PLAYLIST: January 2022

New year, new playlist! The Get In Her Ears team have put together an eclectic mix of indie anthems, guitar tunes, alt-pop tracks & immersive electronic sounds for your listening pleasure. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Ronnie Spector – ‘She Talks To Rainbows’
Hearing news of Ronnie Spector’s passing last week hit hard. A truly innovative musical icon, she inspired generations of women in music, whilst The Ronnettes were one of the first ‘girl groups’ to receive worldwide acclaim. Sadly also famous for being a survivor of serious physical and psychological abuse from her husband of six years, producer Phil Spector, I think it’s important we remember Ronnie for the incredible musical gifts she’s left us with. I just love the sparkling, soulful splendour and whimsical grace of this lesser known beauty, ‘She Talks To Rainbows’. (Mari Lane)

Girl Ray – ‘Murder on the Dance Floor’
Girl Ray’s cover of this 2001 classic by Sophie Ellis-Bextor… Need. I. Say. More. (Tash Walker)

Bas Jan – ‘Sex Cult’
The latest single from London experimental collective Bas Jan (founded by Serafina Steer and featuring members of Jenny Moore’s Mystic Business and Jarv Is), ‘Sex Cult’ offers a glistening cacophony propelled by a quirky energy and captivating allure. Reflecting on society’s attitude towards polygamy, it radiates a celestial joy as crystalline voices come together in unity to create something quite euphoric. Baby You Know, the new album from Bas Jan, is out 28th January via Lost Map Records. (ML)

ML Buch – ‘I’m a Girl You can Hold IRL’
This song is taken from Danish electro-pop musician ML Buch’s album Skinned which came out in 2020, but I spent a lot of the winter break listening to it so thought I’d share it with you all in 2022. I love its futuristic techno electro tones and all the FEELINGS. (TW)

SEA CHANGE – ‘Is There Anybody There’
Created during a time of intense loneliness during the middle of lockdown, this atmospheric offering from Norwegian producer Sea Change gives me goosebumps. Blossoming from a place of empathy, it’s one of many evocative tunes that feature on her upcoming album, Mutual Dreaming, which is set for release on 11th February via Shapes Recordings. (Kate Crudgington)

Brimheim – ‘This Week’s Laundry’
A stirring, intricately observed guitar tune about trying to cultivate a “normal” routine during a time of deep vulnerability, I love this single from Danish alt-pop artist Brimheim. Taken from her upcoming album, can’t hate myself into a different shape, which is set for release on 28th January via W.A.S Entertainment, the track flows with her tender vocals and confessional lyrics, which chime with relatable melancholy. I had the pleasure of interviewing Brimheim about her new record and her love for Queen Avril Lavigne earlier this month. Read our chat here. (KC)

Midwife – ‘2020’
This is a gloomy (but great) track about the year we’d all rather forget: 2020. Taken from Midwife aka Madeline Johnston’s third album Luminol, which was written & produced during quarantine last year, ‘2020’ is her cover of The Offspring’s 1997 track ‘Gone Away’, which I didn’t know until the person who recommended Midwife to me sent me a link to the original song. I know she’s been around a while, but I’m newly obsessed with this track & her album.  (KC)

Wu-Lu – ‘Times’
My new obsession, I recently came across South London multi-instrumentalist and producer Wu-Lu courtesy of Mary-Anne Hobbs on BBC 6Music. Creating a wonderfully eclectic smorgasbord of immense sounds, I just love how Wu-Lu manages to fuse together dark, Deftones-esque punk with a gritty, hip-hop inspired edge. I cannot stop listening to this track right now, which features drums by Black Midi’s Morgan Simpson. (ML)

Pearly – ‘Silver Behind The Mirror’
An agitated, sultry dose of cinematic heavy rock, I’m a big fan of this single by Ohio-based trio Pearly. Taken from their upcoming album Silver of The Mirror, which is set for release on 11th February via Eto Ano Recordings, the track is a smouldering slice of “stoner rock” that heaves with heady desire. (KC)

