INTERVIEW: House Of Women

Fresh from performing alongside Coach Party and Bedroom High Club at London’s Omeara, Hackney-based alt-rock trio House Of Women are reflecting on a productive year. From playing knockout sets at All Points East and 2000trees festivals in the summer, to self-releasing their debut EP, People Printing, in November; together, Elsa Malazogu (guitar), Poppy Miller (guitar) and Kyla Lanai (vocals, piano) have created a compelling sound and statement that hints at a band with truly exciting potential.

We caught up with the trio to talk about their roots, their inspirations, and the pros and cons that come with independently releasing your own music…

Hello Poppy, Kyla and Elsa! For anyone who doesn’t already know, can you tell us how you first met and formed House Of Women?

Poppy: Me and Kyla met at a music collage in East London, we started writing some songs together and came up with the name. We saw Elsa at a college rehearsal and I remember seeing this tiny girl on stage, but she stood out so well. We asked her if she was in a band already, she said she was, however never mentioned this mystery band ever again. Here we are…

Kyla: Poppy and I were in the same year in college and became friends because of it. I remember us talking about how we both had always wanted to start a band and decided to start writing some music together over the summer. Elsa was the year below us and we met her while we were watching one of her project rehearsals in college. We saw her playing and thought we’d ask her to come and try a rehearsal with us.

Elsa: From the first industry lesson I took joining music college, I picked House of Women as one of the artists on the list to listen to in class – having no idea ‘what’ it was. After having a listen and instantly loving the demo, I then surprisingly saw the two piece (Kyla and Poppy) live which sparked a memory for me back to that industry lesson. Couple days later, whilst rehearsing for my first project at school, I was approached by Kyla and Poppy after hearing some good reviews about my playing, where they asked the special question “do you want to jam sometime?” The rest was history… although they may say I was ‘playing hard to get’, I was definitely in a casual band before!

Sometimes playing hard to get (even if you actually aren’t) is the way to go! Congratulations on releasing your debut EP, People Printing, back in November. What are you most proud of about this record?

Poppy: Thank you! I’m most proud of the sound we have curated so far and the songwriting. I also love the seamlessness from ‘Elsa’s Lullaby’ going into ‘The Arc’.

Kyla: Personally, I’m proud of the songwriter that I have become by writing with House of Women. I think that we have started to really develop our own sound and that’s something that you can hear on the EP.

Elsa: This EP release has been our biggest project yet! The thing I’m most proud about is the structure of the EP. I strongly feel that it has a good flow from start to end, and thought deeply about the journey we wanted [people to have] whilst listening to 27 minutes of House of Women. Like our songs, we jump from soft verses/instrumentals to belting vocals and heavy distorted guitars; you get a strong sense of what House of Women is from People Printing.

Your sound is informed by lots of seminal 90s bands: Alice in Chains, Mazzy Star, PJ Harvey, Sonic Youth, Nick Cave and Jeff Buckley. Can you tell us what it is about these artists that inspired you to write your own music?

Poppy: I love the chords Jeff Buckley uses. They can be so bright and beautiful, matching his voice, but also heavy and dark at times. I love the rotations and progressions he writes; it all feels very cyclical.

Kyla: I always focus on vocalists and how different people add their vocals to instrumentals. I think that Alice in Chains, Mazzy Star and Jeff Buckley are my biggest inspirations because they all have vocals that really compliment the songs and add something relevant to them rather than take over.

Elsa: From my perspective of writing, I am a hard Alice in Chains’= fan, in all elements. Jerry Cantrell’s melodies and original grunge sound is very inspiring to me. We fit in with them as they have an equal share of rhythm and lead guitars as well as a large vocal range that Lane Stayley has. Or, I just love them to be honest…

You self-released your EP, People Printing. What are the pros and cons of this independent process? What advice would you give to bands or artists who are contemplating doing the same?

Poppy: It’s scary just putting stuff into the world hoping it gets noticed, but also very freeing. We just went into the studio and did what we wanted. Highly recommend.

Kyla: I think that it’s definitely scary to put yourself out there alone and release music for everyone to hear, but I would say take all of the opportunities that you can get and start as soon as you can.

Elsa: We went through EMU bands for our distribution process which was quite straightforward and a quick process. Originally we tried CD Baby, however there was difficulty with the American tax system therefore we had to switch to avoid complications and potentially paying more – that’s up to you to decide of course. Personally, I think it gets difficult when connecting your PRS account (which I should complete actually…) and knowing when the best time is to apply for playlists.

Do you have a favourite track on the EP? If so, why?

Poppy: I love ‘Elsa’s Lullaby’, It’s just so cool. ‘Hypocrite’ is a tune though.

