PLAYLIST: June 2024

The Get In Her Ears team have put together another mix of feminist punk, queer anthems, alternative & shoegaze sounds, eclectic electronic tracks, indie-folk musings, and alt-pop tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

ARXX – ‘Good Boy’
Wow, it seems like it’s impossible for total faves ARXX not to write a song that gets instantly lodged in your brain and demands listen upon listen; each listen making you feel more and more uplifted. I just can’t get enough of latest single ‘Good Boy’s thumping beats and anthemic energy. They describe this track as their “big gay anthem… A little bit saucy, a little bit cheeky and a lot of fun!” As well as listening to the track multiple times, you should also watch the video – the dogs are cute, Hanni and Clara are cute, it’s a whole lot of cute.
(Mari Lane – Managing Editor)

SASAMI – ‘Honeycrash’
I was late to the SASAMI party, first discovering her in 2022 when she released her genre-blending metal-folk album, SQUEEZE. ‘Honeycrash’ is her first piece of new music since then, and it’s a glorious, full-bodied, passionate anthem about the complexities of love and relationships. SASAMI explains: “I wanted to write a song with all the drama of a 19th century classical opera, but with the patience and understanding of someone in therapy in 2024,” and on ‘Honeycrash’ she has achieved exactly that.
(Kate Crudgington – Features Editor)

Seraphina Simone – ‘Wild’
This is the title track from Seraphina Simone’s shimmering new EP. ‘Wild’ is Seraphina’s statement of rage, shifting self-worth, grief and sadness; all beautifully polished into a bright collection of alt-pop gems. (KC)

Æ MAK – ‘Low Down’
Lifted from her new EP, ABC SIDE Baby, this single from Irish art-pop artist Æ MAK is about “hitting rock bottom after a break-up, almost basking in it, and finding your power again”. I love this phoenix-rising-from-the-ashes sentiment, set to an infectiously upbeat mix of heady synths and dancing beats. (KC)

SOPHIE – ‘Reason Why’ (ft. Kim Petras and BC Kingdom)
It’s fair to say I got a little emotional hearing that a new album from legendary producer and trans pioneer SOPHIE was being posthumously released. The first single to be shared from it, ‘Reason Why’ features Kim Petras and BC Kingdom and offers a euphoric slice of queer electro-pop. Of the decision to release her music now, SOPHIE’s family have shared a statement explaining: “It feels only right to share with the world the music she hoped to release, in the belief that we can all connect with her in this, the form she loved most… Sophie gave all of herself to her music. It’s here that she can always be found.” SOPHIE, the self-titled final album, is due for release on 27th September via Transgressive and Future Classic. Pre-order here. (ML)

Chelsea Wolfe – ‘House Of Self Undoing’ (Boy Harsher Remix)
I am obsessed with this Boy Harsher remix of one of my favourite Chelsea Wolfe tracks. They’ve kept the melancholy undertones of the original, but somehow managed to transform it into an hazy, uplifting rush of synths, beats and hushed vocals. (KC)

Roller Derby – ‘Silver Jet’
Following recent single ‘Dreams’, Hamburg duo Roller Derby are back to charm our ears with the immersive sounds of ‘Silver Jet’. As Philine Meyer’s distinctive celestial vocals soar throughout, the song sparkles with anticipation for the new beginning that we’ve been flying towards throughout the track. A stirring meditation on enduring challenges, both on a personal and collective level. (ML)

Midwife – ‘Killdozer’
Taken from her upcoming album, No Depression In Heaven, this beautiful single from Midwife is “an ode to a city lost in the aftermath of gentrification.” ‘Killdozer’ centers around the story of Marvin Heemeyer, a muffler repair shop owner who went on a demolition spree in a modified bulldozer, before taking his own life in a small Colorado town in 2004. It always impresses me how Midwife transforms the darkest of moments into beautiful, shoegazey lullabies like this. I’m looking forward to hearing her new album in full. (KC)

Julia-Sophie – ‘telephone’
Balancing all-encompassing romantic infatuation alongside her melancholic and lonely impulses, this vibrant track from Julia-Sophie is a total headrush. ‘telephone’ is taken from her upcoming debut solo album, forgive too slow, which is set for release on 26th July via Brooklyn label Ba Da Bing Records. Julia-Sophie offers this comment about her new record: “My journey with music has been weird and long. I think people assumed that the music I made was exactly what I intended to make, when it’s always just been me trying to figure it out. Being a solo artist has allowed me to really find myself and show who I am in all my messy states.” We fully support that! (KC)

mayday mae! – ‘girls into music’
California-based, queer alt-pop artist mayday mae! penned this fun track as an ode to all the queer films, music and art that came before her. ‘girls into music’ is taken from her excellently titled EP, my post-desert hearts renaissance. (KC)

Taylor Swift – ‘I Can Do It With a Broken Heart’
I will NEVER stop talking about Taylor Swift and The Eras Tour. I was lucky enough to see the show in both Lisbon and London and I am still in AWE of what she does. The atmosphere was electric and her fans were so fun, kind and willing to indulge in a level of shared euphoria that I have never seen or felt at a stadium gig before. What a privilege to be a part of that. Here’s to Rachel, Vicky and Mel who were screaming and crying the whole way through with me. (KC)

Beauty Sleep – ‘Big Sky’
The new single from Derry duo Beauty Sleep, ‘Big Sky’ is inspired by a fun weekend at Primavera festival. Oozing an infectious glistening energy and fizzing jangly hooks, it’s a perfectly danceable euphoric summer anthem. (ML)

Saint Sappho – ‘Glory Box’
With Portishead’s Dummy being my most favourite album of all time – having grown up listening to my dad’s cassette recording of the album on so many car journeys, and then later as a teen immersing myself in its dark cathartic splendour – I was excited to hear Saint Sappho’s rendition of seminal track ‘Glory Box’. Whilst maintaining the majestic allure of the original, it oozes an added musically rich sense of grandeur and raw energy. Of their decision to cover the track, the duo explain: “We both love the original song and thought it’d be an interesting one to cover and experiment with putting our own sound into it. We added some orchestral elements, which we thought would work well in this song and love to make a track really dramatic.” (ML)

Naomi in Blue – ‘Skin’
Taken from her recent EP, It Takes Time, this is a candid and poignant rumination from singer-songwriter Naomi in Blue. A considered exploration of emotion and identity, ‘Skin’ and the other tracks that form her new record are equally as raw and revealing. Definitely make the time to listen to it in full. (KC)

Hinako Omori – ‘stillness, softness’ (kloxii li remix)
Hinako Omori has shared this remix of her track ‘stillness, softness’ which is taken from the “extended dream transition” version of her album of the same name. It’s remixed by Kloxii Li, who is a friend and collaborator of Hinako. I love the way they’ve made this gentle track sound so shadowy. (KC)

Yaz Leon ft. BUKKY – ‘4th Wall’
A great collaboration here between experimental R&B artist Yaz Leon and genre-defying artist BUKKY – who was a guest on our Soho Radio show a few months back. ‘4th Wall’ is taken from Yaz’s upcoming EP, Bleach. Yaz describes this song as “kind of a ‘hater’ and a “help I’m spiralling” song” about the lack of solidarity she’s experienced in different social spaces. She also says “it’s a bit of a bummer, but at least we made the beat fun! – which I respect! (KC)

Fraulein – ‘In The Living Room’
This is my favourite track from Fraulein’s recent mini-album, Sink Or Swim. The perfect mix of loud and quiet; the skilled grunge duo consistently deliver swirling alternative anthems that command the senses. Definitely check their record out. It’s a GIHE team fave at the moment. (KC)

LIINES – ‘Holding On’
The new single from Manchester post-punks LIINES, ‘Holding On’ is the band’s first new music since 2021. Showcasing the band’s ability to create brooding sonic explosions, lyrically it draws on themes of hope and desperation, and I just love its frenetic sense of urgency and the raw passion of Zoe McVeigh’s soaring vocals. (ML)