SASAMI – ‘Say It’
This industrial-tinged “rage dance anthem” from SASAMI is 100% a bit of me. Taken from her upcoming album Squeeze, which is set for release on 25th February via Domino, SASAMI explains: “I feel like when I hear this song I see a hot femme with a mystical flamethrower engulfed in emotional blue flames throwing elbows alone in an industrial dance club in outer space.” Mate, same. (KC)

HALINA RICE – ‘Sunken Suns’
What do I love more than dreamy songs full of feelings? The answer is obscure electronica! My latest listen comes from London-based artist Halina Rice, as part of a new project where she is embarking on creating new worlds in her music. Of this track Halina explains, “I wanted to create something dark and strange and emotive. The track emerged after days spent generating sounds through synths and noise generators. I put a mass of effects on the sampled vocals and they seemed to develop a life of their own – like a half-heard transmission from another world.” LOVE IT. (TW)

Gemini Aaliyah – ‘Moonrise’
Leeds-based artist Gemini Aaliyah says her single ‘Moonrise’ is the beginning of her “fucked up fairy tale where the ghetto meets the goth girl,” and that’s something I’d like to openly support. She channels her angst through yearning vocals and brooding beats, finding solace in the idea of re-birth and reinvention through her lyrics. Gemini Aaliyah will be playing at Drown U Out Festival at Leeds University Union on 19th February, alongside two of my other favourites Ho99o9 and Bob Vylan. (KC)

Queen Cult – ‘Calm’
Following acclaim from the likes of BBC Introducing for their debut single ‘Shindigger’ and support for their resonant latest single ‘A Song About Consent’, Queen Cult’s latest single ‘Calm’ flows with luscious, heartfelt vocals before building to a sweeping, fiercely impassioned proclamation to stand up to the patriarchy. Once again showcasing the Cheshire band’s knack for creating epic pop-rock anthems with a poignant sense of intent, ‘Calm’ cements Queen Cult’s place as definite ones to watch in 2022. The debut EP from Queen Cult is set for release on 28th January. (ML)

Peaness – ‘How I’m Feeling’
Having just announced the release of their debut album, Chester trio Peaness have shared a new taster of what’s to come from the LP. Propelled by uplifting, jangling hooks, latest single ‘How I’m Feeling’ reflects on the feelings of self-loathing and melancholy that can come from being stuck in an unfulfilling job and offers a glistening sense of hope that, with a bit of determination, you can make a positive change. I just can’t get enough of Peaness’ glossy, honey-sweet sounds and sunny, playful energy. World Full Of Worry, the debut album from Peaness, is set for release on 6th May. (ML)

SPRINTS – ‘Little Fix’
Another absolute banger from Dublin four-piece Sprints. Taken from their upcoming EP A Modern Job, which is set for release on 11th March via Nice Swan Records, ‘Little Fix’ is full of powerhouse vocals, crashing drums and racing riffs. The track is inspired by vocalist Karla Chubb’s experience of imposter syndrome, as she explains: “plagued by insecurities, imposter syndrome and gender stereotypes, ‘Little Fix’ is the culmination of all my fears – the, sometimes self-applied pressure that as a woman in music, I can’t just be good, I have to be great.” Even with these anxieties, Karla and her bandmates have created a candid, intensely cathartic offering with this track. (KC)

Worse Off – ‘You Belong Here’
I love this track by excellently named New York pop punk duo Worse Off. They sent me their EP You Win Some, You Lose…A Lot, in December last year and I was headbanging away to their tunes at my desk. Definitely check them out, their EP is up on bandcamp and Spotify. (KC)

Tits Up – ‘Macho Bullshit’
Having released their debut EP Greatest Tits, at the beginning of the month, Liverpool band Tits Up are ready to blast into your lives with their immense riot grrrl inspired energy and unapologetic honesty raging against the patriarchal society in which we live. Fuelled by a frenzied punk spirit, ‘Macho Bullshit’ hits you with its riotous, angst-driven force, offering an empowering statement of intent. (ML)

Bitch – ‘You’re The Man’
Set to release her debut album next month, queer electro-pop artist Bitch prides herself on being “like Joni Mitchell set to a click track… It’s neon pink, in your face, ready to hex you with its brilliance.” Latest single ‘You’re The Man’ exudes a driving, gritty energy as sizzling synths race alongside dense drum-machine beats, creating an empowering reflection on letting go of negative forces and reclaiming your inner voice. Bitch’s perfectly named debut album Bitchcraft is set for release on 4th February via legendary label Kill Rock Stars. (ML)