Kyla: I think that ‘Few Too Many Times’ will always hold a special place in my heart, but ‘Hypocrite’ is one that I am proudest of both lyrically and vocally.

Elsa: I could easily say ‘Elsa’s Lullaby’ but I’m going to think further away than just my name. Even though it presents a dark, atmospheric feel with a dissonant melody that will keep you on edge, I have to say that I love ‘Hypocrite’. Our longest song YET. Especially our 2 minute long bridge that returns back to the headbanging riff that everyone loves! Mmmmhh It’s a good end to the EP.

You’ve played some great gigs this year, including a headline show at Notting Hill Arts Club and festival slots at All Points East and 2000trees. Tell us some of the highlights from these performances?

Poppy: I loved our Notting Hill Arts Club EP release. The room had so much energy and sweat it was beautiful. I left my guitar feeding back on the stage floor before coming back for an encore, It definitely felt pretty rockstar.

Kyla: I think that 2000 Trees was a big highlight of the year for me, because of how beautiful the stage was and the festival overall had an amazing atmosphere. I loved Notting Hill Arts club because it was one of the best crowds we’ve ever had with so much interaction from the audience.

Elsa: I’m very grateful for opportunities such as All Points East and 2000 Trees. The feeling of being backstage with other artists and playing your own songs on a massive stage is a great accomplishment. Oh, Also having my brother sent to the hospital at the end of 2000 Trees was a highlight! Maybe crowd surfing isn’t for everyone…

That sounds intense. He’s clearly your most dedicated fan.

We know you’ve been busy releasing your own music, but is there an EP or album that you have loved listening to from another band/artist this year?

Poppy: I’m gonna have to say LoggerHead by Wu-Lu. I’m late to it though, it was released in 2022. But definitely been one of my faves I’ve been listening to this year.

Kyla: I’ve really been enjoying Volcano by Jungle and although it was actually release in 2018 I have just discovered and have really been enjoying Errorzone by Vein.fm.

Elsa: Apart from the one and only EP People Printing, next in line has to be GLOW ON by Turnstile in 2021. I absolutely love their nasty breakdowns with a touch of percussion and catchy melodies. You will catch me headbanging at a Turnstile concert for sure with our manager Danny. I’m forcing you

Finally, can you tell us any plans House Of Women might have for new music in 2024?

Poppy: We’ve been writing loads and loads and we’re hoping to get back in the studio ASAP.

Kyla: We have some new songs that I would love for us to record…

Elsa: New music New music New music! Definitely coming your way. Although, nothing ready to release just yet, we have plans set, might even surprise you…

Follow House Of Women on YouTube, Spotify, (X), Instagram and via their Official Website

Kate Crudgington
@KCBobCut

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GIHE: Tracks Of 2023

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times, and generally saw us through 2023.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2023’ ahead of features on our favourite albums, ‘Highlights’ and ‘Ones To Watch 2024’… Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying playlist to hear just how fantastic they all are! (In addition to listening to the playlist, if you particularly love any of the tracks, please do follow the artists on social media and, if you can, buy their music and merch via Bandcamp or their websites).

pink suits – ‘Refuse The Rules’
Margate queer punk duo pink suits have been big faves of mine for a couple of years now, and have blown us away playing live for us at Shacklewell Arms a couple of times. ‘Refuse The Rules’ is the first taster of their upcoming (and perfectly named) second album, Dystopian Hellscape, which is set for release in Spring next year. The track offers a scream for space; a refusal of the rules that have been historically created to limit people’s lives and freedoms. A short and sharp rallying cry inciting us to stand up and make our voices heard in the face of suppression and aggression. Something we need now more than ever. Also, while I’m talking about my love of pink suits, I think one of the most fun events of the year for me was attending their first London Queer Cuntry with fellow GIHE writer and door person extraordinaire Kirstie. They’ve been hosting them regularly in Margate for some time, but are now building on its success and this was hopefully the first of many more in London… It really was such a joyous night; performances ranging from acoustic country ballads, to drag and cabaret, all with an unapologetically queer energy and unifying spirit.
Find out more about pink suits here.
(Mari Lane – GIHE Co-Founder)

Jock – ‘Spoilsport’
I love this driving, potent anthem from Belfast-based queer band Jock – new GIHE favourites for sure! Orla from the band explains: “’Spoilsport’ is a punk song written in reaction to the ‘culture of silence’ surrounding sexual assault cases in Belfast” – we’re all about protest songs here at GIHE so we fully support Jock’s message. Newly signed to one of our favourite labels VETA Records, I’m looking forward to hearing more from the band in 2024.
Find out more about Jock here.
(Kate Crudgington – GIHE Co-Founder)

