PLAYLIST: August 2026

The Get In Her Ears team have put together another marvellous mix of new music for your listening pleasure! Our August Playlist features plenty of eclectic alt-pop tunes, DIY punk anthems, alternative riffs, indie & alt-folk musings, as well as some experimental and electronic sounds. We’ve also included some tributes to the late Dolly Parton and L7 bassist Jennifer Finch. Make sure you scroll through and read all about our recommendations below.

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN (TIDAL)

 

Dolly Parton – ‘Coat Of Many Colours’
Like probably everyone who follows us, I was heartbroken to hear the news of Queen Dolly passing away this week. Although it may seem odd to grieve someone you never knew personally, I think it was easy to feel a connection with Dolly and a resonance to her radiant infectious joy and spirit. She really was such a huge inspiration – not only an incredible songwriter, performer and iconic woman until the very end – but such a wonderful advocate and supporter of marginalised communities. She was also the perfect example of how you don’t have to give birth to a child to be a mother figure. She cared for and actively helped so many children and young people throughout her life. I feel incredibly lucky and honoured to have seen her live at Glastonbury in 2014, a completely joyous experience and life highlight that I don’t think I’ll ever forget. She performed with such a playful energy and sweetness and her cheeky humour and incredible talent shone throughout, especially when she played the Benny Hill theme song on her mini saxophone!.
(Mari Lane – Managing Editor)

Aether Speaker – ‘Golden Hour’
A gorgeous piece of indie electro-pop here from London-based band Aether Speaker. ‘Golden Hour’ is full of front-person Yel’s soft, breathy vocals, underscored by hazy synths and gentle beats. The band explain that their psychedelic new offering is “poised between one world and the next, between soothing words and the truth” – delighting in ambiguity and lingering in the romantic ether. (Kate Crudgington – Features Editor)

Squirrel Flower – ‘Cleveland’
A beautiful ode to its namesake and the comfort of domesticity, ‘Cleveland’ is the latest single from Chicago based artist Ella Williams, aka Squirrel Flower. A song originally written with her her family band (the brilliantly named ‘uncommon rat’), it oozes a twinkling sentimentality and sense of nostalgia as Williams’ rich distinctive vocals flow, creating a heartfelt slice of Americana. Say A Prayer To The Gods Of Getting Going, the new album from Squirrel Flower, is out now via Polyvinyl Record Co. (ML)

Grandmas House – ‘Dance’
Congratulations to long-time GIHE faves Grandmas House on the release of their debut album! The Bristol band’s LP Baby You’re A Winner, released via Brace Yourself Records, is a superb amalgamation of their skill for writing urgent, cathartic anthems which reflect both the “light and dark” of the times that we live in. This track ‘Dance’ encapsulates that theme deftly, with Yasmin Berndt’s uniquely raspy vocals leading the charge as the band urge listeners to dance the pain away. (KC)

GRAVE GOODS – ‘Grit’
Based between Manchester and Dublin, experimental duo GRAVE GOODS create distinctive, primal sounds that examine the grind of modern existence. On this track ‘Grit’, Lois Macdonald (Guitar/vocals) and Sarah Grimes (drums/vocals) reflect on the the “existential disgust” that comes from separating the animalistic parts of ourselves in order to fit in with societal expectations. It’s a fascinating concoction of spoken-word-style vocals, contrasting beats and quirky riffs. The track also features the eponymous lyric of GRAVE GOODS’ upcoming album, Reality, Swallow Me., which was written and recorded to analogue tape at Analogue Catalogue Studios, with engineer and producer Julie McLarnon (Brighde Chaimbeul, The Altered Hours, Lankum). The LP is due for release on 25th September via bandcamp. (KC)

Trusselina – ‘Gastro’ / ‘Trusselina Archimboldi’
Philadelphia-based duo Trusselina are a new experimental pop project, formed of Mikaela Oppenheimer (Hello Mary) and Hayden McGarvey (Bleary Eyed). Together, they create jagged, intriguing soundscapes that blend acoustic and electronic elements, incorporating their love of ground-breaking literature, collaboration, and even their experience of food poisoning – which their double single release confidently covers. ‘Trusselina Archimboldi’ is inspired by a passage from Djuna Barnes’ acclaimed 1930s novel Nightwood, which is considered a prominent piece of early lesbian literature. The beat for ‘Gastro’ was concocted when Hayden was in the midst of an episode of food poisoning whilst on tour in France. I’m enjoying the eclectic nature of Trusselina’s sound and look forward to hearing more from the duo soon. (KC)

Emma Ruth Rundle – ‘Enough’
Another deeply emotive, powerful single from multi-instrumentalist Emma Ruth Rundle here. Inspired by both ‘The Man Who Sold The World’ and the story of Elijah – in which Emma explains she “imagines [Elijah] as an Elon Musk type figure” – ‘Enough’ is an epic reflection on modern wealth, greed, and a poetic cry for us to rise up against the powers that continue to benefit from this inequality. ‘Enough’ features on her upcoming sixth album, These Killing Times, which is set for release on 18th September via her own imprint Errant Child. (KC)

Tanzana – ‘Without A Sound’
Having been a big fan of Glasgow’s Tanzana since being spellbound by the soaring energy of last year’s ‘Covet’, I’m excited to hear that they’ll be releasing their debut EP in October. Ahead of the EP, they’ve now shared a powerful new single. Rippling with a dark majestic splendour and building with a fierce impassioned energy, ‘Without A Sound’ offers a reflection on the cathartic process of making art, as well as the frustration that can be felt when we reach our limit. An insight into the captivating and poignant genre-defying soundscapes the band are able to create. Etched In, the debut EP from Tanzana, is out on 9th October via SO Recordings & Hideous Mink Records. (ML)

Desperate Journalist – ‘Terrible Years’
Having just announced that their sixth album will be released in November, longtime favourites Desperate Journalist have now shared its lead single. Propelled by a gritty force and front woman Jo Bevan’s impassioned vocals, ‘Terrible Years’ offers a fierce post-punk anthem. Lyrically told from the perspective of someone in denial about how much they miss the excitement of youth, it captures the band’s ability to fuse a ‘90s-tinged hooks with a fresh raging energy that is distinctly their own. Gilding The Lily, the upcoming album from Desperate Journalist, is out on 20th November via Fierce Panda Records. (ML)

Rose Fatale – ‘Hole In The Head’
Belfast punks Rose Fatale embrace their softer, sapphic side on their latest single ‘Hole In The Head’. Leaning into alt-rock sensibilities, they blend impassioned vocals, earnest lyrics and driving riffs to create a melancholic whirl of noise. The band recently performed on Belfast Pride’s City Hall stage and are planning to play more gigs soon. (KC)

Team Dresch – ‘Growing Underground’
When queercore legends Team Dresch announced their return a couple of months ago, I was beyond excited, having been a mega fan since first hearing them when I was at uni 20 years ago. Now, ahead of their new album, Furthermore, which is set for release on 18th September, they’ve shared a powerful new anthem; a fierce call to action to resist the hegemonic, hateful systems which continue to oppress marginalised voices, its driving riotous energy celebrates collective, intersectional values and offers a defiant sense of unity and a hope that a brighter future is possible: “The song imagines shared communities becoming the very thing that nurtures future life. Love is embodied through chosen families, interconnected communities, and the networks that have always sustained one another.” I never thought I’d get to see Team Dresch live, and so I can’t wait to finally catch them downstairs at The Dome on 30th September. They had to move to a bigger venue than The Lexington due to high demand! (ML)