Problem Patterns – ‘I Think You Should Leave’
An ode to their hometown of Belfast, this is the brand new single from GIHE faves and punk icons Problem Patterns. Inspired by a disparaging comment a journalist made to the band when speaking about Northern Ireland, the track is a riotous “love letter” to the place that raised them as individuals and as a band. “Everybody leaves and nothing changes / I’ll stay here and create the spaces” they chant in the chorus, which becomes more powerful each time it’s repeated. The GIHE team love everything that Problem Patterns stand for, and we were lucky enough to visit them in their hometown back in 2022 for the Women’s Work Showcase at the Oh Yeah Music Centre. The Belfast hospitality was beautiful – we think you should all go! (KC)

Belmondo – ‘Getting Closer’
Lifted from their excellently titled EP, The Blessed & The Evil, released via Silent Cult, I love this heavy, swirling anthem from Brighton-based alt-rock band Belmondo. The band will be playing live at venues in Glasgow, Manchester and Birmingham this September, and they’ll be performing at the Hope & Anchor in Islington, London on 5th September too. (KC)

Brat Coven – ‘Favourite Crime’
The latest single from Glasgow ‘doom-punk’ band Brat Coven , ‘Favourite Crime’ reflects on predatory age-gap relationships with a fierce, raging passion. Propelled by a seething energy, a captivating, haunting soundscape is created. Of the track, the band explain: “We wrote this song for ourselves, for our younger selves, for anyone whose story is told by this song. Sexual abuse and grooming is rampant, particularly in the music industry and we think it’s incredibly important to use our voices to speak out and condemn predatory men.” (ML)

SNM – ‘Borne Of My Rib’
Loving this angst-ridden single from London-based Grunge-rock newcomers SNM. They’ve only released a handful of tracks so far, but the band are gearing up for a busy year of live shows and writing together, so keep your eyes peeled for more from them soon. (KC)

Strange New Places – ‘Foreign Cities’
I really enjoyed reading the bio of Belfast-based band Strange New Places when their email dropped into my inbox earlier this month. They describe themselves as “right-on radicals with low self-esteem; a band where queerness and neurodivergence intersect, and intersect hard. Sometimes they intersect in fun and interesting ways and other times they intersect in strange and annoying ways. Each member looks like they’re in a different band, and sometimes they sound like it too. Regardless, they’ve stuck together, and they have some music to play for you.” This track ‘Foreign Cities’ is a perfect example of all these wonderful traits; playful, quirky and bittersweet. (KC)

Hot Wife – ‘Buffy Summers’
The debut single from South London band Hot Wife has dropped into my life at the perfect time! I am currently on my first ever watch of Buffy The Vampire Slayer – I’m on season 4 – and I am loving it. I’m thrilled that I can finally join in on all the fandom. Hot Wife describe this track as “a crunchy-grunge ballad, and a reminder that when relationships are disappointing, you can always go out there and seek revenge by kissing kick-ass people.” A sentiment we should all be living by. (KC)

Alien Chicks – ‘Qwerty’
Another unpredictable and infectious post-punk anthem from Brixton trio Alien Chicks, featured on their upcoming debut EP, Indulging The Mobs, set for release on 18th July via Hideous Mink Records. It’s cliché to say, but they truly are a band who are best appreciated live. They’ll be headlining Moth Club in East London on 5th July. Grab a ticket and go an experience their frenzied live set in the flesh. (KC)

Fightmilk – ‘Summer Bodies’
A perfectly raging summer anthem, ‘Summer Bodies’ – the new single from pop-punk faves Fightmilk – has been a live favourite for some time, so I’m very happy that it’s now properly out in the world. Raging against patriarchal society’s ridiculous and ever-changing expectations of women’s bodies and the futile quest to ‘be sexy’, it offers a fierce ode to self-love in the face of the onslaught of damaging beauty standards that we are constantly bombarded with. Angsty and uplifting in equal measure, it’s an instantly catchy singalong anthem, combining the band’s trademark tongue-in-cheek wit with a swirling energy and gritty raw emotion. So, this summer, wear whatever you makes you feel comfortable, pay no mind to the incessant Instagram ads about fad diets or corrective procedures, and know that you look great – whatever size, age or gender you may be. (ML)

Okay, Bye – ‘The Fun Is Over’
Pastel-punk duo Okay, Bye released their debut album earlier this month, and this is the excellently titled eponymous track. If you like the sound of ‘The Fun Is Over’, definitely give the whole record a spin. (KC)

Annie Taylor – ‘In Your Head’
Recorded during a break on their tour in Leipzig, Annie Taylor’s latest single ‘In Your Head’ is a swirling indie-grunge anthem. The band are set to tour Europe in December this year, and they’ll be stopping in London at The Shacklewell Arms in Dalston on 3rd December too. (KC)

PostLast – ‘Scavenge’
This is the brand new single from Irish indie-pop duo PostLast, out now via VETA Records. ‘Scavenge’ is all about that “unspoken connection” between two people that can “quieten all of the noise, anxiety and pressure you might be feeling internally” which is a sentiment I love. (KC)

Lunar Vacation – ‘Set The Stage’
Having just announced the upcoming release of a new album this autumn, following one of my most-listened to of the last few years – 2021’s Inside Every Fig is A Dead Wasp – Lunar Vacation have now shared this dreamy new single. The first and last song that vocalist and guitarist Gep Repasky has ever sent to the person that they’d written it about, ‘Set The Stage’ ripples with a swirling anthemic splendour as a glistening emotion oozes from the immersive shimmering soundscape. Everything Matter, Everything’s Fire, the new album from Lunar Vacation, is set for release on 13th September via Keeled Scales. (ML)

Sequela – ‘Zavander’
I’m glad that I found this track from Portland-based band Sequela in my inbox. Non-binary front person Sequela explains that ‘Zavander’ “is in part about my experience of navigating the isolation and dynamism of adolescence in the body of a teenage girl who was not made for her world.” Along with their bandmates, Sequela manages to transform these feelings of unease into a lush indie-shoegaze anthem. (KC)

Static Lives – ‘Social Anxiety’
Having been blown away by Sheffield’s self-proclaimed ‘dance-rock-alt-band’ Static Lives at Cro Cro Land earlier this year, I’ve been enjoying dancing and rocking to latest single ‘Social Anxiety’. Propelled by a fierce energy, it races with catchy hooks and front woman Lori’s impassioned vocal drive. (ML)

Th’Sheridans – ‘Dancing In The Dark’
A favourite band covering an absolute favourite by my absolute favourite; so many faves all in one. I just cannot stop listening to Th’ Sheridan’s rendition of Bruce Springsteen’s infamous anthem ‘Dancing In The Dark’ right now; I love the gritty emotion oozing from Adam’s vocals alongside the racing, fizzing hooks . Of the track, the band say of their choice to cover this song – “It carries a cavernous depth of sentiment: everyday monotony, feelings you just can’t seem to put anywhere, oppressive levels of aesthetic self-assessment, and most freeingly, the belief that other ways of being are possible.” Th’ Sheridans recorded this cover especially for a wonderful new podcast, Because The Boss Belongs To Us, which sees Holly Casio and Jesse Lawson put forward the case that Bruce Springsteen is in fact a queer icon. I wholeheartedly agree. Oh, and I just saw him in Madrid and he was as incredible as ever – played for 3 hours non-stop, and I was crying happy, overwhelmed tears pretty much the whole time. (ML)

Spring Major – ‘A Varsity Play For The Dock’
I’ve loved Spring Major a lot since first coming across them last year, but now – since seeing them play for us at our dreamy gig at The Finsbury last Friday, supporting Felicette with Schande and Caleb Nichols – I would consider myself a fully-fledged mega fan. Latest single ‘A Varsity Play For The Dock’ perfectly captures how the band’s swirling energy and jangly melodies come together to create impassioned and instantly uplifting emo-tinged anthems. (ML)