Scrounge – ‘Starve’
I got to see long time GIHE faves Scrounge in the tiny but intimately delightful basement of Third Man Records last month. The sound in there is fantastic, what a venue to hear Scrounge banging out their tunes – as expected Lucy and Luke were brilliant. We love them.
Find out more about Scrounge here.
(Tash Walker – GIHE Co-Founder)

Gender Chores – ‘Dysphurious’
Having shared stages with the likes of Problem Patterns, Strange New Places and Sister Ghost, Belfast punks Gender Chores create empowering anthems defending reproductive rights, resisting the patriarchy and documenting the human cost of late-stage capitalism. A reflection on coming out as non-binary – a subject that’s very close to the band’s hearts – ‘Dysphurious’ offers an energising boost of confidence to be your true self in the face of adversity. The track was recorded at Belfast’s Start Together studios with GIHE fave Rocky O’Reilly. Find out more about Gender Chores here. (ML)

Touch Excellent – ‘Couch Song’
This is a very cute tune from Dublin pop punks Touch Excellent. Full of dreamy vocals, relatable lyrics and melodic riffs, ‘Couch Song’ is a buoyant musing on introversion and attraction at house parties, and how these dueling states play out in a crowded room.
Find out more about Touch Excellent here. (KC)

Panic Pocket – ‘Get Me’
Natalie and Sophie – aka Panic Pocket – released their debut album Mad Half Hour this year via Skep Wax records, and it’s been a definite highlight. I’ve been a huge fan of these two since they first played live for us back in 2019, and just can’t get enough of their uplifting indie-pop and tongue-in-cheek wit that fizzes throughout each release. ‘Get Me’ offers a sassy take on the “claustrophobic questions about settling down”, and showcases the duo’s new-found rockier sound, with the addition of ‘back pocket’ band members Healey Becks (Fightmilk) and Laura Ankles (Colour Me Wednesday). I’m super excited that Panic Pocket will be playing for us again at our next gig at Shacklewell Arms on 2nd Dec, supporting German band Roller Derby – nab tickets on Dice now. Find out more about Panic Pocket here. (ML)

Small Crush – ‘Rumblin’ Tummy’
Having released their second album, Penelope, this year, Bay area band Small Crush have been one of my favourite new discoveries. With their own distinct brand of dreamy surf-pop, I can’t get enough of their shimmering energy and whimsical nostalgic charm. They just seem to be able to perfectly balance vulnerable a raw emotion with blissful, carefree vibes and glistening allure. Find out more about Small Crush here. (ML)

Softcult – ‘Haunt You Still’
I’m a big fan of Toronto-based sibling duo Softcult. This track is a shimmering reflection on the mark we leave on others in the extended aftermath of a breakup, whether that’s platonic or romantic. Full of their trademark shadowy, swirling riffs and soft dual vocals, they explore accountability and atonement on this bittersweet offering. Haunting in all the right ways. Find out more about Softcult here. (KC)

O Hell – ‘hard times’
The chorus to this O Hell track hit me right in sternum the first time I heard it. The solo project of Projector’s Lucy Sheehan, O Hell tenderly navigates the uncertain territory between romantic and platonic love on this track; dismissing the idea that we always need to burn bridges in the aftermath of a relationship. Over atmospheric beats, cinematic synths and idiosyncratic samples, Sheehan acknowledges that we need time to recover, but true closure comes from accepting change, and moving forward with optimism, even if that goes against the grain. Find out more about O Hell here. (KC)

Hand Habits – ‘The Bust Of Nefertiti’
LA based artist Meg Duffy – aka Hand Habits – released their EP Sugar The Bruise earlier this year; a collection of songs focused on being in the moment. The EP was written after Duffy had taught a month long songwriting class last summer, in which they discovered a newfound clarity in embracing the unknown. I just really love this track’s driving emotion and cinematic soundscape – it’s been one of my most-listened to songs of 2023 for sure.
Find out more about Hand Habits here. (ML)

girl with dream – ‘H.R.T’ (Heart Replacement Theory)
One of my favourite songs of this year, from girl with dream who I first heard almost a year ago when they reached out to me via email. Girl with dream is the project of trans singer-songwriter Chris Lawson and Rhy Climenhage. And this song is all about the sacred power found in embracing yourself and participating in the an act of healing, guided by self-love and harnessing agency. Something that we can all lean into a bit more I think, and a lovely note to take us from 2023 to 2024. Find out more about girl with dream here. (TW)

Becca Mancari (ft. Julien Baker) – ‘Over and Over’
Having collaborated with big names such as Hayley Williams (Paramore) and Julien Baker (boygenius), Nashville artist Becca Mancari released latest album, Left Hand, this year. Rippling throughout with a beautifully heartfelt emotion and twinkling musicality, it offers a dreamy and gently empowering reflection on queer identities and our relation to the natural world; a shimmering and relatable ode to being your true self. I was lucky enough to chat to Becca back in September, have a read! Find out more about about Becca Mancari here.
(ML)

