NEW TRACK: INDIGOS – ‘Hivemind’

A jaded, grungy anthem that tackles the grind of everyday existence under a capitalist society, alt-pop duo INDIGOS have shared their latest single ‘Hivemind’. Taken from the Bristol-based band’s upcoming EP, IN UTOPIA, which is set for release on 21st June, the track is an angst-ridden guitar tune inspired by the ‘Office Man’ scene in the documentary film Samsara, which highlights the despair lurking behind the modern 9-5 life.

Formed of Sophia Barnes (vocals and guitar) and Jack Croft (backing vocals and guitar), INDIGOS are inspired by the sounds of current alternative bands such as Wolf Alice and Sorry, as much as they are informed by the greats of the 90s grunge scene. They shared their debut self-titled album back in 2020, but were forced into hiatus due to founding member Jack falling ill with cancer. Now, after a successful remission period, INDIGOS are back and ready to share their new EP IN UTOPIA.

Described as a “sardonic take on modern Western life” that touches on themes of “media addiction, narcissism and depression,” the six track EP also taps into the personal hardships the band have faced in recent years. New single ‘Hivemind’ is the first offering from this not-so-rose-tinted vision. Through their swirling riffs, dual vocals and anxious lyrics, INDIGOS meander through an identity crisis, questioning how one can grasp a strong sense of self in a society that routinely places profit over people.

Watch the video for ‘Hivemind’ below.

Follow INDIGOS on Spotify, bandcamp, Twitter, Instagram and Facebook

Photo Credit: Ania Shrimpton

Kate Crudgington
@kcbobcut

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EP: Grandmas House – ‘Who Am I’

Formed of Yasmin Berndt (vocals, guitar), Poppy Dodgson (vocals, drums) and Zoë Zinsmeister (bass), Grandmas House combine gritty guitars, thudding percussion and a joyful dose of sarcasm to create their catchy punk inspired anthems. The Bristol-based trio released their self-titled debut EP in October 2021, which covered everything from dismantling the patriarchy, celebrating queer love, to a penchant for local pasties. Now, Grandmas House are back with their second EP, Who Am I, another collection of songs that tackle body image, identity and disassociation and negatively stereotyped zodiac signs.

Born from the desire to overcome the discomfort that facing your own reflection can cause, opener ‘Body’ is a riotous cacophony that sets the scathing, cathartic tone of the record. Full of candid vocals and boisterous riffs, the anthem aims to dismantle the strained relationships we have with our own bodies. When the band simultaneously chant “haven’t seen myself for a second of the day / it feels like everyone is growing / and I just stay the same”, they capture the uneasiness of existing in an insecure skin, whilst putting their own corrosive spin on this feeling to alleviate the pressure.

What follows is a a bi-lingual blast of angst on ‘How Does It Feel?’. Pairing Berndt’s passionate French vocal with Dodgson’s visceral English one, the track is “a call and response between two people about the feelings of confusion you go through when breaking up.” It bleeds into the smouldering ‘Desire’. Inspired by the disorientating power of romantic infatuation, Berndt’s raucous voice rises and falls alongside Dodgson’s backing vocals and blistering beats across the track, whilst Zinsmeister’s rumbling basslines enhance the all-consuming yearning that’s explored in the lyrics.

Closing their record with the title track – described as “an anthem by Gemini’s, for all the other Gemini’s out there” – Grandmas House gleefully defy the negative stereotyping surrounding their zodiac sign with charged riffs and commanding beats. Clocking in at just under 8 minutes in total, Who Am I is a blast of raw, frenzied post-punk energy that showcases the trio’s talent for writing defiant, witty guitar tunes that warrant repeated listens.

Grandmas House play live tonight (23rd March) at The Victoria in Dalston. Tickets here.

Follow Grandmas House on TikTok, bandcamp, Spotify, Instagram, Twitter & Facebook

Photo Credit: Rosie Carne

Kate Crudgington
@KCBobCut

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NEW TRACK: Grandmas House – ‘Desire’

A smouldering blend of charged riffs and commanding beats, Bristol punk trio Grandmas House have shared their latest single ‘Desire’. Taken from the upcoming new EP, Who Am I, which is set for release on 3rd March via Brace Yourself Records, the track is inspired by the disorientating power of romantic infatuation.