The Calamatix – ‘Love, Lies and Alibis’
California’s The Calamatix have just announced the release of their upcoming debut album, as they’ve shared a catchy new single. Combining elements of old school ska with Jamaican rock-steady, as well as a fresh contemporary edge, ‘Love, Lies and Alibis’ bounces with a vibrant energy as buoyant beats race alongside the smooth, soulful vocals. It took me back to being sixteen, skanking round the living room before heading out to see local ska-punk bands at Bedford’s Esquires; a perfectly nostalgic, joy-inducing accompaniment to heady summer evenings. The self-titled debut album from The Calamatix is set for release on 20th September via Hellcat Records. (ML)

Dolly Parton – ‘Dumb Blonde’
A bit of Dolly here to remind you that we’ll be hosting a night of queer country fun on 19th July at Sebright Arms. Headlining will be the world’s premiere Dolly Parton tribute band The Dumb Blondes, who are quite the super group – featuring members of Fightmilk, Panic Pocket, Yakkie and Charley Stone. Support comes from cowboi crushes Trouble Wanted and legendary Margate duo pink suits, in their country guise. It’s going to be epic – so, don your daisy dukes and come on down for a rootin’, tootin’ good time! Well over half the tickets have already been snapped up, so you better nab yours quick – on Dice now. (ML)

 

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PLAYLIST: May 2024

The Get In Her Ears team have put together another mix of feminist punk, alternative & shoegaze anthems, eclectic electronic sounds, indie-folk musings, and alt pop tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Schande – ‘We’re Not Twins’
The latest single from faves Schande, ‘We’re Not Twins’ ripples with shimmering hooks and a fuzzy immersive energy. Offering another beautiful insight into the twinkling world of the London based band, I love the lush, ethereal tones that ooze throughout. Of the track, front woman Jen explains that the song is about “owning and repairing your habits that make you act like a dufus… Sometimes you have to take a hard look in the mirror and take stock of the ways that insecurity, pride, and stubbornness affect your relationships.” Schande’s debut album, Once Around, is set for release this summer via Thurston Moore’s The Daydream Library Series. You can catch Schande playing live for us at our next gig at Shacklewell Arms on 21st June, supporting indie-pop supergroup Felicette, along with Caleb Nichols and Spring Major. It really helps if you’re able to nab tickets in advance, so head over to DICE now! (Mari Lane – Managing Editor)

Softcult – ‘Heaven’
Since I heard their debut single ‘Another Bish’ back in 2021, Canadian twin siblings Phoenix and Mercedes Arn-Horn have consistently impressed me with their shadowy shoegaze-inspired sounds. Three years on, the duo have shared their fourth EP, Heaven, via Easy Life, and it’s another poetic musing on the contradictions within society and how we deal with them. Softcult gently urge their listeners to question their own behaviours, and move through the world with open eyes and an open heart; their layering of heavy riffs and soft dual vocals on this title track acting as a guiding light during this process.
(Kate Crudgington – Features Editor)

SASAMI – ‘Honeycrash’
I am THRILLED that SASAMI is back with this powerful new song and accompanying video directed by Andrew Thomas Huang. Speaking about ‘Honeycrash’, SASAMI explains: “I wanted to write a song with all the drama of a 19th century classical opera but with the patience and understanding of someone in therapy in 2024,” and it’s this clash of styles and emotions that makes her new single so compelling. “I am really thrilled to unleash this first of many new songs in an era of melodrama, romance, and hooks of course” – inject it into my veins! (KC)

Brimheim – ‘Into The Ooze’
I saw Danish-Faroese artist Brimheim perform at The Lexington for her debut London headline show earlier this month, and I can’t stop thinking about it. She was so invested in the performance – giving ‘Literally Everything’ – and savouring her well deserved moment in the spotlight. Her equally talented band mates helped bring the raw power of the tracks on her debut record, can’t hate myself into a different shape, and her recent album, RATKING, vividly to life. She revealed on stage that she had considered giving up music for good back in 2020, but I’m glad she persevered and is now blooming into the distinctive and idiosyncratic artist she was meant to be. (KC)

youbet – ‘carsick’
I love the hazy, summery sound of this single from Brooklyn-based trio youbet, which is lifted from their recent album, Way To Be, released via Hardly Art. It’s a totally effortless listen. (KC) 

Roller Derby – ‘Dreams’
Following the success of last year’s beautiful EP, Always on Mind, and selling out our gig at Shacklewell Arms in February, Hamburg dream-pop duo Roller Derby have now shared a lush new single. Reflecting on the emotional highs and lows of an intense relationship, ‘Dreams’ showcases a richer, more layered sound than previous offerings, as Philine Meyer’s distinctive soaring vocals float above the music, immersing the listener in its blissful musicality. Watch the beautiful video for ‘Dreams’ here. (ML)

NikNak ft. AGAAMA – ‘Pandora’s Box’
An absolute A-STAR collaboration here between experimental producer & DJ NikNak and electronic artist & songwriter AGAAMA. ‘Pandora’s Box’ is lifted from NikNak’s new album, Ireti, which she released earlier this month via Accidental Records, and it is well worth your attention. I was so excited to hear new music from AGAAMA too, who’s EP, Wandering Worlds, was a favourite of mine back in 2022. Check out the accompanying Sci-Fi/AI inspired visuals for ‘Pandora’s Box’ here. (KC)

Grove – ‘Dead Bird Blues’
A beautifully stark reflection on the state of the world, contemplating omens for the past and future, Grove’s ‘Dead Bird Blues’ was inspired by the disturbing experience of seeing two dead birds at the side of the road. The track is a collaboration with James Storm, taken from Grove’s 2023 EP, PWR Play, and it now also features on the No Pride In Genocide compilation of queer artists that Byenary has put together to raise money for eSims for people in Gaza. ESims help Gazans stay connected, coordinate emergency responses and aid, help people locate loved ones, and help Gazan journalists to continue their vital work. The compilation was created with support from Queers For Palestine and also features faves like Jemma Freeman and The Cosmic Something and The Menstrual Cramps. It’s available to pay what you can for on bandcamp now. (ML)

Coolgirl – ‘Road Closures’
Dublin-based electronic artist and GIHE fave Coolgirl aka Lizzie Fitzpatrick has gifted us another sonic gem with her latest album, Road Closures, released via VETA Records. The ambient collection of songs is inspired by the “strange juxtaposition” that we find ourselves in online, as we’re exposed to graphic real-life news footage on genocide, alongside reels of unnecessary promo footage of products that promise to solve your first world problems. I’m always impressed by the experimental worlds that Coolgirl creates, but Road Closures in particular has really resonated with me. Definitely listen to the album in full. She donated the proceeds she made from the record on bandcamp to a Gaza relief charity too. (KC)

Fishwyfe – ‘Get Out’
Some strong melancholy, gloomy vibes on this track by Galway-based musician and producer Fishwyfe. This is a new sound for the artist, who used to perform under the moniker HOST. The accompanying visuals for ‘Get Out’ are as unsettling and mesmeric as her distorted vocals and hazy synths. Watch it here. (KC)

Dream Phone – ‘Fogo’
Having completely won me over playing live for us supporting Me Rex last year, and now fresh from being utterly brilliant once again playing with Ray Aggs last month, Oxford duo Dream Phone have now shared an addictive new single. Reflecting on the fear of going out (rather than the fear of missing out), ‘fogo’ offers a comforting ode to anyone who may not enjoy going out as much as they used to. Delivered with a playful riot grrrl-inspired spirit, ‘fogo’ showcases all there is to love about Dream Phone; listening to its scuzzy layers of shimmering musicality, I feel instantly uplifted by its infectious quirky allure and blissfully danceable energy. Watch the accompanying homemade video for ‘fogo’ here. (ML)

Touch Excellent – ‘Overtone’
We’re big fans of Dublin punks Touch Excellent at GIHE and admire their tenacious spirit when writing songs about social issues close to their hearts. Their latest single ‘Overtone’ is a heavy reflection on the frustrating lack of access to, and long wait-list for treatment for transgender patients in Ireland. (KC)