Nina Keith – ‘Blow Up Yr Life (U Need To)’
A comforting reminder to let go of negativity and doubt, ‘Blow Up Yr Life (U Need To)’ is a gentle offering from LA-based trans artist, producer and composer Nina Keith. Featuring the vocals of indie pop artist Barrie and composer and musician Qur’an Shaheed, the track is a considered, delicate blend of lilting electronics, fragmented voices and crisp production, all of which melt together to create an exquisite, emotive listening experience.
Find out more about Nina Keith here. (KC)

Sheherazaad – ‘Mashoor’
One of my most-listened to songs of the year comes from New York based artist Sheherazaad with her debut single, ‘Mashoor’. Reflecting on her South Asian sonic lineage, it draws on themes of displacement and nostalgia with a contemporary, genre-defying spirit. Exuding an exquisite rippling allure, Sherherazaad’s sumptuous vocals flow throughout, allowing ‘Mashoor’ to immerse you in its soaring, spellbinding beauty on first listen. It’s just exquisite and I can’t wait to hear more from Sheherazaad in 2024.
Find out more about Sheherazaad here. (ML)

Twin Rains – ‘You’re The Only One’
This apocalyptic reflection on love from Toronto-based Twin Rains has been swirling around my skull all year. Full of intoxicating riffs and smooth vocals, it’s a potent blend of dream pop and psych rock with an electronic edge, and I can’t stop listening to it.
Find out more about Twin Rains here. (KC)

Brenda – ‘Microscopic Babe’
Glaswegian band Brenda joined us on the radio show earlier this year. I love their self-titled album, each song is like a different fairground ride, chaotic bangers! We’ve had some amazing guests joining us here in the studio at Soho Radio throughout 2023. So, remember you can always listen back to our past shows here! Find out more about Brenda here. (TW)

Girl Ray – ‘Everybody’s Saying That’
I think ‘Everybody’s Saying That’ showcases all there is to love about Girl Ray. It’s taken from this year’s album Prestige, which is inspired by the ballroom scene of the 1980s, and oozes bucketfuls of queer joy throughout. Being one of my total faves, it was a real honour to interview Girl Ray this year – they were even lovelier than expected! I also was lucky enough to catch them live (an experience that always leaves me feeling super happy and nourished) for about the fifth time a couple of weeks back at Village Underground – a night filled with blissful vibes, celebrating the new album and all the band has achieved. I continue to love everything that Poppy, Sophie and Iris do – and can’t wait to see what they do next. Find out more about Girl Ray here. (ML)

Say She She – ‘Astral Plane’
I caught Say She She in all their glory at Village Underground earlier this year and they were honestly exceptional. If you get the change to catch Say She She live, grab it with all your fingers! I had the best night bopping along in the crowd.
Find out more about Say She She here. (TW)

Bas Jan – ‘No More Swamp’
London collective, and long time faves, Bas Jan, released their new album Back To The Swamp this year, and this fellow swamp-themed track ‘No More Swamp’ perfectly showcases the band’s trademark quirky energy and perceptive songwriting ability. Reflecting on how the band’s lives have changed over the years, it interweaves shimmering instrumentation to create a wonderfully danceable cacophony. Find out more about Bas Jan here. (ML)

Sylvan Esso – ‘Echo Party’
This track by Sylvan Esso came out at the beginning of 2023. What an epic tune, the production is just sublime, and it has not stopped me dancing since I first played it on our February radio show at the beginning of the year. How good is that!! 
Find out more about Sylvan Esso here. (TW)

jellyskin – ‘Bringer of Brine’
Leeds-based electronic duo jellyskin were one of my favourite new music discoveries this year. ‘Bringer of Brine’ is taken from their debut album, In Brine, which they released via Wrong Speed Records back in June. They’ve combined throbbing beats, hypnotic vocals and industrial-techno inspired synths to create this manic and massively enjoyable anthem.
Find out more about jellyskin here. (KC)

Gabriel Gifford ft. Apthy Khéa – ‘Voice From The Wind’
I love this collaboration between Berlin-based producer Gabriel Gifford and Greek-born artist Aphty Khéa. Featured on Gifford’s concept mini-album, Hailstone King, which explores themes of grief, masculinity, mental health, identity and legacy through the story of a mythical king, ‘Voice From The Wind’ is described as an experimental anthem that tackles queerphobic attitudes. Sung in their native Greek language, Aphty Khéa’s potent voice compliments Gifford’s deconstructed club beats so well.
Find out more about Gabriel Gifford here. (KC)

