Boudica Music Conference to take place at FOLD in London on 25th November

Founded in 2019 by Samantha Togni, Boudica is a multidisciplinary platform designed to spotlight and support female, trans+ and non-binary people in music. The Boudica Music Conference began in 2020, with previous editions being held at Freemasons’ Hall in London, and at the Museum of Modern Art Bologna (MAMbo).

This year, the conference will take place on 25th November at FOLD, an epicentre of the queer music scene in London. The line up includes Planningtorock, industry experts from Black Artist Database, Southbank Centre, FOLD, DJ Mag, Notting Hill Carnival, BMG, Pxssy Palace and many more.

The conference will take place across a full day and night. Panels will run throughout the day, including industry professionals such NIKS (B.A.D), Planningtorock, Nadine Noor (Pxssy Palace), Adem Holness (Southbank Centre), and Lasha Jorjoliani (FOLD Co-Founder), speaking on topics to support a brighter future in electronic music. Alongside the panels, there will also be a one-to-one Mentorship Hub and a DJ Workshop in collaboration with Pioneer DJ.

These day events will be followed by an after sunset party at FOLD with DJ sets from Blasha & Allatt, LYDO, Lovecat, Samantha Togni and Swan Meat.

Day tickets are available here. Night tickets are available here.

Read below for more information on the full programme of the day-time panel events.

PANEL 1 – BUILDING A SUPPORTIVE WORLD WITHIN THE MUSIC INDUSTRY FOR TRANS+, NON-BINARY AND FEMALE-IDENTIFYING INDIVIDUALS

Host: Vanessa Maria
Panelists: Jaye Ward (DJ), June Lam, Max Blue Churchill (The TCC), Nadine Noor (Pxssy Palace)

In The Jaguar Foundation’s groundbreaking report on gender representation in UK dance music, it was unsurprisingly discovered that gender disparity within the music industry is a persistent issue. Minoritised genders are repeatedly othered, excluded and discriminated against. While there is progress being made, the music industry still has a long way to go in achieving a more equitable representation and treatment of female, trans+ and non-binary individuals. In this panel, the speakers will explore the varied means by which we can build a supportive world within the music industry despite its current ecosystem.

PANEL 2 – BREAKING BARRIERS AND AMPLIFYING EACH OTHER’S VOICES: THE POWER OF COMMUNITY

Host: Steven Braines (He.She.They)
Panelists: Mandidextrous (Speed Bass/ Amen4Teko/ TNT Sound System), Lasha Jorjoliani (FOLD Co-Founder), Linett Kamala (Notting Hill Carnival / Lin Kam Art), NIKS (Black Artist Database)

In recent years, the electronic music landscape has undergone significant changes, driven in part by the widespread adoption of electronic music by Gen Z through platforms like TikTok. This transformation has piqued corporate interest and investment in the industry, leading to a reshaping of its dynamics.

Nonetheless, it is crucial to emphasise the enduring vitality of grassroots and DIY nightlife communities. These spaces have long played a vital role in amplifying the voices of marginalised individuals, demonstrating remarkable resilience and adaptability.

In this panel, the panelists unite to celebrate the strength of community-driven initiatives and explore innovative strategies to address the challenges brought about by corporate involvement. The speakers will offer insights on dismantling barriers, mutually amplifying voices, and preserving the spirit of our communities.

PANEL 3 – AMPLIFYING TRANS+ VOICES IN THE MUSIC INDUSTRY

Host: Āliyah Husna / THEMPRESS (Good Night Out/Riposte)
Panellists: I. JORDAN, Planningtorock, Teecra (FOLD)

In light of current circumstances and the increasingly heightened challenges faced by Trans+ individuals within the music industry, we’re announcing an emergency Trans+ panel. This initiative is a direct response to the urgent issues and adversity Trans+ people are enduring in the current climate. It’s crucial that we shine a spotlight on these concerns and engage in meaningful discussions within the music industry.

Trans+ individuals are encountering a troubling surge in hate crimes, physical assaults, and political and media scapegoating. This alarming trend demands our immediate attention and action. Music, as a potent cultural force, cannot remain indifferent to the struggles faced by its own community members.

