PLAYLIST: November 2020

We’re almost out of Lockdown 2.0 here in the UK, but whether you’re feeling excited or apprehensive about the changes the new government measures will bring, our November playlist is here to help distract you. There’s an eclectic mix of alt-pop delights, atmospheric electronic soundscapes and some shimmering indie and alternative guitar tunes. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

GENN – ’23rd March’
The latest single from Brighton based trans-national band Ġenn, ‘23rd March’ is propelled by whirring hooks, capturing the charismatic energy of the band’s magnificent live show, as it builds with a sultry power to a gritty grunge-fueled seething anthem. ‘23rd March’ is taken from Ġenn’s upcoming EP Liminal, set for release next year on Everything Sucks Music. (Mari Lane)

Nervous Twitch – ‘Tongue Tied’
The latest single from the Leeds three-piece, ‘Tongue Tied’ is a comforting ode to “Self-reflection and amazement over the contradictions in life”. Propelled by scuzzy surf-rock inspired hooks and an instantly catchy uptempo musicality, it’s a colourfully retro slice of uplifting punk-pop. ‘Tongue Tied’ is out now via Reckless Yes. (ML)

Tired Lion – ‘~Cya Later~’
Aussie band Tired Lion have just shared their new album Breakfast For Pathetics and it is SO. GOOD. I love frontwoman & guitarist Sophie Hopes’ voice and this track is apparently one of her favourites on the record – it also happens to be one of mine too. (Kate Crudgington)

Francis of Delirium – ‘Lakes’
“The main idea in ‘Lakes’ is that we are all fed by other people (or other “rivers”) to eventually form who we are, one large lake fed by other water streams, one community,” explains Francis of Delirium’s songwriter Jana Bahrich. Taken from their upcoming EP Wading, which is set for release next February, this single continues to show Bahrich’s talent for writing poignant guitar tunes about the interweaving nature of life. (KC)

King Hannah – ‘Meal Deal’
Liverpool’s King Hannah have just released a complete beaut of a debut EP, the magnificence of which is showcased perfectly in ‘Meal Deal’. Inspired by an unsuccessful flat-hunting mission, it’s steeped in an all-encompassing ethereal splendour as the utterly spellbinding majesty of Hannah Merrick’s vocals flow alongside swirling War On Drugs-reminiscent hooks. Tell Me Your Mind And I’ll Tell You Mine, the new EP from King Hannah, is out now via City Slang. Watch the homevideo for ‘Meal Deal’ here. (ML)

Serena Isioma – ‘Stop Calling The Police On Me’
“This song is about searching for peace outside of the society that doesn’t understand you,” explains Chicago-based musician Serena Isioma. “There was a heavy police presence in my household growing up. It was very toxic. Eventually, I stopped coming home altogether. I was much happier hanging out with my friends.” Isioma, a first generation Nigerian-American, neutralizes these hostile memories via ambient guitars and honeyed vocals. I’m so excited to hear their new EP The Leo Sun Sets, which is set for release in Feb 2021. (KC)

Amaroun & Jung Mergs – ‘Highest Head’
GIHE fave Amaroun’s latest offering sees the London artist teaming up with rapper Jung Mergs. Switching between the rich, smooth power of Amaroun’s soulful refrains and the fast-paced poignant spoken-word lyricism of Mergs, it builds with a gritty, grimey groove and whirring, fuzzy energy. (ML)

Rosé Petal – ‘Dripping’
I love this hypnotic new single from Rhode Island-based, alternative R&B/electro-pop producer and songwriter Rosé Petal. It’s a beautiful combination of sweet vocals, sultry beats and atmospheric electronics. (KC)

ZAND – ‘Inappropriate’
Self proclaimed “ugly popstar” ZAND has just released their new EP Ugly Pop, and ‘Inappropriate’ is one of several savage bangers on the record. ZAND’s wit and defiance in the face of their critics shines through in their candid lyricism and polished, yet punishing beats. (KC)

STRAIGHT GIRL – ‘Limón’
A vibrant, jagged electronic soundscape inspired by disjointed and self-critical thoughts, ‘Limón’ is the latest single from Leeds-based electropunk STRAIGHT GIRL. Released via Come Play With Me, the track is a cathartic new offering that sees the artist confront the darker parts of themselves and transform them into energetic, intensely danceable beats. (KC)

