FIVE FAVOURITES: Lana Del Rabies

A creator of corrosive, brooding experimental sounds, Phoenix-based musician, producer and multimedia artist Sam An aka Lana Del Rabies is preparing to unleash her new record, STREGA BEATA. Set for release on 17th March via Gilgongo Records, the album – the title of which loosely translates as “Blessed Witch” – is a cathartic medium for the musician’s innermost thoughts on the human condition, grief and navigating tragedy. Written, produced, and almost entirely performed by An, STREGA BEATA promises to be an enthralling, powerful listen.

“There is a specific type of grief that comes from witnessing the brutality of what humans are capable of towards each other. If that grief goes unprocessed, it is doomed to also manifest as brutality,” offers Lana Del Rabies about her upcoming album. “There have been many moments while writing this record that I was grieving through an event that was personal or worldwide, and then another sudden, tragic event would happen. I needed to re-evaluate what I wanted to say because my world and perspective had shifted again. Trying to keep up with tragedy can make one feel helpless, and one way to feel in control is through acts of destruction. My personal impulse towards destruction nearly ended this project.”

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Lana Del Rabies to ask about her “Five Favourites” – five songs that have inspired her song-writing techniques. Check out her choices below and pre-order your copy of her upcoming album STREGA BEATA here

 

1. Nine Inch Nails – ‘The Great Below’
If you know me or know of me, you are probably pretty aware that I am a Nine Inch Nails lifer. NIN has been my favorite musical act since I was 14 years old, and I don’t see that changing anytime soon. The Downward Spiral was my first favorite, but when I found The Fragile (well after it had released), I had never heard anything like it before – especially the more experimental, cinematic and vulnerable tracks like ‘The Great Below’. The ways that emotion on this album are conveyed are so reliant on texture and ambiance, but aren’t too avant garde to be inaccessible. The water themes in this track were something I found myself using a lot on my upcoming album, probably subconsciously because of the emotional experience I always have with this track.

2. Lingua Ignota – ‘That He May Not Rise Again’
I have to admit that I listened to a lot of Kristin Hayter’s work leading up to the writing of this record. I did my best to not overly emulate anything she does, but I also don’t think anyone can do what she does. I think LET THE EVIL OF HIS OWN LIPS COVER HIM is potentially among my all time favorites. It is just such a cohesive, well-thought out, and masterfully executed thesis of an EP. ‘That He May Not Rise Again’ is just not like anything else I have ever heard, and the way it maneuvers between very disciplined, traditional religious music and very honest, guttural, unapologetic cathartic expression for an unrelenting span of time inspired me to push what I was doing with my work further.

3. The Body – ‘Hail to Thee, Everlasting Pain’
I discovered this track almost ten years ago. A friend sent me I SHALL DIE HERE to listen to, I think. I remember hearing ‘Hail to Thee, Everlasting Pain’ and thinking “This is the kind of music I want to make”. I was barely starting to experiment with sound at the time and Lana Del Rabies wouldn’t be established for another couple of years. By the time I started writing STREGA BEATA, I felt a bit more confident about being able to handle composing something like this. I even play actual instruments! Anyway, the way this track (and The Body in general) handles elements from various “dark” genres without ever commiting to a genre is exactly what I love about making music.

4. FKA Twigs – ‘Mary Magdalene’
I discovered FKA twigs in 2014 around the time she was releasing her first EPs. I was always impressed with how she brought a poetic darkness into really catchy but still experimental music. It took me a while to hear Magdalene, but it is absolutely my favorite of hers. I love the way she uses religious metaphor through the record to address her personal experiences and comment on gender roles in relationships without ever being too heavy handed. I also love Nicholas Jaar (he among other collaborators with FKA worked on this), and the way this track ended up sounding feels rooted both in the beauty of traditional music and something really futuristic and otherworldly.

5. Diamanda Galas – ‘The Litanies of Satan’
I think what I love about Diamanda Galas’ work is how determined it feels. It’s more than relentless or raw; it is determined to be what exactly it is, with no hesitation. I think this applies to her more classically inclined work and especially to work like The Litanies of Satan. I am also obsessed with tracks that are maximal even though they are compositionally minimal. It’s incredible when you think about the fact that this came out in the early 80’s. I’ve definitely found her to be more of an inspiration for what I do performatively and in my vocals as well. I would love to have her range and ferocity as I age as an artist.