Tender Claws – ‘Tear Him To Pieces’
Having just released her debut EP, Belfast born Tess Corr aka Tender Claws creates haunting, immersive goth-inspired soundscapes, driven by a fiercely dark energy. The EP’s title track, ‘Tear Him To Pieces’, showcases her rich ethereal allure as rich, impassioned vocals soar over swirling expansive hooks. (ML)

Eilis Frawley – ‘Guilt’
We love all of the musical endeavours that drummer and songwriter Eilis Frawley undertakes here at GIHE, and we’re excited that she’s back releasing new music. This track ‘Guilt’ is the first offering from her upcoming second album, and it’s an apt reflection on the frightening and polarising times we’re living in. Led by her distinctive spoken-word vocals and gritty beats, ‘Guilt’ is an urgent reminder to engage with the world in a meaningful way and not to be desensitized by the carefully curated algorithms on our social media accounts. Eilis explains the track’s context further: “I have my own guilt, you open Instagram, in one moment you can witness a child being blown to pieces, and then the next minute someone’s trying to sell you an over priced bag or tell you how to optimise your life. I find the western world’s response petrifying to what’s happening in Gaza, and Lebanon, and Sudan, and the Congo. No reason will make a good enough reason for the amount of civilians killed, and traumatised”. (KC)

GOOD GRIEF – ‘Lucy’
Following on from their feisty debut single ‘Bait Shop’, Seattle-based duo GOOD GRIEF are back with this tender ode to unrequited love during queer adolescence. ‘Lucy’ is a track that “sparkles with curiosity – but not naivete,” reflecting on the poignancy of budding queer romantic feelings whilst softly reminding listeners of their beauty and validity. Inspired by grief, rage and love, GOOD GRIEF are currently working on their debut album, the aptly titled Not Over It, so keep your eyes peeled for more info about that in the near future! (KC)

Railcard – ‘Flanelette’
Consisting of current members of Heavenly and ex-members of Dolly Mixture and Death In Vegas, I’d definitely class Railcard as an indie-pop supergroup – and their new single is pretty super too. Showcasing their swooning honey-sweet vocals and lilting uplifting melodies perfectly, ‘Flanelette’ is taken from their upcoming debut album, Two Steps At A Time, which is set for release on 18th September via Skep Wax Records. (ML)

R Loomes – ‘The Self Demands a Reckoning’
A hypnotic offering from Sheffield-based musician R Loomes here. ‘The Self Demands a Reckoning’ is a potent piece of doom-folk that she describes as “a sort of personal prayer”, in which she attempts to sever the link between mind and body and “navigate the world [as a] free spirit.” As with her previous single ‘Passerine’, the track blends her beguiling vocals and richly atmospheric riffs to create a determined and fluid sound. ‘The Self Demands a Reckoning’ is taken from R Loomes upcoming debut album, Another Sip of the Divine Specific, which is set for release on 30th September. (KC)

Clara Mann – ‘News From Home’
A truly spellbinding soundscape, ‘News From Home’ is the new single from London based multi-disciplinary artist Clara Mann. Taken from her upcoming, literary-inspired, album Wishbone, it offers an immersive expansive musicality alongside the sparkling emotion of her resonant vocals as she reflects on how our feelings towards where we’re from can change and develop over time. Wishbone is out on 23rd October via state51. (ML)

YELF. – ‘flesh’
‘flesh’ is the second offering from London-based, British-Swedish artist YELF., who I am a big fan of. It’s a sultry reflection on lust and longing, inspired by the ebb and flow of the ocean. It’s a “neo-psychedelic ode to desire, fantasy and the brain-body connection,” as YELF. explains, underscored by her yearning vocals, immersive electronics and poetic lyricism. ‘flesh’ was also produced and mixed in Brighton (literally by the sea!) by Michael Baker and includes harp played by Fior Anderson and even the tinkling sound of glasses from Baker’s kitchen cupboards too. (KC)

Selkie – ‘Lick The Sun’
Today (28th July), Glasgow-based songwriter and producer Selkie has shared her debut EP, inWaves, which this single ‘Lick The Sun’ features on. Full of her tender vocals and considered instrumentation, she has created an atmospheric collection of tracks that beautifully melt into each other. She’ll be celebrating her debut release with a small UK tour in October and a showcase performance at Aberdeen Music Week too. (KC)

Marina Yozora – ‘Snow Heat’ (Acoustic)
We’re big fans of Japanese-born, London-based songwriter Marina Yozora here at GIHE, and we love how she’s continuing to share different evolutions of her poignant track ‘Snow Heat’. It’s a poetic rumination on a brief connection with someone that now exists only in Marina’s mind, and to honour the intensity of this fleeting moment, Marina released a lyric video to accompany the original single, and now she has shared a beautiful acoustic version of the track too. She also plans to reveal the official video for ‘Snow Heat’ on the one year anniversary of the track’s release, which we are eagerly anticipating. (KC)

Mother Church – ‘Wait To Kiss Me Until Heaven’
An unlikely collaboration between a founding member of HMLTD and an ordained priest, Mother Church create their own unique brand of alternative folk, drawing on an eclectic range of literary and theological influences. A stirring reflection on the pleasures and contradictions of virtue and temptation, ‘Wait To Kiss Me Until Heaven’ oozes a captivating mystical allure alongside its lilting folk-strewn musicality. Yolk, the debut album from Mother Church, is set for release in November via Trapped Animal Records. The band will be playing a special release show at St Pancras Old Church on 13th November. (ML)

BERTY – ‘Take For Granted’
Inspired by the power of unconditional love in our meaningful relationships, songwriter and producer BERTY penned this track ‘Take For Granted’. It’s an earnest refection on the Forest of Dean-based artist’s feelings about human connection, showcasing her intuitive nature as a songwriter. BERTY is currently working on a new EP, which she is set to release in the near future. (KC)

Brennan Wedl – ‘High Priestess’
Having just released her self-titled new album, Nashville based artist Brennan Wedl has been a favourite of mine for a couple of years now. I’m a big fan of her wonderfully self-labelled “grungetry” sound (a perfect fusion of grunge and country, in case you were wondering!) and raw Sheryl Crow-reminiscent vocals. The final single to be taken from the album, ‘High Priestess’ reflects on the otherworldly intuition of the tarot card and the thoughts and feelings that can swirl around our heads when trying to face reality head on.(ML)

The Genes – ‘Charlotte’
I first became a fan of awesome Coventry band The Genes after seeing them at Decolonise Festival in 2025, and then loved having them play for us supporting WIDGET earlier this year. Now, they’ve released their first proper single and it’s pretty great. Self-described as a “high energy punk anthem with a uniquely British story”, ‘Charlotte’ is a love letter to the Ford Transit. Inspired by years of DIY touring, late-night motorway drives and the vans that somehow survive gig after gig, the song celebrates the unsung hero that’s carried countless independent bands across the UK. I love the track’s playful tongue-in-cheek energy and scuzzy hooks and can’t wait to hear more from this unique band. (ML)

L7 – ‘Shitlist’
Another incredibly inspirational woman that we tragically lost earlier this month was Jennifer Finch, the bassist from legendary grunge-punk band L7. At just the age of 59, it seems extremely unfair that she should be gone already. Anyone who’s ever been to a GIHE gig is probably aware of how much we love L7, as I include either ‘Shitlist’ or ‘Wargasm’ on most of our pre-band playlists – their tunes have never failed to energise and motivate me, and seem like the perfect way to get people psyched up for the amazing bands who play for us. I was lucky enough to see L7 live in Camden in 2015 for their first UK gig since initially breaking up in 2001, and I remember being utterly blown away by Finch’s immense fierce energy and presence and the way her swirling life-force and booming hooks reverberated into the crowd. (ML)

