GUIDE & PLAYLIST: The Great Escape Festival 2022

We’re excited to be heading back to The Great Escape Festival in just 3 days time (12th-14th May) to tread Brighton’s pebbled beach and trek around the city trying to catch some of the best new female, non-binary and LGBTQ+ music talent.

GIHE favourites ARXX, Brimheim, Fräulein, Bad Waitress, Mykki Blanco and Ailbhe Reddy will all be singing by the seaside over the long weekend, but we’re excited to discover some brand new artists too. Below is a list of set times of the acts we’re keen to catch at the festival. You can get better acquainted with them by listening to our accompanying Spotify Playlist!

Get your tickets for The Great Escape here.

Don’t forget to check out the line-up for the Alternative Escape too!


Thursday 12th May

Playing at: Queens Hotel – 12:15pm-12:45pm

Bad Waitress
Playing at: TGE Beach Stage – 12:30-1:00pm

Grandmas House
Playing at: The MVT Stage – 12:30pm-1:00pm

Playing at: Komedia Basement – 12:40-1:00pm

Tolu Makay
Playing at:
Prince Albert – 1:00-1:30pm
Brighthelm – 7:30-8:00pm

Playing at: Prince Albert – 2:00-2:30pm

Playing at: 2:00-2:25pm

Playing at: Waterbear 2:15pm-2:45pm

Kills Birds
Playing at:
TGE Beach Stage – 2:30pm-3:00pm
Horatios – 9:15-9:45pm

Ailbhe Reddy
Playing at: Revenge – 3:20-3:40pm

Playing at:
The Hope & Ruin – 3:30-3:50pm
Brighton Youth Centre – 5:10pm

Mykki Blanco
Playing at: The Old Market – 5:15-5:45pm

Bleach Lab
Playing at: Latest Music Bar – 7:15-7:45pm

Spill Tab
Playing at: The Arch – 7:30-8:00pm

Playing at: The Hope & Ruin – 8:00-8:30pm

Playing at: Chalk – 8:15-:8:45pm

Playing at: Green Door Store – 8:15-8:45pm

Playing at: Amazon New Music Stage – 8:15-8:45pm

Playing at: Volks – 9:00-9:30pm

Billy Nomates
Playing at: Komedia Basement – 9:15-9:45pm

Goat Girl
Playing at: Amazon New Music Stage – 10:15-10:45pm

Let’s Eat Grandma
Playing at: The Old Market – 10:15-10:45pm

Lunar Vacation
Playing at: Green Door Store – 10:15-10:45pm

November Ultra
Playing at: One Church – 10:30-11:00pm


Friday 13th May

Playing at: Revenge – 12:15-12:45pm

Playing at: Prince Albert – 1:00-1:30pm

Bleach Lab
Playing at: Komedia Basement – 1:15-1:45pm

Gemini Aaliyah
Playing at: Latest Music Bar – 1:15-1:45pm

Playing at: Zahara – 1:15-1:45pm

Playing at: TGE Beach Stage – 1:20-1:40pm

Playing at: Patterns downstairs – 1:30-2:00pm

Playing at:
Prince Albert – 2:00-2:30pm
Komedia Basement – 10:15-10:45pm

Playing at: Zahara – 2:15-2:45pm

Playing at: The MVT Stage – 2:15-2:45pm

Panic Shack
Playing at: Brighthelm – 2:30-3:00pm

Playing at: Prince Albert – 3:00-3:30pm

Playing at: TGE Beach Stage – 3:20-3:40pm

Bad Waitress
Playing at:
Green Door Store – 4:00-4:30pm
The Hope and Ruin – 11:00-11:30pm

