PLAYLIST: International Women’s Day 2020

Happy International Women’s Day! It’s a day to highlight and bring awareness to the issues facing women around the globe, and it’s also a time to celebrate the women we love too. This year’s theme is #EachforEqual – encouraging all of us to collectively help create a gender equal world: because an equal world is an enabled world.

At Get In Her Ears, we have only one definition of a “woman”, and that is inclusive of ALL women. Inclusivity is at the core of what we do. It’s the reason we started, it’s what drives us, and it’s something we will consistently strive for as long as we exist. To be explicitly clear, we always have and always will stand against transphobia – it is unacceptable. We send our love, support and solidarity to ALL women out there.

We’ve created a playlist of all the wxmen artists that continue to inspire, entertain, and motivate us into action. Take some time to scroll through our choices below, and make sure you hit play on the Spotify playlist at the end of the page.

Eurythmics & Aretha Franklin – ‘Sisters Are Doin’ It For Themselves’
An obvious, but essential choice for any IWD Playlist. Annie Lennox & Aretha Franklin are a dream vocal team, and I never get tired of listening to this classic. (Kate Crudgington)

Planningtorock – ‘Beulah Loves Dancing’ 
I’m forever grateful to Tash for introducing me to the lush electronics of Planningtorock. This track is all about their sister, Beulah, and her love of house music. When Planningtorock played this live at their gig at Southbank Centre last year, Beulah was in the audience, and when the two siblings embraced each other after the song, I had a tear in my eye. (KC)

The Julie Ruin – ‘Girls Like Us’
It’s no secret by now that Kathleen Hanna is the woman who has inspired me the most and pretty much the reason we started GIHE, and so it seems only right to include a track of her’s on our playlist celebrating amazing women. And this track from The Julie Ruin is just a perfect ode for womxn of all kinds this IWD. A unifying anthem for all us misfit grrrls, with relatable empowering lyrics such as “… girls like us pick up the hot handles and burn our hands and we get over it”, it never fails to pick me up and leave me feeling ready to face the world. (ML)

Big Joanie – ‘Used To Be Friends’
I think all three of us would firmly place this band on any International Women’s Day Playlist. We could not be more behind everything Big Joanie are about, having seen them countless times over the last year – their headline gig at The Moth Club was an undoubted highlight, this band just keep the good music coming. Their politics and music are inseparable, using their platform to speak to their experiences as a black, queer, punk band and the importance of intersectional feminism, it is a privilege to have had them on our radio show. (TW)

Nova Twins – ‘Bullet’
Consistent GIHE favourites Nova Twins have released their breath-taking new album Who Are The Girls, and this track is lifted from it. It’s a powerful statement against street harassment, and the myth that women are “asking for it” if they dress or act in a certain way. Amy’s lyrics are the ultimate weapon against such insults, making it crystal clear that those who touch without permission are not fucking welcome. (KC)

Jehnny Beth – ‘I’m The Man’
Though Jehnny Beth has said that ‘I’m The Man’ is “a poetic work first and foremost. Its aim is to make you feel, not think”, for me it seems to address the anger and ruthlessness surrounding toxic masculinity and the damaging effects it can have. IWD, I feel, should not only be about celebrating the brilliant women in our lives, but informing our male allies so that they can support their female peers as much as possible, and also be reassured that to be a “man” does not mean having to be aggressive or physically powerful. A poignant and powerful offering from this immense force of womankind, who I cannot wait to see live today at The Roundhouse as part of BBC 6 Music’s Festival (along with other awesome women Kate Tempest, Kim Gordon and more). (ML)

Deux Furieuses – ‘Year Of Rage’
GIHE faves Deux Furieuses last year dropped their immense album My War Is Your War – a collection of poignant, impassioned and all-too-relevant rock anthems. Taken from the album, ‘Year Of Rage’ is a seething offering addressing the #MeToo movement and the anger felt by women everywhere trying to seek justice. Delivering a message of empowerment through the raging riffs and soaring vocals of Ros Cairney and frenzied pummelling beats from Vas Antoniadou, it’s a hugely powerful and distinctly necessary listen this IWD. (ML)

The Joy Formidable – ‘The Last Drop’
I’ve lost count of the amount of times I’ve told people how much I adore The Joy Formidable. I’ve been following them for a decade now, and I am still in awe of their ability to create heavy, magnetic, alternative tracks like this one. (KC)

ARXX – ‘Intervention’
Another playlist, another ARXX track. But we make no apologies about this. ARXX have been faves for a while now, and with their “unapologetically loud”, ferocious raw power, they continue to blow us away with their unrelenting raucous sounds. This track, ‘Intervention’, taken from 2018’s EP Daughters Of Daughters, talks of social injustices, giving a shout out to the LGBT charity Stonewall, exclaiming that “you don’t get to say who we fall in love with”. A perfect, raging anthem for equality. Two of the coolest women we know, ARXX also headlined our IWD gig last year at The Finsbury, and it really was the best way to celebrate. (ML)