Bugeye – ‘This Is What I Want’
Following the release of their recent second album, The Shape Of Things, and support slots with big names such as The Datsuns and Loose Articles, longtime faves Bugeye have now shared an empowering new single. Offering a middle finger to the outdated expectations of women that still prevail within society, ‘This Is What I Want’ oozes a sultry playful allure and danceable groove-laden hooks whilst raging against the “toxic manosphere”. Of the track, front woman Angela Martin says that it’s dedicated to “every woman who’s ever been told to know her place. Here’s the truth: your place is wherever you choose to stand. Stand tall, stand loud, and never apologise for demanding the respect you’ve always deserved.” (ML)

Four Degrees Colder – ‘Reminisce’
‘Reminisce’ is the opening track from Four Degrees Colder’s debut album, Nothing To Do. Released in July, the St. Louis-based alternative pop-rock duo take their listeners on a captivating, track-by-track journey through a decaying factory overtaken by artificial intelligence. Propelled by their clear vocals, driving riffs and electronic textures, the pair aim to inspire a sense of hope and persistence throughout their LP, ultimately refusing to succumb to the “the fear of becoming obsolete.” (KC)

Tiiva – ‘I Keep Falling In Love’
We’re big fans of producer and sound & game designer Tiiva here at GIHE, so I’m chuffed to see they’re back with a new single and a new record. ‘I Keep Falling In Love’ is lifted from the Lake District alt-pop artist’s upcoming album, This Could Be A Start, which is set for release on 25th September. It’s a euphoric swirl of buoyant electronics, floaty vocals and glitchy beats. “The story throughout the album is how we as humans navigate love, neurodivergence, AI interactions, and our desire to be everywhere all at once; in the mountains, in the city,” Tiiva explains. “Each song represents an internal character – the optimist, the party kid, the recovering addict, the loner, the nostalgic. Some of the songs could read as romantic but in reality we are all looking for connection, and we find it in not always the most obvious places.” Tiiva will be celebrating the release of their new LP with an immersive headline show at Spanners in South London on 30th September. See you there! (KC)

Sidney Packard – ‘Acer Tree’
Non-binary, alt-pop artist Sidney Packard envelops their listeners in dark atmospheric electronics and soft vocals on their latest single, ‘Acer Tree’. The London-based musician penned the track as an ode to the plant they really adore, which are more commonly known as Japanese Maple trees and are known for their distinctive leaf shape and red foliage.
Sidney will be playing a gig in London – which coincides with their birthday! – on Saturday 12th September at The Phoenix. (KC)

Maria Uzor – ‘Cyclops’
We’re super excited that GIHE mega fave Maria Uzor will be releasing her second album, Fantasyland, on 3rd September. Showcasing Uzor’s unique ability to seemingly effortlessly fuse together genres ranging from grunge to techno, the album explores notions of escapism in a world that appears increasingly unpredictable. Taken from the album, recent single ‘Cyclops’ pulsates with immense glitchy beats as the seductive power of Uzor’s vocals takes hold, and an immersive dub-inspired energy propels you onto the dancefloor. Keep your eyes peeled for a special interview with Maria on the website over the next couple of weeks. (ML)

NAMELESS TWIN – ‘Neon Machine Gun’
I love everything about this haunting new single from industrial-electronic duo Alicia Rei Kim (Dokoe) and Ryan Osterman (Holy Fawn) aka NAMELESS TWIN. They’ve only released a handful of tracks to date, but all of them have been a perfect blend of their dramatic volume shifts and dark, dreamy electronics. ‘Neon Machine Gun’ is their first new release since 2023, but I hope they’ll be sharing more of their ominous sounds in the near future. (KC)

Ladybug 2 (The Bug, Friday Night Plans) – ‘Miss U’
Under the moniker of Ladybug, UK-based producer The Bug has launched a new collaborative series via his own imprint PRESSURE. The project sees him work alongside different female vocalists to explore new sonic territory, and this track features the voice of one of his personal favourites: Japanese songwriter Friday Night Plans. ‘Miss U’ is another heady, cell-tingling offering from the eclectic collaborators, and if you can’t get enough of the original, the duo have also shared five accompanying “alternate” versions that you can sink your teeth into, available on bandcamp now. (KC)

 

 

Missperception – ‘Into The Glitch’
By combining her love of electronic music, jazz elements and cinematic soundscapes, Yorkshire-based independent artist Missperception creates an infectiously glitchy atmosphere with her music. This aptly titles track ‘Into The Glitch’ is lifted from her recent EP, Static Symphony, which she says is formed of “Four rooms…four transmissions…a signal from the edge, where melody frays into static.” (KC)

 

CLICK HERE TO LISTEN (TIDAL)

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PLAYLIST: July 2026

The Get In Her Ears team have put together another eclectic mix of new music tunes for your listening pleasure! Our July Playlist features plenty of shoegaze, grunge & dream-pop riffs, punk anthems, indie musings, emotive ballads and some experimental and electronic soundscapes too. Make sure you scroll through and read all about our recommendations below. Happy listening!

As you already know, in order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there. We’ve also included YouTube or bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. 

CLICK HERE TO LISTEN (TIDAL)

 

Twat Union – ‘TV BIKINY’
Having been a big fan of ‘feminist-feral-theatre-punks’ Twat Union for a while now, finally getting to see their wonderfully chaotic energy live at The Great Escape this year was perhaps my highlight of the festival (along with hosting our very own stage that fellow Alcopop! signees Problem Patterns headlined!). Maintaining their trademark ability to combine resonant critique on patriarchal society with a playful tongue-in-cheek attitude, the band’s new single ‘TV Bikiny’ offers a perfectly empowering alternative summer anthem. A joyous ode to doing absolutely nothing, it’s propelled by all the swirling frenzied hooks and wry, relatable lyricism that we’ve come to know and love from the band – “I don’t want to go outside, I want to stay right here and sweat from my thighs”. Catch Twat Union live (an experience like no other!) for a special joint headline show with Problem Patterns at The Lexington on 10th October.
(Mari Lane – Managing Editor)

Perennial – ‘Modernism’
I remember being told by some friends who got to see New England’s Perennial live when they were last in the UK that it was one of the best shows they’d ever seen. The band’s chaotic frenzied energy was unmatched and the way they interacted with the crowd whilst delivering their immense mod-rock anthems was unlike anything they’d seen before. So, I am extremely excited that we’re going to have them playing for us in October! Come and experience this one-of-a-kind live show for yourself at A L P H A B E T in Brighton on 9th October, along with jangly indie-pop faves Sassyhiya and more TBA. Tickets are on DICE now and they’re cheaper in advance. In the meantime, listen to latest single ‘Modernism’ (and all their back catalogue from the last few years) and get your dancing shoes ready. (ML)

Cusk – ‘Dooms banjo’
Esmé Creed-Miles and Evie Hilyer-Ziegler formed their band Cusk right here in London shortly after meeting at an improv night at cult music venue The Shacklewell Arms. I’ve only just discovered them, but the pair have been busy gigging around the city for the past few years, supporting the likes of DIIV, Geordie Greep and Tiberius B. Now, they’re gearing up to release their new self-titled EP, which is due on the 14th of August via The Bird Records. ‘Dooms banjo’ features on the EP, and credit where credit is due, not only is it an excellent track name, it’s also an urgent rush of heavy riffs and intense, brooding vocals. Cusk will be playing a live show at The Shacklewell Arms on 27th August, where you can hear ‘Dooms banjo’ and more of their stirring sounds in the flesh.
(Kate Crudgington – Features Editor)