Thanks to Lana Del Rabies for sharing her favourites with us.

Watch her video for ‘Hallowed is The Earth’ below.

Follow Lana Del Rabies on bandcamp, Spotify, Twitter, Facebook & Instagram

Kate CrudgingtonLeave a comment

Introducing Interview: Lena Hessels

Having previously been featured on Spotify’s New Music Friday NL, Dutch artist Lena Hessels is now set to release her new EP, then when will it, next month. Taken from the EP, latest single ‘fast lights‘ shimmers with an exquisite twinkling allure. As a majestic, haunting atmosphere is created, Hessels’ celestial vocals soar with an emotion-rich splendour.

To celebrate the release of ‘fast lights’, we caught up with Lena to find out more about what inspires her, live music and what the future holds… Have a read, and make sure you take a listen to the luscious ‘fast lights’!

Hi Lena, welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hi Get In Her Ears! Thanks for having me! I’m Lena Hessels, I’m 21 and I make abstract pop music. Oh, and I’m from Holland.

How did you initially start creating music?
Well, my dad is a guitarist in a band called The Ex, and the house I grew up in was a place where a lot of befriended musicians would stay if they were on tour in Holland. So, growing up I was surrounded by a lot of different music and people. My mom always tells me that I was singing before I could speak, and I believe her! I was always singing, all the fucking time. I loved it, still do! I was very fascinated by all these older people I saw who were playing shows. I knew then that that was what I wanted, so every chance I got I performed songs for people! Then, when I was about six I got a little mp3 recorder from my parents. I started recording all these very long story songs on that. I actually found a couple of them last year on my mom’s old computer, and one of them was also the inspiration for my previous single ‘crown’. Pretty cool, I think. But the first song I actually recorded with instruments and stuff was when I was eight – it was called ‘Dubbel Drop’ (dubbel licorice): my favourite Dutch candy. A couple years later I discovered Taylor Swift – a true pop-star! Pop music was something I discovered then and felt that was what I wanted. I started playing guitar and got obsessed with writing songs. Now we’re here!

Your new single ‘fast lights’ is out now – can you tell us what it’s all about?
Lyrically this song is about having a fun weekend with your friends at a festival. Throughout the song, the festival comes to an end and as you reach the outro, you’re in the car driving home and reflecting on the weekend – your life, growing up and how that all works. I think I’ve been thinking about that a lot recently. It’s not a sad song in any way, more like a moment of thought.

You’ve been compared to the likes of FKA Twigs and James Blake, but who would you say are your main musical influences?
I love both FKA Twigs and James Blake very much! For me it all started with Taylor Swift, so she’ll always be an inspiration. Her music is great, also her career and how she works the industry is super interesting to me. I also really look up to ROSALIA and Sevdaliza. I love artists who experiment and mix different styles of music and really make their sound their own.

How is your local music scene? Do you go to see lots of live music?
I am based in Amsterdam right now. There is a very rich indie band scene here, which is a lot of fun! I feel like everybody is very supportive of each other’s music here, which is really cool. I really enjoy going to gigs, it’s one of my favourite things to do; it’s so inspiring and interesting to see people perform. And we do have some nice venues here, and touring is slowly starting up again, so there are a lot of cool gigs to look forward to. I haven’t really found the pop/electronic music scene yet here in Amsterdam, that is something I hope to find soon!

And what can fans expect from your live shows?
I hope to give a high energy show. Together with Cris Mollee, I’ve made this sick light installation. When I perform I’m alone on stage, so I really wanted something to complement the music and myself. I think it works really well. I have only played a couple of shows, but I really hope to play more. My main goal right now is to go on tour – performing is one of my favourite things to do! It makes me feel so happy and full, I hope people watching the show also feel that.

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
First there is Personal Trainer – they are a great band! The front person lives above me, haha. So definitely check them out! And Raven Artson is really cool – I saw him preform a couple of weeks ago, that was great!