The Menstrual Cramps – ‘Antagonistic’
Releasing immense singles ‘Abortion’ and ‘Body Politics’ earlier this year, and having just made headlines by being part of the incredibly successful Bands Boycott Barclays campaign (targeting the Barclaycard sponsorship of The Great Escape over ties to arms companies supplying Israel), Bristol punks The Menstrual Cramps are back with another fierce and to-the-point offering. Reflecting on front person Emilia’s experience of working at a homeless hostel during the pandemic, ‘Antagonistic’ races with an impassioned, seething energy. Providing a ferocious raging catharsis, it’s propelled by a raw, relatable anger at the stark injustices of society. Of the track, Emilia explains: “This song is me trying to process and come to terms with the anger and trauma I experienced working through COVID and how this has shaped me as a person and as a support worker.” (ML)

Bikini Kill – ‘Feels Blind’
I couldn’t not include a Kathleen Hanna song this month. Her memoir, Rebel Girl: My Life As A Feminist Punk, has just come out, and the GIHE team are lucky enough to be seeing Bikini Kill for a second time on 12th June! Although I haven’t yet had time to read the book, I did cry just receiving my signed copy in the post the other day, and can’t wait to delve into my hero’s inspiring story as soon as I’ve finished my studies. This year has been difficult, mentally and physically, and Kathleen Hanna and all she does continues to be a constant source of motivation and comfort to me. This song is my favourite, and I’m dedicating it to anyone else living with a chronic condition. (ML)

Dermabrasion – ‘Grim Sister’
Toronto Death rockers Dermabrasion have shared a new video for their single ‘Grim Sister’, which features on their debut album, Pain Behaviour, released via Hand Drawn Dracula at the start of this year. The track is a riotous mix of defiant, angst-ridden vocals and visceral riffs, which can be observed in the mix of live footage and gothic imagery in the video. Check it out here – I love the quote from M. Night Shyamalan’s Signs at the start as well! (KC)

Calva Louise – ‘Under The Skin’
Jess Allanic’s vocal range on this Calva Louise track is truly extraordinary. Alongside her bandmates Alizon Taho (Bass/Backing Vocals) and Ben Parker (Drums/Backing Vocals), she rips through ‘Under The Skin’, which is a thundering exploration of consciousness and the duplicity of freedom. The accompanying video provides a conceptual storyline about the characters that the band have developed and built into their own dystopian Sci-Fi universe. Watch it here. (KC)

House Of Women – ‘Overgrown’
Another heavy, psych-tinged offering from London-based four piece House Of Women here. ‘Overgrown’ is a brooding anthem full of their trademark intense riffs and soft-but-potent vocals. The band are currently working on new material ahead of a busy festival season, so keep your eyes peeled for more new music soon. You can watch the accompanying video for ‘Overgrown’ here. (KC)

Midwife, Amulets – ‘Do You Know How To Waltz’ (Low Cover)
Another exquisite collaboration and cover from GIHE fave Midwife and her label mates Amulets. Make sure you listen all the way through to the end! This track is lifted from the album Your Voice Is Not Enough: A Tribute to Low, released via The Flenser. Listen to it in full here. (KC)

mui zyu ft. Miss Grit – ‘please be ok’
Taken from her recent album, nothing or something to die for, I love this gritty-yet-gentle cut from British Hong Kong London-based artist mui zyu. Featuring guest vocals and production from Miss Grit, ‘please be ok’ is a reflection on the absurdity of over-analysing emotions and situations, when ultimately, things will work out how they’re supposed to in the end. (KC)

Tiiva – ‘Run’
“‘Run’ is a song about healing and retrieving yourself among the chaos of the world,” explains Bristol-based artist & producer Tiiva. They create lush, emotive electronic soundscapes, and this latest release flows in a similar dreamy vein. Tiiva extrapolates further on ‘Run’: “It is about discovering your true power and letting go of painful memories to return back to yourself, the kindness of community and reawakening your seemingly impossible dreams…allowing yourself to be flawed and human and reframing pain into power and strength.” (KC)

Elsa Hewitt – ‘Unimaginable Pain’
Although it was released back in April, I’ve been playing electronic artist & producer Elsa Hewitt’s latest album, Chaos Emeralds, on repeat lately. Her intuitive mix of lilting vocals, emotive lyrics and hypnotic synth loops have helped reduce the cortisol levels in my body significantly. Despite its namesake, this track ‘Unimaginable Pain’ is a soothing and uplifting listen. (KC)

AVR – ‘Confirm Humanity’
Berlin-based artist & producer AVR headlined one of our GIHE gigs at Notting Hill Arts Club back in 2019, and her performance was mesmerizing. She’s achieved so much since then, and now she’s preparing to release her debut album, Salvation, on 7th June. ‘Confirm Humanity’ is lifted from the record, which I’m really looking forward to hearing in full. (KC) 

KÁRYYN – ‘ODAR’
‘ODAR’ – which translates as “other” in Armenian – is multi-instrumentalist KÁRYYN’s interpretation of the traditional folk song ‘Odaroutioun’, a song which is passed down through generations, and was often sung at gatherings in her grandparents’ house in Aleppo, Syria. Written by Armenian poet and political activist Avetik Isahakyan, the words were lifted from a letter he’d written to his family whilst in political exile, which later turned into a song adopted post-genocide to represent the Armenian’s plight. Most commonly sung by men, KÁRYYN’s interpretation poses a critical examination of what it means to live in otherness. “Our Armenian language is an ancient written alphabet, found in the illuminated manuscripts, a language on the endangered language list today,” KÁRYYN explains. “The language is threatened further due to the refugee crisis caused by the genocide, and by the crisis which moved and destroyed one of the largest Armenian communities during the 2011 Syrian war. When we speak and sing in Armenian, it is an act of survival and activism. A language from as far back as the 5th century, only Sanskrit and a few others are older.” ‘ODAR’ is lifted from KÁRYYN’s recent EP, Calm KAOSS!. (KC)

Mabe Fratti – ‘Enfrente’
Set to release her new album next month, Guatemalan artist Mabe Fratti has now shared stirring new single ‘Enfrente’. Rippling with jangling percussion and sweeping strings alongside sumptuous evocative vocals, fizzing layers of sound intertwine to create a truly blissful cacophony. Of the track, Fratti comments: “There’s a sensation of fear of being heard in the intention of the song, and being one step behind everything that’s going on, and feeling overwhelmed by the pressure to follow up.” Sentir Que No Sabes, the new album from Mabe Fratti, is set for release on 28th June via Unheard Of Hope. (ML)

Maria Kelly – ‘Drive’
Following her 2021 debut album, The Sum of the In-Between, Irish artist Maria Kelly has now shared a dreamy new single. A song about longing for closure, ‘Drive’ flows with beautifully twinkling melodies as the rich, delicate power of Kelly’s vocals simmers with a raw emotion and effervescent grace. Produced by Matt Harris (HAVVK), and mixed/mastered by Belfast legend Rocky O’Reilly at Start Together studios, ‘Drive’ is featured in the trailer for the film Ezra, starring Bobby Cannavale, Rose Byrne, Whoopi Goldberg, and Robert De Niro. (ML)

Holly Munro – ‘Out Of Style’
Another tender offering from Irish indie-pop musician Holly Munro here, taken from her upcoming EP, Crescendo Ending, set for release on 20th June. “This song is about a relationship falling apart because of not talking about your problems,” she explains, “It reminisces about the good times, while at the same time recognising that something has changed”. The track is also accompanied by a poignant, beautifully choreographed video that you can watch here. (KC)

Naima Adams – ‘Fragile’
‘Fragile’ is the debut single from Rome via D.C.-raised, now South London-based artist Naima Adams. The track is a smooth musing on the complexities of hope and how it can be lost in the face of overwhelming adversity. Naima’s clear voice and urgent lyrics also serve as a reminder that there’s strength in fragility too. (KC)

Brennan Wedl – ‘Scorpio’
The new single from Brennan Wedl, ‘Scorpio’ advocates for an upfront approach to love as their trademark rich, rasping vocals soar with a resonant emotion alongside lilting catchy hooks. A perfect slice of Americana tinged indie-pop, I can’t wait to hear more from this exciting New York artist throughout the year. (ML)