Slothrust – ‘Ring The Bell’
Having been a huge fan of Slothrust for years (I think seeing them live in New York back in 2022 may have been the best gig I’ve ever been to), I’ve been super excited to hear they’ve got a new album coming out in September. Ahead of the album, and following recent single ‘Burn The Deck’, ‘Ring The Bell’ showcases all the swirling, immersive allure and fierce scuzzy energy that I’ve come to love so much from the LA band, whilst oozing an underlying dark sense of urgency. Lyrically, it reflects the main theme of the album as a whole: what it means to be human and live in a system designed to exploit our perceived weaknesses by means of capitalism. A perfect slice of ‘Dystopian Theatre Rock’. What They Grow In The Garden, the new album from Slothrust, is set for release on 18th September via Equal Vision Records. (ML)

That Old Quiet Lighthouse – ‘Hands Up’
Featuring Phoenix Rousiamani (Lucy Dacus, Jasmine.4.T), ‘Hands Up’ is the latest single from Manchester-based ‘indie-emo-folk’ band That Old Quiet Lighthouse. An instantly catchy anthem, it combines philosophical musings with a more tongue-in-cheek chorus; fusing together the raw honesty of early noughties American emo with a very British sense of humour and playful energy. Of the meaning behind some of the lyrics, Rousiamani explains: “… I underline the anxiety that comes with striving for conforming beauty, that is rooted in eugenics, homogeneity and smoothness. Instead I try to find a rawer and deeper beauty that is more accepting of our humanity.” (ML)

Roomer – ‘Good On My Own’
A slow-burning offering from Berlin-based dream-rock outfit Roomer here. ‘Good On My Own’ is taken from the band’s upcoming second album, Staircase Made of Rope, set for release on 18th September via Squama Recordings. The track gently explores an emotional inner conflict, through soft vocals, earnest lyricism and evocative use of reverb. “[It’s] a reflection of outgrowing the words that once felt like certainty, and the ones that prolonged goodbye,” Roomer explain. “It’s about learning to be at peace with yourself, even while feeling the quiet pull of something that might be missing.” (KC)

Celeste Madden – ‘Millennium’
A recent discovery of mine who I’m not quite sure how I hadn’t come across before, South London’s Celeste Madden creates heartfelt indie-pop soaked in a gloriously scuzzy haze – my favourite. A breakup song for people too stubborn to let go, ‘Millenium’ showcases Madden’s beautifully glistening raw emotion perfectly. I can’t wait for them to play for us at The Cavendish Arms on 10th September, supporting Gabi Garbutt with The JuOh. Tickets are on DICE now and they’re cheaper in advance! (ML)

atmos bloom – ‘It’s Enough’
I remember being impressed by the lush sounds of atmos bloom when I saw them play live at Brixton’s Hootananny, sharing a bill with faves Whitelands back in 2025. I’m a sucker for dream-pop riffs and floaty vocals, which the duo are well versed in. This track ‘It’s Enough’ is lifted from their new album, Everythingness, which they recently released via Spirit Goth records. It explores “themes of soft power and being enough for other’s demands and expectations”. (KC)

Grandmas House – ‘Blue Oblivion’
Not only is this single from GIHE faves Grandmas House one of their strongest tracks to date, it’s also accompanied by an beautifully shot, atmospheric video. ‘Blue Oblivion’ is lifted from the Bristol band’s debut album, Baby You’re A Winner, which is due on 21st August via Brace Yourself Records. It’s a disarming offering, showcasing the strength and development of the band’s songwriting, perfectly executing the quiet-to-loud dynamic which reflect the themes of “light and dark” that inspired both the conception of ‘Blue Oblivion’ and the entire upcoming album. Alongside the release, Grandmas House have also shared details of a tour of UK record stores this year, kicking off in London at Kingston’s Banquet Records on the 21st of August, and culminating in a hometown in-store at Rough Trade in Bristol on the 27th. The band have also announced a free entry listening party on July 31st at Bristol Beer Factory, which will feature limited edition Grandmas House beer cans, Grandmas House x Pizzarova specials, ‘Spin the Wheel’ prizes and the chance to meet the band’s mascot, The Headless Man from the ‘Blue Oblivion’ video, in person. RSVP here. (KC)

The Big Moon – ‘Gravity’
I was chuffed to see The Big Moon are back with brand new music, having been a fan since I caught them playing live at The Great Escape Festival all the way back in 2016! The four-piece are now gearing up for the release of their new album, Forever, which is due on 30th October via Fiction Records, and for their UK tour later this year, including their biggest headline show to date at the iconic O2 Academy Brixton on Friday 27th November. This single ‘Gravity’ is a buoyant, thoughtful offering from The Big Moon, who are masters at harnessing the joy of life’s meaningful moments (whether they’re big or small) and turning them into indie-pop earworms. Songwriter Juliette Jackson shares more about the track’s inception: “At the time I wrote this song, every time I collected my son from nursery he would run and slam into me and give me the biggest hug. I knew it wouldn’t last forever, and I savoured every one, and this song ended up commemorating that feeling. It’s about a love that you’re never really separated from, just elasticated, ready to snap back together.” (KC)

Catherine Moan – ‘Fabric’
Congratulations to LA-based artist Catherine Moan on the release of her lush new album, CM Ultra. Released via Born Losers Records earlier this month, it’s a heady collection of emotive synth-pop gems, including this latest single ‘Fabric’, a song about “clothing & heartbreak” as well as a desire for change and acceptance on a deeper level. Catherine explains these concepts in more detail: “Love and happiness can recede slowly like a sweater shrinking in the dryer or a hole in a shirt turning into a tear. And as we grow and change like a shirt too small, some things just won’t fit anymore. And fighting change, and trying to force yourself into clothing that doesn’t fit will only damage the model or attire. Existing outside of the gender binary makes it extremely difficult to know where you fit romantically and physically in society, and clothing and outward expression becomes highly significant. To most people the fabric they wear daily is trivial, but to me clothing is political, it signifies your role and place in society.” (KC)

Lido Pimienta – ‘Marea’
I vividly remember interviewing the marvellous Lido Pimienta back in 2020 about her superb album, Miss Colombia. The award-winning Colombian-born artist was such an inspiring and bright presence, so I’m excited to see that she’s now shared her fourth album, Caribenya, with the world. The record’s title is a combination of the words “Caribe” – a nod to Pimienta’s love of the Caribbean and her anti-colonial concerns – and “Enya” – a nod to the Irish singer who Pimienta listens to in order to concentrate while writing. It’s an album that addresses both the political and the personal, but it is also a joyful form of resistance, in which she provides listeners with dancing beats and pop-inspired melodies to counteract the harsh reality and injustices she sees in everyday life. On this track ‘Marea’, Pimienta explores themes of desire, love, and money from the perspective of a young woman who must hustle and sell herself to provide for her family. (KC)

MARiMARi – ‘POP SHUVIT!’
Last month I featured Maripool and now I’m featuring MARiMARi – very different artists, both with a name that really grabbed my attention… No idea why! My narcissistic fondness for her name aside, Liverpool-based hyper-pop artist MARiMARi creates danceably uplifting anthems propelled by a zestful colourful energy and glitchy beats. ‘POP SHUVIT!’ is taken from the (also brilliantly named) debut mini album, MARi Go Round. If you’re at Y Not Festival this weekend, be sure to catch MARiMARi live, I get the feeling it will be a lot of fun! (ML)

Gay Animal – ‘I’m a Gay Animal’
A defiant and incredibly catchy dance anthem that gleefully celebrates queer identity, I couldn’t resist adding this track from Austrian-born, non-binary artist Gay Animal to our July Playlist. Through their music and performance, they “engage with the theme of Queer Ecology”, using their creative processes to “open up conversations about gender and queerness from a more-than-human perspective.” Whether you’re part of the LGBTQ+ community or an ally, you can easily indulge yourself in the big beats and vibes of Gay Animal! (KC)

