#ThrowbackThursday: GIHE w/ Indian Queens 16.11.17

Due to the current lockdown/coronavirus situation, we’re unable to make it in to the Hoxton Radio studio to broadcast our live new music show from 7-9pm for the foreseeable future.

We have plenty of past shows to share with you though! We’re going to start sharing some #ThrowbackThursday sessions, so you can still enjoy 2 hours of new music, and chats with some of our favourite artists each week.

Today, we’ve picked our November 2017 show with Jennifer O’Neill from Indian Queens. The band are set to release their debut album God Is A Woman tomorrow (3rd April) via Cool Thing Records, so we thought now would be a great time to re-visit our chat with Jen.

Music highlights from Bikini Kill, Average Sex, Gold Baby, MALKAEdits and…Jennifer Paige #crush

Listen back to the show here:

PLAYLIST: Galentine’s Day 2020

Grrrls, it’s the best day of the year: GALENTINE’S DAY! Coined by Parks and Recreation character Leslie Knope (played by Amy Poehler) back in 2010, Galentine’s has since been recognised by girls across the globe, and used as a light-hearted platform to celebrate the girls and women who enrich our lives.

We’ve selected tracks from some of our favourite female artists and put them all together in one big celebratory playlist. We’re all about self-love & sisterly support today; so scroll down, press play, and share the Galentines love.

 

Robyn – ‘Dancing On My Own’
‘Dancing On My Own’, and what’s wrong with that!? Often I prefer to dance on my own. More space. Robyn is also an outspoken ally for LGBTQ+ rights, and we all know romance isn’t just for the heterosexuals out there! So whether you honour Galentine’s, Valentine’s, or even Palentine’s Day; make sure you have a good old dance. (Tash Walker)

Le Tigre – ‘Hot Topic’
Pioneers of queer culture and ultimate faves, Le Tigre’s ‘Hot Topic’ is a celebratory ode to those who’ve inspired us. Paying homage to some queer feminist champions of the ‘90s and earlier, it’s an empowering and joy-filled protest in the face of adversity. This one’s dedicated to my GIHE gals this Galentine’s; Tash and Kate – you’re two of the most fantastic women I’ve ever met, and continue to inspire me every day! (Mari Lane)

Gold Baby – ‘What Party?’
We’re all big fans of Gold Baby here at GIHE, and I have to admit I’m a big fan of their vocalist & guitarist Sian. Not only is she a great songwriter, she’s as enthusiastic as we are about new music, and supporting other women in the industry. Keep your eyes peeled for Gold Baby’s new single ‘Japanese Racehorse’, set for release on 17th Feb. (Kate Crudgington)

ARXX – ‘Moments At A Time’
Is it even a GIHE playlist if I don’t include an ARXX track? The Brighton duo have truly taken off since Mari introduced me to them a few years ago, and us GIHE girls couldn’t be happier for them. Hannah & Clara also happen to be two of the loveliest people we’ve met in the DIY music scene. Absolute babes. (KC)

Alanis Morissette – ‘You Oughta Know’
I’m forever grateful to Alanis Morissette for showing 24-year-old me that being angry after heartbreak is totally normal. Even when I’m not in the midst of heartbreak though, this song makes me feel truly empowered. Taken from her iconic album Jagged Little Pill, which turns 25 this year, I am desperate to get my hands on a pair of tickets to Alanis’ anniversary gig at Shepherd’s Bush Empire on 4th March. I’ll be singing this at the top of my lungs. (KC)

Personal Best – ‘This Is What We Look Like’
Headliners at our last Finsbury gig, Personal Best perfectly brand themselves as “classic rock for tragic lesbians”, and their frenetic riffs and pure-pop harmonies fill me with joy every time. Closing their set for us last month, front person Katie dedicated this track to the queer community. As a sea of buoyant voices joined in with “I wanna kiss you in the street / where everyone can see /’cause this is what we look like”, the poignancy of the lyrics in these uncertain times was overwhelming, and an empowering sense of unity took hold as the crowd danced and sang in solidarity. A perfect anthem for love between anyone and everyone. (ML)