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
Yes, I feel that since covid the music industry is even more saturated than before. There is just so much music out there. But if you make good music people will find you even if it takes some time, I know that. To get noticed in a different country is even more abstract because you don’t know the environment as well as in your own country. I would love to get played in the UK and play shows there! So, I’m really happy with this interview.

Finally, what does the rest of 2022 have in store for Lena Hessels?
There is a lot more music coming! This year I’m releasing three EPs in total – I’m really looking forward to it! I am probably going to be working on a lot more music. I really hope to grow as an artist and performer, and I want to learn and get better at my craft. My biggest goal for this year is definitely to play a lot of shows, and I really hope to play my first UK shows – so if you have any gigs for me, let me know, I’ll be there!

Massive thanks to Lena Hessels for answering our questions!

The second in a series of three EPs that Hessels plans to release, then when will it is due out on 13th July, and is produced by Tender Blom (guitarist of Pip Blom).

mariangelicalaneLeave a comment

GIHE: International Women’s Day 2021

Happy International Women’s Day! A day to highlight and bring awareness to the issues facing women around the globe, as well as a time to celebrate the women we love too. This year’s theme is #ChooseToChallenge – and here at Get In Her Ears we take that to mean that in order to create a more equal world, we must be constantly challenging accepted ‘norms’; constantly seeking to change and improve society in any way we can. In the words of the inspirational Angela Davis: “I am no longer accepting the things I cannot change. I am changing the things I cannot accept.”

At Get In Her Ears this International Women’s Day, we’re celebrating both women and non-binary folk who have inspired and motivated us throughout this particularly challenging year. We want to make clear that we are inclusive of ALL women. Inclusivity is at the core of what we do: it’s the reason we started, it’s what drives us, and it’s something we will consistently strive for as long as we exist. To be explicitly clear, we always have and always will stand against transphobia – it is unacceptable. We send our love, support and solidarity to ALL women out there, and celebrate those gender nonconforming people fighting for acceptance. 

Have a read about the consistently inspiring women and non-binary people who have been keeping us going this year, and listen to the accompanying playlist – including tunes by, or linked to, the people featured. And feel free to get in touch with us on socials about the women who have inspired you this year!

Kathleen Hanna
I couldn’t really put together an International Women’s Day feature without including Kathleen Hanna. Being a constant inspiration always, throughout the last year I’ve needed to find strength in her empowering charisma and motivating force more than ever, and treated myself to the 20th anniversary re-issue of the Bikini Kill EP on one of the amazing bandcamp days last year. As well as inspiring me with the riotous power of music, over the last couple of years Kathleen has also set up ‘Tees 4 Togo’ – a business that sells t-shirts designed by and depicting different artists, with 100% of the money raised going to Peace Sisters, a non-profit started by Tina Kampor. Peace Sisters’ mission is to provide equal education for girls in Tina’s hometown, Dapaong, Togo. Each shirt sold is $40, which is how much it costs to send a girl to school in Togo for one year. The sweatshop-free tees are collaborations between the artists and the performers who inspired them.
(Mari Lane)

Big Joanie
Is it even a GIHE feature if we don’t include Big Joanie? Authors, activists, musicians and all round punk icons, these grrrls are a constant source of inspiration to the GIHE team. From organising Decolonise Fest, continuously speaking out against racism and sexism in the alternative music scenes, to creating the perfect soundtrack to rage and rejoice to, Big Joanie are an unstoppable force for change. Their work on and off stage is remarkable. Vocalist & guitarist Stephanie Phillips is releasing her new book Why Solange Matters later this year, drummer Chardine Taylor Stone will be releasing her book Sold Out: How Black Feminism Lost it’s Soul in 2022, and bassist Estella Adeyeri is busy recording podcasts and working with the Girls Rock London team.
(Kate Crudgington)

Lucy O’Brien (author of She Bop)
Getting to interview and virtually meet Lucy O’Brien twice this year was such a pleasure. 2020 saw the release of her book She Bop in celebration of the 25th anniversary of the original publication, a book that shows how much Lucy has documented, highlighted and pushed for better representation of women, transgender and non-binary people in music through her writing. Most recently she has co-written Skin’s Memoir It Takes Blood and Guts, which was also released in 2020 (read our interview with Lucy and Skin here). Lucy O’Brien – an inspiring woman, with an inspiring career who, lucky for us, shows no sign of slowing down.
(Tash Walker)

