PLAYLIST: March 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative anthems, alt-pop tunes and electronic sounds for your listening pleasure. We skipped February’s edition of the Playlist, so March is packed with loads of new music! Take some time to scroll through our track choices below and then press play at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Fraulein – ‘Pet’
Is it even a GIHE Playlist if we don’t include a Fraulein track? Since Mari first introduced Joni & Karsten to the GIHE team in 2020, we’ve been fans of everything the grunge duo have released, including this new track ‘Pet’. It was a pleasure to have them in the studio chatting about it on our February Soho Radio show, which you can listen back to here.
(Kate Crudgington)

Hot Wax – ‘Treasure’
Full of buzzing basslines, commanding beats and raucous guitar sounds, this track from Hastings trio HotWax flicks between melodic verses and riff-heavy breakdowns, providing listeners with a welcome rush of blood to the head. The band are gearing up for their own mini UK tour this month, before joining The Pearl Harts as main support in May. (KC)

Brix Smith – ‘Fast Net’
The awesome latest single from rock legend Brix Smith, ‘Fast Net’ is propelled by a fierce energy and gritty punk-fuelled spirit. Racing with pummelling hooks alongside Smith’s soaring honey-sweet vocals and immersive charisma, it offers a raging reflection on facing up to your vulnerabilities. ‘Fast Net’ is taken from Smith’s debut solo album, Valley Of The Dolls, out now. (Mari Lane)

Hannah Jadagu – ‘What You Did’
I love this hazy guitar tune from Texas-based musician Hannah Jadagu, who only recently appeared on my radar. Taken from her upcoming debut album Aperture, which is set for release on 19th May via Sub Pop, Jadagu’s bittersweet vocals and reverb-laden riffs are totally infectious. I can’t wait to hear the record in full. (KC)

Lunch Machine – ‘Pipedream Graveyard’
On ‘Pipedream Graveyard’, Belfast-based alt rockers Lunch Machine blend the angst of 90s grunge and melodic pop sensibilities to push past feelings of apathy. Marking their first piece of new music in five years, the track is a grunge-infused take on the futility of planning for the future whilst the planet is slowly collapsing around us. (KC)

Earthlung – ‘Joy¿’
Full of sardonic spoken-word style vocals, cutting lyrics and distorted riffs, this single from Brighton-based band Earthlung is a search for meaning and relief amidst the mind-numbing everyday tasks we undertake in order to keep living our best lives. (KC)

English Teacher – ‘Song About Love’
Out now via Speedy Wunderground, ‘Song About Love’ is the latest single from Leeds band English Teacher. As the sultry smooth vocals of front woman Lily Fontaine flow alongside chiming hooks and steady beats, it offers a wonderfully infectious exploration into the romance that can be found in the mundane; a whirring ode to “doing the chores, instead of doing someone else.” Watch the fantastic, Sims-inspired, video for ‘Song About Love’ here. (ML)

cruush – ‘Stick In The Mud’
“I guess you can say our music has the sweet elements of having a crush on someone, but the screeching of an industrial car crusher…” explains cruush’s vocalist Amber Warren. Say no more, Amber, I love it! This track is taken from the Manchester-based shoegaze band’s upcoming EP Wishful Thinker, which is set for release on 14th April via Heist Or Hit. (KC)

Red Sun Alert – ‘Huge’
Taken from their recent EP Assume Power, this track from Cork-based post-hardcore band Red Sun Alert is an angst-ridden banger. Their new record is full of raging riffs, relentless beats and anthemic vocals, so definitely check it out if you like the sound of this. (KC)

Problem Patterns – ‘Who Do We Not Save?’
The first piece of new music since their visceral 2022 anthem ‘Y.A.W‘ (Yes All Women), I’m a big fan of Belfast-based DIY punks Problem Patterns’ latest single. Released via Alcopop! Records who the band have recently signed to, ‘Who Do We Not Save?’ takes aim at the incompetent Tory government and their continued attempts to privatise the NHS. Giving their listeners a space to release their pent up frustrations, fears and disappointments is a core value of Problem Patterns’ music, and with this track the band have provided another cathartic aural antidote to offset the anxiety of the uncertain times we’re currently living through. (KC)