Chastity Belt – ‘Joke’
This was one of the bands I discovered at the start of GIHE, all those years ago, and it just reminds me so much of what it was like at the start of it all. All these years on here’s to my two GIHE gals Mari & Kate, and all of the jokes we’ve had along the way. (TW)

Taylor Swift – ‘Out Of The Woods’
Did anyone else cry multiple times watching Taylor Swift’s Netflix documentary Miss Americana? (Just me? Cool.) Even if you’re not a big Swift fan, I recommend watching the film. It impressively highlights how badly the media treats young women in the spotlight, and how empowering it is when they decide to take back their own narratives. (KC)

Lizzo – ‘Like A Girl’
Turning the common derogatory phrase ‘Like A Girl’ on its head to create something wonderfully empowering, this is another ferociously fun offering from GIHE fave, Lizzo. With references to other powerful women of colour, including Lauryn Hill and Serena Williams, it’s the perfect ode to the power of being female and the power felt when women unite. So, this Galentine’s Day, I’ll leave you with the Lizzo’s words of wisdom: “If you fight like a girl, cry like a girl, do your thing, run the whole damn world”. An ultimate feel-good anthem for women everywhere. (ML)

God Colony (feat. Samirah Raheem) – ‘Girls’
You might recognise Samira Raheem from her 2 minute interview at Amber Rose’s Slutwalk in 2018. This video caught the attention of UK Producers God Colony, who approached Raheem to collaborate. The result is ‘Girls’; an encouraging call-to-arms laced with defiant lyrics, and industrial-tinged beats. I never get sick of listening to this. Shout out to my fellow ‘Girls’ Mari & Tash. I’d be lost without you. (KC)

TLC – ‘Unpretty’
Having had my love of TLC revived through watching Netflix’s brilliant Hip Hop Evolution documentary lately, I feel this ‘90s classic is the perfect Galentine’s anthem. Although it’s primarily about a guy making you feel shit, the message of getting past this and looking inside yourself to see your inner beauty is a perfect sentiment for any of your loved ones. And, set to that oh-so-catchy groove, it never fails to uplift and leave me feeling ready to face the world. (ML)

Ji Nilsson & Marlene – ‘Love You Anyway’
Released back in 2014 this was the first song that jumped to mind for this Galentine’s Day playlist, as ‘Love You Anyway’ is all about female friendship. The lyrics speak of solidarity, but with a slight note of sadness, combined with the enchanting quality to the music the whole thing intertwined together is mesmerising. (TW)

Chromatics – ‘Girls Just Wanna Have Fun’
A great cover of a great track. ‘Girls Just Wanna Have Fun’ always reminds me of a story about this 60 year old Italian woman who walked into her local fire station as she was having trouble with her lock. When the firemen asked the woman where she lived, thinking she’d locked herself out of her house, she lifted her sweater and showed them her chastity belt. (TW)

Wolf Alice – ‘White Leather’
Despite being a huge Wolf Alice fan, I only heard this track for the first time last year when my sister Holly sent it to me when I was having a tough time. She told me to listen carefully to the lyrics, because they reminded her of me. I had to bite back tears after hearing it; I felt loved, acknowledged, and genuinely hopeful. (Also, shout out to my other sister Sarah, who always holds my hand during ‘Bros’ when we see Wolf Alice live. God love ya both.) (KC)

Kate Bush – ‘This Woman’s Work’
I recently found out Kate Bush wrote this song specifically for John Hughes’ 1988 film She’s Having A Baby from the lead male character’s perspective, but I think her lyrics transcend the film’s premise. When I hear this track, I think of my Mum, and how hard she works to keep everyone in my family safe, healthy, and happy. Then I think about how mad it makes me that men and boys aren’t expected to perform the same kind of emotional labour. Then I worry that patriarchy dictates that men aren’t allowed to show emotion, so that must be a burden in itself. Basically, I spend a lot of time thinking about ‘women’s work’, and what that means to me, and this song helps relieve some of the tensions surrounding those thoughts. (Love you Mum. You too Dad x) (KC)

Bikini Kill – ‘Double Dare Ya’
This is the first Bikini Kill track I ever heard, and it still fills me with hope and defiance every time I listen to it. My cousin Rebecca (an original 90s Riot Grrrl) introduced me to the band, and along with the GIHE crew, we both went to see Bikini Kill live at Brixton Academy when they reunited last year. Words escape me when I try to sum up how much that night meant to me. Women are the fucking best. (KC)