I will never get over seeing the Get In Her Ears name in PRINT and that’s all thanks to author & music journalist Lucy O’Brien. She included us in a new chapter in the 25th anniversary edition of her book She Bop last year and I’ve been making my way through it since then. Tash interviewed Lucy for one of our radio shows and I was so impressed by her knowledge, articulation and kindness when it comes to reporting and acknowledging the often forgotten history of women and non-binary people’s contribution to popular music. Definitely pick up a copy if you’re able to. (KC)

Kae Tempest
Coming out as non-binary last year, Kae Tempest not only completely blew me away at the last gig I went to (exactly a year ago at BBC 6Music’s International Women’s Day celebration at The Roundhouse), but their recently released book On Connection has been a wonderfully insightful, and strangely comforting, read in these worrying times. Reflecting on the connection between people and the unifying feelings that art can create, they discuss how connection should be a collaborative, communal feeling. Sharing deeply personal experiences and discussing times that they’ve felt particularly disconnected, it’s such a relatable and moving piece of writing. It is also the only book I’ve managed to read properly this whole year; I’ve really struggled with just the things that they discuss throughout – with feeling focused and connected – and so to be able to read something that is both poignant but also short and simply put together, has been just what my mind has needed. (ML)

Peaches
Last year, I interviewed the trailblazing Peaches for a Nine Songs feature on The Line Of Best Fit. She spoke about her favourite music and I spent most of the time nodding enthusiastically at her reasons for loving The Runaways, Missy Elliott and Roberta Flack. One thing that’s got me through the last year – and every other year, really – is talking to people who are not just passionate about the music they make, but the music they love by other artists too. The unfiltered admiration you can have for a band or musician is so pure and so important, and it’s definitely something I have grown to cherish over the years. (KC)

Beth Cannon (LibraLibra)
International Women’s Day happens to fall in Endometriosis Awareness Month (a condition where tissue similar to the lining of the womb starts to grow in other places, causing many painful symptoms and often affecting people’s lives significantly). And, as someone who has struggled with the symptoms for a number of years, I’m always inspired by talking to other people who have gone through similar experiences. This year, I discovered that Beth from one of our favourite bands, LibraLibra, has suffered with incredibly severe Endometriosis – to such an extent that, at the beginning of this month, she has had to have a very significant and invasive operation. However, throughout all the pain, treatments, stress and life-changing decisions that she has been under this year, she has continued to fight – to be an incredible force of nature, through both the immense power of her musical creations, and her openness and effervescent strength of spirit through her inspiring and motivating social media posts. (ML)

Planningtorock
I remember being in the Hoxton Radio studio in 2018, listening to Tash talk so passionately about how Planningtorock’s fourth album Powerhouse was resonating with them. Tash’s joy was infectious and I found myself listening to the record and hearing this incredible artist dive deep into their own gender identity with such playfulness and charm. Tash & I saw Planningtorock live at Queen Elizabeth Hall at Southbank Centre in 2019 and it was marvellous. We even ran onto the stage with loads of other fans at one point, looking around in disbelief and loving every minute of it. (KC)

SOPHIE
With full acknowledgment that SOPHIE’s identity was rooted in being SOPHIE, by naming SOPHIE in this piece I am not placing any identity on SOPHIE understanding that SOPHIE asked to be identified as SOPHIE. Someone who pushed the boundaries of music, of sound, of electronica, of what it means to be queer – a person who changed music for the better, by not living and reflecting in a nostalgia but pushing, reaching for a future. A future that SOPHIE saw through SOPHIE’s lens and through SOPHIE’s music; we got a glimpse of it too and for that we should be forever grateful. (TW)