Maria Uzor – ‘Ventolin’
I think it’s fair to say that Maria Uzor is one of our GIHE all time fave artists, and this has been such an amazing year for her. It’s such a joy watching an artist you support and admire receive the deserved praise and accolades they deserve. And, to round it all off with an amazing album Soft Cuts which she released this autumn, celebrating with a fantastic launch party at the Windmill in Brixton. Sublime. 10 out of 10. And this is one of my favourite tracks from the album – shout out to all my fellow ventolin users out there!
Find out more about Maria Uzor here. (TW)

Lauren Auder – ‘the ripple’
Lifted from her highly anticipated debut album, the infinite spine, ‘the ripple’ is a tenacious alt-pop gem that showcases London-based, French-born musician Lauren Auder’s distinctive artistic talent. Her album is a potent, pop-drenched exploration and celebration of her true self, and what it’s like being a trans woman in a world that increasingly tries to deny trans women the right to exist on their own terms. Described as “the monkey’s paw of having your voice heard,” ‘the ripple’ is Auder’s rallying cry “to accept, to be duped / to not grimace at the absolute”, a message that she fully delivers via racing, distorted electronics and cathartic screams that permeate the track’s chorus.
Find out more about Lauren Auder here. (KC)

Dermabrasion – ‘Halbadier’
I love this ominous cacophony of industrial-tinged post punk from Toronto-based duo Dermabrasion. Taken from their upcoming debut album, Pain Behaviour, which is set for release on 26th January 2024 via Hand Drawn Dracula, ‘Halbadier’ is a heavy, brooding gothic anthem that rumbles with discontent. Find out more about Dermabrasion here. (KC)

afromerm – ‘held’
Oram Award-winning artist and producer afromerm shared her debut single ‘held’ exclusively on bandcamp back in July. Formerly known as CIL (who we named as one of our ‘Ones To Watch‘ in 2022) under her updated moniker, afromerm is marking a “new era” of her journey into sound. ‘held’ is an eclectic rumination on the duality of emotion, flowing with afromerm’s instinctive musicality. It was a pleasure to interview her on our November Soho Radio show this year too. Listen back here. Find out more about afromerm here. (KC)

Massive thanks to all the artists and bands creating wonderful tunes this year – be sure to check them out and support their work! And keep an eye out for our Albums & EPs Of The Year, 2023 Highlights and Ones To Watch for 2024.

Listen to our Tracks Of 2023 playlist now!

 

Get In Her Ears1 Comment

LISTEN: GIHE on Soho Radio Highlights of 2023 (11.12.23)

All three of the GIHE team were were back on Soho Radio’s airwaves for one final time this year, playing some of their favourite tracks that were released in 2023 by female, non-binary and LGBTQIA+ artists. Tash, Kate and Mari enthused about the eclectic mix of tracks on the playlist, including Maria Uzor, Circe, ARXX, SPIDER, Problem Patterns, Brenda, O Hell, Joanna Sternberg, Panic Pocket, Say She She and more.

The trio spoke about their favourite gigs, albums and tracks of the year, plus, they threw in a some alternative festive tracks from Tits Up, Peaness and Wyldest – ’tis the season after all. They also laughed their way through Great Western Train delays, Christmas party memories and fan-girled heavily over ARXX and Problem Patterns.

Huge love to everyone who has been a guest in the Soho Radio studio, or who’s listened in to our shows this year. Thank you for your support. We’ll be back on air in January 2024. Take it easy until then. x

Listen back to the show below:

Tracklist
The Big Moon – Carol Of The Bells
Sylvan Esso – Echo Party
Maria Uzor – Ventolin
Coolgirl – Druid’s Hood
pink suits – Refuse The Rules
Problem Patterns – Letter Of Resignation
girl with dream – H.R.T. (Heart Replacement Theory)
Girl Ray – Everybody’s Saying That
ARXX – Ride Or Die
CLT DRP – Nothing Clever, Just Feelings
Lauren Auder – The Ripple
Aldous Harding – The Barrel
Joanna Sternberg – I’ve Got Me
Tits Up – ChristmASS
Peaness – Kiss Me, Sweet Pea
Wyldest – Office Christmas Party
Scrounge – Starve
English Teacher – The World’s Biggest Paving Slab
O Hell – Hard Times
Circe – Riot Of Sunlight
ANONHI, Mykki Blanco, Kelsey Lu – French Lessons
Brenda – Microscopic Babe
Say She She – Astral Plane
Dream Phone – Bad Girls
SPIDER – America’s Next Top Model
Panic Pocket – Get Me
Anenome – Dregs
Sheherazaad – Mashoor
Midwife & Vyva Melinkolya – Hounds Of Heaven
Norah Jones – Blue Christmas