LibraLibra – Skin And Bone 
Having recently blown me away at our December Finsbury gig, Brighton’s LibraLibra are one of my ‘Ones To Watch’ for this year. Listening to the incredible brutal power of Beth Cannon’s immense vocal delivery motivates me with each listen, the empowering force of this inspirationally strong and charismatic front woman makes me feel like we can conquer the world. But I’ve added this one to our Galentine’s list not only for LibraLibra’s mind-blowing sound, but because since they played for us, I’ve been speaking to Beth quite a lot, and feel that we’ve both been able to provide a bit of a virtual sounding board for each other when we’ve needed picking up, or just to have a good old rant about society’s inherent sexism! Just one example of the wonderful gals I’ve been lucky enough to meet putting on our Get In Her Ears events. (ML)

Chorusgirl – ‘Stuck’
You probably all know by now how much this song means to me. It will never fail to bring me cathartic comfort. Its poignant emotive power, and the way it builds alongside the shimmering hooks, gets me every time. Listening to its heartfelt sentiment, and knowing that there’s other ‘gals’ in the world feeling similar anxieties as I do, helps me feel a little less alone. Chorusgirl’s Silvi is not only a heartbreakingly magnificent songwriter, she’s a wonderful person, and I’m so grateful our paths crossed. (ML)

Kate Tempest – ‘People’s Faces’
There is so much that is so perfectly poignant in this song; the glaringly honest and completely relevant social commentary showcases Tempest’s unique poetic skill at creating relevant and hugely emotive social narratives. But a subtle glimmer of hope also shines through; the comfort we gain from those we love, and the comfort we can offer them just by being there. So, even when it feels like the world is ending, we can still find happiness in each other: “… then we smile at all our friends… Even when I’m weak and I’m breaking… I can see your faces. There is so much peace to be found in people’s faces.”
Also, as a belated Galentine’s treat, I’ll be seeing Kate Tempest live at the 6Music Festival on 8th March, as part of an incredible International Women’s Day line-up of her, Kim Gordon, Jehnny Beth and Nadine Shah at The Roundhouse. I cannot wait to catch some of the most incredible gals all in one place! (ML)

Shirley Ellis – ‘Soul Time’
I love this song, it’s just so much fun and completely infectious. Shirley Ellis often unfairly categorised as a novelty act by many music historians has a well earned place in the history of American soul. Funky, sophisticated and sassy. All the sisterly love for her! (TW)

Jackie Shane – ‘Any Other Way’
I include this song on lots of our GIHE playlists, but that’s because it makes for such a smooth, upbeat listen. Canadian soul singer Jackie Shane was not only a talented vocalist, she was also a pioneer for trans rights in the 60s. Any chance I get to play her music, I’ll happily take. (KC)

Track Of The Day: Gold Baby – ‘Dogbone’

Following the success of latest single ‘Philadelphia’, and having recently charmed us once again with their spellbinding live set at The Finsbury, London based Gold Baby – now consisting of Siân, Scott and Sara – are back with their first offering of 2020.

A heartfelt meditation on what it means to care, ‘Dogbone’ oozes a shimmering musicality and quirky charisma as Siân’s raw, confessional lyricism flows, showcasing the impressive range of her luscious, crystalline vocals. Building to an emotion strewn grunge-pop anthem, it’s a dreamy, yet refreshingly gritty, lamentation on life’s anxieties.

Watch the live video for ‘Dogbone’ here:

Or listen on Spotify now.

‘Dogbone’ is out now. Catch Gold Baby live at the single launch at The Waiting Room on 17th February.