Amaroun – ‘Perish’
Previous guest on our radio show Amaroun has recently jumped back into the limelight with several new tracks, inclusive of this one ‘Perish’. I’m loving this next step in Amaroun’s musical journey – the beats, the vocals, the stripped back simplicity, sublime. Drawing from her experiences as a black queer woman, overcoming struggles with sexuality and the importance of emotional honesty in music, these themes stand strong throughout her songs. I can’t, and don’t want to stop listening. (TW)

Nayana Iz – ‘How We Do’
What a tune1 ‘How We Do’ is possibly one of the best debuts I have ever heard. Indian born, London raised Nayana Iz has arrived and she’s taking you with her. Eyes wide open people and get watching. (TW)

Missy Elliott – ‘She’s A Bitch’
One of the coolest, most inspiring women in the business, Missy Elliott delivers the most empowering and entertaining of offerings, just by being her incredible self. Proving that a woman can conquer a previously male-dominated genre, whilst consistently unashamedly oozing self confidence, she never fails to motivate me and put a smile on my face. Showing women that it’s ok to not fit the “feminine” stereotype that the industry so often seems to demand, and just be who you are and wear whatever the f*** you feel comfortable in (whether that’s an inflated bin bag or a scarecrow costume – check out last year’s performance at the VMAs to see this in action), she continues to push boundaries and remains a colossal force of nature. ,(ML)

Nilüfer Yanya – ‘Tears
One of my favourite tracks from Nilüfer Yanya, a slight move away from her guitar heavy tunes, ‘Tears’ released early last year captures and takes you along with its bouncing beats and sad reflective lyrics. It’s been great to watch this artist reach the acclaim she so rightly deserves, with my personal highlight seeing her play at Primavera 2019. It was the definition of sun-drenched guitars. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl – and was punished for it. At age 20, she robbed a convenience store at gunpoint – desperate, she says, to fund her gender-affirming surgery. Behind bars (in a male prison), Diamond found her voice as a songwriter, and wrote this track ‘I Am Her’. I wanted to include this track today, not only because I just love its poignant, soulful groove, but because Trans Women are of of course women too and should be celebrated on International Women’s Day (and every day)! (ML)

Lido Pimienta (feat. Li Saumet) – ‘Nada’
Inspired by the birth of her daughter, Canadian-Columbian musician Lido Pimienta has penned this beautiful song ‘Nada’. Taken from her upcoming album Miss Colombia, Pimienta ruminates on the pain women experience – from debilitating period pains to giving birth – and how strong we are despite being unfairly dubbed the “weaker sex”. Watch the accompanying video for the track here(KC)

FKA Twigs – ‘sad day’
The master and the muse; FKA Twigs continues to dazzle my eyes and ears with each new release. This track is taken from her second album, Magdalene, a record which blends vulnerability and raw power in equal measure. There aren’t enough adjectives to describe how much I love the music this woman makes. (KC)

Pumarosa – ‘Lose Control’
I interviewed Pumarosa’s front woman Isabel Munoz-Newsome last year for The Line Of Best Fit (read here), and she said this was her favourite track from their latest album Devastation. She spoke candidly about how she wanted to change the narrative around “love” or “breakup” songs, and her words have stayed with me ever since. This track is a slow-burning banger. (KC)

Arlo Parks – ‘Cola’
Watching Poet, rapper, singer & producer Arlo Parks grow over the last couple of years, receiving the absolutely deserve notoriety and success that an artist of her calibre should has been our pleasure. ‘Cola’ her debut single has kept a solid place on many of my playlists, a tender, confessional and mesmerising track. If you haven’t heard of Arlo Parks yet, go check her out now. You can thank me later. (TW)

Sleater Kinney – ‘Modern Girl’
Having been left completely speechless by seeing total heroes Sleater Kinney live last week, I couldn’t not include a track by this group of inspirational women. Seeing Carrie Brownstein perform this song, with all her infectious charisma and musical magnificence, was a definite highlight. And the lyrics “anger makes me a modern girl” seem particularly poignant this International Women’s Day. (ML)

Amahla – ‘Old Soul’
Hackney-Native Amahla blew us away with this song ‘Old Soul’ at the beginning of 2019 and has just kept getting better. An artist who uses their platform for greater good talking about women’s issues, race and current political climates, has an unquestionable place on our IWD2020 playlist. (TW)

Antony and the Johnsons – ‘My Lady Story’
“My womb’s an ocean full of grief and rage.” I can’t listen to that lyric without my heart breaking a little. A strong advocate for trans rights, feminism and climate action, Anohni (formally of Antony and the Johnsons), is a necessary and powerful voice this International Women’s Day. On identifying as transgender, Anohni once said in an interview with The Guardian: “I was never going to become a beautiful, passable woman, and I was never going to be a man… It’s a quandary. But the trans condition is a beautiful mystery; it’s one of nature’s best ideas. What an incredible impulse, that compels a five-year-old child to tell its parents it isn’t what they think it is. Given just a tiny bit of oxygen, those children can flourish and be such a gift. They give other people licence to explore themselves more deeply, allowing the colours in their own psyche to flourish.” (ML)

Dolly Parton – ‘Here You Come Again’
With the recent release of the Dolly Parton podcast and BBC documentary, I’ll take any chance I can to lap up any more content from this one. Dolly, what a woman. I don’t think I need to say anything more. (TW)