Combo Chimbita – ‘Yo Me Lo Merezco’
The title of this warm, joyful track from New York-based Latinx quartet Combo Chimbita roughly translates as “I deserve it”. The track and accompanying video are a celebration of self-love, spot-lighting prominent queer and trans performance artists, including Teresa Karolina who stars in the visuals. ‘Yo Me Lo Merezco’ is taken from Combo Chimbita’s upcoming album, IRE, which is set for release on 28th January via ANTI. (KC)

Flamango Bay – ‘LA’
The latest single from San Francisco trio Flamango Bay, ‘LA’ reflects on the band’s recent move to the city. Propelled by sunny, jangling melodies, it’s a dreamy slice of indie-pop that glistens with an irresistible, effervescent charm. The Fool, the upcoming debut EP from Flamango Bay, is set for release on 13th May via 0800-Moshi-Moshi. (ML)

Babeheaven – ‘Don’t Wake Me
This band never disappoint. ‘Don’t Wake Me’ is Babeheaven’s latest gently soothing release. Just lovely. (TW)

KEYAH/BLU – ‘Til Bliss’
This is the latest single by South London rapper KEYAH/BLU who I would encourage you all to go and check out if you aren’t familiar with already. (TW)

Skylu – ‘Foreign Concept’
A tune for the stolen hours, this is the debut single from Skylu, whose voice you may recognise from Bamboo Smoke. (TW)

Lucy Barton – ‘Starlight’
The latest single from singer-songwriter Lucy Barton, ‘Starlight’ offers a sparkling reflection on gaining awareness of our self-crippling subconscious thoughts. With a subtle immersive power, the track speaks of breaking free from this internal narration, allowing us to discover the beauty that exists in life. I’m a big fan of Barton’s soaring, glitchy musicality and emotion-strewn honey-sweet vocals, and can’t wait to hear more from her. (ML)

Carmel Smickersgill – ‘Questioning’
The latest single from modern classical artist Carmel Smickersgill, ‘Questioning’ offers a truly captivating and uniquely intriguing soundscape. Mentored by acclaimed musician Anna Meredith, Smickersgill prides herself on creating immersive ‘outsider pop’, and I just love this track’s whirring grace and celestial, ethereal energy, reminiscent of GIHE fave Jenny Hval. Smickersgill is releasing her debut EP in April. (ML)

Novaa – ‘You Can F With Me’
‘You Can F With Me’ by Berlin based alt-pop singer-songwriter Novaa is taken from her forthcoming album due in early 2022. This is a song about the things that people asked and told her as a victim of sexual abuse and rape. Love and solidarity to anyone who relates to that track and remember that the best thing you can ever do for anyone who has been a victim, is to listen, be kind and give them space and support to heal. (TW)

Zannie – ‘Mechanical Bull’
This is the latest single from New York-based songwriter Zannie, who’s recently signed to iconic riot grrrl label Kill Rock Stars. They remind me a little bit of Phoebe Bridgers on this track and I’m excited to hear more from them this year. (KC)

LISTEN: GIHE on Soho Radio with Prima Queen 12.01.22

Tash, Kate & Mari were back on the Soho Radio airwaves playing loads of new music from some of their favourite female, non-binary and LGBTQ+ artists.

London-based band Prima Queen joined them to talk about their latest single ‘Chew My Cheeks’, what it was like working alongside The Big Moon who were on production duties for the release, and how everyone seemed to re-watch The Matrix during Lockdown in 2020…

Listen back below:

 