Mari Lane
@marimindles

Photo Credit: Keira-Anee Photography

GIHE Ones To Watch 2020

Whilst 2020 may be looking pretty grim in the grand scheme of things at the moment, the array of amazing new music to look forward to is giving us hope… 

We’ve been introduced to so many fantastic bands and artists over the last year, but here we’ve selected just a few who’ve made a particularly lasting impression. Here’s our Ones To Watch 2020. Have a read and listen to the updated playlist on Spotify

LibraLibra
Having completely blown us away at our last gig at The Finsbury this month, and with an appearance on our radio show back in 2018, we’ve been massive fans of LibraLibra for a while now. With their immense dance-punk creations, the band ooze a unique dazzling magnetism, creating the colossal cacophony and overwhelming tribal power of tracks such as ‘Loverboy’ and ‘Tongues’. They’re truly unlike any other band I’ve come across, and with new releases on the way, I predict a big 2020 for the Brighton band.
(Mari Lane: Co-Founder/Managing Editor)

Sea Change
Norwegian electronic artist Sea Change (aka Ellen Sunde), sounds like she could be the introverted distant relation of Fever Ray. Her recent album Inside, is an impressive collection of instinctive, immensely enjoyable soundscapes that could fill busy dance floors, or soundtrack private moments of introspection in a dimly lit bedroom. I’m a big fan, and I’m hoping to catch her live in 2020.
(Kate Crudgington: Co-Founder/Features Editor)

Gold Baby
With a 2019 filled with line-up changes and a new sound, Gold Baby have charmed us on numerous occasions with their beautiful live set, and treated us to acoustic renditions of some of their songs on the radio show. Now, with a confirmed sparkly new line up, front woman Siân has been busy writing new material – offering some of the most dreamy, emotion-strewn creations you’ll ever hear, all held together with spellbinding, crystalline vocals. With a new single set for release in January, I can’t wait to hear more from the London-based trio in 2020.
(ML)

King Hannah
‘Crème Brûlée’, the debut single from Liverpool-based Hannah Merrick – aka King Hannah -, completely cast me under its spell on first listen, and has been one of my most repeatedly played earworms of 2019. With a sweeping, ethereal power and longing, impassioned vocals that flow with a majestic musicality, it’s just utterly compelling; a stunning introduction to the band who I hope to hear a lot more from in 2020. Although they’re just one single down, with already over 5000 streams on Spotify and a sound as captivating and original as this, I have a feeling that they’ll be enchanting many more ears over the next year.
(ML)

ARXX
Brighton power-duo ARXX have been on the GIHE radar for a while, and each time I see them play live, I’m blown away by their raucous guitar tunes and witty on-stage observations. Their headline show at The Finsbury for GIHE on International Women’s Day this year cemented to me that Hannah & Clara are a formidable, and incredibly funny pair of musicians who deserve to be propelled into bigger spotlights in 2020.
(KC)

Jemma Freeman and The Cosmic Something
Having released their debut album Oh Really, What’s That Then? earlier this year, via Trapped Animal Records, Jemma Freeman and The Cosmic Something have previously wowed us with the charismatic energy of their live show, and are swiftly becoming one of the most exciting bands on the London circuit. With their unique, soaring vocals and swirling, twinkling hooks, they create truly infectious slices of colourful psychedelia. Already counting Radio X’s John Kennedy as a fan, I predict that the distinct, vibrant sound of JFATC will be heard and loved by many more in 2020.
(ML)

Hurtling
With the release of their debut album Future From Here in October this year, Hurtling have already received acclaim from the likes of The Guardian and Louder Than War, and – on listening to their sun-drenched whirring hooks and sparkling psychedelic haze – it’s easy to see why. Fronted by Jen Macro (also of My Bloody Valentine), the band create fuzz-filled noise-pop anthems with an understated grit and sonic majesty. I can’t wait to catch Hurtling live for us at The Finsbury on 10th January, and to see where else 2020 takes them!
(ML)

Thanks to all the bands and artists who’ve got us through 2019, we can’t wait to see what you have in store for us next year. In the meantime, have a listen to all our highlights from the last twelve months, and our Ones To Watch for 2020 in our mega playlist here:

 

Mari Lane / @marimindles
Kate Crudgington / @kcbobcut 

Get In Her Ears Live @ The Finsbury w/ Salad, 08.11.19

Following a host of amazing bands playing for us lately, including GENN, Chorusgirl, Witching Waves, CLT DRP and Crumbs, we were back at The Finsbury last night with another dream of a line-up, for a jam-packed night of the best new music.