Midnight Ambulance – ‘Alice’
The new single from Edinburgh duo Midnight Ambulance, ‘Alice’ reflects on the disconcerting rise of disinformation and the dominance of the media. Soaring with rich, impassioned vocals depicting striking poignant imagery, a celestial swirling soundscape is created. Of the inspiration behind the track, the band explain: “Our realities are becoming distorted. As we try to battle the noise and confusion of disinformation, we are at risk of being engulfed by this strange world. It seems Wonderland is no longer a thing of fairytales…” (ML)

adults – ‘Trouble’
Taken from the new split EP that they’ve just released with Oxford band Spank Hair, the new single from South London faves adults offers all the band’s trademark jangly melodies and scuzzy energy that I love so much. Reflecting on feelings of anxiety and sadness, the band add – “one day we’ll write songs about finding joy in the throes of late capitalism, but not today!’…In The Big League, the new split EP from adults and Spank Hair, is out now via Fika Recordings. It’s available digitally from bandcamp, along with a 20 page riso-printed zine with download. (ML)

Mammoth Penguins – ‘A Plea For Kindness’
Having recently released their new album, Here, Cambridge indie-pop trio Mammoth Penguins have been faves of mine for a number of years now. Taken from the album, ‘A Plea For Kindness’ is directed at the completely ill-founded and unnecessary hatred and prejudice that transphobic people insist on sharing. Propelled by Emma’s stirring emotion-strewn vocals and jangly hooks, it builds with an anthemic shimmering splendour, offering a heartfelt message of solidarity with our trans and gender non-conforming siblings. A beautifully resonant plea for unity and kindness at a time when it is needed more than ever, because trans rights are human rights, and trans kids deserve to grow up. Here is out now via Fika Recordings. (ML)

 

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PLAYLIST: April 2024

The Get In Her Ears team have put together another eclectic mix of alternative & shoegaze anthems, unusual electronic sounds, indie-folk musings, and alt pop tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Fraulein – ‘Pruning’
Taken from their upcoming mini album, Sink Or Swim, which is due on the 14th June, ‘Pruning’ is one of my favourite Fräulein tracks to date. It’s a seamless blend of their brooding grunge riffs, bittersweet vocals and bristling beats. The GIHE team are consistently impressed by all that Joni and Karston create, and I especially love the accompanying video to this song, which features Joni dressed as an angel wandering around the streets of London. Watch it here. (Kate Crudgington – Features Editor)

King Hannah – ‘Davey Says’
The latest single from Liverpool duo King Hannah, ‘Davey Says’ flows with a lilting energy as a beautifully fuzzy raw emotion oozes from delicate harmonies. The band poignantly describe the track as “… our attempt at that classic American ‘90s imagery, of coming-of-age nostalgia and romance, of late warm summer nights when the future is draped in front of you.” I first fell in love with King Hannah on hearing their stirring debut ‘Creme Brulee’ back in 2019, and it’s been really wonderful to see all their well-deserved success over the last few years, with second album Big Swimmer set for release on 31st May via City Slang. (Mari Lane – Managing Editor)

Human Interest – ‘Shapeshifting’
With more of a reflective tone than the grunge-fuelled groove of previous singles, the new one from Human Interest showcases the East London band’s impressive songwriting range, as they appear unafraid to share a moment of vulnerability. Reflecting on the different sides of us that we may or may not feel comfortable with from day to day, ‘Shapeshifting’ is propelled by an anthemic raw emotion as Cat and Tyler’s vocals interweave with an exquisite grace. Speaking about the track, they say: “I think it’s hard, when you’re queer, to feel like you’re being truly authentic to yourself. There are so many experiences that happen while growing up that make you hide who you really are. When you spend your formative years doing this, I think it becomes so ingrained in you that you end up as an adult not really knowing where your true self begins and the person you felt you had to be ends.” (ML)

Kynsy – ‘Money’
Having been a fan of Dublin’s Kynsy since she released ‘Cold Blue Light’ back in 2020, I’m chuffed to see her back with this excellent new single. Newly signed to Nice Swan Recordings, ‘Money’ is a gritty indie-infused reflection on “the depths of love, nostalgia…and a mixture of conflicting emotions.” (KC)

Maya Lakhani – ‘Walk Alone’
Having had the honour of having rock powerhouse Maya Lakhani play her first ever gig with us back in 2022, we’re incredibly excited to be hosting her first ever headline show on 17th May at Sebright Arms. Joined by queer grungers Comic Sans and exciting new project of Sit Down’s Katie, Slung, it’s going to be a pretty special night. We saw Maya again recently with an incredible set at Cro Cro Land, and recommend not missing out on this one – nab tickets here (they’re cheaper in advance, and wouldn’t it be wonderful for Maya to sell-out her first headline show!). (ML)

Softcult – ‘One Of The Pack’
Lifted from their upcoming EP, Heaven, which is set for release on 24th May, this track from Canadian sibling duo Softcult is a heady, swirling “inclusionary anthem”. Mercedes and Phoenix Arn-Horn want their fans to know that ‘One Of The Pack’ is their way of saying “that POC, trans women, and non-binary people will always be a welcome and crucial part of our grrrl gang” – it’s a heartening and necessary message, set to their trademark heavy riffs and emotive lyrics. (KC)

Glixen – ‘Lust’
Arizona-based shoegazers Glixen are new to me, but I was instantly hooked on ‘Lust’ – an intoxicating blend of reverb, crashing cymbals and hypnotic vocals. The band are preparing to share their second EP, which will be the follow up to their 2023 debut offering, She Only Said. I can’t wait to hear more from them in the near future. (KC)

Lambrini Girls – ‘Body Of Mine’
Continuing to unapologetically speak their minds and stand up for what they believe in, whilst gaining legendary fans like Sleater Kinney and Iggy Pop along the way, Brighton’s Lambrini Girls have now shared another fierce anthem. Touching on a slightly more personal, but no less important, issue than previous releases, ‘Body Of Mine’ reflects on connecting with your gender identity, as it races with the band’s trademark seething sense of urgency. Of the track, they expand: “Gender is a complex experience… It’s tough to feel that nobody really gets you and it’s also truly quite shit when you don’t really know how to understand yourself either.” Another truly necessary offering, marking Phoebe and Lilly out as a truly formidable force that we need now more than ever. (ML)

Queen Cult – ‘Stop Calling’
Having been truly blown away by Macclesfield-based Queen Cult when they played live for us a couple of years back, it’s great to see the band going from strength to strength with each new release. Born out of the frustration of getting unwanted attention and the way in which people feel entitled to cross boundaries, ‘Stop Calling’ exudes the band’s raging energy and angst-fuelled drive, as they continue to share their queer, politically-charged anthems with a sparkling defiance. Catch Queen Cult live in London at Oslo as part of Luck Juice Festival on 18th May – tickets here. (ML)

Julie Christmas – ‘Supernatural’
Seamlessly switching from a bittersweet yearning vocal in verses, to a cord-ripping scream in the chorus; this visceral new offering from Julie Christmas (Made Out of Babies, Battle of Mice) is as melodic as it is metal. ‘Supernatural’ is lifted from her eagerly anticipated second solo album, the excellently titled Ridiculous and Full of Blood, which is set for release on 14th June via Cult Of Luna’s Red Crk label. (KC)

Charley Stone – ‘Better With You’
With a musical CV too long to list, having played with multiple bands over the years and currently a gigging guitarist with the likes of Sleeper and Desperate Journalist, scene queen Charley Stone is now set to release her own debut solo album next month. Ahead of the album’s release, new single ‘Better With You’ depicts a messy couple on an ill-advised trip to a wedding, and the chaotic energy that ensues; showcasing Stone’s ability to perfectly capture snapshots of the anxiety and disorder of everyday life, it’s a perfectly catchy indie anthem. Here Comes The Actual Band, Charley Stone’s debut album, is set for release on 29th May – keep an eye on bandcamp for its pre-sale this coming Friday (3rd May)! (ML)

