FIVE FAVOURITES: Fran Lobo

A singer, songwriter, producer, DJ, choral composer & sound artist; Fran Lobo has extensive and impressive experience in multiple areas of the music industry. The North East London artist takes inspiration from both the club scene and the choral scene to create her own music, and her new EP, Brave – released today (19th June) via Slow Dance Records – is a stellar example of how she seamlessly mixes these genres together.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Fran to ask about her “Five Favourites” – five songs that have influenced her writing techniques. Check out Fran’s choices below, and scroll down to watch the video for her track ‘Brave’ at the end of this post.

 

1. Aaliyah – ‘More Than A Woman’
This has got to be one of the best R&B/Pop songs ever made. The production from Timbaland is so playful and ASMR like. All the crazy percussion shakes, scrapes and clatters are so delicious. The drums are so powerful and the squelchy synths take you to a deep sludge. The guitar licks and string sample sounds are insane and the outro section just listening to that squelch alone is such life. Of course Aaliyah’s syrup vocals and delivery top it all off, it’s totally luscious and sensual. I love this track! I always aim to play it if I’m DJing somewhere and watch the crowd drop into ecstasy.

2. Tirzah – ‘Holding On’
I’m so in love with Tirzah and Mica, their Devotion record is a slight obsession for me. This track is so simple and hits so direct yet in a complex way. I love the brassy synth sound and highly reverbed, floaty but big old school drum machine beat which is so driving. Tirzah’s vocal is so relaxed but also troubled. “This feeling’s controlling me, I can’t shut it down” – it’s so gentle and so melancholic and easy at the same time. I can imagine dancing to this in a big club and also crying at the same time. I really connected to the sentiment of this song when I went through a troubling relationship while writing this EP. I even danced around at like 3am with said person blasting this track on full, singing the lyrics pretty much to them! It’s got such a yearning and fragile quality to it and at the same time the sounds are so pleasing you can’t help but sway and step to it.

3. FKA twigs – ‘Sad Day’
The latest Twigs record is my favourite piece of work she’s put out. The production is really adventurous and powerful. This particular track has an incredibly classic quality to the songwriting. In my opinion, it’s one of the strongest songs on the record, production aside. It’s got a simplicity to it too that drives the story home. I love the sound design/ field recordings throughout and use of vocal sampling in the breakdowns. The drum programming is really interesting and has strange textures in there. The chorus is killer and my absolute favourite part – the bridge sounds like something from Kate Bush’s ‘Running Up That Hill’ era. It’s so beautiful and really lifts your heart out of your chest. I think the song is so exposing and vulnerable and it’s a perfect mix of old songwriting and adventurous 2020 production.

4. Everything Everything – ‘Kemosabe’
What an incredible band! This song, just as a feeling, brings me so much joy. The chorus takes you up to space, makes you want to outstretch your arms and look to the sky. The vocal production on the intro and strange noises are really great, how all the sounds really move around. All the new elements that come in genuinely make you so excited. The guitar parts and “Yes!” shouts/echoes really build you to the chorus amazingly. I like how quick and rhythmically the vocals and lyrics are delivered, again quite stark and unusual. The bridge brings a great down moment, then the synths build us back into the chorus. I think it’s jaw-droppingly great as a song, and all the movements happen at the right time. The production and body of the song is really alive and keeps moving forwards.

5. Mount Kimbie ft. Micachu – ‘Marilyn’
Andy, who I worked with on my EP recorded the marimba on this in his studio. The intro is so great. And wow, Mica’s vocal is just so standout. I love listening to her voice, it tells you so much! I love the live percussion and orchestral instruments mixed with drum machine/live kit. All the sounds are so interesting, the mix of them. What I love about this tune is that it sounds like it was recorded in one take or as a jam, it’s so free and natural.

Thanks to Fran for sharing her favourites with us. Listen to her new EP Brave here.

Fran will be playing at the Love record stores digital event on Saturday 20th June.
Full event details here.

Photo credit: El Hardwick

PLAYLIST: International Women’s Day 2020

Happy International Women’s Day! It’s a day to highlight and bring awareness to the issues facing women around the globe, and it’s also a time to celebrate the women we love too. This year’s theme is #EachforEqual – encouraging all of us to collectively help create a gender equal world: because an equal world is an enabled world.

At Get In Her Ears, we have only one definition of a “woman”, and that is inclusive of ALL women. Inclusivity is at the core of what we do. It’s the reason we started, it’s what drives us, and it’s something we will consistently strive for as long as we exist. To be explicitly clear, we always have and always will stand against transphobia – it is unacceptable. We send our love, support and solidarity to ALL women out there.