Black Bananas – ‘Turkey Burgers’
‘Turkey Burgers’ is the latest single from cult art-rockers Black Bananas and their first release in over 10 years! It’s taken from the band’s new album, Bad Bunch, which is set for release on 4th September via Fire Records. It’s a trippy, groove-infused blend of synths, riffs and vocals that drifts beautifully between the ears for five whole minutes. (KC)

Void Queen – ‘Power Sip’
Newly signed to Duchess Box Records (Grandmas House, Agatha is Dead!), Berlin punks Void Queen have shared this cathartic new single ‘Power Sip’. With their heavy riffs and direct lyricism, the band try to capture “the urge to transform the ordinary into something extraordinary, even at the cost of losing yourself in the process”, exploring the grey area between illusion and reality in the process. (KC)

Superfriends – ‘Moths’
Set to release their debut album, King Of The Moths, on 28th August, Brighton indie-punks Superfriends have now shared new single ‘Moths’. Showcasing the band’s tendency to wear their feelings on their sleeve, it offers a perfect example of their scuzzy, emo-tinged anthems about the chaos of everyday life, and both the anxiety and joy that can result from this. We can’t wait for Superfriends to support Fightmilk at The Pipeline in Brighton on 14th August. Tickets are on DICE now and they’re cheaper in advance! (ML)

 

Amelia & The Housewives – ‘Narcissist’
A perfect slice of jangly indie-pop, ‘Narcissist’ is the new single from Brighton ones to watch Amelia & The Housewives. Juxtaposing honey-sweet sparkling melodies with a dry, relatable lyricism, it flows with hints of uptempo ‘60s pop whilst maintaining a gloriously fresh energy. The eponymous debut album from Amelia & The Housewives is out on 2nd October via INH Records (who fast seem to be signing all our favourite bands!) (ML)

Run Remedy – ‘Dissent’
Manchester-based, New Jersey-born Run Remedy’s a brand new favourite of mine who I recently came across through a mutual acquaintance and then we both came to the conclusion that we should have already been pals. Always a nice realisation to have, and even nicer when you realise they have a gorgeous new song coming out. Flowing with delicate strummed hooks and rich melancholic vocals, ‘Dissent’ offers a reflection on those moments where being right outweighs the need to be kind, building with intricate sonic layers and a rippling emotional intensity to a subtly scathing dedication to someone you disagree with. Not At The Table, the new EP from Run Remedy, is out on 11th September. (ML)

Weather Happy – ‘It Leaks Out’
The brand new project from Holly from Berries, Weather Happy is the new rock duo you’ve been waiting for. Formed of Holly on guitar and vocals and childhood friend Harry on drums, they played their debut live show a couple of weeks back to a huge, adoring crowd at The Grace and instantly cemented themselves firmly as here to stay. Platforming Holly’s distinctive songwriting style and seemingly effortless mega riff-creating with Harry’s fierce spiky beats, ‘It Leaks Out’ combines a subtle vulnerability in openly discussing mental health struggles whilst offering a striking, empowering energy. (ML)

Skint Knees – ‘Honey Badger’
Self-described as “your favourite Sheffield girl gang best friends tearing down the patriarchy with riffs, riots and fun facts”, Riot Grrrl trio Skint Knees are a sonic force to be reckoned with. They channel their “anger, joy and defiance” into their politically charged punk anthems, with this track ‘Honey Badger’ tackling themes of stalking and misogyny from “nice guys”. The song is accompanied by a music video which perfectly showcases the band’s raw live energy and playful sense of humour too. (KC)

GRAVE GOODS – ‘REMAINS’
I remember having a great chat with post-punks GRAVE GOODS for our GIHE radio show back in 2020 (listen here), so I was pleased to see their name pop up in my inbox again sharing new music. Following on from their 2022 debut album, Tuesday. Nothing Exists., they’ve now returned as a duo – Lois Macdonald (Guitar/vocals) and Sarah Grimes (drums/vocals) – with this distinctive new single ‘REMAINS’. The multi-instrumentalists embraced their experimental tendencies during the writing and recording of this track, which explores the constant unease of contemporary existence. The single is also accompanied by a sci-fi inspired video, directed and designed by Lois, complimenting the track’s themes of surrealism. (KC)

POMELO – ‘Nasty Sauce’
This is an evocative soundscape from Amsterdam-based art-pop duo POMELO, lifted from their debut album, LORELESS. Described as a record that urges listeners to pay attention to “where you are and not where you will be”, it’s a captivating listen that showcases the band’s poignant and relatable reflections on the complexities of human existence, and this track ‘Nasty Sauce’ provides a soothing moment for you to do just that. (KC)

LADYBUG 1 ft. Dis Fig – ‘Vanishing’
Long-time musical allies The Bug (Kevin Richard Martin) and Dis Fig (Felicia Chen) have teamed up once again to share this cell-tingling, bass-heavy new offering. Under the moniker of LADYBUG, The Bug has launched a new collaborative series via his own imprint PRESSURE, through which he will work alongside different female vocalists to explore new sonic territory. He kicks off this body of work with LADYBUG 1 and ‘Vanishing’, an immersive, heady track that smoulders with emotional urgency. The track also has four accompanying “alternate” versions that you can sink your teeth into on bandcamp now. (KC)

Million Moths – ‘INNER PIECE’
I love this distinctive, kinetic soundscape from Portland-based dark electronic artist Erica von Trapp aka Million Moths. ‘INNER PIECE’ is lifted from her debut album, spun, and it’s a bewitching blend of acoustic and electronic instrumentation and her clear, intense vocals. The accompanying visuals are just as captivating as the track itself too. Check them out below. (KC)

R Loomes – ‘Passerine’
The magnetic pull of Sheffield-based musician R Loomes’ dark-folk sounds is undeniable. This track ‘Passerine’ showcases her ability to transform her inner musings on the transience of love, time and memory into a beguiling blend of rich vocals and atmospheric riffs. It’s taken from her upcoming debut album, Another Sip of the Divine Specific, which is set for release on 30th September. (KC)

Freyja Elsy – ‘Control’
A cinematic, enigmatic offering from Cardiff-based electro-pop artist Freyja Elsy here. ‘Control’ is her rumination on intrusive thoughts, anxiety and emotional overwhelm, which she explores through her questioning lyricism, emotive vocals and tentative, echoing beats. (KC)

Ayanna Witter-Johnson – ‘Pioneers’
“Itʼs an album about finding centre — personally, culturally, and cosmically — and about learning that new roots can be grown even in unfamiliar or fractured ground,” shares acclaimed composer and MOBO-nominee Ayanna Witter-Johnson about her upcoming album, New Roots. Set for release on own imprint Hill and Gully Records on 18th September, the LP is inspired by a plethora of personal and historical influences, including Ayanna’s reflections on her British-Caribbean identity and the inheritance of Windrush-era wisdom, grief and remembrance. This track ‘Pioneers’ is lifted from the album, and it showcases her remarkable talent for pairing infectious melodies alongside her poignant lyrics and considered instrumentation. (KC)

Chelsea Wolfe – ‘Cold’
The inimitable Chelsea Wolfe returns with this deeply emotive new dark ballad ‘Cold’. It’s lifted from her upcoming ninth album, aptly titled The Dark, which is due on August 21st via Loma Vista Recordings. Alongside new co-writer Jennifer Decilveo, Wolfe has created an album that centers around the notion of entering the deepest woods and evolving into the the thing that you fear most to ultimately obtain the bravery and resilience needed to move forwards. ‘Cold’ embodies this process, led by Wolfe’s uniquely powerful voice and stripped-back, compelling blend of keys and guitar. She continues to be a real favourite of mine and her commitment to shape-shifting – both emotionally and sonically – is always deeply impressive. (KC)