CIRCE – ‘Dancer’
An evocative dark-pop gem inspired by a morbid fascination with an infamous cult, London-based Circe’s latest single ‘Dancer’ is taken from her debut EP, She’s Made of Saints. The track is a sultry, cinematic tune exploring the dangerous yet seductive allure of Californian cult The Source Family. I wholeheartedly recommend you listen to Circe’s EP if you’re a fan of any of the following: The Handmaid’s Tale, David Lynch or Stranger Things. (KC)

October and The Eyes – ‘Dark Dog’
New Zealand-born, London-based songwriter October and The Eyes recently shared her debut EP Dogs and Gods, and this dark, sultry single is lifted from it. Speaking about the track, October explains: “It’s about the uneasy feeling of being watched, that at any moment something bad could happen. There’s an anecdotal malformed dog who’s always near – limping, snarling, growling and drooling. It’s one you feel equally sorry for as you do fear it. You cannot outrun this dark dog, so you decide to make peace.” (KC)

Yumi And The Weather – ‘What Will Become Of The Wishing Well’
The latest single from Brighton based artist Yumi And The Weather, ‘What Will Become Of The Wishing Well’ flows with soaring rich vocals and twinkling uptempo vibes alongside glitchy beats and a driving energy. A soothing slice of alt-pop reminiscent of the electro-strewn grandeur of The Postal Service. (ML)

Elaine Malone – ‘You’ (1000 Beasts Remix)
A captivating, blissfully lo-fi new offering from two of Cork’s freshest talents, this is a beaut collaboration between songwriter & multi-instrumentalist Elaine Malone and electronic artist & producer 1000 Beasts. Led by Malone’s original beguiling vocals and lullaby-esque lyrics, 1000 Beasts has tentatively transformed the track with his distinctive percussion and the result is a magnetic soundscape that acts as an aural tonic for testing times. (KC)

Smoothboi Ezra – ‘My Own Person’
Smoothboi Ezra is an 18 year old songwriter, multi-instrumentalist and producer from Greystones, Ireland. This song is about “not being happy but not being able to do anything about it” which is the over-riding sentiment for most of 2020. I love this track and can’t wait to hear more from them in the future. (KC)

Hearts Beating In Time – ‘Simone’s’
The latest single from Berlin-based Hearts Beating In Time, ‘Simone’s’ offers a totally dreamy, twinkling soundscape. With elegant layers of shimmering synths alongside the glistening charm of Rebecca Theuma’s vocals, it’s an instantly captivating slice of immersive electro-pop. (ML)

Jenny Moore’s Mystic Business – ‘I Am Afraid’
Reflecting on how being alone as a female identifying person can be both scary and exciting, ‘I Am Afraid’ is propelled by funk-fuelled bass-lines and an empowering, shimmering energy. As it builds with the twinkling power of voices uniting together in harmony and jangling, playful percussion, it’s a poignant, impassioned ode to female strength and resilience. ‘I Am Afraid’ is out now via Lost Map Records. Watch the joyous new video here. (ML)

Pinlight – ‘Grow Slow’
The new single from Edinburgh-based hearing-impaired artist Jenny Laahs, aka Pinlight, ‘Grow Slow’ flows with an uplifting twinkling energy and luscious honey-sweet vocals. A refreshingly uptempo slice of sunny alt-pop, it’s the perfect danceable accompaniment to a solo lockdown living room rave. (ML)

Kama Vardi – ‘The Gate’
An uplifting slice of folk-pop, Kama Vardi’s ‘The Gate’ flows with a twinkling romanticism and joy-tinged lilting musicality. Oozing a captivating allure alongside the soothing splendour of Vardi’s vocals. Moonticket, the upcoming new album from Kama Vardi, is out now via Bread For Eskimos. (ML)

PLAYLIST: September 2020

It’s been another testing month, filled with more government Covid-19 “rule” changes and unwanted opinions on social media, but we’re determined to keep our spirits up by listening to some of our favourite women and non-binary artists. September’s GIHE playlist is filled with an eclectic mix of alt-pop gems, frenzied guitar anthems, indie tunes and alternative new sounds. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist at the end of the page.