Merry Clayton – ‘Love or Let Me Be Lonely’
I recently watched 20 Feet From Stardom and to my shame learned so much about this amazing woman’s history that I did not know. A long established American soul and gospel singer, she provided backing vocal tracks to so many notable performing artists, the most famous being the Rolling Stones’ ‘Gimme Shelter’. Take her voice out of that and what are you left with? Here’s a shout out to the often forgotten or overlooked backing singers from some of the best hits out there. An established and amazing recording artist in her own right, it’s never too late to get into Merry Clayton. What a voice. (TW)

Jackie Shane – ‘Any Other Way’
A Get In Her Ears playlist would not be complete without Jackie Shane, I think this track ‘Any Other Way’ has featured on so many of our playlists and radio shows, but for good reason. Kate introduced me to this artist a couple of years ago and I was sold on first listen. Jackie Shane lived her life as a woman in the spotlight, during a time when compassion and acceptance were not always reciprocated to those who identified as trans. A pioneer for trans rights in the 60s, who very much lives on in our memories today. (TW)

Girl Ray – ‘Friend Like That’
GIHE faves Girl Ray have recently released their uplifting second album, Girl, and I cannot get enough. Taken from the album, ‘Friend Like That’ is an ode to friendship flowing with the trio’s colourful energy and funk-filled, pop-inspired hooks. Of the track, the band explain: “This is a friendship anthem. In music, friend love is often overshadowed by romantic love and IT’S JUST WRONG. This one goes out to the mates of the world.” Basically a perfect, shimmering anthem to celebrate all your fantastic female peers this International Women’s Day. (ML)

Shari Vari – ‘New York City’
Since hearing their debut album, Now in 2019, I still cannot get enough of the Hamburg based alt-electro/punk/producers Shari Vari. Now out via Malka Tuti, it’s packed full to the brim of brutalist delights. From ‘Dance Alone’, which takes me back to those dark, freezing, sweaty warehouse raves to this track ‘New York City’ with warped vocals, heavy reverb and cinematic crescendos. One of my albums of 2019, I consider myself still completely hooked. (TW)

Mentrix – ‘Nature’
Born in Iran but now based in Berlin, Mentrix (aka Samar Rad) blends her experiences of eastern and western culture, along with traditional Sufi instrumentation to create her beguiling, bold soundscapes. Her extensive travels and multiple influences – from Latin and French Literature, to The Qu’ran and traditional Persian poetry – give her music a diverse and fascinating edge. I can’t wait to hear her album My Enemy, My Love, which is set for release via her own (female-led) record label, House of Strength, on 3rd April. (KC)

Gazelle Twin – ‘Anti-body’
“I’m credibly unknown, and incredibly ok with that” wrote Elizabeth Bernholz – aka Gazelle Twin – in response to a fan who suggested she should be added to the Reading Festival lineup to fill the obvious void of female bands/artists on the bill. Bernholz’s pioneering sound and vision is best experienced elsewhere though, as her avant-garde, haunting electronic soundscapes demand your full attention. This track is lifted from her second album Unflesh, and although Bernholz has said she will never return to this material (having crafted her spectacular third album, Pastoral), I always come back to it when I’m feeling restless. (KC)

PLAYLIST: February 2019

It’s a brand new month and that means we’ve got a brand new playlist of new music to share with you. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Queen Zee – ‘Loner’
GIHEs faves Queen Zee released their debut self-titled album last week, and this single was lifted from the record just before it dropped. It’s an in-your-face anthem that takes the piss out of being a solitary, socially inept loser. Zee’s vocals dominate this track which is filled with swirling guitar noise and non-stop percussion. Mari & I will be watching Queen Zee live at The Lexington on Valetine’s Day this year, and we can’t wait to grab a copy of this glorious record, and we’d encourage you to do the same! (Kate Crudgington)

Scrounge – ‘Crimson’
Total faves Scrounge have just released their ferocious new single ‘Crimson’. Ever since they completely blew us away with their epic energy-fuelled set at our gig at The Windmill last summer, we’ve been struggling to put into words just how impressive we find their refreshingly original sound. Propelled by Luke’s intense pummelling beats and Lucy’s trademark gritty snarl, ‘Crimson’ creates a frenzied swirl of sound that’ll wrap itself around you with a racing sense of urgency. With shades of the soaring majesty of Sonic Youth, whilst retaining the duo’s utterly unique and colossal genre-blending sound, I just can’t get enough of ‘Crimson’s wonderfully discordant whirring cacophony. (Mari Lane)

Le Butcherettes – ‘Give Up’
Taken from their new album bi/MENTAL released last week, this knockout single from Le Butcherettes laments the many struggles surrounding grief. Front woman Teri’s passionate vocal delivery and the infectious rolling rhythms on this track make it a real blood-pumping affair you can’t sit still to. (KC)