Georgia Gets By – ‘Dream For You’
This is a gorgeous, hazy offering from New Zealand-born artist Georgia Nott aka Georgia Gets By. I loved her track ‘Split Lip’ which featured on her 2024 EP of the same name, but this latest offering is lifted from her recently self-released album, Heavy Meadow. Her beautiful voice floats over delicate guitar, slowly developing into a fuller band sound as the track approaches its dreamy conclusion. What a talent. (KC)

Black Bordello – ‘Fugue’
Having previously shared stages with the likes of The Libertines and Goat Girl, London-based international art-rockers Black Bordello are set to release their new EP in September. Ahead of the EP’s release, new single ‘Fugue’ oozes a dark anthemic energy and mystical psychedelic allure. In the band’s words, it’s “a joyful stab into the cardboard cutouts on the set of society’s stage. It’s our gift to music nerds, inspired by Bach.” Midheaven Tempest, the upcoming new EP from Black Bordello, is set for release on 18th September. (ML)

The Schla La Las – ‘Hawaiian’
Having been queens of the indie-tease scene in the mid-2000s, The Schla La Las remain a vital force of high-octane energy, inspiring a new generation of girls to pick up a guitar, bass, or pair of drumsticks, grab a microphone and let out a rebel yell all in perfect(ish) three-part harmony. Consisting of original line-up Piney Gir, George Terry, Katrin Geilhausen, Vee Churchill and Delia Dansette, they’ve just released a wonderfully uplifting new EP filled with ‘pop and roll’ anthems which you really need to soundtrack the rest of your summer. The Schla La Las Go Wild is out now – go listen! (ML)

 

CLICK HERE TO LISTEN TO THE OUR JULY PLAYLIST

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LISTEN: GIHE on Soho Radio x The Great Escape Special & WIDGET (13.05.26)

Tash, Kate and Mari were back on Soho Radio this month with a special playlist celebrating the female, non-binary & LGBTQ+ artists who are playing The Great Escape this year! They dedicated an entire section of the show to the artists who are performing as part of the GIHE showcase at the festival on The Soundwaves Stage on Brighton Beach on Saturday 16th May – so listen out for tracks from Problem Patterns, The Baby Seals, YAKKIE, steel. and Jessie Mac…

The team were also joined in the studio by Ky & Estella from East London queer disco-punk band WIDGET. They spoke about the joys of being in a DIY band, the amazing people they’ve met through their various DIY communities and shared stories about the tracks on their self-released debut album, CLASSY HITS VOL.2. If you can’t make our GIHE showcase at The Great Escape this Saturday 16th May, you should head to The Pie House in Deptford to watch WIDGET play a special fundraiser gig instead! Grab a ticket here.

Listen back below:

 

We’ll be back on Soho Radio on Wednesday 10th June from 20:00-22:00
Listen via the Soho Radio app or www.sohoradio.com

Tracklist
Peaches – Boys Wanna Be Her
Lauren Auder, Celeste – Unseen
Jessie Mac – Trans Is Beautiful
The Baby Seals – Tamoo Trance
YAKKIE – Kill The Cop Inside Your Head
Problem Patterns – I’m Fine and I’m Doing Great
steel. – DFTTM
Ngaiire ft. Nai Palm – Dirty Hercules
Lumi – Once In A Blue Moon
Tanzana – Pulse, Pose, Position
Roomer – Written By
SISTRA – Things I really Mean
ARXX – We Don’t Talk About It Enough
Cowboy Hunters – Money For Drugs
congratulations – This Life
WIDGET – WHAT IF PHONES BUT TOO MUCH
**Interview with Ky & Estella from WIDGET**
Track chosen by WIDGET: Mia Musa – Knew You Before
Not Richard & Her Majesty – A Song About Being A Parasite
Twat Union – Tiny Shorts
Bonnie Trash – Hellmouth
Fraulein (Jonique) – Wait and See
Afternoon Bike Ride – Sunday Sketch
Neve Cariad – Burdens
Yaz – Father Nature
Jamaica Moana – CYA
Meduulla – Vibe Nice
Kimmortal – This Dyke
Tom Rasmussen – There’s A Lot To Be Happy About

Kate CrudgingtonLeave a comment

PLAYLIST: April 2026

The Get In Her Ears team have put together another eclectic mix of new music for your listening pleasure! Our April Playlist features DIY punk anthems, indie and alt-pop bangers, shoegaze & grunge tunes, plus, some experimental & electronic soundscapes. Scroll through our recommendations below…

In order to best support the female, LGBTQIA+ and non-binary artists that we love here at GIHE, we’ve moved away from using Spotify. We now have an account on TIDAL, so please follow us on there! We’ve also included YouTube/bandcamp links for all of the tracks below, so there’s plenty of ways for you to get your new music fix.

You can still access our GIHE profile on Spotify (which we do not have a paid subscription for) but we urge you to use TIDAL, bandcamp or YouTube instead. Happy listening!

CLICK HERE TO LISTEN ON TIDAL

 

Dose – ‘Shelley’
Loosely inspired by the pop culture myth of actress Shelley Duvall disappearing after she starred in cult horror flick The Shining, ‘Shelley’ is the latest single from Dublin four-piece Dose. It’s taken from their upcoming debut EP, Sycophantic, which they’ll be releasing later this year via Pizza Pizza Records. Dose’s skilful pairing of hazy riffs and ambiguous lyrics, alongside their striking visuals means they’re becoming firm favourites of mine. Directed by Aoife Spratt, the accompanying video for ‘Shelley’ acts as a spoof of Stanley Kubrick’s iconic ’80s film, shot across a handful of Irish locations, including The Ferrycarrig Hotel in Wexford, New Ross Arboretum and a Dublin hotel. Check it out below.
(Kate Crudgington – Features Editor)

Shy New World – ‘Fahrradtag’
A gloriously trippy new single from London duo Shy New World, ‘Fahrradtag’ means ‘bicycle day’ in German and it’s easy to imagine lots of bikes speeding through the city as the track’s colourful swirling haze ripples throughout.
(Mari Lane – Managing Editor)

Meg Elsier – ‘meaning of life’
The marvellous Meg Elsier is back with this deeply relatable new track, inspired by her ruminations on moving through periods of depression, negative thought spirals and trying to find purpose again. Her candid lyrics and reverb-heavy riffs make for cathartic listening, as she unravels her thoughts on finding meaning and reason in a world that often seems void of both. (KC)

Mad Honey – ‘Moshfeghian’
A swirling, slow-burning offering from Oklahoma City band Mad Honey here. ‘Moshfeghian’ features on their upcoming second album, Bridge Over Cumberland, which is due on 15th May via Deathwish Inc. and Sunday Drive Records. By blending the quiet-to-load dynamic of grunge and the shimmering sensitivity of dream-pop, the band evoke a deep sense of nostalgia on this track, which guitarist Lennon Bramlett believes forms the basis of the whole record. (KC)

dvrkworld – ‘Stimulation’
‘Stimulation’ is the latest single from Tasmanian alt-rock band dvrkworld. Blending gritty riffs with lush vocals, the track reflects on the overwhelming presence of technology in today’s world. dvrkworld released their debut self-titled EP back in 2025 via Psychedelic Salad Records and they are currently working on their first full-length album, due in early 2027. (KC)

Waterdeer – ‘Goddamn’
Having blown us away playing for us at New River Studios a while back, shoegaze international supergroup Waterdeer (featuring members of Ritual Error and former members of GHUM) have now finally released some of their captivating music into the world. Flowing with a haunting, shimmering grace, ‘Goddamn’ will immerse you in its rich dreamy splendour on first listen. I can’t wait to hear more. (ML)

 