FKA Twigs
I’ve been a fan of FKA Twigs since first been utterly captivated by the innovative sweeping sounds of ‘Two Weeks’ from 2014’s LP1, but I never knew that much about her. That is until I listened to her speaking with Louis Theroux on his Grounded podcast earlier this year. Not only was hearing her speak about her latest album Magdalene and how she found its inspiration in strong women – namely Mary Magdalene and her little known strength and achievements – particularly poignant, but hearing her speak openly about her experiences of abuse was immensely moving. Her honesty and openness about what she went through with Shia LaBeouf has been incredibly inspiring and a source of strength for many who are going through similar experiences. Public figures such as FKA Twigs being vocal about the issue of abuse is essential in enabling others to feel able to do this, and I feel a huge amount of admiration and gratitude to her for telling her story; opening up this vital conversation and giving a voice to survivors who so often remain unheard. (ML) 

Divide and Dissolve
Fuelled by Takiaya Reed’s doom-ridden saxophone notes and Sylvie Nehill’s phenomenal percussion, instrumental activists Divide and Dissolve have a sound that flows with a unique gargantuan grace. Designed to erode the foundations of colonialism and liberate the land for indigenous communities, their recent album Gas Lit smoulders with a righteous fury. Not only are they immensely talented musicians, they are also incredibly kind. Each time I’ve reviewed their music for our website, they’ve been quick to message via the GIHE socials to say a sweet and sincere thank you. (KC)

Sarah Lay (co-founder of Reckless Yes)
For a few years now, the label Reckless Yes has been a source of some of our most favourite artists – currently home to the likes of LIINES, Breakup Haircut, Bugeye, The Other Ones, The Crystal Furs and more – and co-founder Sarah continues to inspire us with her hard work and consistent dedication. Working ethically with all the artists on the label, making sure they are paid and treated fairly, Reckless Yes is supported by a membership that fans can sign up to and receive benefits, and is continually working on how it can be a force for social good: not only benefitting the artists on the roster, but holding environmental values as a fundamental part of their work. A one of a kind label run by a super wonder woman, who deserves to be celebrated for the consistently exceptional work she does and the invaluable help she gives upcoming artists. (ML)

Amateur Pop Inc.
A small record label based in Leicester working exclusively with artists of marginalised identities, Mari & I are huge fans of the musical output of Amateur Pop Inc. Run by Emily & Alex, it’s been a joy to interact with them and the artists they support. I recommend listening to Gordian Stimm and Boarder, and Mari would recommend listening to Kermes too! (KC)

Babywoman Records
We had Babywoman Records founder Charlotte Carpenter as a guest on our GIHE radio show a few years ago, and it’s been wonderful to see her create her own label and platform to help other women release their music. To celebrate International Women’s Day this year, Babywoman Records are launching a special four episode podcast series celebrating women in roles across the music industry. Each day between 8th-11th March, they’ll have a guest discussing their work. Speakers include Producer Steph Marziono, Warner Brothers’ A&R rep Holly Manners, musician Eliza Shaddad and Managing Director of Palm Bay Music Kimberley Anne. Visit the Babywoman Records website for more info here. (KC)

Amaroun
A long term favourite at Get In Her Ears, Amaroun consistently delivers a stirring power juxtaposed with an impassioned energy in each of her creations, and – throughout 2020 – she released a a number of poignant and empowering reflections on being a queer woman today. As well as captivating us with her tunes, over the last year Amaroun has also shared some of her insightful inspirations and thoughts on the industry with us in two of our Instagram Live sessions, and continues to be a massive inspiration in all she does. This year, in addition to working on her debut album, Amaroun has been running Black Queer Joy – a series of queer led sessions harnessing the power of community to call upon our ancestors as we heal, reclaim and find self-acceptance. The next session is this Wednesday, 10th March – details here. You can support Amaroun and her innovative journey at her Patreon page. (ML)

Arlo Parks
Arlo Parks has already achieved so much, especially over the last year, where we saw her release her debut album, Collapsed In Sunbeams, and her songs becoming the go-to hum on everyone’s lips. But what has resonated with me above all else is the depth of her lyrics – her mastery of language that she uses to delicately tell these stories with such feeling, as the music envelopes around you. So beautiful and often so sad. (TW)

Stereo Sanctity PR
Kate & Frankie who run Stereo Sanctity PR are absolute diamonds. Not only are their press releases informative, well-written and superbly formatted, the artists they represent are some of my personal favourites too, so it’s always a good day when I see an SS email at the top of my GIHE inbox. They’re assertive without being pushy and genuinely take the time to get to know your music taste so they can tailor their pitches to you. They represent an immense amount of talent, including Noga Erez, Hilary Woods, Penelope Trappes, Debby Friday, Desire, Anna B Savage, Spellling, Jenny Hval, Lotic, Katie Gately, Skating Polly, Zola Jesus and more. (KC)