We’ve created a playlist of all the wxmen artists that continue to inspire, entertain, and motivate us into action. Take some time to scroll through our choices below, and make sure you hit play on the Spotify playlist at the end of the page.

Eurythmics & Aretha Franklin – ‘Sisters Are Doin’ It For Themselves’
An obvious, but essential choice for any IWD Playlist. Annie Lennox & Aretha Franklin are a dream vocal team, and I never get tired of listening to this classic. (Kate Crudgington)

Planningtorock – ‘Beulah Loves Dancing’ 
I’m forever grateful to Tash for introducing me to the lush electronics of Planningtorock. This track is all about their sister, Beulah, and her love of house music. When Planningtorock played this live at their gig at Southbank Centre last year, Beulah was in the audience, and when the two siblings embraced each other after the song, I had a tear in my eye. (KC)

The Julie Ruin – ‘Girls Like Us’
It’s no secret by now that Kathleen Hanna is the woman who has inspired me the most and pretty much the reason we started GIHE, and so it seems only right to include a track of her’s on our playlist celebrating amazing women. And this track from The Julie Ruin is just a perfect ode for womxn of all kinds this IWD. A unifying anthem for all us misfit grrrls, with relatable empowering lyrics such as “… girls like us pick up the hot handles and burn our hands and we get over it”, it never fails to pick me up and leave me feeling ready to face the world. (ML)

Big Joanie – ‘Used To Be Friends’
I think all three of us would firmly place this band on any International Women’s Day Playlist. We could not be more behind everything Big Joanie are about, having seen them countless times over the last year – their headline gig at The Moth Club was an undoubted highlight, this band just keep the good music coming. Their politics and music are inseparable, using their platform to speak to their experiences as a black, queer, punk band and the importance of intersectional feminism, it is a privilege to have had them on our radio show. (TW)

Nova Twins – ‘Bullet’
Consistent GIHE favourites Nova Twins have released their breath-taking new album Who Are The Girls, and this track is lifted from it. It’s a powerful statement against street harassment, and the myth that women are “asking for it” if they dress or act in a certain way. Amy’s lyrics are the ultimate weapon against such insults, making it crystal clear that those who touch without permission are not fucking welcome. (KC)

Jehnny Beth – ‘I’m The Man’
Though Jehnny Beth has said that ‘I’m The Man’ is “a poetic work first and foremost. Its aim is to make you feel, not think”, for me it seems to address the anger and ruthlessness surrounding toxic masculinity and the damaging effects it can have. IWD, I feel, should not only be about celebrating the brilliant women in our lives, but informing our male allies so that they can support their female peers as much as possible, and also be reassured that to be a “man” does not mean having to be aggressive or physically powerful. A poignant and powerful offering from this immense force of womankind, who I cannot wait to see live today at The Roundhouse as part of BBC 6 Music’s Festival (along with other awesome women Kate Tempest, Kim Gordon and more). (ML)

Deux Furieuses – ‘Year Of Rage’
GIHE faves Deux Furieuses last year dropped their immense album My War Is Your War – a collection of poignant, impassioned and all-too-relevant rock anthems. Taken from the album, ‘Year Of Rage’ is a seething offering addressing the #MeToo movement and the anger felt by women everywhere trying to seek justice. Delivering a message of empowerment through the raging riffs and soaring vocals of Ros Cairney and frenzied pummelling beats from Vas Antoniadou, it’s a hugely powerful and distinctly necessary listen this IWD. (ML)

The Joy Formidable – ‘The Last Drop’
I’ve lost count of the amount of times I’ve told people how much I adore The Joy Formidable. I’ve been following them for a decade now, and I am still in awe of their ability to create heavy, magnetic, alternative tracks like this one. (KC)

ARXX – ‘Intervention’
Another playlist, another ARXX track. But we make no apologies about this. ARXX have been faves for a while now, and with their “unapologetically loud”, ferocious raw power, they continue to blow us away with their unrelenting raucous sounds. This track, ‘Intervention’, taken from 2018’s EP Daughters Of Daughters, talks of social injustices, giving a shout out to the LGBT charity Stonewall, exclaiming that “you don’t get to say who we fall in love with”. A perfect, raging anthem for equality. Two of the coolest women we know, ARXX also headlined our IWD gig last year at The Finsbury, and it really was the best way to celebrate. (ML)