Roomer – ‘Written By’
Berlin-based dream rock outfit Roomer are new to me, but I’m loving their latest single. ‘Written By’ is a dreamy, reverb-heavy rumination on the subtlety nature of growth and change. The band will be venturing to Brighton in May to play The Great Escape Festival, so make sure you check them out if you’re heading down to the seaside! (KC)

Mi.el – ‘She Will Be Gone’
An immersive slice of dream-pop, ‘She Will Be Gone’ is taken from the poignant latest EP from London duo Mi.el. Exploring female empowerment and curiosities, the EP offers a lilting collection as rich celestial vocals and lilting hooks shimmer throughout with a captivating grace reminiscent of the likes of Warpaint or The XX. (ML)

maehem99 – ‘I Can’t Be Your Guy’
I am hooked on this gritty piece of electronica from non-binary, Irish-South African artist maehem99. ‘I Can’t Be Your Guy’ is their debut single and the first track they’ve shared from their upcoming EP, Sexual Commerce, which is set for release on 18th June. The EP is maehem99’s authentic sonic statement of self-autonomy, as well as a reflection on the industries that tried to mould them into something they’re not. (KC)

Tomorrow Woman – ‘The Flower’
Tomorrow Woman is the new project of California-born, Paris-based artist Betsy Roszko, formerly of punk band Gomme. With her strong DIY spirit and background in dance and movement, she changed musical gears and began experimenting with electronics under her new monkier. This track ‘The Flower’ is taken from her debut EP, Plays Machines, which is set for release on 1st May, and it’s inspired by Betsy’s favourite Buddhist quote: “If we could see the miracle of a single flower clearly, our whole life would change”. It’s an infectious mix of enveloping synths, dreamy vocals and twitchy beats, designed to immerse listeners in the moment. (KC) 

HEIGHTS – ‘Belong’ 
A captivating slice of alt-pop inspired by the binary oppositions of closeness and isolation, ‘Belong’ is the latest single from HEIGHTS. Full of her soft vocals and dreamy cinematic synths, the track acts as a sonic confession for the artist, which she explains in more detail: “I wrote ‘Belong’ about the tension between craving closeness and feeling like you don’t quite belong anywhere yet. It’s a late-night conversation with yourself about identity and the need to feel seen – searching for home in another person while still trying to find it within yourself. Really outing myself as an overthinker with this one.” (KC)

Eve Maret – ‘Gethsemani’
I’ve only just discovered Nashville-based experimental artist and composer Eve Maret, but I’m fascinated by her sound and her aesthetic. Inspired by her self-desribed “complicated” Catholic upbringing, she penned this track ‘Gethsemani’ – named after the biblical garden – when she visited a monastery. It’s taken from her upcoming album, Diamond Cutter, which is set for release on 17th April. She uses an array of sythns, instruments and recording techniques to create her unusual and exploratory sounds, which she performs in full costume as a Nun. “Dressing up like a nun and playing music felt like a random idea at first, but in retrospect, my life has been building towards this culmination point for years,” Eve shares. “I’m re-contextualizing my wounds to empower myself. I’m taking the parts of Catholicism I appreciate and reappropriating them. I am devoted to music, to knowing myself, and to having fun in the process.” (KC)

Bugeye – ‘Comfortably Numb’
Big faves of ours at GIHE for many years now, Croydon punk-pop band Bugeye have now announced the release of a new album, and they’ve celebrated by sharing a fierce new single. Reflecting on the mixed feelings around late nights and dancefloor antics, ‘Comfortably Numb’ sizzles with an ‘80s-inspired brooding energy as the band’s trademark colourful layered hooks pulsating disco beats take hold. The Shape Of Things, the upcoming new album from Bugeye, is out 15th May via INH Records. (ML)

Downtown Boys – ‘You’re A Ghost’
Having first met at union meetings while working together at a hotel, founding members of Downtown Boys Victoria Marie and Joey La Neve DeFrancesco let their political drive and desire for change seep into everything they release as a band, and this is certainly the case with their latest single. A fierce retort against ICE, genocide and the suppression of marginalised voices, ‘You’re A Ghost’ races with a raging, chaotic energy, building to an immense and necessary slice of industrial dance-punk. The resonant and powerful accompanying animated video was directed by Lebanese artist Khalil (@palpable.image). Public Luxury, the upcoming new album from Downtown Boys, is set for release on 26th June via Sup Pop. (ML)

WIDGET – ‘WHAT IF PHONES BUT TOO MUCH’
Having completely dazzled us with their gritty compelling energy and utterly unique charisma when they headlined New River Studios for us last month, East London post-punk supergroup WIDGET (featuring members of Big Joanie, all cats are beautiful, Junodef and Zahra Haji Fath Ali Tehrani) have just released their debut album, Classy Hits Vol.2. Taken from the album, ‘WHAT IF PHONES BUT TOO MUCH’ offers a seething, satirical anthem, as fitting for the dancefloor as it is for taking to the streets and rising up against the powers that be. Of the track, the band explain: “It’s a song about not accepting the lot you’ve been given, about pushing up at the glass ceiling and smashing it wide open on your way out. Fulfilling the dream we’ve definitely all had where everyone’s face is Danny Dyer and saying ‘god no this is absolutely not what I want from life please and thank you’”. You can catch WIDGET talking about their new album in more detail on our next Soho Radio show on Wednesday 13th May at 8-10pm! (ML)

Cootie Catcher – ‘Loiter For The Love Of It’
New favourite band (and band name) alert! Having released a new album in February, Toronto’s Cootie Catcher have just come to my attention with the announcement of a UK tour later this year. I’m a big fan of their lo-fi scuzzy sounds and honey-sweet harmonies; a perfect combo of twee innocence and chaotic angst-driven energy. Something We All Got, the latest album from Cootie Catcher, is out now via Carpark Records. (ML)

Carla J. Easton – ‘Let’s Make Plans For The Weekend’
Having played in awesome bands such as TeenCanteen and The Vaselines, Scottish musician Carla J. Easton is now set to release a new solo album next month, featuring collaborations with the likes of MALKA and Darren Hayman. Ahead of the album’s release, she’s just shared an uplifting new single. A celebration of late nights, friendship and the weekly ritual of letting go, ‘Let’s Make Plans For The Weekend’ offers a sparkling slice of playful synth-pop; a perfectly sparkling summer bop. I Think That I Might Love You, the upcoming new album from Carla J. Easton, is out on 8th May via Ernest Jenning Record Co. (ML)

Gabi Garbutt – ‘Lightning Held’
Following last month’s empowering anthem ‘Radical Love’, London artist Gabi Garbutt has now released a driving new single. Propelled by a glowing, danceable groove, ‘Lightning Held’ offers an uplifting proclamation of being open to love, fizzing with a sparkling energy as Gabutt’s introspective pop-poetry flows throughout. (ML)

Not Richard & Her Majesty – ‘A Song About Being A Parasite’
The latest single from Brighton based glam rockers Not Richard & Her Majesty, ‘A Song About Being A Parasite’ reflects on the end of a romantic relationship and the mixed emotions that can come with this. Fizzing with ska-tinged beats and glistening synth-laden hooks, it’s an instantly catchy anthem offering all the effervescent allure of Marc Bolan with a fresh queer energy. Not Richard & Her Majesty will be playing at Brighton’s Alternative Escape Festival on 15th May at Hotel Pelirocco. (ML)

Grandmas House – ‘DOG’
GIHE faves Grandmas House are back with this excellent new single ‘DOG’. The Bristol-based post-punks penned this track during a time of personal struggle, when a band member was living with a chronic illness that no health professional could properly explain. Through their racing riffs, marching beats and fluctuating tempos, the band explore feelings of unease and the exhaustion of living through a health crises, offering brief respite for listeners who have found themselves in similar circumstances. (KC)