Bimini Bon Boulash
I’m sure I don’t need to go into detail about who Bimini Bon Boulash is, but I have been falling more and more in love with them (and Tayce, but that’s another story…) throughout the latest season of Ru Paul’s Drag Race UK. As someone who has watched all the previous seasons of the competition, I have found this latest UK series to be a real breath of fresh air, largely thanks to Bimini. Openly discussing their non-binary identity and how this has affected their life, as well as supporting other contestants with discussing theirs and their struggles with society’s imposed gender norms, Bimini has given a voice to many and has apparently inspired a number of young viewers of the show to come out to their parents. Innovative not only in what they stand for, but in their incredible talent on stage, and their exquisite, unique style, Bimini has opened many people’s eyes as to what drag is, and what it can be: “I consider the concept of gender as a spectrum and I float somewhere in the middle… With drag, I don’t see what I do as female impersonation or illusion, more an expression of my identity and how I feel on the inside...” (ML)

Melanie Simpson (The Irish Jam)
I’ve been contributing to The Irish Jam’s New Music Sunday section for just over a year now. Based in London but celebrating music by Irish artists, the crossover of favourite bands between the GIHE team & The Irish Jam team is huge. I’ve enjoyed chatting to hosts Kealan, Niall, Rob and Mel on and off air for a while now, but Mel in particular is always quick to join me in fan-girling over Kynsy, CMAT and Celaviedmai. From drunkenly telling her about my admiration for Taylor Swift at The Jam’s 2018 St. Patrick’s Day gig when we first met, to buying tickets to CMAT’s debut London gig this November, Mel & I are well on our way to becoming true music gal pals. (KC)

Julia Woollams and Angela Martin (founders of The Croydonist/Bugeye)
Having been ‘locked down’ for pretty much a year now, I’ve come to value my home and its surrounding area in a new light. Being limited to the local area, it has been wonderful to discover new places for my daily walk, and it is has been thanks to The Croydonist that I have discovered a number of hidden Croydon gems; I had never known about Selsdon Woods or South Norwood Lake, for example, until seeing them featured on Croydonist’s Instagram, and they are both beautiful spots, unlikely rural escapes close to home. So, thank you to Croydonist founders Julia and Angela for keeping my love of Croydon going throughout the pandemic! Angela also contributed the most essential and uplifting of soundtracks for 2020 with her band Bugeye’s vibrant, energy-fuelled album Ready Steady Bang. (ML)

Girls Rock London
I wish Girls Rock London had existed when I was a teenager. They do incredible work to support girls, trans and non binary youth who have an interest in making music, but who may not have the funds or confidence to take that interest further. Through mentoring schemes, workshops and band camps, they provide an incredible level of support whilst offering attendees an opportunity to make friends and enjoy learning a completely new skill set. Find out more about their work here. (KC)

Mary Anne Hobbs
Having to work from home for the most part of a year has had its benefits. One of which has been being able to listen to BBC 6Music during the quieter moments of the day, especially my favourite show – Mary Anne Hobbs. Playing such a diverse range of music, from obscure electro to raging metal, she exudes such a passion and enthusiasm about all the tunes she showcases that is both refreshing and uplifting to hear. Hearing someone with such a genuine love of new music and sincere dedication to promoting upcoming artists is wonderfully inspiring, and I think more people in the industry could do with being a bit more like her! So, thank you Mary Anne, for being such a positive force – a consistently elevating accompaniment to my days – at a time when I need it more than ever. Also, what’s not to love about a show that has an ‘All Queens Mix’ at the start of every week?! (ML)

You Know Who You Are…
This last year has been a challenge for everyone, of varying degrees, but what comes out of difficulties endured collectively is a strength in connection. The end of 2020 was one of the most challenging times for me, but I have never felt more loved and supported in my life. So, to all the women and non-binary people who have been there for me over this last year, from family and friends, to all those in between, as someone who has struggled to love themselves for so long, you have all shown me the way, thank you. That includes my two GIHE babes – Kate and Mari, I love you two dearly. (TW)

