

It wouldn’t really be an end of year round-up if I didn’t include New York artist Blonde Maze. Since immediately falling in love with her debut EP, Oceans, back in 2015, she’s consistently been my most listened to artist year on year for the last decade. I just find that their music brings such a blissful catharsis and soothing energy every time; whatever mood I’m in, however I’m feeling, it just helps me feel better. The sparkling uplifting splendour of this year’s Second Sight is no exception – it hits perfectly every time.
(Mari Lane – Managing Editor)

Blondshell – If You Asked For A Picture

Since seeing Blondshell live at Electric Brixton back in September, I think I’ve had her second album If You Asked For A Picture pretty much in constant rotation, seeking daily catharsis in the raw emotion and sparkling ‘90s-tinged musicality of each track. Offering honest and heartfelt reflections on both romantic and familial relationships, Sabrina Teitelbaum evokes a beautifully endearing vulnerability and all-too relatable insight into everyday anxieties. (ML)

Blue Loop – Cycles

Cycles is a deeply personal work from London-based electronic musician & producer Emma Hall aka Blue Loop; inspired by her experience of being diagnosed with breast cancer and undergoing chemotherapy treatment. Now in remission, Emma spoke candidly to us about the inspirations behind specific tracks when she was a guest on our Soho Radio show earlier this year. Whilst living through a life-altering diagnosis, Emma managed to create this moving, majestic record that fluctuates in mood, volume and tone in order to reflect her feelings during the different ‘cycles’ of her treatment. Whether she’s feeling rightfully resentful on shadowy single ‘The Knife’ or immersed in romanticism on ‘Luxury Chords’, Emma juxtaposes her emotions with precision and passion, reflected in her earnest lyricism and shape-shifting electronics. (Kate Crudgington – Features Editor)

Breakup Haircut – No Worries If Not!

London DIY legends Breakup Haircut formed at First Timers Fest and have been such huge favourites of ours ever since. I’ve lost count of the number of times they’ve played live for us since their first GIHE gig back in 2019. They’re just such a joy every time. Even at our gig with Strange New Places a couple of months back when Ishani was sadly unwell and couldn’t make it; Ripley, Delphine and Jordan still managed to put on an incredible show which I think perfectly epitomises their relentless DIY spirit. Their second album No Worries If Not! only came out last month, but it’s definitely in my top releases of the year. It fizzes with all the playful sardonic wit and scuzzy punk-pop energy we know and love throughout; whilst angst-driven undercurrents and fierce hooks indicate a more honed, sharper sound for Breakup Haircut. They may also win the prize for best song titles, with tracks including ‘The Algorithm’s Trying To Kill Me’ and ‘Two Spaghetti Meals’. (ML)

Daffo – Where The Earth Bends

The songwriting project of Brooklyn-based, Philly-raised Gabi Gamberg, Daffo has been a highlight of the year for me, with their debut album Where The Earth Bends pretty much on repeat since its release in September. Interweaving a scuzzy indie-pop musicality with a searing raw emotion and glistening heartfelt grace, it’s a deeply personal and beautifully resonant collection that showcases Gamberg’s unique gift for writing songs that really do feel like they reach out and gently caress how you’re feeling. The GIHE team also managed to catch Daffo live at The Great Escape in May this year, and watching such a gorgeous set alongside Hanni and Clara from ARXX and Rach from Comic Sans was a definite highlight of the weekend for me! (ML)

flinch. – misery olympian

Having played live for us twice this year – in June at The Cavendish Arms and recently at their special festive Flinchmas celebration at The Ivy House – Glasgow’s flinch. also spent 2025 releasing their second album. Building on the distinctive shimmering emo sound of 2021’s enough is enough, with misery olympian they cement themselves as complete favourites. From start to finish, the album oozes a scuzzy raw emotion and fizzing sense of honesty, with incredibly witty (and long!) song titles like ‘i wonder if colin from endoctrinology remembers me’. It’s one of my favourite albums, not just of this year, but probably from the last decade. (ML)

Floralis – Saboteur Club Anthems Vol. 1

Brighton-based artist Floralis makes dismantling fascism sound like a total BLAST on this eccentric and essential record. On the superbly titled Saboteur Club Anthems Vol. 1, the British born, Indo-Trinidadian transfeminine artist blends stomping dance-inspired rhythms and chant-worthy lyrics to create a collection of “anarchist electro punk” anthems that confront and reject capitalism, transphobia, misogyny and racism. From the bold opening beats of ‘black combat boots’ right the way through to the euphoric electronics of closing track ‘YOU’RE NOT DEAD’, Floralis is committed to sabotaging fascism in their own defiant style. She said that her “blood, sweat and tears” were poured into this record and that shines through on every track. (KC)