Frances Murray – ‘Holidays By The Sea’
Described as one of her favourite tracks from her debut solo album, Dreamer, ‘Holiday By The Sea’ is the latest single from Essex-born, Brighton-based songwriter Frances Murray (fka BLAB). For this song, Frances used the “cut up” lyric technique, which involves physically cutting words out of newspapers & magazines or lifting lines from poetry in order to create your own song, which perfectly encapsulates the scrap-book, nostalgic spirit of ‘Holidays By The Sea’. To celebrate the release of Dreamer, Frances will be playing a show in Southend at The Fickle Pickle (12th June) and in Brighton at the Hope and Ruin (3rd June) too. (KC) 

TERE! – ‘MAN’
Fuelled by a desire to process her trauma and to offer a message of solidarity to survivors of sexual assault, Spanish-born, Liverpool-based songwriter TERE! penned this intense single ‘MAN’. Through her potent vocals, dramatic volume shifts and explicit lyricism, TERE! tackles these issues with a formidable spirit, fighting her demons and gaining the courage to help others in the process. She will be releasing her debut album, NO MORE MANNERS, in May this year. (KC)

No Peeling – ‘Stationery’
A catchy slice of energetic garage-pop from Nottingham-based band No Peeling here! ‘Stationery’ is lifted from their upcoming EP, simply titled EP2, which is set for release on 1st May via Wrong Speed Records & Feel It Records. Inspired by both the mundanity and the joy of everyday life – like stationery for example – it’s a playful collection of tracks that the band believe aptly captures the spirit of their live shows. (KC) 

Irked – ‘Who Asked?’
Self-described as “a garage-punk hate letter to the world,” North-East punks Irked are on the cusp of sharing their debut album, Grievance, on 1st May via Wrong Speed Records. The LP is a deeply personal dismantling of the politics of gender, class and toxic behaviours in the workplace, which this track ‘Who Asked?’ directly addresses. Lyrically inspired by notes on band members phones and late night chats, the track explores the contradictions of “day jobs, night shifts, work drinks and half-hearted plans”. (KC)

THE NONE – ‘Watch’ / ‘Daddy Doesn’t Make Mistakes’
We are big fans of Birmingham-based punk outfit THE NONE here at GIHE, so we’re excited to see that they’re back with more vital, abrasive and electrifying new music. The band performed ‘Watch’ and ‘Daddy Doesn’t Make Mistakes’ for a live session with state51, which you can watch below. Filmed in one continuous take, the video captures vocalist Kai’s visceral energy perfectly, alongside their bandmates cacophonous blend of intense riffs and beats. The session also features a cover of Napalm Death’s infamous ‘You Suffer’. THE NONE will be curating two all-day events with some of their favourite acts in London (16th May) and in Birmingham (18th July). Tickets are available on DICE now. (KC)

Spit Takes – ‘Teeth’
With a songwriting technique described as “a zero fucks given approach on dark times with tongue-in-cheek wit,” it’s no wonder we became instant fans of Minneapolis-based punk band Spit Takes. This riotous single ‘Teeth’ is the title track from their upcoming debut album, which is set for release on 9th May via independent label Whiplass Records. Full of raging catharsis and reminiscent of the raw energy of iconic Riot Grrrl bands like Bikini Kill, Spit Takes’ sound is vehemently anti-fascist and totally up GIHE street. (KC)

Dogviolet – ‘Daisy Crowns’
Following the spellbinding power of songs like ‘Dandelions’ and ‘Violets’, long time favourites Dogviolet have returned to grace our ears with another beautiful, floral-themed single. A captivating reflection on nostalgia, ‘Daisy Crowns’ flows with a dark, sweeping majesty, longing for the frivolous joy of youth with a sparkling desperation. It’s always a highlight of their live sets, oozing an all-compassing swirling allure. (ML)

Jolanda Moletta (ft. Yellow Belly) – ‘Their Voices Rise Above The Waves’
A stunning soundscape that will captivate and lull listeners into a dreamlike state, this is the latest single from multimedia artist and one-woman electronic choir Jolanda Moletta. ‘Their Voices Rise Above The Waves’ is lifted from her upcoming third album (and first for label Becaon Sound) Oceanine, which is set for release on 1st May. It’s a sonic celebration of female power and divinity, as well as an ode to survival and collective memory. Each track on Oceanine features a collaboration with a different female vocalist, including Nadine Khouri, Karen Vogt, Astrid Williamson, Elska, Yellow Belly and more. Speaking about her deeply personal new work, Jolanda explains: “Oceanine is inspired by sirens, water nymphs, and the timeless call of the sea. At its core lies my deep, lifelong connection to the Mediterranean Sea and to the ancient and modern myths and folklore that have emerged from its waters…The entire album is built exclusively from the human voice, processed and layered, yet always remaining voice, and nothing else.” (KC)

afromerm – ‘reflections’
This beautiful track is lifted from GIHE fave and Oram Award-winning artist afromerm’s latest EP, held. An emotive and eclectic blend of field recordings, soothing vocals and electro-acoustic instrumentation, the three-track EP showcases afromerm’s instinctive sonic connection to water and the sea, as well as being a testament to the fluidity and shifting tides of life itself. ‘reflections’ also features arrangements from talented collaborators YUIS and Marysia Osu too. (KC)

 

Penelope Trappes – ‘Platinum’ (Saint Etienne Rework)
It seems there are no limits to the extraordinary vision of Brighton-based Australian multi-disciplinary artist Penelope Trappes. In 2025, she shared her poignant, grief-inspired album A Requium, along with a companion LP, Æternum, which featured a new set of compositions. Now, she is preparing to share Opvs Novum: A Requiem Reworked, a new collaborative record which expands her captivating concepts even further. Set for release on 29th May via One Little Independent Records, Penelope “reframes” her original release with the help of an array of discerning artists, including Gazelle Twin, Midwife, Julia Holter, PRIZMA9 and more. On this new version of ‘Platinum’, London trio Saint Etienne bring a hypnotic, hymn-like sensibility to the track, whilst still retaining the haunting quality of the original. I am so excited to listen to the new record in full! (KC)

BISHI – ‘Maya She Lives Inside Me’
We are consistently impressed by the eclectic projects that British Bengali multi-instrumentalist & composer BISHI brings her unique talents to, so we were excited to discover that she has produced her first original soundtrack! She wrote the score for MAYA: The Birth of a Superhero, which is a 30 minute immersive VR animated film that forms part of award-winning activist and transmedia artist Poulomi Basu’s law-changing multimedia project, Blood Speaks – exploring menstrual exile and violence against women in South Asia – which was shortlisted at Festival de Cannes 2024. Now, BISHI is preparing to release the soundtrack via her own label Gryphon Records on 15th May, and to celebrate, she will be host four special live performances of the score across the UK in June. These shows will feature BISHI on voice, sitar and electronics alongside live strings, with bespoke visuals from the creators of MAYA: The Birth of a Superhero, manipulated live to create an immersive concert experience. (KC)

Hannah Schneider – ‘The Apartment’
Recently releasing her innovative solo album, The Room, Danish artist Hannah Schneider is keen to reclaim the creative process, consistently insisting on presence, intuition, and craftsmanship as the driving forces behind the creation of her music. Rejecting the use of AI in music, she recorded together with other musicians at a residency at the historical Thorvaldsens Museum, fusing together an eclectic array of musical elements and processes to create something truly exceptional. Taken from the album, ‘The Apartment’ showcases Schneider’s rich, immersive soundscapes and beguiling, sumptuous vocals perfectly. Watch the beautiful new video below. (ML)

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