Amaroun – ‘Perish’
Previous guest on our radio show Amaroun has recently jumped back into the limelight with several new tracks, inclusive of this one ‘Perish’. I’m loving this next step in Amaroun’s musical journey – the beats, the vocals, the stripped back simplicity, sublime. Drawing from her experiences as a black queer woman, overcoming struggles with sexuality and the importance of emotional honesty in music, these themes stand strong throughout her songs. I can’t, and don’t want to stop listening. (TW)

Nayana Iz – ‘How We Do’
What a tune1 ‘How We Do’ is possibly one of the best debuts I have ever heard. Indian born, London raised Nayana Iz has arrived and she’s taking you with her. Eyes wide open people and get watching. (TW)

Missy Elliott – ‘She’s A Bitch’
One of the coolest, most inspiring women in the business, Missy Elliott delivers the most empowering and entertaining of offerings, just by being her incredible self. Proving that a woman can conquer a previously male-dominated genre, whilst consistently unashamedly oozing self confidence, she never fails to motivate me and put a smile on my face. Showing women that it’s ok to not fit the “feminine” stereotype that the industry so often seems to demand, and just be who you are and wear whatever the f*** you feel comfortable in (whether that’s an inflated bin bag or a scarecrow costume – check out last year’s performance at the VMAs to see this in action), she continues to push boundaries and remains a colossal force of nature. ,(ML)

Nilüfer Yanya – ‘Tears
One of my favourite tracks from Nilüfer Yanya, a slight move away from her guitar heavy tunes, ‘Tears’ released early last year captures and takes you along with its bouncing beats and sad reflective lyrics. It’s been great to watch this artist reach the acclaim she so rightly deserves, with my personal highlight seeing her play at Primavera 2019. It was the definition of sun-drenched guitars. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl – and was punished for it. At age 20, she robbed a convenience store at gunpoint – desperate, she says, to fund her gender-affirming surgery. Behind bars (in a male prison), Diamond found her voice as a songwriter, and wrote this track ‘I Am Her’. I wanted to include this track today, not only because I just love its poignant, soulful groove, but because Trans Women are of of course women too and should be celebrated on International Women’s Day (and every day)! (ML)

Lido Pimienta (feat. Li Saumet) – ‘Nada’
Inspired by the birth of her daughter, Canadian-Columbian musician Lido Pimienta has penned this beautiful song ‘Nada’. Taken from her upcoming album Miss Colombia, Pimienta ruminates on the pain women experience – from debilitating period pains to giving birth – and how strong we are despite being unfairly dubbed the “weaker sex”. Watch the accompanying video for the track here(KC)

FKA Twigs – ‘sad day’
The master and the muse; FKA Twigs continues to dazzle my eyes and ears with each new release. This track is taken from her second album, Magdalene, a record which blends vulnerability and raw power in equal measure. There aren’t enough adjectives to describe how much I love the music this woman makes. (KC)

Pumarosa – ‘Lose Control’
I interviewed Pumarosa’s front woman Isabel Munoz-Newsome last year for The Line Of Best Fit (read here), and she said this was her favourite track from their latest album Devastation. She spoke candidly about how she wanted to change the narrative around “love” or “breakup” songs, and her words have stayed with me ever since. This track is a slow-burning banger. (KC)

Arlo Parks – ‘Cola’
Watching Poet, rapper, singer & producer Arlo Parks grow over the last couple of years, receiving the absolutely deserve notoriety and success that an artist of her calibre should has been our pleasure. ‘Cola’ her debut single has kept a solid place on many of my playlists, a tender, confessional and mesmerising track. If you haven’t heard of Arlo Parks yet, go check her out now. You can thank me later. (TW)

Sleater Kinney – ‘Modern Girl’
Having been left completely speechless by seeing total heroes Sleater Kinney live last week, I couldn’t not include a track by this group of inspirational women. Seeing Carrie Brownstein perform this song, with all her infectious charisma and musical magnificence, was a definite highlight. And the lyrics “anger makes me a modern girl” seem particularly poignant this International Women’s Day. (ML)

Amahla – ‘Old Soul’
Hackney-Native Amahla blew us away with this song ‘Old Soul’ at the beginning of 2019 and has just kept getting better. An artist who uses their platform for greater good talking about women’s issues, race and current political climates, has an unquestionable place on our IWD2020 playlist. (TW)