Tracklist
Big Joanie – New Year
ML Buch – I’m a Girl You can Hold IRL
Babeheaven – Don’t Wake Me
Let’s Eat Grandma – Happy New Year
Midwife – 2020
Girl Ray – Murder on the Dance Floor
Catherine Moan – Soda Pop
KEYAH/BLU – Til Bliss
Novaa – You Can F With Me
Skylu – Foreign Concept
Zannie – Mechanical Bull
Softcult – Gaslight
Dakota Jones – Blacklight
Prima Queen – Chew My Cheeks
**Prima Queen Interview**
Rosie Alena – God’s Garden
Worse Off – You Belong Here
Petty Phase – Made To Order
HALINA RICE – Sunken Suns
MAITA – Honey, Have I Lost It All?
Bitch – Hello Meadow
Low – I Can Wait
Lucy Barton – Starlight
Carmel Smickersgill – Questioning
FKA Twigs ft. The Weeknd – Tears In The Club

VIDEO PREMIERE: Pixie Cut Rhythm Orchestra – ‘Empty Envelope’

A disarming reflection on the emotional resilience that’s required in the wake of a bad decision, Dublin-based trio Pixie Cut Rhythm Orchestra shared their single ‘Empty Envelope’ via Anon Records in September last year. The brooding, shoegazey lament was inspired by a dream that vocalist & guitarist Sarah Deegan had about receiving an empty letter in the post, and today (12th Jan) the band have shared an accompanying video, shot & edited by Irish artist Hollie Gilson, further exploring the song’s narrative of unsaid things.

We caught up with Sarah to talk about creating the new video, how Pixie Cut Rhythm Orchestra first came to meet and what we can expect from the band in 2022…

Can you remember who or what inspired you to start making your own music?

I remember CDs. I loved the tactile nature of it; putting the CD on and flicking through the lyric booklet while listening, finding your own meaning in the songs. I remember listening to the whole album and not just one song. I remember the music channels on TV, the emo ones of course. I’ll never forget the first time I saw the music video for Evanescence ‘Bring Me To Life’ or Paramore’s ‘Misery Business’.

Neither will we, that’s some iconic 00s imagery. For anyone who doesn’t know, can you explain how Pixie Cut Rhythm Orchestra first met?

The band has changed about 9 times since its original conception, so it’s kind of hard to say, but I first met Danni about 5 years ago through being friends with her brother. I was in their house and mentioned needing a drummer for some college performance thing I was doing. He said it to her at the kitchen table, and she said that she was up for it. About 20 minutes later I could hear Danni out in the shed playing the song. She’s just a legend. On bass, we’ve recently enlisted Sarah Michelle, who is well known for her guitar playing skills. She’s amazing at bass too.

You’ve teamed up with artist Hollie Gilson (who directed the video for your previous single ‘I didn’t love you when I said I did and I don’t now”) to create the video for ‘Empty Envelope’. Talk us through some of the highlights of working with Hollie again…

Me and Hollie are really good friends, so that makes the process a lot easier. We always do 4 or 5 drafts before a video is final. We spend time watching it, we show others, and consider their feedback. It’s important to have people around us that we can bounce off. This video is a lot more abstract than the last one, there’s no clear timeline in it. We focused more on letting the imagery tell the story.

When you released the single back in 2021, you said that the image of the ‘Empty Envelope’ was inspired by a dream you had, and the lyrics to the track are based around the “cyclical nature of bad decisions.” Talk us through how you chose to reflect these things in the accompanying video…

The start of the video is pretty much exactly like the dream. In the dream, I got a letter in the post. The envelope was painted with swirls of blue and pink. It was the most beautiful envelope I had ever seen. It was from my ex, I could see their name and return address in the corner. I opened it and it was completely blank. Just a really nice looking envelope with absolutely nothing inside. I thought that was a good metaphor for the relationship.

We used wringing hands in the video to portray anxiety and nervous energy. The protagonist attempts to write a response to the empty letter, but this only leads to more frustration. Frustrated and alone, they take their piles of paper and burn them, along with the letter.

The track is an ode to moving on, and this is reflected with the imagery of the train. But moving yourself physically doesn’t change anything, in a new place the cycle of bad decisions continues. It takes something a bit more dramatic (like burning everything) to really break a pattern.

PCRO are working on a debut album at the moment. What details can you tell us about the record?

We’ve been working on this album for the last 2 years with Sean Montgomery Dietz, who is an insanely talented producer/engineer/musician. We’re recording mainly in Crossroads, a studio owned by Shane Tobler in Kilkenny. Parts of the album were also recorded in Dublin, at the Annesley House, and in Clare and Drogheda. We teamed up with some really talented musicians who played orchestral instruments on a couple of tracks, Ali Comerford on violin and Karima Dillon El-Toukhy on flute. A combination which I can only describe as majestic.