BCOS RSNS – ‘Turn It Off’
London’s own trans queer post-punk legends BCOS RSNS will be releasing their self-titled debut album on 22nd May; after years being a key face of the city’s DIY scene, hanging out with all the best bands, front woman Abi has now made her dream of being in one of her own a reality. Showcasing all of BCOS RSNS’ unique wonky charm, latest single ‘Turn It Off’ offers a scuzzy reflection on conspiracy theories and the dire consequences of capitalism. Catch BCOS RSNS live at The Cavendish Arms on 25th May celebrating the album’s release. (ML)

Me Rex – ‘Goodbye Forever’
Total faves Me Rex with their poignant new single ‘Goodbye Forever’. Reflecting on themes of loss and separation, it oozes all the swirling emotion and impassioned cathartic energy that I love so much. I’m such a huge fan of this band, and still think about how wonderful it was having them headline a sold out gig for us last year, and feel very grateful to Phoebe for being a fantastic teacher to me and Kate at the First Timers drum workshop a couple of month’s back – it was so inspiring that I just received some drum sticks for my 38th birthday, and plan on doing a lot more hitting things in future! Needless to say, I can’t wait for the band’s new EP, Smilodon, which is out this Wednesday 1st May. (ML)

MOTHERCANYOUHEARME – ‘Come Round’
The new single from London DIY queer duo MOTHERCANYOUHEARME, ‘Come Round’ reflects on confronting suppressed feelings around sexuality, whilst fizzing with a gloriously woozy musicality. Having first been charmed by the jangly scuzz of their 2020 single ‘Knowing You’, I’m super excited to hear more from Rosie and Georgia with the relatable sentiment and sparkling energy of this new release. (ML)

Wife Patrol – ‘Equinox’
This uplifting single from Indianapolis-based alt-rock trio Wife Patrol is a melodic guitar ode to Spring, and a reminder that change is always on the horizon, even when it may not feel like it at the time. (KC)

Bnny – ‘Something Blue’
Having released their new album, One Million Love Songs, earlier this month, Chicago band Bnny have previously received acclaim from the likes of Rolling Stone and New York Times. Taken from the album, ‘Something Blue’ reflects on the struggle of escaping your past, whilst shimmering with a fuzzy lilting energy and the deep gritty resonance of front person Jessica Viscius’ vocals. (ML)

Our Girl – ‘Relief’
Having fallen completely in love with their 2018 debut, Stranger Today, I am very happy to hear the news that London trio Our Girl are back and releasing their second album later this year on Bella Union. Ahead of the album, new single ‘Relief’ exudes a heartfelt twinkling emotion as scuzzy hooks and the raw emotive splendour of Soph Nathan’s distinctive vocals create a beautifully moving and deeply resonant ode to the queer community. Of the track, Nathan explains: “This is a love song to queer people having a hard time of it. It takes time to unlearn the things we were taught to believe, and to feel wholly proud in the face of people and expectations that are often working against you. This song is about my experience of moving through that, and celebrating how I feel now.” (ML)

Lazy Day – ‘Bright Yellow’
With fans including the likes of Lauren Laverne and Huw Stephens, London based artist Tilly Scantlebury – aka Lazy Day – has now shared a stirring new single to celebrate signing to Brace Yourself Records. Inspired by their studies into Queer American Art for their PhD, ‘Bright Yellow’ oozes a searing emotion as rich vocals ripple alongside a shimmering musicality. Of the meaning behind the track, Scantlebury explains: “At its very best, art can change the way that we see and think and live, acting like a window into another world — which is how I want my music and this song to feel as well.” (ML)

Noga Erez – ‘Vandalist’
GIHE fave Noga Erez is back with ‘Vandalist’, a “musical middle finger” to the hypocrites who have formed incorrect opinions of her, based on false information. The razor-sharp production skills of ROUSSO, Justin Raisen & Erez spotlight her distinctive vocal on the track, as she vents her frustrations with visceral flair. (KC)

Meg Elsier – ‘oldnews’
Lifted from her upcoming debut album, spittake, which is set for release later this year, I love this new track from Nashville-based artist Meg Elsier. Seamlessly blending her clear vocals, potent alt-pop elements and bruising guitar riffs, ‘old news’ is about “the feeling you get when you realize you’ve been telling the same stories over and over to the point that strangers know the punch lines and you’re too scared to risk anything to make new ones.” (KC)

HALIMA – ‘Ways’
Raised between Lagos and London and now based in Brooklyn, HALIMA’s sound is eclectic as the cities she’s resided in. Blending pop, jazz and R&B sensibilities together to create her intoxicating sounds, ‘Ways’ features on her upcoming EP, EXU, which is due on 24th May via Drink Sum Wtr. (KC)

ghost piss – ‘See Ya!!!!!’
A candid, catchy slice of electro-pop from excellently named Portland-based artist ghost piss. This track is lifted from their upcoming album, Dream Girl, which is set for release on 3rd May via Sockhead Records. ‘See Ya!!!!!’ is a potent blend of their bittersweet vocals and playful production, reflecting on their previous unhealthy romantic encounters. (KC)

DEBBY FRIDAY – ‘To The Dancefloor’
Sub Pop signee DEBBY FRIDAY has shared this commanding, genre-blending dance anthem. Accompanied by a SIMS inspired music video, DEBBY’s sultry vocals glide over slick beats and evocative synths on this new offering that will lead you straight to the dancefloor. (KC)

Pride Month Barbie – ‘Effulgent’
This industrial banger from LA-based duo Pride Month Barbie dropped into my inbox and commanded my attention. Formed of solo artists Tyler Holmes and Josephine Shetty, it’s rammed full of chaotic synths and propulsive beats, which the band say are designed to leave you “feeling insecure, horny, and annoyed.” ‘Effulgent’ is lifted the the band’s upcoming debut album, All The Girls In The Room Say ‘Sorry’, which is set for release on 14th June via LA queer/trans label, Get Better Records. (KC)

Venus In Noise – ‘What I Want’
Noise-pop duo Venus In Noise met at a gig in East London in 2019, and formed the band after they went on to see Bikini Kill’s first UK comeback gig a few years later. There’s some strong Le Tigre influences to their buoyant-yet-glitchy sounds, and this single ‘What I Want’ is a perfect example of that. (KC)

Or:la – ‘A Howl’s A Howl’
I love this genre-blending soundscape from Irish producer and DJ Or:la. Inspired by the now-extinct native wolves that used to roam the UK and Ireland, her primal beats and bristling synth textures propel the track forward. ‘A Howl’s A Howl’ is taken from Or:la’s recent EP, Moonlight Crush, out now via fabric’s eponymous label. (KC)

Elsa Hewitt – ‘Legend’
‘Legend’ is the evocative opening track to Chaos Emeralds, the eighth album from electronic artist Elsa Hewitt, which she released earlier this month. The record is the result of an intense few years of personal change and growth for the artist, full of field recordings and poetry extracts, all underscored by her trademark hypnotic synthetic sounds. The album is equal parts euphoric as it is melancholic, and I have found it to be a soothing tonic for my tired ears recently. (KC)

Seraphina Simone – ‘Blue Eyes’
“‘Blue Eyes’ is about being full-throttle chest-deep in a crush,” explains Seraphina Simone. Much like her recent releases, ‘Better Days’ and ‘Liverpool’, Seraphina has crafted another distinctive alt-pop gem that aches with bittersweet longing. I love it when songwriters transform their BIG feelings into blissful pop sounds, and Seraphina is a real pro at doing just that. (KC)

PostLast – ‘Connect 4’
This is the charming debut single from Irish indie-pop duo PostLast, who are formed of Stephen McHale (BARQ) and GIHE fave Julie Hough (HAVVK). Released via VETA Records, ‘Connect 4’ is a playful extrapolation on the joy that comes from making new friends when you’re an adult, and relishing the early days of this connection. (KC)

La Sécurité – ‘Waiting For Kenny’
Coming over to the UK as part of the annual Québec Spring Showcase, Montreal-based art punks La Sécurité will be performing at The Shacklewell Arms in East London on 8th May. Their off-kilter charm will appeal to fans of The B-52s, E.S.G, Le Tigre and Wet Leg, so grab a (free) ticket if you like the sound of ‘Waiting For Kenny’. (KC)