Antony and the Johnsons – ‘My Lady Story’
“My womb’s an ocean full of grief and rage.” I can’t listen to that lyric without my heart breaking a little. A strong advocate for trans rights, feminism and climate action, Anohni (formally of Antony and the Johnsons), is a necessary and powerful voice this International Women’s Day. On identifying as transgender, Anohni once said in an interview with The Guardian: “I was never going to become a beautiful, passable woman, and I was never going to be a man… It’s a quandary. But the trans condition is a beautiful mystery; it’s one of nature’s best ideas. What an incredible impulse, that compels a five-year-old child to tell its parents it isn’t what they think it is. Given just a tiny bit of oxygen, those children can flourish and be such a gift. They give other people licence to explore themselves more deeply, allowing the colours in their own psyche to flourish.” (ML)

Dolly Parton – ‘Here You Come Again’
With the recent release of the Dolly Parton podcast and BBC documentary, I’ll take any chance I can to lap up any more content from this one. Dolly, what a woman. I don’t think I need to say anything more. (TW)

Merry Clayton – ‘Love or Let Me Be Lonely’
I recently watched 20 Feet From Stardom and to my shame learned so much about this amazing woman’s history that I did not know. A long established American soul and gospel singer, she provided backing vocal tracks to so many notable performing artists, the most famous being the Rolling Stones’ ‘Gimme Shelter’. Take her voice out of that and what are you left with? Here’s a shout out to the often forgotten or overlooked backing singers from some of the best hits out there. An established and amazing recording artist in her own right, it’s never too late to get into Merry Clayton. What a voice. (TW)

Jackie Shane – ‘Any Other Way’
A Get In Her Ears playlist would not be complete without Jackie Shane, I think this track ‘Any Other Way’ has featured on so many of our playlists and radio shows, but for good reason. Kate introduced me to this artist a couple of years ago and I was sold on first listen. Jackie Shane lived her life as a woman in the spotlight, during a time when compassion and acceptance were not always reciprocated to those who identified as trans. A pioneer for trans rights in the 60s, who very much lives on in our memories today. (TW)

Girl Ray – ‘Friend Like That’
GIHE faves Girl Ray have recently released their uplifting second album, Girl, and I cannot get enough. Taken from the album, ‘Friend Like That’ is an ode to friendship flowing with the trio’s colourful energy and funk-filled, pop-inspired hooks. Of the track, the band explain: “This is a friendship anthem. In music, friend love is often overshadowed by romantic love and IT’S JUST WRONG. This one goes out to the mates of the world.” Basically a perfect, shimmering anthem to celebrate all your fantastic female peers this International Women’s Day. (ML)

Shari Vari – ‘New York City’
Since hearing their debut album, Now in 2019, I still cannot get enough of the Hamburg based alt-electro/punk/producers Shari Vari. Now out via Malka Tuti, it’s packed full to the brim of brutalist delights. From ‘Dance Alone’, which takes me back to those dark, freezing, sweaty warehouse raves to this track ‘New York City’ with warped vocals, heavy reverb and cinematic crescendos. One of my albums of 2019, I consider myself still completely hooked. (TW)

Mentrix – ‘Nature’
Born in Iran but now based in Berlin, Mentrix (aka Samar Rad) blends her experiences of eastern and western culture, along with traditional Sufi instrumentation to create her beguiling, bold soundscapes. Her extensive travels and multiple influences – from Latin and French Literature, to The Qu’ran and traditional Persian poetry – give her music a diverse and fascinating edge. I can’t wait to hear her album My Enemy, My Love, which is set for release via her own (female-led) record label, House of Strength, on 3rd April. (KC)

Gazelle Twin – ‘Anti-body’
“I’m credibly unknown, and incredibly ok with that” wrote Elizabeth Bernholz – aka Gazelle Twin – in response to a fan who suggested she should be added to the Reading Festival lineup to fill the obvious void of female bands/artists on the bill. Bernholz’s pioneering sound and vision is best experienced elsewhere though, as her avant-garde, haunting electronic soundscapes demand your full attention. This track is lifted from her second album Unflesh, and although Bernholz has said she will never return to this material (having crafted her spectacular third album, Pastoral), I always come back to it when I’m feeling restless. (KC)

Track Of The Day: BABii – ‘Beast’

In her new dreamy electro single ‘Beast’, Margate-based artist and producer BABii arranges a harmonious meeting spot where stretched synths and longing lyrics dance in the air. With a tasteful distance between sounds, BABii’s production footprint is minimalistic and distinctive – painting a rather vast soundscape within a lo-fi/bedroom-pop context.