Our panel is steadfast in providing a platform where these critical issues can be openly and constructively discussed by Trans+ people. We are committed to fostering a nurturing environment that acknowledges the unique challenges faced by Trans+ individuals and are actively seeking solutions that can be acted on.

Now more than ever it’s essential for people to become adept at addressing transphobia head-on. Equipping individuals with the language and tools to engage in these conversations is pivotal for driving change, promoting inclusivity, and firmly standing against discrimination.

By addressing these concerns within the context of music, we aim to amplify the voices of Trans+ individuals and inspire positive transformation in the industry. We invite everyone to participate in this vital conversation and collective effort to establish a safer and more inclusive music community for all.

PANEL 4 – LGBTQIA+ REPRESENTATION IN THE MUSIC INDUSTRY: CHALLENGES AND TRIUMPHS

Host: TBC
Panelists: Manuka Honey (SUZIO / Woo), Rhona Ezuma (THIIIRD Magazine), Saskhia Menendez (UME/ Artist Manager/ MMF Member/ Keychange), Steven Braines (he.she.they)

Across history, the LGBTQIA+ community has always altered the music’s trajectory for the better, pioneering new sounds, genres and essential cultural movements that pave the way for positive change. Yet simultaneously, trailblazing LGBTQIA+ music industry professionals have been sidelined, as mainstream society capitalises on certain elements of the LGBTQIA+ aesthetic while disregarding aspects they consider too unconventional or politically charged. This panel will examine the multitude of experiences faced by LGBTQIA+ people working within the music industry, exploring the difficulties, successes and means by which we can make music a safer, representational and inclusive space for all identities.

PANEL 5 – WORKING TOWARDS A BRIGHTER FUTURE IN THE MUSIC INDUSTRY
CO-HOSTED BY MUSICIANS’ UNION

Host: John Shortell (Musicians’ Union)
Panelists: Adem Holness (Head Of Contermporary Music Southbank), Emma Wiggin (Westwick Management), Farah Syed Farah Syed (Director, Communications, amp Sound Branding / Co-Chair AFEM), Marcus Barnes (Happy Tuesdays/ The Guardian)

In recent years, the music industry has frequently highlighted the importance of ‘safe spaces,’ ‘inclusivity,’ and ‘diversity.’ However, there is often a disconnect between these ideals and their actual implementation by organisations, brands, and promoters. All too often, these concepts are used as empty buzzwords, lacking real substance and accountability, especially for marginalised communities.

In this panel, the speakers will engage in a thoughtful discussion on how we can foster welcoming workplaces, nightlife settings, and opportunities, even in the presence of systemic challenges and oppression. The aim is to explore practical ways to create genuinely supportive and accessible environments for everyone.

 

Boudica Music Conference is supported by Arts Council England, Downtown Music, Musicians’ Union, Pioneer DJ and Resident Advisor

Follow Boudica on Instagram, Facebook and bandcamp

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PLAYLIST: September 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, grunge and shoegaze anthems, post punk and Riot Grrrl bangers, alt-pop and R&B gems and experimental electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Whitelands – ‘The Prophet & I’
The latest single from London band Whitelands, ‘The Prophet and I’ is based around the philosophical book, The Prophet, by Lebanese-American author Kahlil Gibran. A beautifully woozy soundscape, it flows with fuzzy hooks and shimmering harmonies; oozing all the dreamy, shoegaze-inspired vibes. (Mari Lane – Managing Editor)

NewDad – ‘Angel’
Taken from their upcoming debut album, Madra, which is set for release on 26th January 2024 via Fair Youth/Atlantic Records, this track from Galway alt-rock four piece NewDad is inspired by the destructive relationship between characters Rue and Jules in hit TV show Euphoria. It’s a magnetic, heady guitar tune that’s been swirling around my skull since I first heard it. (Kate Crudgington – Features Editor)

Coolgirl – ‘High Altar’
Taken from her upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records, this Coolgirl track is a hypnotic blend of synths, intriguing samples and atmospheric beats. GIHE fans will recognise Coolgirl aka Lizzie Fitzpatrick as the front person of grunge trio Bitch Falcon, but under her new solo moniker she uses electronics to create vivid, sometimes ambient, sometimes upbeat soundscapes. (KC)