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PLAYLIST: November 2023

The Get In Her Ears team have put together another eclectic mix of pure punk anthems, indie & alternative tunes, grunge & shoegaze musings and alt-pop and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Problem Patterns – ‘Terfs Out’
Hosting Problem Patterns’ sold out London gig at Sebright Arms last Friday was a total dream. The second time they’ve played for us, and with support from total faves Fightmilk and band-on-the-rise Dogviolet, it was a wonderful night, topped off with an epic headline set from the Belfast punks – uniting the crowd in solidarity with both their swirling righteous anger and vibrant, joyous sense of fun. ‘Terfs Out’ is always a particularly powerful song to witness live, and one whose message in support of our Trans siblings is more poignant now than ever: “LGB is nothing if not for the T / so show up with some real solidarity.” Problem Patterns remain one of the most exciting bands around and deserve every success to come their way; having recently won a Northern Irish Music prize for best video, released their incredible debut album, Blouse Club, and shared a stage with total legends Le Tigre. I cannot wait to see what they have in store for us next.
(Mari Lane – Managing Editor)

pink suits – ‘Refuse The Rules’
Having blown us away with their immense live show on more than one occasion, Margate queer punk duo pink suits have become firm favourites at GIHE. We couldn’t be happier to hear that they’ll be releasing their second album in Spring 2024. Our first taster from the record comes in the form of perfectly raging new single, ‘Refuse The Rules’. Just over a minute and a half of pure empowered rage, it’s a scream for space – a refusal of the rules that have been historically created to limit people’s lives and freedoms. As Ray’s fierce growl and driving beats seethe alongside Lennie’s frenzied raw hooks, it offers a perfect raging catharsis; a short and sharp rallying cry, inciting us to stand up and make our voices heard in the face of suppression and aggression. Dystopian Hellscape, the upcoming second album from pink suits, is set for release in Spring 2024. (ML)

The Menstrual Cramps – ‘Body Politics’
I’ve been waiting a long time for new music from Bristol-based punk legends The Menstrual Cramps, and now it’s finally here! Released via the loveliest of labels, Alcopop! Records and sounding as vital as ever, ‘Body Politics’ is based around American philosopher Judith Butler’s idea of gender performativity (from her book ‘Gender Trouble’), and rallies against the ways in which gender constructs are forced upon us all under capitalism to benefit the patriarchal structure. Seething with their trademark ferocious energy, and building to a fierce RATM-esque climax, it’s a perfectly empowering and cathartic explosion of necessary rage. (ML)

Touch Excellent – ‘Overtone’
This is the latest single from Dublin punks Touch Excellent, who have described it as a “Trans Rights Anthem”. The track reflects on the band’s own experiences of the years-long waiting lists they’ve faced when trying to access trans health care in Ireland. They explain that the “heart of the song” is the personified “long wait”, where lead singer Lenny holds a 21 second wailing note, demonstrating the extended frustrations of those who are still waiting to be treated. (Kate Crudgington – Features Editor)

Jock – ‘Moving’
Belfast based queer punk band Jock have recently joined the VETA Records roster, and released this new anthem titled ‘Moving’. It’s inspired by the housing crisis in Northern Ireland and further afield, rumbling with a raw and righteous discontent. (KC)

HAVVK – ‘City Creep’
The latest single from total faves, Irish band HAVVK, ‘City Creep’ offers a stirring reflection on the impact that Dublin’s housing crisis is having on cultural spaces in the city. Propelled by a fierce energy as celestial vocals and scuzzy hooks seethe with an unrelenting sense of urgency, it showcases the band’s ability to exquisitely create a shimmering immersive grace whilst emanating a raw, politically-charged rage. ‘City Creep’ is out now via VETA Records, and we cannot wait for HAVVK to return to the Get In Her Ears stage, headlining for us on 28th March next year at Shacklewell Arms. Tickets are cheaper in advance. Get yours here. (ML)

SPRINTS – ‘Shadow Of A Doubt’
Described as their “most vulnerable moment to date”, Dublin punks SPRINTS have shared this cathartic anthem, which deals with the experience of “trauma, depression and the aftermath.” Vocalist and guitarist Karla Chubb’s clear, cutting lyrics reveal the intensity and range of emotions that underscored the track’s conception, which tentatively builds to a swell of all-encompassing noise. ‘Shadow Of A Doubt’ is taken from SPRINTS upcoming debut album, Letter To Self, which is set for release on 5th January 2024 via City Slang. (KC)