Creating the ideal quirky bedroom palette, and then expanding upon that so elegantly seems quite natural to BABii as she resembles experimental artists like FKA Twigs and Clairo. Her eerie bass that tiptoes beneath the mix sets the temperature in which the emotionally icy song sits. Building from the song’s start, the instruments seem to slowly gather and linger to then hit hard as ever in BABii’s in-your-face chorus. Polyrhythmic relationships between the song’s vocal melodies and instrumentals make for a fascinating and emotive evolution of the ‘Beast’. This bubbling sonic space mirrors the yearning feelings BABii suggests in her lyrics discussing distance and its push and pull side effects.

Being in “the belly of the beast” is emotionally confrontational and cathartic as BABii’s ‘Beast’ unravels and brings light to its true narrative. 

 

iii, the upcoming new EP from BABii, is out 27th March. Catch her live this week:

4th March – London, Lafayette supporting Grouplove
5th March – Newcastle, Cobalt

Jillian Goyeau
@jillybxxn

Photo Credit: Daisy Warne and Gus Sharpe

PLAYLIST: February 2020

We made it through January everyone! That achievement alone deserves a shiny new playlist. We’ve put together a list of brand new music to help you celebrate. As February is also LGBT History month, we’ve included a few tracks from some of our favourite LGBT artists in the list too. Take some time to scroll through our choices below, and make sure you hit play on the Spotify playlist at the end of the page.

 

Wilsen – ‘Feeling Fancy’
I cannot get this song from Brooklyn-based trio Wilsen out of my head! It’s a shimmering guitar ode to the softly spoken, celebrating introversion and inherent shyness. It’s taken from their upcoming album Ruiner, which is set for release on 21st February via Dalliance Recordings. (Kate Crudgington)

Bronski Beat – ‘Smalltown Boy’
British synth-pop band Bronski Beat released this classic single in 1984. Whilst on the surface, ‘Smalltown Boy’ is a catchy anthem that easily fills a dance floor, lyrically it tells the story of a young gay man struggling to come to terms with his sexual identity, and his place in the world. (GIHE)

Piney Gir – ‘Puppy Love’
The latest single from the Kansas-born London-based artist, ‘Puppy Love’ reflects on the bittersweet nature of love; both the simple, overpowering desire of first love, and then the ‘black dog’ – a common metaphor for depression and its all consuming nature. Glistening with twinkling hooks and sweeping harmonies, it’s a poignant and infectious offering. Of the track, Piney explains: Everyone feels the darkness sometimes, so I’m singing about it. It’s a thin line between Puppy Love and The Black Dog; both can be all consuming and agonising and at times euphoric, manic even.We cannot wait to catch Piney Gir headline for us on 14th February, at The Finsbury (event info here). She’ll be playing along with Grawlix, Captain Handsome and I Am Her – and all for free! (Mari Lane)

Cold Beat – ‘Prism’
San Francisco band Cold Beat, fronted by Hannah Lew from Grass Widow, have announced details of their forthcoming album Mother, out 28th February via DFA Records, and this is their first single lifted from it. It’s the sort of music I could plug into my ears whilst staring at the fast moving world outside of a train carriage. The world slowly speeding by. (Tash Walker)

Ghum – ‘California’
The new one from total faves Ghum, ‘California’ oozes an eerie, reverb-strewn atmosphere as the distinctive sultry power of Laura Gue Lo’s vocals flow. A grunge-inspired anthem for our times showcasing the unique beguiling allure of this band who just keep getting better. Of the track, Laura explains: “The song talks about a love story that was condemned to end badly. The hope and love that both had at the beginning is represented by the idea of running away to California”. (ML)

Indian Queens – ‘Bubblewrap’ 
A beguiling lament about the state of the planet, London three-piece Indian Queens have shared their latest single, ‘Bubble Wrap’. The track is lifted from their upcoming debut album God Is A Woman, which is set to be released via Cool Thing Records later this year. (KC)

Amaroun – ‘Perish’ 
‘Perish’ is the latest track from previous guest on our radio show Amaroun, and I completely love it. The beats, the vocals, the stripped back simplicity – sublime. Amaroun talks about the themes she evokes in her music which consistently touch on her journey of being a black queer woman, overcoming struggles with sexuality, and the importance of emotional honesty in music. In Amaroun’s words, “this track is an autobiographical reintroduction of myself”. I can’t and don’t want to stop listening. All the latest music from Amaroun will be showcased at the listening party at the CLF cafe Peckham Rye, on 13th Feb. (TW)