Das Birthday Girl – ‘Whiskey Sour’
Inspired by the sounds of The Cure and Siouxsie and The Banshees, as well as the immersive synths of John Maus and Gary War, Maltese-born, Berlin-based artist Das Birthday Girl creates emotive electro-pop that’s shrouded in melancholy. This track ‘Whiskey Sour’ is taken from her debut album, Soft and Clear, which she composed and co-produced with a Maltese producer, Jimmy Bartolo. (KC)

Birthday Problem ft. Runah – ‘Daylight’
Another excellent collaboration from Birthday Problem here, featuring guest vocalist Runah. Together, Irish multi-instrumentalists and producers Matt Harris and Rocky O’Reilly have created another slow-building, evocative soundscape on ‘Daylight’, aided by Runah’s beguiling vocals. Released via VETA Records, the track is accompanied by a set of visuals which explore the “essence of fleeting existence”. Watch it here. (KC)

Kee Avil – ‘Gelatin’
Another visceral, eerie blend of brittle synth textures, aching vocals and erratic beats from Montréal-based experimental artist and producer Kee Avil here. ‘Gelatin’ is taken from her upcoming second album, Spine, which is set for release on 3rd May via Constellation. The track is accompanied by a haunting set of visuals which you can watch here. (KC)

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PLAYLIST: September 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, grunge and shoegaze anthems, post punk and Riot Grrrl bangers, alt-pop and R&B gems and experimental electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Whitelands – ‘The Prophet & I’
The latest single from London band Whitelands, ‘The Prophet and I’ is based around the philosophical book, The Prophet, by Lebanese-American author Kahlil Gibran. A beautifully woozy soundscape, it flows with fuzzy hooks and shimmering harmonies; oozing all the dreamy, shoegaze-inspired vibes. (Mari Lane – Managing Editor)

NewDad – ‘Angel’
Taken from their upcoming debut album, Madra, which is set for release on 26th January 2024 via Fair Youth/Atlantic Records, this track from Galway alt-rock four piece NewDad is inspired by the destructive relationship between characters Rue and Jules in hit TV show Euphoria. It’s a magnetic, heady guitar tune that’s been swirling around my skull since I first heard it. (Kate Crudgington – Features Editor)

Coolgirl – ‘High Altar’
Taken from her upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records, this Coolgirl track is a hypnotic blend of synths, intriguing samples and atmospheric beats. GIHE fans will recognise Coolgirl aka Lizzie Fitzpatrick as the front person of grunge trio Bitch Falcon, but under her new solo moniker she uses electronics to create vivid, sometimes ambient, sometimes upbeat soundscapes. (KC)

Maria Uzor – ‘Sometimes They Look At You’
Maria Uzor consistently delivers with her amazing electronic soundscapes, and ‘Sometimes They Look At You’ is no exception. It’s taken from her upcoming debut album, SOFT CUTS, which is set for release on 13th October via Castles In space. Come to her album launch at The Windmill in Brixton on the 18th October, we’ll all be there!
(Tash Walker – Digital Editor)

Tirzah – ‘F22’
‘F22’ is taken from Tirzah’s recently released new album, trip9love…???, produced by Micah Levi. It’s a stripped back sonic sound-bath of distortion, off-key haunting piano and drum machines. Get listening. (TW)

1000 Beasts & Tomike – ‘Cherry Delight’
The latest release from Cork-based producer 1000 Beasts and London-based Irish artist Tomike! Some low-key neo soul, filled with rich jazz harmony – just lovely. (TW)

DEBBY FRIDAY – ‘let u in’
Polaris Music Prize-winning artist DEBBY FRIDAY has dropped this drum & bass-tinged pop banger. It follows on from her acclaimed debut album, GOOD LUCK, which she released via Sub Pop earlier this year. DEBBY FRIDAY will be touring the UK in November, playing a show at Thirdman Records in London on Friday 10th November, and she’ll be performing at The Roundhouse for Pitchfork Music Festival on Saturday 11th November. (KC)

Amaroun – ‘Pussy Whine’
London-based alt-R&B artist Amaroun releases her new EP, Dopamine, today (29th Sept), and this track is a definite highlight. Speaking about ‘Pussy Whine’, Amaroun explains: “I want to fly the flag for sexual freedom, especially for black and queer people that have heavily felt the impact of oppression forcing you to repress your instinctual self. I find the word an empowering way of claiming my right to pleasure and sexual expression. Lyrically, it’s about that moment when you meet someone that you then can’t stop thinking about, and the thrill of the chase! ” (KC)

Rainy Miller and Space Afrika ft. Mica Levi – ‘Maybe Time To Lay Down The Arms’
This track is absolutely mesmerising. ‘Maybe Time To Lay Down The Arms’ is the first single I’ve heard coming out of this amazing collaboration, with more set to be released on 16th November. I can’t wait. (TW)

Gabriel Gifford ft. Aphty Khéa – ‘Voice From The Wind’
I love this collaboration between Berlin-based producer Gabriel Gifford and Greek-born artist Aphty Khéa. Featured on Gifford’s upcoming concept mini-album, Hailstone King, which explores themes of grief, masculinity, mental health, identity and legacy through the story of a mythical king, this track is described as an experimental anthem that tackles queerphobic attitudes. Sung in their native Greek language, Aphty Khéa’s potent voice compliments Gifford’s deconstructed club beats so well. (KC)

Hinako Omori – ‘ember’
This is the latest single from London-based artist and composer Hinako Omori. Taken from her upcoming album, stillness, softness…, which is set for release via Houndstooth on 27th October, ’ember’ is an uplifting sonic delight that encourages listeners to let go of the past and relinquish feelings of doubt. I’m looking forward to hearing it live when Hinako plays at London’s ICA on 2nd December. (KC)

AVR – ‘A Closer Touch, A Plan Of Art’
Berlin-based artist AVR (formerly known as ANNA VR) played live for us at Notting Hill Arts Club a few years ago and she was wonderful. ‘A Closer Touch, A Plan Of Art’ is her latest single, and she’s preparing to release more new music later this year, so keep an eye out for announcements from her in the near future. (KC)

Clementine Valentine – ‘Selenelion’
Formally known as Purple Pilgrims, but now going by their birth names, New Zealand duo Clementine Valentine have just released a beautiful new album. Taken from the album, ‘Selenelion’ glistens with an enchanting folk-strewn majesty as its swirling, other-worldly grace immerses you completely. The Coin That Broke The Fountain Floor, the new album from Clementine Valentine, is out now via Flying Nun. (ML)

Bas Jan – ‘No More Swamp’
The latest single from London collective Bas Jan, ‘No More Swamp’ reflects on how the band’s lives have changed over the years, with shifting priorities and responsibilities. Showcasing the band’s trademark quirky energy and perceptive songwriting ability, it interweaves shimmering instrumentation to create a wonderfully danceable cacophony. (ML)

tall child – ‘Damaged’
tall child, formerly known as ZHA Gandhi and previously associated with projects like Buggs and Luce Rushton (fka TV Room), has now released their debut single ‘Damaged’. An “introspective exploration of a turbulent parent-child relationship”, it’s propelled by a stirring emotion, showcasing their soulful vocals with a captivating allure. With a shimmering ethereal musicality, it’s a beautifully cathartic ballad. (ML)

Touch Excellent – ‘Couch Song’
This is a very cute tune from Dublin pop punks Touch Excellent. Full of dreamy vocals, relatable lyrics and melodic riffs, ‘Couch Song’ is a buoyant musing on introversion and attraction at house parties, and how these dueling states play out in a crowded room. (KC)

Becca Mancari ft. Julien Baker – ‘Over and Over’
Having received acclaim from the likes of the New York Times and queer publication them, and collaborated with big names such as Hayley Williams (Paramore) and Julien Baker (boygenius), Nashville artist Becca Mancari has just released their latest album, Left Hand. Rippling throughout with a beautifully heartfelt emotion and twinkling musicality, it offers a dreamy and gently empowering reflection on queer identities and our relation to the natural world; a shimmering and relatable ode to being your true self. Read our recent interview with Becca Mancari here. (ML)