Maria Uzor – ‘Sometimes They Look At You’
Maria Uzor consistently delivers with her amazing electronic soundscapes, and ‘Sometimes They Look At You’ is no exception. It’s taken from her upcoming debut album, SOFT CUTS, which is set for release on 13th October via Castles In space. Come to her album launch at The Windmill in Brixton on the 18th October, we’ll all be there!
(Tash Walker – Digital Editor)

Tirzah – ‘F22’
‘F22’ is taken from Tirzah’s recently released new album, trip9love…???, produced by Micah Levi. It’s a stripped back sonic sound-bath of distortion, off-key haunting piano and drum machines. Get listening. (TW)

1000 Beasts & Tomike – ‘Cherry Delight’
The latest release from Cork-based producer 1000 Beasts and London-based Irish artist Tomike! Some low-key neo soul, filled with rich jazz harmony – just lovely. (TW)

DEBBY FRIDAY – ‘let u in’
Polaris Music Prize-winning artist DEBBY FRIDAY has dropped this drum & bass-tinged pop banger. It follows on from her acclaimed debut album, GOOD LUCK, which she released via Sub Pop earlier this year. DEBBY FRIDAY will be touring the UK in November, playing a show at Thirdman Records in London on Friday 10th November, and she’ll be performing at The Roundhouse for Pitchfork Music Festival on Saturday 11th November. (KC)

Amaroun – ‘Pussy Whine’
London-based alt-R&B artist Amaroun releases her new EP, Dopamine, today (29th Sept), and this track is a definite highlight. Speaking about ‘Pussy Whine’, Amaroun explains: “I want to fly the flag for sexual freedom, especially for black and queer people that have heavily felt the impact of oppression forcing you to repress your instinctual self. I find the word an empowering way of claiming my right to pleasure and sexual expression. Lyrically, it’s about that moment when you meet someone that you then can’t stop thinking about, and the thrill of the chase! ” (KC)

Rainy Miller and Space Afrika ft. Mica Levi – ‘Maybe Time To Lay Down The Arms’
This track is absolutely mesmerising. ‘Maybe Time To Lay Down The Arms’ is the first single I’ve heard coming out of this amazing collaboration, with more set to be released on 16th November. I can’t wait. (TW)

Gabriel Gifford ft. Aphty Khéa – ‘Voice From The Wind’
I love this collaboration between Berlin-based producer Gabriel Gifford and Greek-born artist Aphty Khéa. Featured on Gifford’s upcoming concept mini-album, Hailstone King, which explores themes of grief, masculinity, mental health, identity and legacy through the story of a mythical king, this track is described as an experimental anthem that tackles queerphobic attitudes. Sung in their native Greek language, Aphty Khéa’s potent voice compliments Gifford’s deconstructed club beats so well. (KC)

Hinako Omori – ‘ember’
This is the latest single from London-based artist and composer Hinako Omori. Taken from her upcoming album, stillness, softness…, which is set for release via Houndstooth on 27th October, ’ember’ is an uplifting sonic delight that encourages listeners to let go of the past and relinquish feelings of doubt. I’m looking forward to hearing it live when Hinako plays at London’s ICA on 2nd December. (KC)

AVR – ‘A Closer Touch, A Plan Of Art’
Berlin-based artist AVR (formerly known as ANNA VR) played live for us at Notting Hill Arts Club a few years ago and she was wonderful. ‘A Closer Touch, A Plan Of Art’ is her latest single, and she’s preparing to release more new music later this year, so keep an eye out for announcements from her in the near future. (KC)

Clementine Valentine – ‘Selenelion’
Formally known as Purple Pilgrims, but now going by their birth names, New Zealand duo Clementine Valentine have just released a beautiful new album. Taken from the album, ‘Selenelion’ glistens with an enchanting folk-strewn majesty as its swirling, other-worldly grace immerses you completely. The Coin That Broke The Fountain Floor, the new album from Clementine Valentine, is out now via Flying Nun. (ML)