Mari & Tash (GIHE babes)
Typing through the tears as I think about how much I have learned from you both, and how much I’ve laughed with you both over the last five and a half years. Here’s to many more weekends of gigs, chats about our favourite music and fancy beers with names I can’t pronounce properly. I’ll love you both forever. (KC)

Cindy Crudgington (My biggest fan)
Hi Mum! Probably wouldn’t have made it this far without your eternal love, patience and support. Thanks for always listening to our radio shows, reading my reviews & interviews (you’re welcome for the Noga Erez intro) and for listening to me rant on about how many emails I have to get through every weekend. I love you. (KC)

Holly and Sarah Crudgington (My younger sisters)
Hi Twinny Pigs! Thanks for holding my hand as I get over emotional at Wolf Alice gigs, raging with me in the mosh at the Ho99o9 shows and for always taking the +1 spot on the guest list for bands that I’ve bored you to death about for years. Here’s to many more conversations about how banging the soundtracks to the first two Twilight films are. Love you both. (KC)

GIHE Super Women, Tash & Kate
I couldn’t talk about the women who’ve helped me survive the year without including these two. Not only are they the best friends I could ask for, but they really do inspire me every day. They have both overcome the many challenges this year has brought with a grace and strength that I continue to admire, and both have an unwavering commitment to what they are passionate about. Tash’s work supporting LGBTQ+ people as co-chair of Switchboard and now sharing the community’s stories with the insightful and informative The Log Books podcast is absolutely incredible, and has taught me so much. Kate’s dedication to sharing new music through her amazing writing, and managing to remain so brilliantly organised, is admirable, and being able to regularly rant and rage with her about the world is something I’m forever grateful for. Tash and Kate, you’re a dream team and I cannot wait to see you at a Get In Her Ears gig one day soon, and hatch some exciting ventures for the future!

There are so many more women – both who I know and love personally, who have supported me through this year, and more well-known (Michaela Coel, Adriene Mishler, Phoebe Bridgers, Nadine Shah, Reni Eddo-Lodge) – who I could write about here, but there are only so many hours in the day… For now, I will leave you to celebrate the amazing women in your life!
(ML)

Massive thanks to ALL the wonderful women and non binary people in our lives – we see you, and we love you!

Listen to our accompanying IWD playlist here:

Get In Her EarsLeave a comment

Track Of The Day: Julia-Sophie – ‘I Wish’

In an introspective sonic unravelling, electronic artist Julia-Sophie brings us an immersive experience in her lush new track, ‘I Wish’. Released on Slow Dance Records, the single follows Julia’s admired y? EP of last year. As the first track from her upcoming EP </3, it serves as an insightful glance for what’s to come from Julia’s anticipated palette.

A delicate, building tension scurries across the soundscape opening the story of ‘I Wish’. Made of rigid, whirling synth patterns, Julia-Sophie’s spatial awareness is artistically conveyed across the ways in which she places her sounds so precisely. Alongside her lyrics, she is able to tell her narrative by using her instrumental machines that glitch freely with each cathartic breath.

Emotive confessions float earnestly in the pool of bubbling synths, as ‘I Wish’ creates a universe of its own. It is one we all know and stew in. It is equally as challenging as it is empowering – solitude. Of the track, Julia-Sophie explains:

“Over the last year, I’ve had to fight and break hearts, to become the person I was meant to be; to live my own truth. I wanted to reflect this broken hearted journey in ‘I Wish’, by breaking out of classic song structure and experimenting with form…”

Disentangling the narratives of others, to ultimately discover her own, Julia-Sophie illuminates her story with fluid-like tongues reminiscent of Half Waif and FKA Twigs. With her own feet on the ground, and a sound that is so fresh to the ear, Julia-Sophie’s ‘I Wish’ is sure to inspire us to keep going into 2021.

‘I Wish’ is out now, via Slow Dance. It is released as part of Slow Dance ’20; a compilation released by the label – a 16 track collection of tracks from all genres – out on 26th January.

Jill Goyeau
@jillybxxn

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