ALA.NI – ‘Papa’
I love this latest track from ALA.NI. ‘Papa’ is taken from her recently released self-produced album, ACCA. The whole thing is almost entirely acapella and just beautiful. ALA.NI originally trained as a dancer, but was told that as a person of colour she would never make it as a professional ballerina. Her latest album is a powerful vision of modern womanhood. It’s an unflinching account of pain, anger, sadness, and growth. Check it out now. (TW)

AyOwA – ‘First Frost’
The new single from the Danish duo, ‘First Frost’ is told from the perspective of a couple who have spent their whole life together and are now setting out into the winter to disappear as one. With its swirling synths and the beguiling haunting power of Hannah Schneider’s vocals, it’s a beautiful, shimmering cinematic soundscape. Amoeba, the upcoming debut album from AyOwA, is set for release in September this year. (ML)

JFDR – ‘Shimmer’
This beautiful new track from Icelandic multi-instrumentalist JFDR is about “loving someone who is a bit broken”. It’s lifted from her second album New Dreams, which is set for release on 13th March via White Sun Recording. (KC)

Girl In Red – ‘Kate’s Not Here’
I have no shame admitting I was drawn to Norwegian artist Girl In Red’s new track because a) it has my first name in it, and b) I wear a red coat. It’s lifted from the official film soundtrack for The Turning, directed by Floria Sigismondi (The Runaways, Handmaid’s Tale), which is in UK cinemas now. (KC)

Nuala Honan – ‘Slow Down’
‘Slow Down’ is the first single of 2020 for Bristol-based Nuala Honan and it’s a cracker. Driven by post-punk rawness but with delicate vocals and pounding drums when needed most. It’s a taste of what’s to come from her upcoming second LP, which follows a spell of personal recuperation and sonic evolutions. Loving it. (TW)

Otta – ‘Near Enough A Woman’
I can’t get enough of Otta right now. Their new music is just seeping so perfectly into my ears, it’s what I’ve been craving for so long, but I just didn’t realise. This is one of their latest singles taken from the freshly released debut EP, After It All Blew Over, which is sublime. the perfect combination and concoction of electronic, UK jazz, new soul and RnB. (TW)

Clare Kelly – ‘Less Alone’ 
The tone in Clare Kelly’s voice totally blew me away, so rich and full of emotion, it really sings so beautifully on this song ‘Less Alone’. Describing her sound as “alt-folk mermaid music”, Kelly can firmly consider herself having a new firm fan. Really looking forward to hearing more of where this came from. (TW)

Jackie Shane – ‘Any Other Way’
We’ve played Canadian soul-singer Jackie Shane multiple times on the GIHE radio show, and we’re including her again here because of LGBT History month. Jackie was a pioneer for transgender rights in the 60s & 70s, a time when being your true self was not always welcomed, or accepted. (GIHE)

Pom Pom Squad – ‘Cellophane’ (FKA Twigs cover) 
A stirring, grunge-inspired take on one of 2019’s most popular tracks, this is Brooklyn indie-punks’ Pom Pom Squad’s cover of FKA Twigs’ single ‘Cellophane’. The band have treated Twigs’ material graciously, and frontwoman Mia Berrin’s vocals are as poignant as those on the original recording. (KC)

Half Waif – ‘Ordinary Talk’
The new single from Hudson Valley-based Nandi Rose, aka Half Waif, ‘Ordinary Talk’ is a reflection on coming to accept and find the beauty in being like everyone else. A truly spellbinding slice of poignant alt-pop, it’s filled with captivating glitchy hooks and the raw emotion of Rose’s rich soulful vocals, reminding me of later Radiohead, which is no bad thing. The Caretaker, the new album from Half Waif, is out 27th March via ANTI records. (ML)

Hilary Woods – ‘Tongues Of Wild Boar’ 
A shadowy, captivating exploration of intense discomfort; Sacred Bones signee Hilary Woods has shared this track, lifted from her upcoming album Birthmarks, due on 13th March. Though quiet in terms of volume, Woods’ new single is a fleshy, charged offering that allows her the space to navigate “emotionally charged states” at a pace suited to her. (KC)

Planningtorock – ‘Beulah Loves Dancing’
Planningtorock is one of GIHE’s fave artists, and they’re one of our fave LGBT artists too. LGBT History month feels like the perfect time to give them a spin again. This track is all about their sister, Beulah, and her love of house music. (GIHE)