 

Noga Erez – ‘You So Done’
An emotionally charged offering from a resilient and uncompromising artist, Noga Erez’s latest single is accompanied by a stunning set of visuals directed by Indy Hait. The Tel Aviv based artist delves deep into the memories left behind by a toxic relationship, making this her most personal release to date. She’s yet to share something that we don’t collectively adore here at GIHE, so expect to see her name on all future playlists! (Kate Crudgington)

Eilis Frawley – ‘Stats’
The poignant new single from GIHE fave Eilis Frawley, ‘Stats’ offers a completely unique soundscape from the classically trained percussionist. Kicking off with an arresting drumroll, it quickly picks up the pace moving into bold, Krautrock-infused spoken word, as the lyrics see Frawley recite hard-hitting stats, highlighting the everyday injustices facing women today. Tackling issues such as period poverty, FGM, domestic violence and other vital issues, it’s a beautifully striking and necessary listen. A poignant protest song that you can dance to. ‘Stats’ is out now via faves Reckless Yes. (Mari Lane)

Æ Mak feat. Seba Safe – ‘i dance in the kitchen’
Embracing production duties for the first time on her new EP, how to: make a kitsch pop song to show the world, Æ MAK – aka Aoife McCann – made this record during the Covid-19 lockdown period with “100% childsplay and solo belly laughs”. This single in particular showcases her delightfully carefree, vibrant attitude when it comes to letting go of performance qualms and focusing on making music that makes you feel good. (KC)

HANYA – ‘Texas’
The latest single from Brighton’s Hanya, ‘Texas’ is propelled by a dreamy haze, as it flows with twinkling hooks and the soaring, effervescent vocals of front person Heather Sheret. With shades of the lush surf-pop of Real Estate or Best Coast, it’s a shimmering slice of exquisite indie-pop oozing a blissful tranquility and spellbinding ethereal splendour. The perfect soundtrack to soothe these post-summer blues. Of the track, the band explain: “‘Texas’ was entirely written and recorded during lockdown, experimenting with working remotely as a group. The track explores the startings of a relationship – the head-over-heels uncertainty, the self-doubt and the desire to know each other entirely.” (ML)

Daniela Andrade – ‘Puddles’
A definite September highlight for me comes from Honduran-Canadian producer and musician Daniela Andrade. The track is called ‘Puddles’, it’s self-produced and it has been reverberating around my head since I first heard it. If you don’t start swaying when you hear this, something is wrong. This track was announced alongside details of her new EP, Nothing Much Has Changed, I Don’t Feel The Same, which is out on 30th September via Crooked Lid. (Tash Walker)

Komang – ‘DEWI’ 
I cannot get this song out of my head! It’s excellent. It comes from Melbourne artist Komang and is her debut release, endorsed by a mentorship with the amazing Sui Zhen. Komang is a multidisciplinary producer, performer and vocalist who blends soul-based groove and echoes of traditional Gamelan to create vibrant electronic RnB described as “neo-soul meets Balinese mystic power”. This track is lifted from her forthcoming EP Mythologies, which is set to be released later this year. There’s only one way to listen to this song and that’s very loudly with your eyes closed. TURN UP THAT DIAL. (TW)

Nina Cobham – ‘Solar’ (Bipolar Sunshine Remix)
I love this remix by Bipolar Sunshine of Nina Cobham’s ‘Solar’, it’s so goddamn sultry. Makes me hold onto those dreamy summers of years gone by… (TW)

Seraphina Simone – ‘Hollywood $$$’
The latest release from one of my faves Seraphina Simone, a song shining the spotlight on the glitzy, gritty, ghastly Hollywood. In her words, “’Hollywood $$$’ is about the Lynchian, fame-obsessive undercurrents of tinsel town, with its sirens, starlets, leeches & letches. It’s about that world of smoke and mirrors – where nothing and no one is really as it seems, and the world of celebrity – where we deify or demonise people into these superhumans or arch villains. Kim Gordon mentions ‘tarantula LA glamour’ in Girl In A Band, and that sums it up perfectly I think – the predatory darkness under the glitz.” Amazing description, I defy you to not think of Mulholland Drive or even Selling Sunset (for my sins) when you press play on this. (TW)