Small Crush – ‘Rumblin Tummy’
The latest single from Californian band Small Crush, ‘Rumblin Tummy’ offers a fresh perspective on 2019’s similarly named ‘Tummy Rumblin’. Oozing luscious scuzzy vibes and a twinkling uplifting energy, it’s a shimmering slice of dreamy surf-pop, reflecting on “staying in love and getting butterflies in your stomach no matter how long it’s been.”
I’m a big fan of Small Crush’s cute sounds and have been really enjoying their new album, Penelope, which is out now via Asian Man Records. (ML)

dethcaps – ‘Nightstand’
This is the debut single from non-binary indie grunge band dethcaps (great name). It’s inspired by the feeling of pure infatuation when you first start falling in love with someone, underscored by a buoyant melody and heartfelt lyrics. (KC)

Brenda – ‘Pigs’
It was so fun to chat to Litty from Brenda on our recent Soho Radio show. I love this track which is full of rage, taken from their self-titled debut album which is epic! You can listen back to my conversation with Litty on our GIHE takeover of the Morning Glory Show on Soho Radio here. (TW)

Problem Patterns – ‘Lesbo 3000 / Poverty Tourist’
What a TREAT we have for you here – a double dose of pure punk bangers from GIHE faves, Belfast Riot Grrrls Problem Patterns. On ‘Lesbo 3000’, drummer Beth takes the lead on vocals, shouting back at homophobes and screaming her lungs out. On ‘Poverty Tourist’, bassist/vocalist Ciara and vocalist/guitarist Alanah take turns to call out the appropriation of working class culture in the music industry and further afield. Both tracks are taken from Problem Patterns’ upcoming debut album, Blouse Club, which is set for release on 27th October via Alcopop Records. The band will be headlining for us at Sebright Arms on 17th November – tickets are on DICE now. (KC)

SPRINTS – ‘Up And Comer’
This riotous single from Dublin rockers SPRINTS is taken from their debut album, Letter To Self, set for release on 5th Jan 2024 via City Slang. The band have been going from strength to strength since Mari & I saw them them live at the Women’s Work Showcase in Belfast last year. If you like what you hear, you can catch them playing at The Dome in Tuffnell Park here in London on 4th October. (KC)

Projector – ‘And Now The End’
Brighton trio Projector continue to evolve their sound with this latest single ‘And Now The End’. Written as a response to a breakup scenario, but also inspired by the general state of chaos that we currently live in, the track ricochets between spite, apathy and a need for resolution. ‘And Now The End’ is accompanied by a beautifully shot video that you can watch here. (KC)

HotWax – ‘Phone Machine’
Hastings trio HotWax are fast becoming firm favourites here at GIHE. Full of their trademark riotous vocals and tenacious riffs, this single is taken from their upcoming EP, Invite, Me Kindly, which is set for release on 18th October. (KC)

Venus Grrrls – ‘Liar Liar’
The latest single from Leeds rockers Venus Grrrls, ‘Liar Liar’ incites the listener to reclaim their autonomy and rediscover their worth. Propelled by a seething energy and fierce, impassioned drive, it’s a perfectly riotous anthem proving this band to be a true force to be reckoned with. (ML)

Comic Sans – ‘Winter in Sokcho’
Written and inspired through tarot readings, queer experience and healing, and quest to be your true queer self, ‘Winter In Sokcho’ is the latest single from London band Comic Sans. Building with an eerie splendour and gritty allure to a dark rock anthem, it offers fierce hooks and tension-building beats, as the sweeping power of the majestic vocals takes hold. (ML)

The Vanity Project – ‘Eureka’
London-based self described “queer-freak-pop” Flora Jackson and Rob Paterson aka The Vanity Project, pride themselves on creating swirling chaotic soundscapes, interweaving multiple genres and techniques. Latest single ‘Eureka!‘ reflects on the daily grind of the 9 to 5, and the dangers of capitalism in a wonderfully wacky blast of empowering riotous energy and sparkling musicality. The Vanity Project’s debut album, We Should Never Have Come Here, is released today (29th Sept), and you can catch them live tonight at The Cavendish Arms in Stockwell to celebrate! (ML)

NESS NÖST – ‘MAID 4 U’
I love this lead single taken from NESS NÖST’s debut EP, Working Hours, which is out now. It delves into the challenges women in the service industry face, battling misogyny, self-sabotage and pursuit of dreams all wrapped up in an acoustic-pop sound. (TW)

Charlotte Carpenter – ‘You’re My Reason Why’
Described as a “dystopian gay love story’, this latest single from Midlands artist Charlotte Carpenter reflects on her fond memories of spending time with her wife in a tiny cottage during lockdown: “I can honestly say, they were some of my favourite times together. It put so much into perspective for me. I had stripped away all of those routines and expectations, and I found what I truly valued in life, which is love and time.” I just love the track’s lilting musicality, with its heartfelt twinkling emotion, it oozes a stirring grace and comforting warmth. Charlotte Carpenter’s debut album, A Modern Rage, is out on 6th October. (ML)

Anna Pancaldi – ‘Stay This Way’
Exploring the complexities of loss when it’s entangled with childhood, this latest single from London artist Anna Pancaldi offers a beautifully poignant ode to nostalgia. Shimmering with Pancaldi’s soaring rich vocals and an emotion-strewn splendour. Catch Anna Pancaldi live at The Waiting Room on 20th October. (ML)

Maria BC – ‘Still’
Newly signed to Sacred Bones, this track from Maria BC is a gentle, evocative blend of their poetic lyrics and clear vocals, accompanied by a piano motif that they composed at the tender age of sixteen. ‘Still’ is lifted from Maria BC’s upcoming album, Spike Field, which is set for release on 20th October. (KC)

Chelsea Wolfe – ‘Dusk’
Freshly signed to Loma Vista Records, this is the latest offering from the marvelously macabre Chelsea Wolfe. ‘Dusk’ is a smouldering, gritty “mythical love song” that effortlessly showcases her potent vocals. I can’t wait to hear more of her new music in the near future. (KC)

Gazelle Twin – ‘Black Dog’
New to the INVADA Records roster, this is the latest single from GIHE favourite Elizabeth Bernholz aka Gazelle Twin. Alicia from NYX Drone choir described ‘Black Dog’ as “the soundtrack to my insomnia” when we interviewed them on our recent Soho Radio show, and I couldn’t agree more. Full of Bernholz’s trademark eerie electronics and shadowy sounds, it’s a cell-tingling exploration of what haunts us in life’s darker moments. I can’t wait to hear Gazelle Twin’s new album, also titled Black Dog, when it’s released on 27th October. It’s going to sound superb when it’s ricocheting off the walls of majestic London venue Bush Hall when she performs it live on 10th November. (KC)

Hilary Woods – ‘Where The Bough Has Broken’
A hypnotic instrumental inspired by a deep love for Dublin City, I’m fascinated by this new release from Irish artist Hilary Woods. Lifted from her upcoming album, Acts Of Light, which is due on 3rd November via one of my favourite record labels Sacred Bones, ‘Where The Bough Has Broken’ is an atmospheric ode to communal growth and memory, with an accompanying video that pays homage to the seemingly minor moments that play a role in creating these things. (KC)

Yay Maria – ‘L’Appel Du Vide’
The latest single from trangender artist Yay Maria, ‘L’Appel Du Vide’ marks the upcoming release of her new EP, Suburbia, which is out on 20th October via I’m Not From London. Self-described as “queer pop music for feelz and boogying”, the new EP offers a celebration of trans joy, with the mission of combating the all-too-frequent negative narrative the media presents us with. I just love the twinkling energy and swirling, ethereal grace of the soundscapes Yay Maria creates. This single ‘L’Appel Du Vide’ is accompanied by a “fully animated extravaganza” of a new video – check it out here. (ML)

 

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