Rachel Chinouriri
Playing at: Amazon New Music Stage – 6:15-6:45pm

Connie Constance
Playing at: Casablanca – 6:30-7:00pm

Playing at: The Tempest Inn – 7:00-7:30pm

Witch Fever
Playing at: Volks – 7:00-7:30pm

Playing at: Coalition – 7:15-7:45pm

Playing at: Horatios – 7:15-7:45pm

Priya Ragu
Playing at: Amazon New Music Stage – 7:15-7:45pm

Stella Donnelly
Playing at: Chalk – 7:15-7:45pm

Playing at: Paganini Ballroom (The Old Ship) – 7:30-8:00pm

A.A. Williams
Playing at: The Old Market – 8:00-8:30pm

Playing at: Zahara – 8:00-8:30pm

Playing at: Jubilee Square – 8:15-8:45pm

Playing at: Patterns Upstairs – 9:00-9:30pm

Playing at: Komedia Studio – 9:15-9:45pm

Playing at: Brighton Dome Concert Hall – 9:15-9:45pm

Panic Shack
Playing at: Three Wise Cats (Casablanca) – 9:15-9:45pm

Prima Queen
Playing at: Horatios – 9:15-9:45pm

Playing at: The Mucky Duck – 9:45pm

Let’s Eat Grandma
Playing at: Amazon New Music Stage – 10:15-11:00pm

Lime Garden
Playing at: TGE Beach Stage – 10:15-11:00pm

Playing at: Horatios – 10:15-10:45pm

Playing at: Horatios – 11:15-11:45pm

Nuha Ruby Ra
Playing at: Komedia Studio – 12:15-12:45am

Playing at: Komedia Basement – 12:30-1:00am


Saturday 14th May

Maria Uzor
Playing at: Revenge – 12:10-12:40pm

Dream Nails
Playing at: Three Wise Cats (Casablancas) – 12:15-12:45pm

Playing at: Volks – 1:00-1:30pm

C’est Karma
Playing at: Prince Albert – 1:15-1:45pm

Playing at: Volks – 2:00-2:30pm

Playing at: Green Door Store – 2:30-3:00pm

Playing at: One Church – 3:00-4:00pm

Gemini Aaliyah
Playing at: Zahara – 3:30-4:00pm

Stella Donnelly
Playing at: 3:35-4:00pm

Jessica Winter
Playing at: The Arch – 6:15-6:45pm

Playing at: Concorde 2 – 6:30-7:00pm

Kay Young
Playing at: The Arch – 7:15-7:45pm

Sinead O’Brien
Playing at: Coalition – 7:15-7:45pm

Gen and the Degenerates
Playing at: The Hope and Ruin – 9:00-9:30pm

Playing at: Prince Albert – 9:00-9:30pm

Coach Party
Playing at: Coalition – 9:15-9:45pm

Playing at: One Church – 9:15-9:45pm

Rachel Chinouriri
Playing at: Patterns downstairs – 9:30-10:00pm

Kate Crudgington


South London-based multi-instrumentalist, producer and professional sound engineer HUSSY aka Sophie Nicole Ellison is gearing up to release her debut self-titled EP on 23rd of July. Adopting her musical moniker from a T-shirt slogan, HUSSY is a totally self-sufficient artist with full creative control, something which shines through on her upcoming collection of polished, swirling, grungy guitar tunes.

We caught up with HUSSY to talk about her new record, her anticipations for her gig at The Waiting Room on 7th October, air guitar-ing to Sheryl Crow as a kid and the balancing act that occurs when you’re “DIY with high ambitions”…


Hello Sophie, let’s start from the beginning…who or what first inspired you to start making your own music?

I’ve always been a creative person and needing to make things and have a channel in that way for self expression, whether it be art or fashion when I was younger as well as music. Music was this super exciting world beyond me which combines all those things. I think a big part of it was my upbringing being so extremely isolated and not having any siblings or friends around, so I just buried myself into creating things. I would take my parent’s record collection and then dig deeper into those artists. One sticking out I remember is hearing Sheryl Crow’s ‘If It Makes You Happy’ on the stereo and playing air guitar on a tennis racket. I also had a cassette recorder and a Casio organ keyboard which I would make songs on. It took me a while to have the confidence to actually do it on my own in a public way though and it wasn’t until I studied Sound Engineering in University, I found people and started playing in bands.

You’re releasing your debut EP on 23rd July via your own label, Rock Hag (love the name). You wrote, played, recorded and produced the entire thing yourself which is incredibly impressive. What are the pros and cons of taking everything on yourself? You have full creative control, but it must be a demanding job too?

Rock Hag is my name for myself when I’m an old lady still playing guitar and rocking out, and also my view on how we need more female Mick Jaggers in the world! Pros of taking everything on yourself are: it’s incredibly rewarding and being in the studio recording, wearing many hats is my favourite thing in the world to do. Individuality is really important to me in art and I know that everything I create is unique to me and it’s genuine, otherwise there’s no point for me. I love challenging myself and digging deep that way. Cons are: I guess it’s more emotionally taxing to deal with things on your own and you’re entirely responsible for everything that surfaces under your name and output. But to be honest, I couldn’t imagine it not being that way after having done it like this for so long. Another con is it takes longer to do things that cost money on your own, you can’t split those costs so it just takes a little longer to work to afford things.

Aside from producing everything yourself – what would you say you are you most proud of when it comes to this EP?

Just having played everything myself and stuck to my ethos in that way and feeling proud of how because I did that, I achieved what I wanted to with the songs. The ultimate thing for me with doing that is achieving a songs’ intention and what I’m trying to communicate, so I feel like this process is my extension of the songs being so personal. I may completely change this method in the future and would like to collaborate a bit with friends, but so far this is what I’ve done. Me knowing the technical stuff just makes my job easier when I’m shutting my brain off to do the creative stuff. The song-writing to me is the ultimate most important thing. I’m also proud of how cohesive but varied they are and how they carry a thread between them as a whole record. It’s the first time I’ve actually felt proud of something I’ve done as a whole and I think that’s down to the fact I could show a few different sides across a long EP.

Do you have a favourite track on the EP? If so, why?

I love them all! But I really like ‘Messing’ a lot and the outro on ‘Moths’. I feel like ‘Messing’ really hits a mood, that one was one where I wrote and recorded the demo vocals at once so it’s kind of stream of consciousness created which I love. I love the outro in ‘Moths’ as I had a vague idea in my head of how I wanted that part on the drums to go but didn’t plan it beforehand. I think I did 3 takes of that and chose the best ‘jam’. I love that element of spontaneity. I feel like that outro is my nod to having listened to Helium and Pavement so much growing up, weeding its way in there.