Formed of Yasmin Berndt (vocals, guitar), Poppy Dodgson (vocals, drums) and Zoë Zinsmeister (bass), Grandmas House combine gritty guitars, thudding percussion and a joyful dose of sarcasm to create their catchy punk inspired anthems. The band released their self-titled debut EP in October 2021, which covered everything from dismantling the patriarchy, celebrating queer love, to a penchant for local pasties. Now, Grandmas House are back with their new single ‘Desire’, and another collection of songs that tackle topics such as body image, identity and disassociation, and negatively stereotyped zodiac signs.

“‘Desire’ is about meeting someone new and being immediately intrigued by them,” the band comment about their new song. “It focuses on the confusion surrounding infatuation and trying to keep yourself grounded at the same time.” Berndt’s raucous voice rises and falls alongside Dodgson’s backing vocals and blistering beats across the track, whilst Zinsmeister’s rumbling basslines enhance the all-consuming yearning that’s explored in the lyrics.

The single is accompanied by a monochrome video, directed by Oliver Mallory. The visuals feature Frankie Darwin and American writer, poet and friend of the band Savannah Brown, who end up clashing over an unusually intense game of chess.

Grandmas House will be celebrating the release of their new EP with a UK headline tour this March. Full dates are listed below. Grab your tickets here.

Watch the video for ‘Desire’ here:

Grandmas House UK Tour Dates 2023
3rd Mar – Liverpool, UK – Kaz Stockroom
4th Mar – Bristol, UK – Exchange
9th Mar – Leeds, UK – Oporto
10th Mar – Glasgow, UK – McChuills
11th Mar – Sheffield, UK – Sidney & Matilda (Basement)
16th Mar – Leicester, UK – Duffy’s
17th Mar – Manchester, UK – YES (Basement)
18th Mar – Cardiff, UK – Clwb Ifor Bach (Downstairs)
23rd Mar – London, UK – The Victoria
24th Mar – Brighton, UK – The Hope & Ruin

Follow Grandmas House on TikTok, bandcamp, Spotify, Instagram, Twitter & Facebook

Kate Crudgington
@KCBobCut

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Track Of The Day: Shoun Shoun – ‘Sway With Me’

Following the release of their genre-defying do-it-yourself debut, Monsters & Heroes, Shoun Shoun’s (‘shoon-shoon’) lead vocalist and guitarist Annette Berlin ventured out into the woods to direct the music video for ‘Sway with Me‘; a droning, fuzz-drenched art-punk experiment.

‘Sway with Me’ – one of many highlights from the Bristol-based four-piece’s psychedelic LP – shimmers in ethereal feedback, disorienting the listener with its soft-loud-soft dynamic. Opening with delicate lo-fi rhythm, Giuseppe La Rezza’s percussive groove and Ole Rudd’s infectious bass-line build to a crescendo of unpredictable post-punk noise. Piercing through its psychedelic melody, Boris Ming’s abrasive violin strings complements Berlin’s eccentric, distorted guitar riffs and evocative lyrics – “Feel your way through time and space.”

Created with the assistance of Adam Hillmann, Sam Wisternoff, and Caleb Bruce, Berlin’s gothic music video for ‘Sway with Me’ hearkens back to both the silent-era of German expressionism and the golden age of home video; a curiosity presented in scratched monochrome, broadcast decades later on cable TV, recorded onto VHS, and rediscovered during a midnight viewing of Nosferatu and The Cabinet of Dr. Caligari.

Like the track itself, Berlin’s visual language exemplifies the DIY ethos of the band, complementing Shoun Shoun’s idiosyncratic sound. ‘Sway with Me’ – or its German reprise as Monsters & Heroes closer ‘Schwing Mit Mir’ – is an experimental livewire shock to the senses. The perfect introduction to Shoun Shoun’s uncompromising ingenuity.

Ken Wynne
@Ken_Wynne

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