Most of the songs were written in Mayo, where I’m from. The album takes you on a journey through growing up, the confrontation of idealism and the real world, asserting your independence and getting your heart broken. It’s an honest reflection on the confusion of youth, and talks openly with both sensitivity and cynicism.

We’re really taking our time with this, and I can tell you that, unlike a lot of new albums, every song is a proper song. Long songs, with long titles, that don’t really care for the modern lack of attention span. There has been some debate about whether or not the album will be uploaded to Spotify.

That sounds great, we can’t wait to hear it. Aside from releasing the album, what are your hopes and ambitions for PCRO for 2022?

To play as many shows as the pandemic permits, to just keep doing what we’re doing.

Finally, are there any bands or artists you’re listening to who you’d like to recommend we check out?

Another Anon Records artist to watch this year is OG CNT & the 1240. OG CNT is a WhatsApp famous counter-cultural anti-hero. Tracks like ‘HATE’ and ‘Everybody that I know’ are unforgettable. His album, The Memoirs of OG CNT, will be out this year too.

Thanks to Sarah for answering our questions!
Watch the new video for ‘Empty Envelope’ below.

Follow Pixie Cut Rhythm Orchestra on bandcampSpotifyTwitterInstagram & Facebook

Photo Credit/Video Still: Hollie Gilson

Kate Crudgington
@KCBobCut

GIHE: Ones To Watch 2022

It’s safe to say 2021 has been a tough one… But if there’s one positive to take away from this year, it’s the immense amount of incredible new music that’s been released, and the hope of even more sublime offerings from some wonderful new bands in 2022.

For our final annual end of year round-up, we’re sharing our ‘Ones To Watch’ for 2022… Just a few of the amazing bands and artists who have impressed us throughout 2021, and that we predict will be reaching ears far and wide next year… Have a read of our choices, and make sure you give them all a follow to keep track of their unmissable achievements over the next 12 months.

Cherym
Derry trio Cherym are one of my favourite discoveries of the year. Having had their EP Hey Tori pretty much on repeat over the last few months, seeing their gig at Paper Dress Vintage in October left me buzzing with a joyous sense of nostalgic euphoria – not only because it was my first gig since Covid, but because of the band’s unmatched exuberant energy and fiery spirit. Each of their songs is a perfect ​​master class in pure, perfect punk-pop – instant singalong anthems. I just can’t get enough of their empowering energy and bubbling, sugar-coated scuzz. And, having now been featured in Kerrang!, and with plans to play at SXSW this Spring, it seems they’re definitely ones to keep your eyes and ears out for in 2022! 
(Mari Lane – Co-Founder)


Pretty Happy 
I still crack up when I think of Pretty Happy guitarist Abbey Blake commenting “you’re the first person to say we have genuine talent” when I told them how great I thought their music was back in September. Together, Pretty Happy – aka art-punk trio Abbey, Arann Blake and Andy Killian – create riotous, tongue-in-cheek offerings often centred around their observations and experiences of living in their home county of Cork, Ireland. I had their EP Sluggers Bridge on heavy rotation during 2021, chanting along to ‘Sea Sea Sea’ and ‘Sudocrem’ as loudly and obnoxious-ly as possible. The band should hopefully be supporting Gilla Band on NYE if restrictions in Ireland allow, and I’m keeping my fingers crossed that they’ll make it over to the UK in 2022 so I can see them live for the first time.
(Kate Crudgington – Co-Founder)


BAXTR
Blasting out the pink, fuzzy energy we’ve so needed this year, and having received acclaim from the likes of BBC Introducing, London trio Floss, Bash and Keiko – aka BAXTR – have fast become one of my favourite bands of 2021. With sunny, uplifting singles such as ‘In Pop We Trust’ and ‘Grace On Fire’, the band showcase their knack for combining a kitsch, honey-sweet pop allure with a fierce, frenzied rock spirit, consistently delivering an effervescent, euphoric power with each frenzied, fun-filled floor-filler. A band on the rise for sure, I can’t wait to host BAXTR playing live for us at The Shacklewell Arms on 24th February, along with headliners Jenny Moore’s Mystic Business and Sheffield band Potpourri. Get your tickets on DICE now. 
(ML)