Schande – ‘52 Hz’
I’ve been a big fan of Schande for some time now, especially since they charmed our socks off at our first gig post-covid in November 2021. Their new single ‘52 Hz’ offers a soaring slice of shimmering shoegaze-tinged indie-pop; inspired by a whale whose calls resonate at a different frequency than other whales, it flutters with fizzing hooks and Jen Chochinov’s distinctive brooding vocals. A truly dreamy sonic experience. ‘52 Hz’ is out now via The Daydream Library Series, the house record label of Thurston Moore & Eva Prinz’ Ecstatic Peace Library. (ML)

Dermabrasion – ‘Goblin Dance’
This is only the second track I’ve heard from Dermabrasion, but the Toronto-based duo are fast becoming firm favourites of mine. Such a banger! ‘Goblin Dance’ is taken from the band’s upcoming debut album, Pain Behaviour, which is set for release on 26th January via Hand Drawn Dracula. (KC)

Meg Elsier – ‘iznotreal’
I love this new single from Nashville-based artist Meg Elsier. Punishingly heavy riffs and soft, sultry vocals – strong #GloomyGirl vibes, which we all know, are the best type of vibes. Check out the excellent accompanying video for it here. (KC)

Wisp – ‘Once then we’ll be free’
19 year old San Francisco-based artist WISP makes music inspired by the likes of Deftones, My Bloody Valentine and Whirr. This is her latest single and it’s full of brooding bass lines, hushed vocals and heavy reverb. I’m looking forward to hearing more from her in the near future. (KC)

Softcult – ‘Haunt You Still’
Toronto-based duo Softcult’s latest single is a shimmering reflection on the mark we leave on others in the extended aftermath of a breakup. Full of their trademark shadowy, swirling riffs and soft dual vocals, the band explore accountability and atonement on this bittersweet offering. (KC)

body / negative ft. Midwife – ‘sleepy’
This delicate lullaby by body / negative is a tender, moving ode to their late parents, accompanied by a deeply nostalgic video. I’ve loved everything that body / negative has released this year, and I’m looking forward to hearing their new record, everett, in full when it’s out on 8th December. (KC)

House Of Women – ‘Hypocrite’
London-based newcomers House Of Women released their debut EP, People Printing, via their own label earlier this month, and this track ‘Hypocrite’ is a standout listen. They will be headlining London’s Omeara on 5th December, so grab a ticket if you like what you hear. (KC)

Felicette – ‘Go To Hell’
Named after the first cat in space, Felicette are your new favourite DIY indie-pop band, formed of members of faves like Cheerbleederz, Supermilk and Doe. Set to release their debut EP next month, they’ve now shared the title track – a wonderfully scuzzy ode to the catharsis that comes with being honest about your feelings after being hurt. I love its grunge-tinged hooks and gritty energy, and can’t wait to hear more from this lot! Go To Hell, the debut EP from Felicette, is out on 5th December via Everything Sucks Music. (ML)

King Isis – ‘Make It Up’
“I wrote the first version of this song at home, going through lows in love and life,” explains Oakland-born artist King Isis about their latest single. Full of angsty lyrics and their smooth vocals, ‘Make It Up’ is a taste of what’s to come from the artist in the near future. The track is also accompanied by a brooding, vampire themed video, which you can watch here. (KC)

ARXX – ‘Baby Uh Huh’
As if a single from ARXX wasn’t exciting enough, the new one features a whole chorus of favourites! Including familiar voices from the likes of CLT DRP, Cherym, Soft Lad, Ailbhe Reddy, and DIY legend Beth White, this rendition of ‘Baby Uh Huh’ is a beautifully uplifting and empowering anthem, released to raise funds for We Exist – whose work is invaluable in supporting trans and queer communities. ARXX explain: “We were looking at the world around us, at all the attacks on Queer lives and in particular Trans lives, and we wanted to do something to show our support with our Queer community. ‘Baby Uh Huh’ is about finding the right people to surround yourself with to make you a better version of yourself, which is a very Queer experience.” Once again establishing themselves as master creators of the freshest, most addictive and most euphoric anthems, ARXX continue to make me fall more and more in love with them with each release. I can’t wait to see them live again on 7th December at The Lexington! Tickets still available here. (ML)

Personnel – ‘Her City I Was After’
Taken from their forthcoming album set for release next year, ‘Her City I Was After’ by Personnel was released via queer record label Staying Out Records. It’s a kind of unrequited love song to Soho. The song draws on places and characters finding queer life in London from the 30s to the 70s, with the video bringing it alive in the 90s, using archival footage by film maker Mark Harriott of direct action queer activist group OUTRAGE! Check it out now. The more I listen to that song the more I love it. (Tash Walker – Digital Editor)