Bas Jan – ‘No More Swamp’
The latest single from London collective Bas Jan, ‘No More Swamp’ reflects on how the band’s lives have changed over the years, with shifting priorities and responsibilities. Showcasing the band’s trademark quirky energy and perceptive songwriting ability, it interweaves shimmering instrumentation to create a wonderfully danceable cacophony. (ML)

tall child – ‘Damaged’
tall child, formerly known as ZHA Gandhi and previously associated with projects like Buggs and Luce Rushton (fka TV Room), has now released their debut single ‘Damaged’. An “introspective exploration of a turbulent parent-child relationship”, it’s propelled by a stirring emotion, showcasing their soulful vocals with a captivating allure. With a shimmering ethereal musicality, it’s a beautifully cathartic ballad. (ML)

Touch Excellent – ‘Couch Song’
This is a very cute tune from Dublin pop punks Touch Excellent. Full of dreamy vocals, relatable lyrics and melodic riffs, ‘Couch Song’ is a buoyant musing on introversion and attraction at house parties, and how these dueling states play out in a crowded room. (KC)

Becca Mancari ft. Julien Baker – ‘Over and Over’
Having received acclaim from the likes of the New York Times and queer publication them, and collaborated with big names such as Hayley Williams (Paramore) and Julien Baker (boygenius), Nashville artist Becca Mancari has just released their latest album, Left Hand. Rippling throughout with a beautifully heartfelt emotion and twinkling musicality, it offers a dreamy and gently empowering reflection on queer identities and our relation to the natural world; a shimmering and relatable ode to being your true self. Read our recent interview with Becca Mancari here. (ML)

Small Crush – ‘Rumblin Tummy’
The latest single from Californian band Small Crush, ‘Rumblin Tummy’ offers a fresh perspective on 2019’s similarly named ‘Tummy Rumblin’. Oozing luscious scuzzy vibes and a twinkling uplifting energy, it’s a shimmering slice of dreamy surf-pop, reflecting on “staying in love and getting butterflies in your stomach no matter how long it’s been.”
I’m a big fan of Small Crush’s cute sounds and have been really enjoying their new album, Penelope, which is out now via Asian Man Records. (ML)

dethcaps – ‘Nightstand’
This is the debut single from non-binary indie grunge band dethcaps (great name). It’s inspired by the feeling of pure infatuation when you first start falling in love with someone, underscored by a buoyant melody and heartfelt lyrics. (KC)

Brenda – ‘Pigs’
It was so fun to chat to Litty from Brenda on our recent Soho Radio show. I love this track which is full of rage, taken from their self-titled debut album which is epic! You can listen back to my conversation with Litty on our GIHE takeover of the Morning Glory Show on Soho Radio here. (TW)

Problem Patterns – ‘Lesbo 3000 / Poverty Tourist’
What a TREAT we have for you here – a double dose of pure punk bangers from GIHE faves, Belfast Riot Grrrls Problem Patterns. On ‘Lesbo 3000’, drummer Beth takes the lead on vocals, shouting back at homophobes and screaming her lungs out. On ‘Poverty Tourist’, bassist/vocalist Ciara and vocalist/guitarist Alanah take turns to call out the appropriation of working class culture in the music industry and further afield. Both tracks are taken from Problem Patterns’ upcoming debut album, Blouse Club, which is set for release on 27th October via Alcopop Records. The band will be headlining for us at Sebright Arms on 17th November – tickets are on DICE now. (KC)

SPRINTS – ‘Up And Comer’
This riotous single from Dublin rockers SPRINTS is taken from their debut album, Letter To Self, set for release on 5th Jan 2024 via City Slang. The band have been going from strength to strength since Mari & I saw them them live at the Women’s Work Showcase in Belfast last year. If you like what you hear, you can catch them playing at The Dome in Tuffnell Park here in London on 4th October. (KC)

Projector – ‘And Now The End’
Brighton trio Projector continue to evolve their sound with this latest single ‘And Now The End’. Written as a response to a breakup scenario, but also inspired by the general state of chaos that we currently live in, the track ricochets between spite, apathy and a need for resolution. ‘And Now The End’ is accompanied by a beautifully shot video that you can watch here. (KC)

HotWax – ‘Phone Machine’
Hastings trio HotWax are fast becoming firm favourites here at GIHE. Full of their trademark riotous vocals and tenacious riffs, this single is taken from their upcoming EP, Invite, Me Kindly, which is set for release on 18th October. (KC)