Sacred Paws – ‘Brush Your Hair’
Having won the 2017 Scottish Album Of The Year Award for their debut Strike A Match, Glasgow-based duo Sacred Paws have become firm favourites over the last couple of years. Now, with their vibrant, jangly melodies flowing seamlessly alongside lush harmonies and thrilling, racing beats, new single ‘Brush Your Hair’ has secured their place in our hearts once again. And, with the band’s trademark utterly infectious uptempo energy and colourful charisma, ‘Brush Your Hair’ is set to brighten your February on first listen. (ML)

Arlo Parks – ‘Super Sad Generation’
Arlo Parks has shared her beautiful follow up to single ‘Cola’ with the aptly named ‘Super Sad Generation’. It’s a heartfelt tune that speaks about going through the motions, trying to make emotional sense of what’s in front of you. (KC)

Mags On Earth – ‘Tulip Stone’
Influenced by her constantly changing surroundings and by the pressures associated with youth and living in the moment; Mags On Earth has shared her beautifully dreamy single ‘Tulip Stone’. The song was recorded with producer Jose Manuel Cubides in London, and deals with “wondering what else life could be looking like right now, and the pressure of spending your youth in a certain way and how time keeps passing”. (KC)

Amahla – ‘Dorothy’s Verses’
Exploring what truth is through the story of her grandmother, Amahla’s ‘Dorothy’s Verses’ flows with rich, impassioned vocals alongside luscious sweeping hooks, creating a truly dreamy – and deeply stirring – offering. Having played legendary venues such as The Jazz Cafe and The Roundhouse, and garnered support from the likes of BBC Radio 1 Extra and 6Music’s Tom Robinson, I really can’t wait to hear more from this innovative artist. (ML)

NAVA – ‘Ritual’
Milan-via-Iran based project NAVA’s new single is a blend of Persian-dance inspired beats, industrial elements and hypnotic vocals. I like this band’s obscure image and sound, so I’ll be keeping tabs on them for the rest of 2019. (KC)

Miss Jacqui – ‘These Walls’
I was only recently introduced to songwriter and poet Miss Jacqui when Amahla featured this track on her guest playlist for us; and it was love at first listen. With poignant, heartfelt lyrical storytelling set to glitchy beats and a twinkling soundscape, ‘These Walls’ is an essential listen. Having performed at the 2012 Paralympics ceremony, she’s only officially started releasing tracks last year, and I’m so glad she has. An exceptional voice that we need in our ears now more than ever. (ML)

Heather Woods Broderick – ‘Where I Lay
‘Where I Lay’ is the utterly cinematic new single from Oregon’s Heather Woods Broderick. With its sparkling beauty and the subtle soaring power of Woods Broderick’s vocals, it’s impossible not to become utterly captivated. Of the track, she explains explains: “’Where I Lay’ is really a poem about the impermanence of all things. So many of our questions will remain unanswered but if we slow down and appreciate things as they are it can provide a simplicity and an ease that inspires wonder amidst the chaos.” ‘Where I Lay’ is taken from Heather Woods Broderick’s new album Invitation, out on 19th April via Western Vinyl. (ML)

Hubert’s Friend – ‘Shipping Forecast’
Filled with gritty, blues-driven riffs, meandering desert-rock groove and the soaring soulful vocals of front woman Elly Lock, I just can’t get enough of this new single from London’s Hubert’s Friend. With regular appearances on the London gig scene, Hubert’s friend have now got through to the  quarter finals of Isle of Wight Festival Emerging Talent competition, so it definitely seems they’re headed for big things this year. (ML)

PLAYLIST: August 2018

The British heatwave rages on with its blue skies and scorching sun, and us Get In Her Ears girls are here to help you through the head-melting heat with a mixture of cool new tunes. Take some time to scroll through our track selections, and hit play on the Spotify link at the bottom of the page…

Dream Nails – ‘Merkury’
Fast becoming known for their sparkling combination of activism and catchy tunes, GIHE faves Dream Nails are back with a new disco-punk banger. Perhaps less political than previous hits, ‘Merkury’ is a tongue-in-cheek take on the adverse effects of the planets misaligning and causing havoc in our everyday lives when Mercury Retrograde strikes. Flowing with sweeping honey-sweet vocals and shimmering melodies alongside groovy basslines, it’s a truly infectious intergalactic delight. Watch the wonderfully spacey, psychedelic video for ‘Merkury’ here. (Mari Lane)

WHITE RING – ‘Nothing’
Warped, watery vocals and thumping percussion combine in densely hypnotic style on WHITE RING‘s latest single, ‘Nothing’. Taken from their recent album Gate Of Grief, the track is accompanied by a video which shows the pair immersed in their own sound. Watch it here(Kate Crudgington)

AyOwA – ‘Sommer’
I couldn’t not include ‘Sommer’ by AyOwA in August’s playlist. Having seen these guys for the first time last week at our Notting Hill Arts Club event, they totally stole the show for me!  Seeing AyOwa peform Sommer was a highlight for me – more heady and more haunting then I could have wished for. (Tash Walker)

hear – ‘OYSTERS’
I’ve found a new addiction and it comes in the form of new musical project hear with their dark, hypnotic, lyrically enchanting music. ‘OYSTERS’ in particular stood out for me with it’s poetically pertinent messages of sexual perversion, discovery, frustration, desire… ‘did it please you well? to see her hanging there’. It’s hard for me not to draw parallels to early Savages, however hear are of course distinct in their own version of post-ponk. hear is a musical project from Jorinde Croese and Natalie Connlly who aptly say “We’re not quite sure how to classify – labels perhaps feel a little old, and the music doesn’t quite come from obvious reference points, at least not for us.” Without a doubt hear are now firmly on my ‘Ones to Watch’ list, fingers crossed for some live dates soon. (TW)