ZAND – ‘Slut Money’
A defiant, savage pop tune that celebrates self-autonomy, body positivity and sexuality, self-described “ugly pop” star ZAND takes aim at slut shamers on their latest single. They deftly defy the haters on ‘Slut Money’ through a combination of gritty beats, sweet vocals and candid rap verses. (KC)

Leikeli47 – ‘Zoom’
I’m ashamed to say I’m extremely late to the Leikel47 party, but I’m so glad I’ve now discovered the gritty, brutal wit of the bandana-clad Virginia born rapper. Following 2018’s epic album Acrylic, last month she shared ‘Zoom’. Holding nothing back, ‘Zoom’ showcases Leikel47’s swagger and tenacity with its glitchy beats, catchy hooks and lyrical wit, with references to ‘90s boy bands and her roots in the DMV area: “I ain’t the type of bitch to do a lot of barking/ And only thing I need validated is my parking/ I’m from the back street boy, where it’s very rare to link/ And if you using the wrong note/ We’ll put yo ass n sync…” I just can’t get enough of it. And if you too are new to the joy of Leikel47, I strongly suggest checking out singles ‘Girl Blunt’ and ‘Money’. (ML)

Tolü Makay – ‘Don’t Let Go’
An understated, beautifully soothing listen, Nigerian-born, Ireland-based artist Tolü Makay gently reassures her listeners to let go of their fears through her smooth vocals, tender lyricism and jazz inspired instrumentation on this reassuring track. (KC)

SUSU – ‘Work Song’
New York based SUSU have shared this epic guitar tune that powerfully demonstrates the deep civil unrest that’s simmering beneath the Covid-19 pandemic in the USA. The band explain: “This song is for US – the disenfranchised, black, brown, minority, middle class, poor, trans, gay, and subjugated communities stepping down off the auction block, breaking the stranglehold; saying: ‘If a house gets in my way, you know I’ll burn it down.’ As Nina Simone once said, ‘An artist’s duty, as far as I’m concerned, is to reflect the times’.” (KC)

MOURN – ‘Men’
A rallying cry against toxic masculinity and street harassment, Barcelona-based MOURN’s latest single is lifted from their upcoming album Self Worth, which is set for release on 30th October via Captured Tracks. The song is an honest, cathartic purge of the distrust and anger many women suppress on a daily basis when they’re intimidated in public spaces. (KC)

Francis Of Delirium – ‘Equality Song’
Funded by Luxembourg’s Ministry of Equality to celebrate 100 years of women’s right to vote, Francis Of Delirium’s vocalist & guitarist Jana Bahrich penned this poignant track in the wake of the Brett Kavanaugh hearings. It’s a powerful, necessary dismantling of the ingrained sexism and toxic masculinity that permeates society. (Just a heads up: there’s mention of rape/sexual assault) (KC)

Fightmilk – ‘If You Had A Sister’
The latest single from faves Fightmilk, ‘If You Had A Sister’ may be more sombre in tone than previous releases, as it oozes a swirling melancholy and heartfelt lyricism, but it loses none of the band’s trademark emo-tinged indie-pop goodness. Propelled by the gritty, raw emotion of front person Lily’s yearning vocals alongside scuzzy hooks and perfectly interwoven musical layers, it offers a shimmering reflection on life and loss. The band expand: “ … if there was ever a time for songs you can do ominous slow dancing to, it’s 2020.” ‘If You Had A Sister’ is out now via Reckless Yes. (ML)

Ailbhe Reddy – ‘Looking Happy’
Dublin’s Ailbhe Reddy has transformed the crushing sadness that comes with seeing your ex “enjoying” their life on social media without you, into a buoyant alt-folk gem. Lifted from her upcoming debut album Personal History, which is set for release on 2nd October, the track taps into the feelings of inadequacy we all experience when the FOMO unexpectedly hits us while scrolling through our ex’s newsfeed. (KC)

First Frontier – ‘Take Cover’
Having been creating music together since last year, South London duo Helena Poole (who has previously played for us at The Finsbury in her other band Macadamia Sluts) and Paul Stafford – aka First Frontier – pride themselves on choosing hope over fear and play over fight. Focusing on what we can control and devote positive energy to, debut single ‘Take Cover’ is propelled by scuzzy hooks and thrashing beats, creating a catchy slice of fuzzed-out garage rock, tinged with dark ‘80s nu-wave vibes and swirling harmonies. (ML)