Grandmas House
Since I heard the opening riff of ‘Always Happy’ by Bristol trio Grandmas House, I have been hooked on their sardonic, thumping post-punk sounds. Formed of Yasmin Berndt, Poppy Dodgson and Zoë Zinsmeister, the band combine gritty guitars, powerhouse percussion and visceral vocals to create intensely relatable anthems. Watching them live at The WIndmill in Brixton was a real joy this year and I look forward to insisting Mari buy their last tote bag at the merch stand at more of their gigs in the future.
(KC)


Queen Cult
Following acclaim from the likes of BBC Introducing for their debut single ‘Shindigger‘, and support for explosive recent offerings ‘Show & Tell’ and ‘A Song About Consent’ from big names such as Bang Bang Romeo, Cheshire band Queen Cult have been fast making a name for themselves this year. Consisting of front person Maisie Johnson and bassist Leila Jacklin, as well as Brodie Carson on drums and Piers Jarvis on guitar, the band pride themselves on their LGBTQ+ identity and sharing their queer, politically-charged messages with the masses, and I cannot get enough of their seething, gritty energy and riotous, angst-driven power. And, with a tour with GIHE faves LibraLibra set for January, it seems as though many more people will be being lured to the band’s fierce colossal spirit and instantly catchy musicality very soon. 
(ML)


Brimheim
I have Mari to thank for bringing Danish artist Brimheim to my attention this year, after she played her shadowy, sublime single ‘poison fizzing on a tongue’ on our radio show. Brimheim’s buoyant second single ‘hey amanda’ is a gentler, but equally as emotive track that showcases her talent for capturing a moment in its purest form. I’m so excited to hear her new album, the magnificently titled can’t hate myself into a different shape, when it’s released in January 2022.
(KC)


45ACIDBABIES
Dutch garage-pop punks 45ACIDBABIES have been providing a welcome quirky, fizzing soundtrack throughout 2021. Having previously shared stages with the likes of Sleigh Bells and Blood Red Shoes, with singles such as ‘Mommy’s Favourite 1’ and ‘Only Class6 From Now On’, they have showcased their ability to create perfectly catchy, danceable anthems. With each single offering a wonderfully obscure cacophony propelled by a swirling energy and vibrant honey-sweet allure, the band have already gathered a huge fan-base in their native Holland (with over 685k streams of their music on Spotify this year), but I predict that 2022 sees them headed for world domination… Watch this space! 
(ML)

Lilith Ai
Self-described as “a singer-songwriter who performs poignant tales of modern city life,” Lilith Ai writes relatable guitar tunes exploring turbulent emotions in a humble and engaging way. She was modest, self-deprecating but incredibly warm and open to talking about all aspects of her life and art when I spoke to her about her album, Folk You Hard, earlier in the year. Loud Women also awarded her their prestigious Hercury Prize Award for the record, which is further proof she’s definitely one to watch in 2022.
(KC)


The Menstrual Cramps
Having been massive fans of raging queer punks The Menstrual Cramps since 2017’s debut album We’re Not Ovaryacting, and had the honour of hosting an epic night of them playing live for us at The Finsbury back in 2018 as well as having them as guests on our radio show, we have been wallowing in a Menstrual Cramps-less void for the last couple of years as the band were on a little hiatus. But, at the beginning of this week, just when we thought all was lost and we’d given up any hope of 2022 being better than the last two years… The Menstrual Cramps announced their return! Joining front person Emilia and drummer AJ, the band introduced two new members, Abi and Zam, and have promised new music for us. I cannot wait for more of their politically-charged, immensely empowering anthems! 
(ML)

Check out our Tracks Of 2021, Albums & EPs of 2021 and Personal Highlights now. Massive thanks to all who’ve supported GIHE this year, it really means the world. And huge thanks too to all the amazing bands and artists who’ve soundtracked it, and who will continue to soundtrack 2022!