Something Leather – ‘Disappear On Me’
I saw Brighton’s Something Leather live for the second time at The Lock Tavern last weekend at We Can Do It’s all-day gig, and they didn’t disappoint! The trio’s sound ricochets between loud and quiet, up and down, mad and melancholy – and I can’t get enough of their marvelous noise. (KC)

Æ Mak – ‘Love Flush’
‘Love Flush’ is the latest single Æ Mak (pronounced “Eh Mack”). Having just played Latitude with what sounded like an incredibly energetic show, I think it makes sense that so much of the media are drawing comparisons to early Bjork. Of the track she says “‘Love Flush’ is a twisted love song. It’s about choosing your own ambitions over a true love, pushing that someone away to embrace this higher vision you have of yourself, even though that’s what made you happy. Ego’s a bitch.” I could not be more into how this track starts and then breaks into an alt-pop tune! Enjoy. (TW)

Temples Of Youth – ‘Darker Places’
This duo have been firm favourites of the GIHEs team for a while now, and new single ‘Darker Places’ is another electronic treat. Paul’s trademark atmospheric guitar sounds combine with Jo’s jaded beats and beautiful vocals to create this sultry pop-noir gem. (KC)

Princess Chelsea – ‘I Love My Boyfriend’
What a sweet sentiment from New Zealand’s retro-futuristic pop artist Princess Chelsea. She might be mocking romance, or she might be promoting it – either way – I love her strung-out bass lines and sugary vocals. The single is taken from her upcoming album The Loneliest Girl, released on the 7th September via Lil’ Chief Records (KC)

Value Void – ‘Babeland’
‘Babeland’ by London trio Value Void is taken from their upcoming debut album, set for release on 26th October via Tough Love. They’ve described the record as “a luxuriantly deep, shag pile-warm, analogue proto punk collection”, and ‘Babeland’ is a track about one night in a pub when everything looked grim except for two very attractive men kissing. I love the hazy dreamlike sound to that track which seems the perfect accompaniment to the hazy warmth of this endless London Summer. (TW)

H.Grimace – ‘In The Body’ 
Following last year’s debut album Self-Architect, GIHE faves H.Grimace have returned with a gritty new single. Inspired by poet Vivienne Griffin and reflecting on society’s pressure on the individual, ‘In The Body’ is filled with the band’s raw post-punk sound and scuzzy, seething power, alongside the deep, sweeping vocals of Hannah Gledhill; creating a dreamy, Sonic Youth-reminiscent haze. (ML)

Happy Accidents – ‘Free Time’
Taken from their latest album Everything But The Here And Now, ‘Free Time’ is the perfect example of Happy Accidents’ instantly uplifting pop-punk. Oozing luscious harmonies and an infectious buoyant energy, I fell in love with their shimmering creations when coming across them at Indietracks Festival last weekend, and now I’m truly addicted. (ML)

Le Tigre – ‘TKO’ 
With it being LGBTQ+ activist and artist J.D.Samson’s birthday on Saturday, I couldn’t not include a Le Tigre track in this month’s playlist. She holds a very special place in my heart, and the memory of dancing the night away in total euphoria to tunes that she hand-picked at M.I.A’s Meltdown Festival last year is still one of my life highlights. Really, Le Tigre’s ‘TKO’ should be on every playlist ever – it’s an instant blast of empowering energy on each listen. (ML)

PLAYLIST: July 2018

British summer time is in full swing, and the gorgeous/overwhelming heat makes every day feel like a summer holiday *wipes beads of sweat from brow*. If you’re stuck behind your desk however, fear not! We have a red hot set of new tunes to see you through the rest of the month. Take some time to scroll through our track selections, and hit play on the Spotify link at the bottom of the page…

 

Hercules & Love Affair – ‘Blind’
Taken from their self-titled album released in 2008 – the same year I attended London Pride for the first time – and without a doubt, the theme tune to me fully embracing my sexuality; feeling proud of who I was and strong enough to come out happily in all aspects of my life. Last weekend marked the end of the Pride Festival in London, with the Pride in London march on Saturday, where I marched with Switchboard the LGBT+ Helpline that I am a Trustee for. It was a great experience, and only mildly marred by the TERFS protest at the beginning. As a cis-gendered lesbian I denounce everything they stand for and pointedly want to say that I do not agree with any of their statements. I marched for the achievements we have made in society throughout the years to now, but also for all the essential changes still to come…one thing remains the same, it’s about standing for equality. Equality for everyone, everywhere. (Tash Walker)