Venus Grrrls – ‘Liar Liar’
The latest single from Leeds rockers Venus Grrrls, ‘Liar Liar’ incites the listener to reclaim their autonomy and rediscover their worth. Propelled by a seething energy and fierce, impassioned drive, it’s a perfectly riotous anthem proving this band to be a true force to be reckoned with. (ML)

Comic Sans – ‘Winter in Sokcho’
Written and inspired through tarot readings, queer experience and healing, and quest to be your true queer self, ‘Winter In Sokcho’ is the latest single from London band Comic Sans. Building with an eerie splendour and gritty allure to a dark rock anthem, it offers fierce hooks and tension-building beats, as the sweeping power of the majestic vocals takes hold. (ML)

The Vanity Project – ‘Eureka’
London-based self described “queer-freak-pop” Flora Jackson and Rob Paterson aka The Vanity Project, pride themselves on creating swirling chaotic soundscapes, interweaving multiple genres and techniques. Latest single ‘Eureka!‘ reflects on the daily grind of the 9 to 5, and the dangers of capitalism in a wonderfully wacky blast of empowering riotous energy and sparkling musicality. The Vanity Project’s debut album, We Should Never Have Come Here, is released today (29th Sept), and you can catch them live tonight at The Cavendish Arms in Stockwell to celebrate! (ML)

NESS NÖST – ‘MAID 4 U’
I love this lead single taken from NESS NÖST’s debut EP, Working Hours, which is out now. It delves into the challenges women in the service industry face, battling misogyny, self-sabotage and pursuit of dreams all wrapped up in an acoustic-pop sound. (TW)

Charlotte Carpenter – ‘You’re My Reason Why’
Described as a “dystopian gay love story’, this latest single from Midlands artist Charlotte Carpenter reflects on her fond memories of spending time with her wife in a tiny cottage during lockdown: “I can honestly say, they were some of my favourite times together. It put so much into perspective for me. I had stripped away all of those routines and expectations, and I found what I truly valued in life, which is love and time.” I just love the track’s lilting musicality, with its heartfelt twinkling emotion, it oozes a stirring grace and comforting warmth. Charlotte Carpenter’s debut album, A Modern Rage, is out on 6th October. (ML)

Anna Pancaldi – ‘Stay This Way’
Exploring the complexities of loss when it’s entangled with childhood, this latest single from London artist Anna Pancaldi offers a beautifully poignant ode to nostalgia. Shimmering with Pancaldi’s soaring rich vocals and an emotion-strewn splendour. Catch Anna Pancaldi live at The Waiting Room on 20th October. (ML)

Maria BC – ‘Still’
Newly signed to Sacred Bones, this track from Maria BC is a gentle, evocative blend of their poetic lyrics and clear vocals, accompanied by a piano motif that they composed at the tender age of sixteen. ‘Still’ is lifted from Maria BC’s upcoming album, Spike Field, which is set for release on 20th October. (KC)

Chelsea Wolfe – ‘Dusk’
Freshly signed to Loma Vista Records, this is the latest offering from the marvelously macabre Chelsea Wolfe. ‘Dusk’ is a smouldering, gritty “mythical love song” that effortlessly showcases her potent vocals. I can’t wait to hear more of her new music in the near future. (KC)

Gazelle Twin – ‘Black Dog’
New to the INVADA Records roster, this is the latest single from GIHE favourite Elizabeth Bernholz aka Gazelle Twin. Alicia from NYX Drone choir described ‘Black Dog’ as “the soundtrack to my insomnia” when we interviewed them on our recent Soho Radio show, and I couldn’t agree more. Full of Bernholz’s trademark eerie electronics and shadowy sounds, it’s a cell-tingling exploration of what haunts us in life’s darker moments. I can’t wait to hear Gazelle Twin’s new album, also titled Black Dog, when it’s released on 27th October. It’s going to sound superb when it’s ricocheting off the walls of majestic London venue Bush Hall when she performs it live on 10th November. (KC)

Hilary Woods – ‘Where The Bough Has Broken’
A hypnotic instrumental inspired by a deep love for Dublin City, I’m fascinated by this new release from Irish artist Hilary Woods. Lifted from her upcoming album, Acts Of Light, which is due on 3rd November via one of my favourite record labels Sacred Bones, ‘Where The Bough Has Broken’ is an atmospheric ode to communal growth and memory, with an accompanying video that pays homage to the seemingly minor moments that play a role in creating these things. (KC)