You describe yourself as “DIY with high ambitions”. Can you elaborate on that a little more? What goals/ambitions are you trying to achieve with your music?

DIY with high ambitions is me saying even though I’m doing this all myself I don’t want it to sound like I necessarily am. It’s made DIY but I have ambition with the project. For me it’s what you make out of what you have. I want it to sound as good as possible and I work really hard to make everything considered and high fi sounding whilst my personality is in it. I just want to feel like people are connecting to and getting something out of the music, like I get so much out of connecting to others music myself.

We all know Covid-19 has had a huge impact on musicians and their livelihoods over the last year and a half. Is there something or someone who helped you get through the lockdown periods?

Working on music during that time definitely helped and I’m super grateful to have an outlet to focus on and something I’m doing that feels greater than myself during that time. Being with my partner and keeping in touch with friends, doing lots of Zoom Catan and Focaccia baking sessions, cycling and doing lots of walking whilst listening to music. I also basically finished Zelda Ocarina of Time on Nintendo 64.

What are your anticipations for your gig at The Waiting Room on 7th October? Have you missed playing live over the last year?

I hope it can go ahead safely most importantly! The last gig I played was part of The New Colossus festival in New York which was right when everything was shutting down in March 2020. I’m super excited to play again with my friends. I really missed it but have just been trying to focus on writing and finishing music in its absence. Imagine it might feel pretty surreal after it being so long.

Is there anyone who you’re looking forward to catching live again? If so, why?

There’s lots of guilty pleasure artists I didn’t see before lockdown that I would love to see given the chance now…maybe some big cheesy rock shows. There’s also been lots of artists put albums out I’ve been loving over the last year so would love to finally see those albums played live. I have tickets to see Caroline Polacheck which I know will be amazing.

Finally, any bands or artists that you recommend we listen to?

I’ve really been enjoying 70s rock at the minute which has been super uplifting to listen to. Me and Alex and Chris in the live band all went down a Steely Dan rabbithole over the last lockdown so that has been a fun journey to go down at the same time. It’s really uplifting and also exciting to see and appreciate that era of extravagance and bigness in music.

Thanks to HUSSY for answering our qustions!

Follow HUSSY on bandcampSpotifyTwitterInstagram & Facebook

Photo credit: Pooneh Ghana

Kate Crudgington

Track Of The Day: Hussy – ‘I Tried’

A swirling guitar tune about self-assertion and facing adversity head on, Sophie Nicole Ellison aka Hussy has shared her latest single ‘I Tried’. Describing her style as “DIY with high ambitions,” the South London-based songwriter & producer performed drums, guitars, synth and bass entirely by herself on this track, which is lifted from her debut EP due later this year.

“I feel like people will instantly think this is a love song but it’s actually not,” Ellison explains about the single. “This song is more me standing up for myself and who I am and maintaining that through adversity. I wrote this pretty instantaneously in the moment, so it definitely has a dramatic ‘take it or leave it’ sentiment whilst landing on an acceptance over it.”

With her talent as a multi-instrumentalist and knowledge as a producer and professional sound engineer, Ellison has an incredibly self-sufficient approach to creating music under her Hussy moniker, which she adopted from a T-shirt slogan. On ‘I Tried’, her guitar sounds are polished, her vocal delivery is charming and the effortless way that she blends these two elements reflects the skill, confidence and resilience it must have took to self-record & produce her upcoming EP.

Listen to ‘I Tried’ below.


Follow HUSSY on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo credit: Pooneh Ghana

Kate Crudgington

Track Of The Day: Hussy – ‘Forever’

Following previous singles ‘Slayer’ and ‘Playtime’, South East London based Sophie Nicole Ellison – aka Hussy – has now shared a bewitching new single, ‘Forever’

Playing, recording and layering all the music herself, Hussy showcases her innovative songwriting abilities. Starting off with a somewhat eerie tone, twinkling chimes cascade into scuzzy hooks with a gritty energy before being interspersed with a luscious, dreamy haze. Flowing with the celestial power of Ellison’s vocals, a soaring, textured soundscape is created, whirring with a haunting intensity. With ‘Forever’, Hussy offers a perfect, shimmering slice of psych-filled, shoegaze-heavy Dream Pop, complete with immersive layers and captivating majestic allure.

Of the track, Hussy explains:

“’Forever’ talks about my tendency to delve into escapism. I went through an intense period of lucid dreaming where I would meet people through these dreams; people I had met briefly or had admired, been interested with or even not met at all. I would become friends with these people very intensely and feel like I’d get to know them super well, better than in real life. Then when I would encounter them in real life there was a sense of loss, like something that could/ could’ve been. I guess it harps at longing for connections.”


Featuring Leisha Thomas and Becca Carter on drums and additional guitar, ‘Forever’ is out now.

Mari Lane

Photo Credit:
Poppy Marriott