Jacob Alon – In Limerence

Although I was pretty late to the Jacob Alon party, from the moment I heard the Scottish artist speaking to Annie Macmanus and Nick Grimshaw on the BBC Sidetracked podcast earlier this year, I immediately felt drawn to their beautiful sensitivity. Then, on listening to their exquisite album, In Limerence, I found myself completely spellbound. I was lucky enough to catch them live at Deer Shed festival, where they delivered each of their strikingly stirring offerings with a shimmering heartfelt splendour against a poignant backdrop of the Trans Pride and Palestinian flags; filling me with a warm sense of hope that the young people in the crowd were able to absorb the uplifting sense of queer joy and subtle resistance that radiated from the stage. Both live and on record, I can feel the raw emotion of each and every word of the entirety of In Limerence, inspired by Cob’s insight and conviction. I’m excited to be charmed by more of their captivating creations next year. (ML)

jasmine.4.t – You Are The Morning

Having featured as one of my Ones To Watch for 2025, jasmine.4.t has certainly been worth watching this year. With the release of her debut album, You Are The Morning, back in January on Phoebe Bridgers’ label Saddest Factory Records, sold out tours across Europe, Australia and the US and numerous support slots with Lucy Dacus; it’s been such a fantastic year for jasmine and every success is so, so well deserved. The album has probably been my most-listened to of the year. It’s just an exceptionally beautiful reflection on trans identity and queer belonging and a truly necessary and heartfelt ode to community and solidarity. I’ve been lucky enough to catch jasmine live a few times over the last couple of years – each time has been such a wonderfully moving and empowering experience and I can’t wait to see her again at Deer Shed festival this summer. (ML)

Lōwli – Window In The Woods

A moving, introspective offering that sees her processes unsettling memories and emotions with true serenity; Window In The Woods is the beautiful debut album from Irish composer & songwriter Lowli. Released via VETA records in October, through her tender keys, crystalline vocals and atmospheric electronics, Lowli gracefully guides listeners through her magnetic musical ruminations. I’ve mentioned (multiple) times both on air and online that she is one of my favourite new music discoveries this year and my admiration only increases each time I revisit Window In The Woods. It’s a record that’s equally as laced with melancholy as it is with hope and love, which means something new is gained from every listen. (KC)

Mae Martin – I’m A TV

I’ve been such a huge fan of Mae Martin since watching Feel Good five years ago helped me discover things about myself that I don’t think I’d realised yet. And then, since last year, I’ve been completely addicted to the Handsome podcast which they host with Tig Notaro and Fortune Feimster. It’s one of the few things I’ve ever come across that literally makes me laugh out loud every time. It’s just so deeply comforting and relatable and so, so silly in the best possible way. So, when they shared that they were going to be announcing their debut album, it felt perfectly serendipitous and I was intrigued. A stirring collection of lilting alt-folk reflections on relationships and identity, with I’m A TV, Martin proves themselves to not only be a fantastic actor, screenwriter and comedian, but also an accomplished musician and beautifully reflective songwriter. (ML)

NYX – NYX

By harnessing the sublime power of the collective human voice, the NYX drone choir have crafted a unique form of “psychedelic rebellion” on their eponymous debut album. Released via their own label, the ensemble – led by New Zealand-born composer & director Sian O’Gorman and made up of multi-talented vocalists & musicians – use electronics to manipulate their vocals and create their own idiosyncratic sounds; expanding the realms of what a traditional choir is capable of. I have been fortunate enough to witness the immense musical alchemy of NYX’s live performances several times; something which they have now truly harnessed on this debut solo offering. Inspired by Sian’s holistic and deeply human approach to singing, NYX have developed a collection of sounds that enrapture, inspire and intrigue the more that you engage with them. This is a profoundly moving record, best appreciated when listened to in one full sitting with headphones on and eyes closed. Total bliss. (KC)