Indian Queens – ‘Pretty Little Thing’
Equal parts driving and delicate: Hackney trio Indian Queens have shared their new track ‘Pretty Little Thing’ – and it’s as attractive to the ears as its namesake suggests. Released via Cool Thing Records, the single is an infectious blur of hypnotic vocals and shoe gaze guitar sounds. They received a standing ovation after their set at Robert Smith’s Meltdown Festival last month, and this track has been swirling around my brain ever since. (Kate Crudgington)

Handsome Eric – ‘Oh No’
I fell a bit love with Handsome Eric on seeing them support Shamir last week at Camden Assembly. As the raw, honest emotion of Stephen O’Dowd propels the track, whirring hooks and a driving energy bring to mind Manchester artist, and personal favourite, Kiran Leonard. Totally luscious lo-fi scuzz of the best kind. (Mari Lane)

Nova Twins – ‘Lose Your Head’
GIHE faves and last week’s guests on the radio show, the immense Nova Twins have just released their ferocious new single ‘Lose Your Head’. Having received acclaim from the likes of The Guardian, and none other than Rage Against The Machine’s Tom Morello, the duo continue to prove themselves to be one of the most exciting bands around with the snarling vocals and addictive, frenzied energy of this latest offering. (ML)

The Empty Page – ‘Deeply Unlovable’
We’ve been massive fans of The Empty Page’s gritty, grunge-fuelled offerings for a while now, and we cannot wait for them to blow us away once again at The Finsbury on Friday! (ML)

Queen Kwong – ‘Raptures’
Slow-building bass lines and mesmeric vocals combine on Queen Kwong’s ‘Raptures’ to form a beguiling request to escape unwanted memories. No stranger to adversity, Queen Kwong (aka Carré Callaway) shows how her “cursed mind” is still as sharp as ever on this brilliant new single. (KC)

Carolyn’s Fingers – ‘Twice Born’
LOVE THIS! Experimental pop band Carolyn’s Fingers always deliver such refreshingly unusual music, where I just don’t want to even try and predict where their music will go to next. There is something about there music that consistently dabbles with art/performance and still I am yet to see them live. A firm ambition of mine. Totally DIY in every way, we full support Carolyn’s Fingers. (TW)

Gazelle Twin – ‘Hobby Horse’
Warped, uncomfortable, but morbidly fascinating: avant-garde artist Gazelle Twin has returned with a new image and this un-nerving new single. I can’t wait to hear more of her unusual electronic cacophonies on her upcoming record, Pastoral, on which she “exhumes England’s rotten past, and shines a torch over its ever-darkening present”. Sign. Me. Up. Now.  (KC)

Pitou – ‘Give Me A Glass’
So gentle, so beautiful, and so delicate. ‘Give Me A Glass’ by Pitou is taken from her new EP I Fall Asleep So Fast, released via Mink Records. I think this track is just mesmerising, and it probably helps that it was the first song I listened to after meeting my niece for the first time. So here’s to raising that glass to the new addition in my family! (TW)

Anna Aaron – ‘Why Not’
Love love LOVE! From the disjointed off-beat vocals, to those heavy beats that underpin this track; how can you not enjoy this?! Described as “crunching electronic pop sound”, I think that perfectly sums up this raw slice of intentionally aggressive music. (TW)

Lizzo – ‘Boys’ 
Another utterly empowering and ferociously fun offering from GIHE favourite Lizzo, ‘Boys’ is filled with all the refreshing wit that we’ve come to know and love from the Minneapolis artist. Reminiscent of the legendary Missy Elliot, this track’s funk-filled groove and joyous sex-positive spirit provides the perfect summer anthem. (ML)

Belako – ‘Over The Edge’
I saw Spanish band Belako at Finsbury Park last Saturday kicking off a day of fantastic music from QOTSA, Iggy Pop, Brody Dalle, Deap Vally and more…. And they are now my new favourite band – it was one of the most impressive, engrossing sets I’ve seen for a long time. They delivered each gritty slice of post-punk with a raw, swirling energy and explained that his track ‘Over The Edge’ is “against gender violence” – a poignant and necessary subject. And I just love its immense, gnarly passion. I’m now thoroughly addicted to their latest release Render Me Numb, Trivial Violence. (ML)

Asylums – ‘Millennials’
Essex indie rockers Asylums have returned with their highly anticipated second album Alien Human Emotions – released via their own label Cool Thing Records – and ‘Millennials’ is one of the stand-out tracks on the record. Slower in tempo, but just as powerful in delivery; the single laments the “generational generalisations” that millennial kids face in today’s society. (KC)

PLAYLIST: December 2017

The most wonderful time of the year is fast-approaching, and we’ve got no time to mess around (with the exception of the work Christmas party, those festive drinks tomorrow night, and that gig next week). Us Get In Her Ears grrrls have put together the best selection of treats since your Nan dished out the speciality Christmas-size box of biscuits. Lose yourself in the punk sass of Queen Zee, the important (and catchy) activism of Gaptooth & Sisters Uncut, the divine escapism of Black Gold Buffalo, the beautiful sounds of AmparoBjork and many, many more…

Queen Zee – ‘Idle Crown’
Hot on the heels of their last single ‘Fly The Pink Flag’, my absolute favourites Queen Zee have released brand new track ‘Idle Crown’; and it’s a riotous, hostile, smartly executed three and a half minutes of Marilyn Manson-esque garage punk. Released via the band’s own label (Sasstone Records), the Liverpool band have yet to record something I don’t instantly fall in love with. (Kate Crudgington)

Gaptooth (feat. Sisters Uncut) – ‘They Cut We Bleed’
A tribute to, and raising money for, Feminist direct action group Sisters Uncut – a charity who protest the life-threatening cuts to services for domestic violence – Gaptooth’s ‘They Cut We Bleed’ rages against the government with a frenzied, impassioned energy and empowering force. With shades of the likes of Le Tigre or MEN, it oozes whirring beats, glitchy electronic melodies and colourful uplifting vibes; the perfect call to arms that we need now more than ever. As Gaptooth says: “All these sexist, racist cuts, we don’t need ’em”. Watch the powerful video for ‘They Cut We Bleed’, featuring Sisters Uncut, here. (Mari Lane)

Sink Ya Teeth – ‘If You See Me’
‘If You See Me’ was the debut single from Sink Ya Teeth who signed to James Endeacott’s 1965 Records this year. The track is drenched in addictive beats and nods to post-punk royalty ESG. A particular highlight for me was watching Sink Ya Teeth perform this live at one of our Finsbury nights; catch them if you can, these guys are worth seeing live. (Tash Walker)

Anteros – ‘Love’
My eyes and ears are blossoming in to heart-shapes at the “effervescent pop” sounds on Anteros’ latest single ‘Love’. Produced by Charlie Andrew (Alt-J, Marika Hackman, Bloc Party), The London-based band channel Blondie and The Cardigans on their brand new ode to the all encompassing universal emotion. (KC)

Sonia Stein – ‘Do You Love Me?’
‘Do You Love Me?’, the new single from London based artist Sonia Stein, oozes gloriously sunny, uplifting ‘80s pop vibes, catchy hooks and rich luscious vocals. Of the track, Stein explains: “Do You Love Me is a song that is quite a bright and light approach to a feeling that’s a bit darker and heavier… The track’s accompanied by a fantastic Vogue-inspired, pastel-filled video, which you should definitely feast your eyes on now. (ML)

Amparo – ‘Reset’
If I could…I would have chosen everything that Amparo has released this year, constantly creating such beautiful dreamy soundscapes but if forced (and I am being forced) I’d go with ‘Reset’. A firm favourite of mine taken from Amparo’s EP Isolated Islands which has a melodic-chill atmosphere created with the idea of being enjoyed whilst exploring the outdoors.  Absolutely excellent listening. (TW)

Black Gold Buffalo – ‘Pearls Deep’
If you’re in search of musical escapism, you’ll find it in Black Gold Buffalo’s latest track ‘Pearls Deep’. Written on a stormy night in a tower block somewhere near the A10, the East London band have said the single is about “wanting to escape a brooding mood in the city, to just get up and go somewhere and nowhere.” It’s the first single to be taken from the band’s long-awaited debut album, which is due to be released in March 2018. (KC)

Gold Baby – ‘Feed It!’
In addition to featuring members of some of our favourite bands (like Long Teeth), newcomers Gold Baby create their own hugely infectious offerings. Filled with all the jangly melodies, sumptuous vocals and whirring scuzzy goodness you could ever desire, debut single ‘Feed It!’ is a sunny-sounding slice of indie-rock ruminating on the times in life where we feed it (“the little voice of misery”). A solid gold debut that leaves us eager for more. (ML)

Polo – ‘Gold Horizons’
I was introduced to this track by Mari, so shout out to her for that. This has got to be the catchiest track of the year for me, which makes a change from my normal graveyard, self-deprecating morose electro. Press play for Polo. It’s worth it. (TW)

Björk – ‘The Gate’
One of my 2017 New Year’s Resolutions was to listen to more of Bjork’s music, so the release of her tenth studio album Utopia has arrived just in time for me to fulfil that promise. It’s a superbly produced, delicately sung, gem of an album that brought a tear to my eye on first listen. ‘The Gate’ is a particular favourite because it blends vulnerability and strength in a delightfully idiosyncratic way. (KC)

The Go! Team – ‘Mayday’ 
If you’re anything like me, and Thunder Lightening Strike provided the soundtrack to many a teenage night out, you’ll be as excited as I am to hear The Go! Team’s magnificent new single ‘Mayday’. A morse-code inspired, soul-infused belter of a track, it races with all the frenzied energy and playful joy that we’ve come to know and love from the band – an instant ear worm, and essential dance-inducing addition to any festive party playlist. (ML)

Smerz – ‘Because’
Low slung rhythms, crunching beats and those ever so distinctive vocals, Because in short is some of the best obscure techno-pop around. Copenhagen based duo delivering distorted electro tracks, a perfect mix of minimal futurism and experimental nostalgia.  I’m so into this track, it makes me feel like I want to don a heavy orange bomber jacket, an East 17 style beanie and head down to some industrial rave in a warehouse and two-step the night away. (TW)