Yay Maria – ‘L’Appel Du Vide’
The latest single from trangender artist Yay Maria, ‘L’Appel Du Vide’ marks the upcoming release of her new EP, Suburbia, which is out on 20th October via I’m Not From London. Self-described as “queer pop music for feelz and boogying”, the new EP offers a celebration of trans joy, with the mission of combating the all-too-frequent negative narrative the media presents us with. I just love the twinkling energy and swirling, ethereal grace of the soundscapes Yay Maria creates. This single ‘L’Appel Du Vide’ is accompanied by a “fully animated extravaganza” of a new video – check it out here. (ML)

 

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LISTEN: GIHE x Morning Glory takeover on Soho Radio ft. NYX Drone Choir and Brenda (21.09.23)

Tash and Kate were back on Soho Radio’s airwaves for a second time this month, taking over their Morning Glory show – LIVE from the studio! They played an eclectic mix of new music from some of their favourite female, non-binary and LGBTQIA+ artists and Mari offered some of her “musical musings” too. The pair also had a “spotlight” section dedicated to tunes from bands and artists who have been a part of the GIHE journey from the early years, featuring ARXX, Big Joanie, Nova Twins, Problem Patterns, Fraulein and Maria Uzor.

There were two guests on the three hour takeover show. In the first half, Tash played her chat with Glasgow newcomer Litty, who fronts Brenda. Litty spoke about the inspiration for the band’s recent single ‘Pigs Pigs Pigs’ and shared many funny anecdotes about how they originally came together to form Brenda.

In the second half of the show, Alicia and Philippa from the NYX electronic drone choir came into the studio to chat live on air. They spoke to Kate and Tash about their collaborative album Deep England, their contribution to the Diablo IV video game soundtrack, and the instinctive ways in which they use technology to enhance the power of the human voice. They also set aside plenty of time to fangirl over Gazelle Twin too.

Listen back to the show below:

 

We’ll be back on Soho Radio on Monday 16th October from 12-2pm!

Tracklist
Jackie Shane – Sticks and Stones
Rainy Miller ft. Mica Levi – Maybe Time To Lay Down The Arms
1000 Beasts & Tomike – Cherry Delight
Midwife ft. Nyxy Nyx – it’s okay 2 lie 2 me
NewDad – Angel
Pixie Cut Rhythm Orchestra – Empty Envelope
Baby Rose – Stop the Bleeding
Mitski – my love mine all mine
Brenda – Pigs
**Interview with Litty from Brenda**
Erasure – I Want To Be With You
Bee Asha – Shy Guy
Baby Cool – The Sea (Qubuz Track Of The Day)
Afromerm – held
Nova Twins – Choose Your Fighter
Problem Patterns – Lesbo 3000
Problem Patterns – Poverty Tourist
ARXX – Ride Or Die
Fraulein – Big Cool
Big Joanie – Fall Asleep
Maria Uzor – Sometimes They Look At You
CIRCE – Riot Of Sunlight
AVR – A Closer Touch, A Plan Of Art
Trouble Wanted – Lonely Cowgirl
CMAT – Stay For Something
SPRINTS – Up And Comer
Hot Wax – Phone Machine
Lauren Auder – The Ripple
Gazelle Twin & NYX Drone Choir – Deep England
**Interview with Alicia and Philippa from NYX Drone Choir**
Gazelle Twin – Black Dog
TSHA ft. Ell Murphy – Bloom
Yay Maria – L’Appel Du Vide
Small Crush – Rumblin’ Tummy
Panic Pocket – Get Me
The Vanity Project – Eureka!
Julia-Sophie – dial your number
And Is Phi – Double Pink
Scrounge – Starve
O Hell – I Watch The Women
Noga Erez – NAILS

Kate Crudgington1 Comment

LISTEN: Problem Patterns – ‘Lesbo 3000’ / ‘Poverty Tourist’

GIHE favourites Problem Patterns have returned with a double dose of delightful, disruptive noise on their AA single release ‘Lesbo 3000’ / ‘Poverty Tourist’. Taken from their upcoming debut album, Blouse Club, which is due on 27th October via Alcopop! Records, the Belfast-based Riot Grrrls tackle homophobia and working class appropriation on their anthemic new tracks. We can’t wait to hear both of them live when the band headline for us at the Sebright Arms in Hackney on 17th November (tickets are cheaper in advance and available from DICE).