Pigeon Dog – Beaks

Pigeon Dog’s debut album Beaks channels ’90s grunge with raw, Brody Dalle–esque vocals that grab you from the first note. The London three-piece blend warm tones with gritty guitar riffs and playful, tongue-in-cheek lyrics; proving they know how to have fun. The band mix catchy riffs and ear-wormy vocal hooks with rich harmonies, layering in ’60s psych-inspired synths for added texture. Their songs balance grit and groove perfectly, resulting in tracks that are both sultry and irresistibly catchy. Pigeon Dog know how to craft bangers that stick in your head while keeping the spirit playful and engaging.
(Ella Patenall – Contributor)

Roller Derby – When The Night Comes

I was lucky enough to work with German dream-pop duo Roller Derby helping them to spread the word about their second album, When The Night Comes, earlier this year; a task which wasn’t hard to do, as the album is just completely exquisite and impossible not to like. Showcasing the duo’s ability to meticulously interweave the luscious celestial vocals of Meyer with glistening multi-layered soundscapes and raw textures, it offers a truly captivating listen throughout. One of my definite highlights of the year was hosting not one, but two sold out shows with Roller Derby back in May. It was such a joy to be able to facilitate them being able to share their immersive, spellbinding sounds with adoring crowds at The Lexington in London and The Rossi Bar in Brighton, with perfect support from other favourites CATBEAR. A completely dreamy weekend. (ML)

Scrounge – Almost Like You Could

The follow-up to their debut mini-album Sugar, Daddy (2022), Almost Like You Could is the first full-length offering from South London post punk duo Scrounge. Together, lead vocalist & guitarist Lucy Alexander and drummer & vocalist Luke Cartledge move through chaos and despondency towards hope and redemption on this biting, vital collection of tracks. Whether Lucy is reflecting on the never-ending process of “coming out” as an queer person on ‘UTG’, or Luke is lamenting about urban isolation on ‘Nothing Personal’, Scrounge manage to hit the right nerve every time. Released via Ba Da Bing! Records, Almost Like You Could is a potent reminder that Scrounge remain driven by the desire to create meaningful art that represents who they are, as well as the voices of the allies and DIY communities they’re part of – something that we back all the way at GIHE. (KC)

Snocaps – Snocaps

Being a huge fan of both Waxahatchee and Swearin’, I was pretty exited to hear about new supergroup Snocaps. Featuring Katie Crutchfield and her twin sister Allison, along with MJ Lenderman and Brad Cook, this collaboration really is the stuff actual dreams are made of. This debut album flows with such a gorgeous, fuzzy allure and gloriously twee folk-strewn musicality and I cannot get enough of its beautiful, lilting energy. (ML)

Strange New Places – Second Puberty

The debut record from Belfast queer punks Strange New Places, Second Puberty has definitely been one of my most listened to albums of 2025. Another band who I was lucky enough to be able to host in both London and Brighton back in October, live they brought a joyous queer energy and a really life-affirming sense of unity, whilst the album as a whole offers a fierce celebration of queerness and neurodivergence. From heartfelt odes to friendship in the form of ‘Coraline’ and ‘YATPYFL’ to ‘Sleep For Dinner’s scuzzy reflection on burnout and depression and the empowering self-love anthem ‘Full Of Myself’; it celebrates the power of community, offering a a reassuring voice of solidarity and unity at a time when we so desperately need it. (ML)

Wombo – Danger in Fives

Kentucky-based, art-rock trio Wombo blend prog, indie, experimental, and psych influences with intelligent musicianship and bold artistry. Their tracks range from accessible to delightfully challenging, with soft, airy vocals floating over unusual, wonky guitar parts and driving basslines. Nothing is straightforward or predictable, yet the band manages to keep even their most experimental moments melodic and earwormy – with the occasional touch of dissonance, keeping you on edge. Angular and gritty guitars and inventive melodies mark Wombo as a band unafraid to push boundaries while still creating music that sticks. Danger in Fives is a great portrayal of what they are capable of. (EP) 

EPs

Junk Whale – See you around, I guess?

Having been big fans of Oxford’s grunge-pop faves Junk Whale since first hearing their 2022 debut, the fantastically named Caught In The Act Of Looking Weird, I was super excited when they released a gorgeous new EP back in May. Since then, See you around, I guess? has been another collection I’ve found myself playing non-stop, unable to get enough of its scuzzy raw emotion and lilting indie-pop energy. Despite covering poignant themes such as grief and mental illness, the EP as a whole oozes an uplifting effervescent spirit, each track offering an instantly catchy jangly earworm (and not a repeating chorus in sight!) The band supported Strange New Places at their London gig for us and really are a true force to be reckoned with live – there was “hairography” and everything. (ML)