Nadine Shah – ‘Ladies For Babies (Goats For Love)’
In the wake of another irritating tirade from “that” man-punk-band of the moment, I just wanted to take this opportunity to declare my love for Nadine Shah. Having released her immense latest album Kitchen Sink earlier this year, she completely blew me away when playing the BBC 6Music festival in March; one of the most immersive live performances I’ve ever witnessed, it’s simply impossible not to become utterly captivated by her unique charisma and the subtle, gritty power of her vocal delivery. I’d pay whatever it took to take her on tour with me… (ML)

Vanessa Richardson – ‘Spider’
This track is right up my experimental music street. It comes from Toronto/Montreal based Vanessa Richardson who is an experimental singer, songwriter and producer. I’ve listened to it non-stop since I heard it first, I love the loops, the deep vocals, the feverish percussion, it really creates this wonderfully dark intoxicating sound. Sublime. (TW)

Masma Dream World – ‘Theta’
This is the lead track from the upcoming album by Masma Dream World, the solo recording project of multi-disciplinary artist Devi Mambouka. Of the track, she explains: “From age 0-7, the human brain is in ‘theta,’ a state during which our minds can be programmed to believe anything. I became quickly aware of that programming growing up in the African country of Gabon, where, despite its Matriarchal roots, young girls are groomed to be wives and mothers only — there are no other options.” Mambouka wanted to create an anthem for these young girls, which developed into the otherworldly trip-hop song ‘Theta,’ driven by a deep sub-bass and kick drum. The lyrics, which are heard both forward and in reverse, translate to: “We are girls from central Africa. We are Gabomas!” Gaboma refers to a young hip Gabonese girl. As with the rest of her debut album, the music is designed specifically to awaken one’s power source from within, and it set for release on 25th September via Northern Spy. Incredible. (TW)

LibraLibra – ‘Listerine’
A step away from the usual high energy riotous cacophonies of the Brighton band’s previous releases, ‘Listerine’ reflects on lingering painful memories. Showcasing the incredible soaring splendour and versatility of front woman Beth Cannon’s vocals with an almost operatic force, the track oozes a glistening soulful majesty, creating a striking cinematic soundscape. With blissful twinkling keys providing the backdrop to Beth’s vocals, it’s filled with poignant, reflective lyricism as a raw, emotion-strewn power builds to a magnificent, immense anthem of self-realisation. ‘Listerine’ is taken from LibraLibra’s new EP, Hail Mary, out now. (ML)

Balraj Singh Samrai, Pandit G Gavsborg, Farah Amad Khan, Shanique Marie, Tunde Adekoya, Vikaash – ‘I should have hugged you tighter when we last met (Oh What A Joy)’
This piece was made in June of this year with the help from Opera North’s artist development programme, Resonance: The Lockdown Edition. Combining  music and spoken word to document life  during the COVID-19 pandemic and its impact on  communities of colour, Samrai initially produced an instrumental which tabla player Vikaahsh Sankadecha added South Asian percussion rhythms to. Equiknoxx member Gavsborg then penned a poem for the track, and Farah Ahmad Khan added her own spoken word contribution. The accompanying video is so powerful and was made by the Rainbow Collective, go check it out and raise the profile of this track. This is documentary art at its best. (TW)

 

Track Of The Day: Francis Of Delirium – ‘Equality Song’

**TRIGGER WARNING: DISCUSSION OF RAPE AND SEXUAL ASSAULT**

A candid, necessary dismantling of the ingrained sexism and toxic masculinity that permeates society, Luxembourg-based, Canadian-American duo Francis Of Delirium have shared their latest single ‘Equality Song’. Funded by Luxembourg’s Ministry of Equality to celebrate 100 years of women’s right to vote, vocalist & guitarist Jana Bahrich penned the poignant track in the wake of the Brett Kavanaugh hearings.

“Sometimes it feels like a fact of life / You’re born, get your period and you’ll get raped some time,” Bahrich states in the song’s cutting opening lyrics. Her message is made all the more startling by the strength and sincerity in her vocals, highlighting the systems that are “hindering our change” when it comes to openly discussing the inequality that women face on a daily basis.