Not defined by traditional band structures, Problem Patterns routinely switch up instruments and mic duties for their riotous songs, which always makes for a refreshing take on the subject they’re singing about. Following on from previous single ‘Letter of Resignation’, which saw guitarist Beverley Boal step forward on vocals, on ‘Lesbo 3000’ drummer Bethany Crooks takes the lead as she calls out the prejudices around homophobic language and reclaims it for herself and the LGBTQ+ community.

“‘Lesbo 3000’ was written partly out of frustration and also to reclaim and have ownership over my sexuality,” explains Bethany. “The frustration is that lesbianism is consistently invalidated, we’re told that we just haven’t ‘met the right man’ yet or that some random man in a bar has a magic appendage in his trousers that will completely negate your attraction to women. The reality is that homophobic attacks are becoming more and more consistent with right wing social media emboldening bigots, while ‘lesbian’ remains one of the top search topics on all porn websites. (Mostly) men think that lesbians exist for their sexual gratification, but if they see two women holding hands they go absolutely berserk.”

“I also thought it was important to reclaim the slur ‘dyke’,” she continues. “I’ve been called a dyke multiple times by homophobes who want to hurt me, but if I can reclaim that word it completely takes the power out of it. Yes I am a dyke. And that feels really powerful to say.” With the aid of some truly stunning local drag artists in the accompanying video for ‘Lesbo 3000’, Bethany and the grrrls gleefully dismantle these damaging prejudices and riotously reclaim the language that doesn’t belong on the tongues of ignorant bigots.

“We really wanted it to feel joyful and silly even though the song has quite a serious subject matter,” Bethany comments on the visuals, which were directed by long-time collaborator Brendan Seamus. “We decorated the set like a big gay party! We toyed for months with the idea of paying homage to ‘Addicted To Love’ and ‘Man I Feel Like A Woman’, and thought that involving local drag artists would be a perfect tonic to the constant depressing news cycles surrounding LGBTQ+ attacks and discrimination we see nowadays. Carl Hartt, Hester Ectomy, Xxxpresso Martini and FRUITY were the backing band and they all absolutely killed it. We are so grateful that they even wanted to participate in the video, and they really served 80s hair metal/bimbo/sexy punk realness.”

Problem Patterns are driven by a strong DIY ethos and as a working class band, they feel it’s important to call out the appropriation of this culture in the music industry and further afield. Their second AA-side track ‘Poverty Tourist’ does just that. Fuelled by the riotous dual vocals of Alanah Smith and Ciara King, as well as King’s potent bass line, the track is a Beastie Boys-style blast of pure punk catharsis that came about during the band’s final writing session before they recorded their album.

“We’re a working class band and there are experiences that are very unique to us which we have bonded over,” Alanah explains about the track. “It’s incredibly frustrating to see those struggles co-opted by folks who have never had to worry about money. The kind of people who will dig around charity shops to ‘curate’ bits for their Etsy store where they will sell these items at 10x the price. Charity shops exist to serve the community and there are people that depend on them because there are no other options. It’s the rich kids moving into impoverished areas to make themselves sound more interesting, driving up the rent and gentrifying the area.”

“This sort of romanticisation of the poor is very prevalent in the music scene, especially in bands (and industry types) who align a working class background with being perceived as more authentic. People dress up and change their accent for personal gain only, but as Jarvis Cocker once said, ‘If you called your dad he could stop this all’ – and of course, he also said, ‘Everybody hates a tourist.’ It’s cosplay, it’s gross, and it’s always obvious when someone is doing this.”

Fresh from performing live on BBC 6Music, supporting electro-punk icons Le Tigre on their Manchester and Glasgow tour dates and playing a knockout set at Brighton’s Great Escape festival earlier this year, it’s been a joy to witness Problem Patterns’ hard work pay off. Listen to ‘Poverty Tourist’ below and pre-order your copy of their debut album, Blouse Club, here.

Follow Problem Patterns on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Carrie Davenport

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment