Track Of The Day: EFÉ -‘KIWI’

A laid back, breezy mix of dreamy vocals and hazy guitar riffs, Dublin based musician Anita Ikharo aka EFÉ has shared her latest single ‘KIWI’. Taken from her upcoming EP, VITAMIN-C, which is set for release in June, the track is a charming slice of indie pop that showcases the young artist’s ear for catchy melodies and sees her fully relaxing into her songwriting capabilities.

Co-produced with her best friend who.killed.romeo and mixed by Ben Baptie (Rex Orange County, Little Simz, Moses Sumney), ‘KIWI’ is EFÉ’s first new release since her 2020 self-made debut EP, What Should We Do This Summer?. Featuring singles ‘Garden’ and ‘Table For Two’, the record propelled EFÉ into the spotlights of the London and Miami music scenes, an experience that overwhelmed, but did not deter her from writing the songs for VITAMIN-C – with ‘KIWI’ being the first taste of what fans can expect from the record.

Accompanied by a music video which was conceptualised, directed and edited by EFÉ and her friends, the visuals reflect the artist’s fears about being unprepared and insecure in a situation she’s not entirely comfortable with. Full of bright colours and playful imagery, the footage beautifully underscores ‘KIWI’s buoyant sound.

“The video has a storyline of a girl who goes camping, she’s brought her laptop, fairy lights and cute magazines, but she can’t light a fire or even hunt for food,” EFÉ explains. “She is super scared cause she sees a bear but then she falls in love with the bear. It was definitely hard to make because it was very necessary that the right location was chosen as well as the right bear costume and right people to work with. I did cry a whole lot, scared nothing would come out right. I had so much fear around the video because of the huge pressure I put on myself to make it good. I also worked on some of the editing and colour grading so there was a lot I had creative control over. I think it was worth it in the end though and shows that hard work and the right people around can really pay off!”

Being around the right people has helped EFÉ blossom into the indie pop artist she is, something which was also aided by reading Rachel Chinouriri’s open letter to the music industry – in which she explained how she has been consistently and wrongly stereotyped as an R&B artist throughout her career – in January this year. Inspired by Rachel Chinouriri words, EFÉ simply wants to make her own music without the incorrect input of those who are clearly not listening to her music.

Listen to ‘Kiwi’ below.

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Photo Credit: Adam Kelleher

Kate Crudgington
@KCBobCut

Track Of The Day: Sea Lemon – ‘Fortune Teller’

A dreamy reflection on the fast-blooming nature of feelings in the early stages of love, Seattle-based artist Natalie Lew aka Sea Lemon has shared her latest single ‘Fortune Teller’. Taken from her upcoming EP which is set for release in early 2022, the track is a gentle, melodic ode to embracing your vulnerability and pushing through fears of telling people how you feel.

Written and recorded by Sea Lemon and produced, mixed & mastered by Stefan Mac, ‘Fortune Teller’ was created remotely, and sonically inspired by an eclectic range of influences, including Sea Lemon’s favourites Alvvays, Chromatics, The Beach Boys and Rilo Kiley. The track is a buoyant exploration of how it feels to fall head-over-heels in love with someone so quickly, full of soft vocals and jangly guitar sounds.

“I’m not a fortune teller / I never predict the weather right / but the sun comes at last / I say I love you fast” Sea Lemon muses, over steady beats and shimmering synths, giving listeners the chance to share in the rush of emotions that precede time spent with a new romantic partner.

Listen to ‘Fortune Teller’ below.

Follow Sea Lemon on SpotifyInstagram for more updates

Photo Credit: Raphael Gaultier

Kate Crudgington
@KCBobCut

Track Of The Day: Bestfriend – ‘Hannah In The City’

Hannah In The City’, the lead single from Bestfriend’s upcoming EP, is a beautiful contradiction. Written and produced by the duo, its confessional lyrics and DIY sensibility feel cosy and intimate, while the dreamy, brilliantly arranged synths and Stacy Kim’s stunning vocals, buoyed by Kaelen Geoffrey’s sweet harmonies, give it a lush glossy pop finish.

The song’s subject matter – regret and missed opportunities – follows suit. As Kim explains, “It’s a happy-sad-angry reminiscing song all about the idea that a relationship might not have fallen apart if we’d just done this or that – all while knowing in the back of your head that it was obviously doomed to fail in the first place.”

This is grown-up bedroom electro pop, simultaneously beautiful and bittersweet. Kim and Geoffrey write songs long distance, over email. But you’d never guess. As the band’s name suggests, there’s a real connection, and the duo’s storytelling and ideas marry together as harmoniously as their voices. It’s truly magical. 

‘Hannah In The City’ is taken from Bestfriend’s upcoming EP Places I’ve Lived, which is set for release on 1st October.

Vic Conway
@thepicsofvic

Photo Credit: Maxine Tamoto

Track Of The Day: girlhouse – ‘concussion’

A hazy, bitter sweet reflection on the unexpected challenges of overcoming heartbreak, US bedroom-pop artist girlhouse has shared her latest single ‘concussion’. Taken from her upcoming record the second EP, the track is a gentle, lo-fi offering inspired by girlhouse aka Lauren Luiz’s own experience of being involved in a both physical and emotional car crash.

“‘concussion’ is about a monumentally shit day,” Luiz explains. “My first and favorite car got smashed (it was a bright orange 81 Honda Civic with a stick shift), next thing I knew I was lying on the ground, being harassed by LA firemen while a woman was screaming at me calling me a dumb bitch. I just have no idea what happened, all I could think about was this person that had just broken my heart, somehow nothing else mattered. I think I used that relationship as a distraction in a big way, it was that moment where I realized that person was taking up a lot of mental real estate and I needed to make room for actual problems in my life and move on.”

Luiz has transformed her ruminations on this traumatic event into a bright, playful slice of bedroom-pop. Moving on from the anxiety that underscored her debut self-titled EP, girlhouse’s new efforts look set to be just as emotive, but more mature in sound and delivery.

Watch the video for ‘concussion’ below.

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Kate Crudgington
@KCBobCut