“The song was written mainly out of anger, at how absurd it is that sexual abuse is so normalised, and the systems that are in place just essentially shit on anyone that comes forward with their story”, explains the 19 year old songwriter. “The Brett Kavanaugh hearings had just happened and then every week it felt like another story came out and it seemed like no-one cared. You grow up learning to be sceptical of other people and spend a lot of time in fear of the people around you. So, the song is meant to be lashing out about how broken structures and systems are”.

Bahrich’s anger is underscored by a desire to support those who speak up about abuse, which is why all proceeds generated from the first week of downloads of the single on Francis Of Delirium’s bandcamp page will go to Femmes en Detresse, a Luxembourg domestic abuse charity that provides protection and therapy.

Listen to ‘Equality Song’ below and follow Francis Of Delirium on Facebook & Spotify for more updates.

Photo Credit: Lynn Theisen

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: Francis Of Delirium

Formed of 18 year old songwriter Jana Bahrich and collaborator Chris Hewett, Francis of Delirium create swirling guitar tunes that centre around Bahrich’s personal experiences. The Canadian-American duo recently released their new EP, All Change, via Dalliance Recordings and it’s full of fuzzed up, cathartic guitar sounds.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Jana to ask about her “Five Favourites” – five albums that inspired her song-writing techniques. Check out her choices below, and scroll down to listen to Francis Of Delirium’s new EP at the end of this post.

 

1. Nick Drake – Five Leaves Left
I can pinpoint the exact moment I heard ‘River Man’ for the first time. That song is so special, everything about Nick Drake is really special. It legitimately made me feel like my soul was lifting out of my body. His voice, the chord progressions, the string arrangements, everything adds so much. It might’ve affected me so much because it’s this singer-songwriter but it feels presented in a way that is completely new and so grounded in the earth. Both Chris and I have a special love for Nick Drake. We played this kind of brutal show and then came into the studio the next day and watched a Nick Drake documentary so there’s something comforting about him and his music, in particular this whole album.

2. Caroline Polachek – Pang
I think this is just an excellent pop record. The vocal melodies she’s choosing are so angular and unexpected but accompanied with really emotional and lush production. She has such control of her voice. There’s a KEXP session she did that was just her and a piano and I had to keep pausing the video every few seconds because I was so overwhelmed by how insane her voice is. It sounds out of this world.

3. Solange – When I Get Home
As a listener it feels like there’s so much intent with everything Solange does, maybe I’m cheating because there is literally an interlude on the album that says “do nothing without intention”. Both visually and in an auditory sense. She did a performance that was a medley of songs from When I Get Home on Jimmy Fallon and that was really important to me. I love choreography and shows that are big and planned but have a way of maintaining intimacy. I think that’s really hard to pull off. It’s something I think about a lot for our live shows. Obviously venues we play are pretty small, so it feels important to keep a closeness between the performer and the audience but I would like to incorporate something theatrical without alienating the audience so it doesn’t feel like I’m not there with them anymore. To me, Solange achieved that with her performance on Jimmy Fallon and the album is great.

4. The Microphones – The Glow pt.2
Phil Elverum’s music always centres me. It reminds me why I like Chris and I figuring out how to record music on our own and how getting it wrong but it still feeling right and ultimately that being what matters the most is really important. Phil always creates such a wonderful sense of space which makes me feel like I belong in the album he’s making, in particular this one, there’s this sense of home. Whenever I listen to him I want to go and try new recording techniques and try new things, listening to his music is like instant inspiration for me.

5. James Taylor – Greatest Hits
We grew up with a lot of “best of” albums around the house, which I never really realized until a bit recently. We had the R.E.M CD with the hand on it, the Nirvana black album, the wings best of, The Beatles one album so I really grew up on bangers only. Sometimes I want to do these huge ambitious orchestral albums and I still want to make a musical but James Taylor always reminds me, if you have something simple and pure and honest it can be just as arresting as anything else. He makes it seem a lot easier than it is and always reminds me to really check and double check if what I’m adding is serving the song.

Thanks to Jana for sharing her favourites with us! Listen to Francis Of Delirium’s EP below.

Photo Credit: Patricia Marets