Get In Her Ears w/ Bitch Falcon 10.12.20

Kate and Tash were back in the Hoxton Radio studio for the first time since Lockdown 2.0 ended in the UK, with a FULL playlist of new tunes from women & non-binary artists. Kate also caught up with Bitch Falcon’s vocalist & guitarist Lizzie Fitzpatrick to talk about lockdown life in Dublin, the band’s debut album Staring At Clocks, how much she loves Lady Gaga’s Chromatica and Bitch Falcon’s upcoming live-stream gig in collaboration with ‘Together With Electric Streams’ on 27th December (info and tickets here.)

Listen back:

Tracklist
Cyndi Lauper – She Bop
Dead Naked Hippies – Curiosity (Dawn)
CIRCE – Dancer
Bicep – Apricots
Tierra Whack – Peppers and Onions
Serena Isioma – Stop Calling The Police On Me
Miss Grit – Dark Side Of The Party
Elaine Malone – You (1000 Beasts Remix)
Biig Piig – Feels Right
Lime – Fever
About Bunny – Special
Amaroun (& Jung Mergs) – Highest Head
ZAND – Slut Money
STRAIGHT GIRL – Limón
Bitch Falcon – Gaslight
**Bitch Falcon – Interview with Lizzie Fitzpatrick**
Smoothboi Ezra – My Own Person
Magic Island – Easy Babe
Nervous Twitch – Tongue Tied
Big Joanie – Cut Your Hair
Charmpit – Bad Attitude
Maria BC – Adelaide
Nilufer Yanya – Crash
pink suits – Fake Great Britain
Petrol Girls – I Believe Them (Solidarity Not Silence)
Zola Jesus – Krunk
Kin – Wander & Lost
Party Fears – Time in Space
Taylor Swift – Blank Space

Get In Her Ears w/ Lucy O’Brien 05.11.20

Kate and Tash were back in the Hoxton Radio studio this week with a playlist full of tunes from women & non-binary artists. Tash caught up with author of She Bop Lucy O’Brien to talk about the 25th anniversary reissue of her book (which includes a mention of GIHE!) and her amazing experiences as a music journalist. You can order a copy of Lucy’s new book here.

Listen back:

Tracklist
Mazzy Star – Fade Into You
Scrounge – Etch
Technoir – II Male
Girlhood – It Might Take A Woman
Blonde Maze – Not All Flowers Bloom
CATBEAR – Girl Crush
Julia-Sophie – Breathe
Lido Pimienta – Eso Que Tu Haces
Seraphina Simone – O.M.D.
Amparo feat. AgesWild – Coral Eyes
Jessica Winter – Sad Music
Bitch Falcon – How Did I Know
Sister Ghost – Season Of The Witch
Cyndi Lauper – She Bop
**Interview with Lucy O’Brien**
Two Tribes – Cruel Sensuality
GRAMN. – Minimum
Tokky Horror – Sleeper
Screaming Toenail – Get Cute
Lizzy Laurance – Famous
Wallice – Punching Bag
Noga Erez – NO News On TV
Nina Simone – Ain’t Got No, I Got Life

ALBUM: Bitch Falcon – ‘Staring At Clocks’

An apt title for 2020, but one that would still resonate without the current social hellscape we’re living through, Bitch Falcon’s debut album Staring At Clocks is a blistering cacophony of grunge, post-punk and shoegaze inspired sounds. Set for release via Small Pond Records on 6th November, the Dublin trio’s first full length record sees them effortlessly galvanize their melodic tendencies with their trademark heaviness, resulting in a visceral yet graceful collection of noise.

Bitch Falcon have been cutting their teeth on the Irish and UK live circuits for the past few years, sharing stages with Girl Band, Fontaines DC, Torche, Black Peaks and Pussy Riot, as well as playing live for GIHE back in 2017. Since then, the band have been carefully channelling their formidable live presence into polished recordings, and Staring At Clocks is proof that they’ve mastered this craft. Opener ‘I’m Ready Now’ is an affirmation of this, filled with drummer Nigel Kenny’s racing beats, Barry O’Sullivan’s thundering bass lines and Lizzie Fitzpatrick’s powerhouse vocals.

‘Sold Youth’ intoxicates with its swirling grungy melodies, followed by the rapturous splendour of ‘Turned To Gold’. Despite being about the exhaustion that comes with stretching yourself emotionally thin for a loved one, the restless riffs and charged percussion on ‘How Did I Know?’ provide a fierce catharsis. The eponymous ‘Staring At Clocks’ is permeated by Fitzpatrick’s dreamy vocals, building towards a riotous outro full of bruising bass lines, manic guitar sounds and relentless drums. Exploring the fleeting feelings of running away and escaping your situation, ‘Test Trip’ is a formidable fluctuation of soothing and abrasive elements.

Effortlessly switching from a savage scream to a sublime extended yearning, Fitzpatrick’s elastic vocal ability never fails to impress throughout the record, and admiration for her natural talent swells with each listen. On ‘Martyr’, ‘Damp Breath’ and ‘Gaslight’ in particular, there’s even echoes of the mighty Bjork during her ‘Army Of Me’ era. Fitzpatrick’s intuition for knowing exactly when to unleash a cord-ripper, or to lull listeners with a hushed intonation is matched by Kenny’s razor sharp cymbal strikes and O’Sullivan’s brooding bass hooks and epic closing track ‘Harvester’ is a clear amalgamation of these talents.

An enviably strong debut, Staring At Clocks is propelled by gritty riffs, urgent vocals and a striking awareness of what it means to take your time, to reflect on what you’ve been through and to charge on through the dissonance. Bitch Falcon should take pride in this immense first full length offering and we can’t wait to hear it live when the coast is eventually clear.

Pre-order your copy of Staring At Clocks from bandcamp.

Follow Bitch Falcon on Instagram, SpotifyFacebook & Twitter for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: Zilched – ‘Sixteen’

A swirling, grungy reflection on the contradictions that come with growing up, Detroit-based songwriter Zilched has shared her latest single ‘Sixteen’. Lifted from her recent debut album DOOMPOP, released via Young Heavy Souls, the track smoulders with fuzzy guitar sounds, frantic drums and Zilched’s strung out vocals.

“It’s more or less about questioning both what marks a loss of innocence, and the obsessive purgatory of waiting for your life to start,” Zilched (aka Chloë Drallos) explains about ‘Sixteen’. She explores the sting of being caught between adolescence and adulthood through moody reverb-heavy guitars and her deadpan Kim Gordon-esque vocal delivery.

Inspired by 90s grunge icons like Nirvana and The Jesus and Mary Chain, Zilched has channelled her influences into a collection of compelling noise-pop tracks on debut record DOOMPOP. “It’s an honest reflection of my attempts to grow up and make sense of absurdity,” she explains about the album. “I wrote the first song in my last month of high school at 18, and finished recording/producing just a month after my 20th birthday. With these songs I wanted to go as deep into my insecurities and confusion, however immature I felt. Just write what I felt when I felt it in order to move on.”

Watch the self-directed video for ‘Sixteen’ below and follow Zilched on bandcamp, Facebook & Instagram for more updates.

Kate Crudgington
@KCBobCut