Kicking things off, and completely packing out the venue instantly, London trio Macadamia Sluts deliver their insightful pop-punk – delving into poignant subjects of toxic relationships and the struggles of being an introvert, with refreshingly confessional lyricism and an impassioned, buoyant energy they uplift and inspire; securing themselves as a definite new favourite band.

Next up, Gold Baby dazzle with their shimmering, heartfelt offerings on the first outing for completed new line up – consisting of Siân, Scott and Sara. The trio deliver dreamy lamentations on life, love and alternative realities, as glistening melodies flow alongside Siân’s utterly spellbinding crystalline vocals that ooze with a raw emotion. Just beautiful.

Penultimate band of the night, all the way from Seattle, Cozy Slippers charm us with their catchy, twinkling slices of indie-pop. Delivering delightfully jangly tales of stolen cars and lost love, they treat us to exquisite harmonies and a gentle romanticism that leaves each and every one of us with a smile on our face and a warmth in our hearts.

And then the secret’s out… our headliners reveal themselves to be reformed ’90 legends Salad. Kicking things off with an energy-fuelled rendition of last year’s single, ‘The Selfishness Of Love’, the band continue to treat us to offerings new and old, predominantly showcasing their latest album The Salad Way, released earlier this year, whilst fitting in classics such as ‘Drink The Elixir’. Oozing a vibrant charisma and sparkling pizazz, despite battling the flu, front woman Marijne leads the way in delivering a set jam-packed full of relentless riffs (courtesy of most recent member Charley Stone) and buoyant melodies, proving that Salad is well and truly back on the menu…

Massive thanks to all four bands for making last night so special, and to everyone who made it out to show support. Catch us next month, on 13th December, with headliners Screaming Toenail!

Words: Mari Lane / @marimindles
Photos: Keira-Anee Photography / @keiraanee

 

Track Of The Day: Gold Baby – ‘Philadelphia’

A dreamy lamentation about going too far, but realizing it way too late; Gold Baby‘s new single ‘Philadelphia’ is a bittersweet indie ballad that brims with buoyant guitar sounds and front woman Siân’s charming vocals.

The London-based band have undergone lineup changes over the few months, but members Siân and Scott have shown resilience in the face of adversity, and are now supported by loyal friends and musicians when playing live as a full band.

Described as “what it might sound like if Norah Jones wrote a Weezer song”, Gold Baby blend catchy, melodic guitar sounds with confessional lyricism, and latest single ‘Philadelphia’ is another shining example of this. Mixing the narratives of a night spent lost in Pennsylvania, with that of a Mexican fisherman lost at sea; Siân’s ambiguous lyrics will conjure up images of strange familiarity, even if you can’t directly relate to the track’s context.

Gold Baby will be releasing more new music in 2020, but before that, they’ll be playing live for us at The Finsbury Pub on Friday 8th November alongside Cozy Slippers, Macadamia Sluts, and a secret headliner…(event details here). Listen to ‘Philadelphia’ below and follow the band on Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: Gold Baby – ‘500/1’

Originally from Nottingham, London-based artist Siân Alex, aka Gold Baby, has been charming us with her sunny charisma and catchy offerings for some time. Now, with Gold Baby having gone through several incarnations, Siân has stepped up to lead guitar, the Sylvia Plath inspired band-name becoming a source of strength for her – “I am the pure gold baby. Out of the ash I rise with my red hair and I eat men like air.” Currently consisting of Siân and Scott, with other musicians stepping in to help with live shows, Gold Baby has shared a shimmering new single.

Flowing with luscious, crystalline vocals and gentle glistening melodies, ‘500/1’ sees Siân in conversation with a younger, doe-eyed version of herself, bitterly measuring up the years that have passed between them: “All I’ve learned is duller ways to waste my time”. Oozing a delicate romanticism and layers of jangling guitars, the track builds to an anthemic, emotion-strewn chorus, showcasing Gold Baby’s ability to create perfectly catchy, confessional indie-pop.

It’s simply impossible not to be swept off your feet by the silky smooth allure and subtle emotive power of Sian’s vocals, and I can’t wait to hear what Gold Baby have in store for us next.

 

‘500/1’ is out 10th July. Catch Gold Baby live at The Shacklewell Arms on 15th July.

Mari Lane
@marimindles

Photo Credit: Sarah Currie