PLAYLIST: November 2017

Us Get In Her Ears girls have put our broomsticks back in our cupboards and cleared away October’s cobwebs in order to share some brand spanking new music with you this November. Check out the Spotify playlist below, and have a nose at the stuff we just can’t get out of our ears this month…

Fever High – ‘Good Advice’
Oozing an uplifting wit and sparkling, infectious melodies, this latest offering from Brooklyn’s Fever High will undoubtedly put a smile on your face. Featuring the unmistakable voice of non other than Jeff Goldblum spouting hilarious anecdotes about the bad advice he’s been given throughout his career, it’s a delightfully fizzy blast of electro pop. ‘Good Advice’ is taken from the band’s upcoming EP FHNY, out on 10th November(Mari Lane)

Wy – ‘You + I’
The slow steady melancholia of this track drew me in, with lead singer Ebba’s alto rising up over the reverb-drenched guitars, it had me feeling all sad and wistful. (Tash Walker)

REWS – ‘Your Tears’
Shauna & Collette consistently dazzle me with the power of their fierce and defiant pop-rock tune, and ‘Your Tears’ is no exception. The pair co-wrote this anthem which refuses to acknowledge the ‘boy who cried’ wolf’ and it features on their debut album Pyro, released this Friday (Nov 3rd) via Marshall Records. (Kate Crudgington)

Miya Folick – ‘Give It To Me’
Since first hearing this track, I’ve been completely head over heels with this California artist who explains that she makes music “because forming thoughts into sounds blends emotional and rational thought in a way that turns me on.” I just love this song’s emotion-strewn power – how it builds in intensity and just totally captivates with its raw urgency and utterly beautiful, heart-wrenching passion. (Mari Lane)

Kllo – ‘Dissolve’
Just as the title implies this track gives you a big does of escapism, through its electronic sound scape and samples, with a gentle nod to UK garage.  **Bows head in appreciation** (Tash Walker)

Nova Twins – ‘Thelma & Louise’
I’m like a moth to a flame when it comes to defiant duos, and Nova Twins’ latest track ‘Thelma & Louise’ proves that double trouble is the best kind of trouble. Their devious bass lines and punk vocals will shake your bones, so make sure you grab a ticket to their headline show at Camden Assembly on November 30th. (Kate Crudgington)

Kid Cupid – ‘Easy’
Having already received support from the likes of BBC Introducing and Amazing Radio, GIHE favourite Kid Cupid are back with a brand new single. Oozing euphoric layers of sound alongside Laura Shaw’s soulful vocals, ‘Easy’ is a truly blissful slice of electro-pop; a dreamy sonic delight. (Mari Lane)

Just Because – ‘All I Knew’
As I listen to this track I feel my whole body relax and dissolve into the beautiful samples, spacey vocals and slow gentle beats….just perfect, Just Because. (Tash Walker)

Pale Honey – ‘Get These Things Out of My Head’
If you blend the vocals of Wolf Alice’s Ellie Rowsell and the Cardigans’ Nina Persson with clear electronics and hazy guitar riffs; you’ll end up with the sound of Gothenburg duo Pale Honey. They released their second album Devotion in October, and it’s a cool, understated, but intense new offering from the pair. Catch them live at Old Blue Last on November 7th. (Kate Crudgington)

King Henry (feat Rhye) – ‘Moment’
I absolutely love this, with the beautiful genderless vocals of Rhye, King Henry has released Moment off of his upcoming EP.  Perfectly nostalgic in its melting beauty. (Tash Walker)

Witch Fever – ‘Carpet Asphyxiation’
I’m a big fan of this Manchester based grunge-punk band. Describing themselves as “making noise with our big muffs”, this track oozes a raw, frenzied cacophony and raucous hooks, as the fist-clenching power of the wonderfully shrieking vocals makes for essential, riotous listening. (Mari Lane)

Queen Zee & The Sasstones – ‘Boy’
All I want to do is lay in a bath tub full of red wine and listen to Queen Zee & The Sasstones on repeat – watch the video to ‘Boy’ and that sentence will make sense. Download their latest EP, Eat My Sass, while you’re at it too. (Kate Crudgington)

Maya Songbird – ‘Regal Slut’
I was lucky enough to catch the San Francisco artist supporting Dream Nails at their EP launch last week, and it was one of the most wonderfully joyous, vibrant experiences. Creating her unique, ambient fusion of sounds whilst soulfully singing of sex, love and living regally during tough times, she is truly one of a kind. And, as we all joined in with the refrain of “Slut, Slut, Slut” to this one on Friday night, the room filled with all the empowering, positive vibes. (Mari Lane)

Yangze – ‘U & Me’
The debut single from Danish Yangze, I just love the way this track gently pads out of the speakers, pacing round and round you with its restrained electronic beats. (Tash Walker)

Jackie Shane – ‘Any Other Way’
A “pioneer of transgender rights born in a male body”, Jackie Shane has remained largely unknown outside of Toronto, where her career flourished in the 1960s. However, with Numero Group’s reissue of Any Other Way – the first approved collection of Ms. Shane’s work which features all six of her 45s & highlights from her 1967 live sessions at the Sapphire Tavern – I think that’s about to change. (Kate Crudgington)