ALYSS – ‘Hydra’
I am SO into this track from Alyss, who played live for us back in 2018 at Notting Hill Arts Club – which was such a great show! Talking about the track, ALYSS explains: “She is one. A singular point that has roamed between the shadow & ether of every cell for the past 7 years”. (TW)

Catherine Moan – ‘Undo Undo’
Another heady dose of synth-pop from Catherine Moan here. Released via Born Losers Records, the track is an intoxicating blend of Catherine’s honeyed vocals, 80s-esque electronics and catchy beats. (KC)

Seraphina Simone – ‘Liverpool’
This was my Track Of the Show on November’s Soho Radio show, we are LOVING it at Get In Her Ears! Seraphina wrote this while on tour with Self Esteem in Liverpool, and it’s all about love, loss and memory. Close your eyes and allow yourselves to dive deep into the sounds of Seraphina Simone. (TW)

Stainwasher – ‘Circle Trails’
Stockholm-based musician Stainwasher has released this “slowcore/dreampop gem” that explores how counterproductive infatuation and obsession can be. Released via Oh Sister Records, it’s a bittersweet, shoegazey rumination on wasted time. (KC)

Holysseus Fly – ‘Bloom’
Such a mesmerising track from Holysseus Fly, taken from her debut solo EP, Birthpool, released earlier this month. You may recognise Holly’s vocals from Ishmael Ensemble, where she is the vocalist and songwriter, but this is her solo iteration! She’s going to be headlining three UK shows this month, the first in Bristol at The exchange on the 23rd, Corsica Studio in London on 24th November, and the Carlton club on 28th. (TW)

Montañera – ‘Santa Mar’
London-based Columbian artist Montañera creates innovative immersive soundscapes fusing together traditional South American musical influences with contemporary ambient electronics. Featuring marimba player Cankita (from the band Bejuco) and the expressive voices of Las Cantadoras de Yerba Buena, a group of traditional singers from Tumaco, latest single ‘Santa Mar’ is poignant reflection on on peace, specifically for afro pacific women, and shimmers with a sweeping twinkling splendour and captivating raw emotion. A Flor de Piel, the new album from Montañera, is out now via Western Vinyl. (ML)

Ratboys – ‘The Window’
I’d been desperate to see Chicago’s Ratboys for some time (especially as this year’s album, The Window, is in my personal top five of 2023 for sure), so it was a real treat to finally catch them live at Omeara last Sunday, along with Norwich faves SUDS. Delivering a set even more dreamy than I could have hoped for, each lilting hook oozed fuzzy surf-pop perfection as front person Julia Steiner’s vocals exuded a shimmering raw emotion throughout. As the crowd sand and swayed along in blissful unity, it was captivating and comforting in equal measure; a much-needed ray of sunlight in an increasingly dark time. Thank you Ratboys! (ML)

Teens In Trouble – ‘Sharon’
With a collaborative split EP with LA based Desert Mambas out now, Teens In Trouble (the indie creative project of writer, guitarist, and vocalist Lizzie Killian) create perfect emo-tinged pop-punk with a quirky, playful energy and fuzzy allure. Offering emotive yet upbeat songs about being present in the moment and mental health, based on true stories/experiences of Killian, the EP provides a must-have soundtrack for anyone experiencing existential crises right now. Teens In Trouble / Desert Mambas, the split EP, is out now via Kill Rock Stars and Asian Man Records. (ML)

¡Ay Carmela! – ‘Rear View’
Bristol-based trio ¡Ay Carmela! have just released their much awaited second album, Tokens. Reflecting on themes around cherished memories and inevitable change, it showcases the band’s gritty ‘90s-inspired indie-rock sounds, interweaving their distinctive catchy hooks with a sparkling emotion. Tokens is out now. ¡Ay Carmela! will be playing for us at The Shacklewell Arms on 2nd February 2024, supporting German dream-pop band Roller Derby with Panic Pocket. Tickets are cheaper in advance and are available here. (ML)

Ida Kudo – ‘The Power That Is Woman’
With her upcoming new EP set for release in Spring next year, Danish-Japanese alt-pop artist Ida Kudo has recently shared anthemic single. Her first material in four years, ‘The Power That Is Woman’ is propelled by a fierce empowering energy and alluring soulful grace as Kudo urges us to fight for a new kind of leadership, putting people before profit.
‘The Power That Is Woman’ is produced by Andrew Hunt. (ML)

NESS NOST – ‘The Regular’
This is the second release from NESS NOST’s EP called ‘The Regular’. The song’s narrative centers around the protagonist working in a restaurant, this time being confronted by a regular customer, that ends with a decision between making a living, or standing up for herself to this overbearing man. Boundaries crossed, where in many places of work women have to choose between dignity or money. (TW)

 

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