Get In Her Ears w/ Luna Neptune 16.08.18

Kate returned to the studio this week, armed with plenty of new music from the likes of Ghum; Basement Revolver, LOW, Skating Polly & Ellie Bleach. She opened the show with a tribute to the late, great ‘Queen Of Soul’ Aretha Franklin too.

Luna Neptune also came in to chat about her recent EP Next Automated Wave, and for a live performance.

Listen back to the show here:

@getinherears
@KCBobCut
@LunaNeptuneBand

Get In Her Ears 19.07.18

Kate was presenting solo this week & playing loads of new music for your listening pleasure. Highlights include tracks from Bad Sidekick, AE Mak, Caswell, hear & Fisty Muffs.

There’s no show next week, so you’ll just have to keep this one playing on repeat instead…

Listen back here:

EP: Bad Sidekick – ‘Bad Sidekick’

A fistful of brooding indie noise: London trio Bad Sidekick have shared their debut self-titled EP. It follows their previous singles ‘Circus’ and ‘Crook’ (which you should definitely check out) and proves the band are at the beginning of a promising music career.

“Everything I touch, it gets destroyed” sings front-woman Cooper Rose with powerful intonation on opening track ‘Run Boy’. Guitarist Joe and drummer John create loops of fast, fuzzy, furious sound as she warns of the storm that’s coming. It bleeds in to the snarling ‘I Ain’t Sick’ on which Cooper oozes more of her enviably cool vocals, supported by a cacophony of guitar noises and more heart-thumping beats. If you think these tracks sound impressive on record, wait until you hear them live.

Bad Sidekick’s stellar song-writing skills are showcased on the gentler ‘Lost Cause’, which broods with quiet intensity before the drop-in. It’s not long before ‘Romeo’ comes spiraling along though, and the band rev things up to full throttle again here. Penultimate track ‘Think About It’ is cut from the same cloth; full of visceral riffs and driving percussion that urge you to contemplate Cooper’s invitation.

A glitchy sampled recording opens final track ‘If I Were The Devil’, on which Cooper sings: “I don’t wanna be like the others, trapped inside these dead eyes, waiting for the flames to turn me to ashes”. With her superb vocal intonation, there’s no danger of her burning out anytime soon, especially when paired with Joe’s razor sharp guitar riffs, and John’s knockout drumming.

Bad Sidekick are masters at making manic, mind-buzzing sounds; and their debut EP is a shining collection of infectious, gritty indie anthems. Invest immediately.

Listen to Bad Sidekick’s debut EP on Spotify.
Follow Bad Sidekick on Facebook for more updates.

Kate Crudgington
@KCBobCut

ALBUM: Asylums – ‘Alien Human Emotions’

Released via their own label Cool Thing Records; fun and frustration fuels Essex rockers Asylums‘ brand new album, Alien Human Emotions. The band’s sophomore record is a turbulent, tenacious collection of tracks; buzzing with enthusiasm and self-awareness.

After the success of their critically-acclaimed debut Killer Brain Waves in 2016, the indie rockers have embarked on another aural adventure. Presented differently, the tracks on Alien Human Emotions would shrink your heart with sadness; but Asylums’ DIY ethic and riotous delivery makes this record a hopeful, heart-swelling affair.

The album kicks off with ‘Day Release To The Moon’, documenting a grand, but turbulent emotional journey that will “pull us closer to the sun, annihilate everyone”. Jazz’s manic guitar riffs mask the dark side of front-man Luke’s pessimistic wish, before Drummer Henry’s relentless percussion punches through on second track ‘When We Wake Up’.

The song assaults the senses from start to finish, and fans are guaranteed to mimic the mosh-pit that features in the accompanying video when they hear it live. Luke’s anthemic lyrics invite listeners to take a “front row seat for Armageddon”, which sounds tempting against a back drop of manic guitar noise. ‘Bottle Bank’ follows with more of Jazz’s trademark spiraling riffs and Mike’s thundering bass lines, leaving listeners sweaty and short of breath three tracks in.

The eponymous ‘Alien Human Emotions’ comprehends emotional black holes via dense bass lines and thoughtful lyrics, before the gentler ‘Millennials’ provides a moment for reflection. Named after a social label that’s doused in negativity, Asylums have reclaimed the term and turned it into a thought provoking, comforting tune.

Just as you’re on your way back down to earth, the toxic punk blur of ‘Napalm Bubblegum’ blasts you back in to the band’s sonic atmosphere. Luke’s visceral Essex accent and Henry’s savage drumming provide the ultimate punk infused sound to bounce around your bedroom walls to. ‘Pause’ is an aptly named interlude track – because even Asylums need to take a second to catch their breath sometimes.

‘Graveyard Tourism’ is a distraction from “morbid fascination”, whilst ‘Critical Mass’ urges you to “keep pushing along, because the force is strong” amidst more manic guitar noise. The timely ‘Homeowners Guilt’ dissects feelings towards “characterless buildings” and the unfair reality of having to always make sure ends meet, before the penultimate ‘Sexual Automation’ starts the gentle descent down to earth, whilst resisting the “impulses you can’t castrate”.

The simple but raw honesty on ‘The Company You Keep’ closes the record on an optimistic but realistic note. An ode to true love and friendship, and a poignant reminder to appreciate the people around you – it’s a track that remains rooted in your consciousness long after it’s stopped spinning.

‘Alien’ in the sense its sound blasts you in to an unknown sonic universe, but ‘Human’ in its quest to make sure no listener feels left behind – Asylums’ Alien Human Emotions is an intense, joyful second record that kicks and comforts in equal measure.

 

Order your copy of Alien Human Emotions here.
Follow Asylums on Facebook for more updates.

PHOTO CREDIT: Kana Waiwaiku

Kate Crudgington
@KCBobCut