THE NONE – CARE

I chose Birmingham-based experimental punk supergroup THE NONE as one of my Ones To Watch for 2025 after hearing their abrasive, politically driven cacophonies in the flesh at Supersonic Festival the previous year. CARE is the follow up to their debut EP, MATTER, and it’s another ear-eroding collection of visceral vocals, hefty riffs and pulverizing percussion. Front person Kai Whyte has a formidable voice; paired with a talent for writing engaging lyrics that cut through the masterfully intense, frenetic sounds that their bandmates Gordon Moakes, Jim Beck and Chris Francombe create. From the rallying cry of opening track ‘My People’ to the relentless riffs of closer ‘On Automatic’, CARE is both an assault on the senses and a vital reminder to aggressively challenge the status quo. I urge you to go and see this band live. You will be blown away by their talent. (KC) 

Problem Patterns – Boring Songs For Boring People

Equally informed by their desire for provocation, self-deprecation and amplification; Boring Songs For Boring People is another urgent and essential offering from Belfast queer punks Problem Patterns. Released via Alcopop! Records, the EP sees the four-piece reflect on the trials and tribulations of being in a DIY band and their frustrations at the performative behaviour of industry officials and musicians in the spotlight. In true Problem Patterns style, they tackle these subjects with cathartic screams, witty lyrical refrains and relentless riffs; undermining the idea that Alanah, Beth, Bev and Ciara could ever be accused of living up to the EP’s title. Whether they’re overcoming burnout on the record’s title track or shouting back against noisy neighbours on ‘Classic Rock Has Become My Prison’, Problem Patterns transform the mundanity of everyday life into intensely catchy punk anthems that provide the necessary rage, joy and catharsis we’ve been craving. (KC) 

Sijya – Leather & Brass

An idiosyncratic blend of digital and analogue synth textures and drifting atmospheric vocals; Leather & Brass is the second EP from South Asian composer and producer Sijya. Released via One Little Independent Records, this collection of tracks is a testament to her artistic resilience and experimental energy. Across the EP, Sijya’s immersive electronics intuitively expand and contract, providing her with the much-needed emotional space she craves in her music. Her ambiguous lyrical motifs afford listeners the same catharsis, as they float seamlessly over shape-shifting soundscapes like ‘I only want to crash’ and ‘Why do you fight me’. Leather & Brass is an essential listen for anyone who is looking for escapism through eccentric, intriguing electronica. (KC)

TTSSFU – Blown

By opening her second EP with a track titled ‘Cat Piss Junkie’, Manchester-based artist Tasmin Stephens aka TTSSFU has cemented herself as a candid new icon of guitar music. Full of her lush vocals and dreamy, shoegaze-inspired sounds, Blown is an ode to Tasmin’s growing pains as both an artist and a young woman; full of her reflections on friendship, unrequited romances and messy nights out. She is adept at tackling shame, humour and vulnerability in her lyricism; underscoring this with hazy, reverb-strewn guitars and heady dream-pop melodies. From the lush sounds of ‘Forever’ and ‘Call U Back’ through to the sweet discordance of ‘Being Young’, she faithfully captures the indecisive and exciting energy of being in your 20s and navigating the uncertain world around you. She is also just really funny, which you’ll see if you read this conversation I had with her for The Line Of Best Fit earlier this year. (KC)

 

Honourable Mentions

adults – the seeds we sow are sprouting buds nonetheless
Agnes Haus – Inexorable Ascent
BACKXWASH – Only Dust Remains
Bonnie Trash – Mourning You
The Dead Zoo – Suspects
Eilis Frawley – Fall Forward
Ethel Cain – Willoughby Tucker, I’ll Always Love You
feeo – Goodness
Glixen – Quiet Pleasures
Hilary Woods – Night CRIÚ
Japanese Breakfast – for melancholy brunettes and sad women
Jessica Winter – My First Album
Julien Baker & Torres – Send A Prayer My Way
Kae Tempest – Self Titled
Kathryn Mohr – Waiting Room
Klein – Sleep With A Cane (Mixtape)
Lucy Dacus – Forever Is A Feeling
Mari Somerville – Luster
Nastazia Bazil – From Beirut To Anywhere
The New Eves – The New Eve Is Rising
Penelope Trappes – A Requiem
The Schla La Las – The Schla La Las Are Out To Have Fun
Slung – IN WAYS
Various Artists – vari/ations – Ode to Oram
WISP – If Not Winter