SPIDER – ‘America’s Next Top Model’
Written in response to the backlash she received and the whitewashing she witnessed on popular online platforms, SPIDER chooses to thrive in the face of adversity on her new track, ‘America’s Next Top Model’. Taking aim at her critics via abrasive riffs and candid lyrics, the London-based, Irish musician & producer has channelled her vitriolic energy into another empowering anthem and accompanying video, which acts as a defiant cry for better black representation in alternative music scenes. (KC)

Momma – ‘Bang Bang’
New York City four-piece Momma are back – with a bang – on their latest single. This track was co-written by band members Etta Friedman and Allegra Weingarten when they both caught Covid-19 last year. Making the most of their time in isolation, the pair got drunk together and ended up writing a fun song about great sex, with ‘Bang Bang’ being the result. All of Momma’s songs are mega catchy and this one is no exception. (KC)

Lilies In My Brain – ‘Blue Sky’
Inspired by everyone from Alkaline Trio, to Angel Olsen and Wet Leg, South London-based four-piece Lilies In My Brain create shimmering indie-pop anthems. This track is taken from their album, 21 = 2a + 7, which the band released back in 2021. They’re currently working on their second album, which they’re planning to release later this year. (KC)

Perlee – ‘Lampshade’
Inspired by everything from the nature of unconditional love to the banality of capitalist society, Berlin-based Irish band Perlee are preparing to release their debut album, Speaking from Other Rooms on 21st April. This track is lifted from the record, and its full of glistening guitars and dreamy vocals. (KC)

Lunar Vacation – ‘Only You’
Following the release of their debut album in 2021, ‘Only You’ is the latest single from Atlanta-based Lunar Vacation. Rippling with beautifully lilting melodies, it shimmers with a stirring emotion and sparkling, cinematic grace, offering an irresistibly effervescent slice of indie-pop with shades of the likes of Alvvays and Best Coast. (ML)

Lusa Morena – ‘Where’s The Spark (If Not In You)’
Having wowed us with the fierce charisma of their live show at The Shacklewell Arms last year, London-based five piece Lusa Morena have recently released a twinkling new single. Reflecting on society’s frequent dismissal of – and stigma around – feelings of depression or mental health struggles, ‘Where’s The Spark’ is a beautifully moving ballad, oozing sweeping, glossy riffs alongside front woman Bárbara’s rich, luscious vocals. (ML)

Aisha Badru – ‘Lazy River’
Flowing with a lilting energy, ‘Lazy River’ reflects on the journey of emotional healing and the time that this can take. Rippling with the shimmering grace of Badru’s vocals and a twinkling folk-strewn musicality, it oozes an exquisite stirring splendour. Learning To Love Again, the upcoming new EP from Aisha Badru, is set for release in June. (ML)

JFDR – ‘Spectator’
I notice something different each time I listen to this beautiful track by Icelandic experimental songwriter JFDR. Her tender voice and concise, gentle lyrics compliment the glimmering synths perfectly. ‘Spectator’ is lifted from her upcoming album Museum, which is set for release on 28th April via Houndstooth Records. Speaking about the track, JFDR explains “‘Spectator’ is an anthem for the codependent, a lullaby for the ones slightly codependent and for those who have never felt it; a mirror into the raw thought process of someone deep in the trenches of it.” (KC)

Midwife & Vyva Melinkolya – ‘NMP’
I never tire of listening to Midwife’s melancholy sounds, and this new collaborative effort with Vyva Melinkolya is no exception. ‘NMP’ is taken from the duo’s upcoming 5-song album, Orbweaving, which will be released on 12th May via The Flenser. The record is described as “a web like structure – a gauze of sorrow and visceral connective thread” that combines their experiences of hopelessness, calling on a higher power, being alone, and the sublime horror of the natural world. I can’t wait to hear it. (KC)

LANA DEL RABIES – ‘Prayers of Consequence’
The opening track to her recent album STREGA BEATA – which loosely translates as “Blessed Witch” – I love this gloomy, evocative track from Lana Del Rabies. A creator of corrosive, brooding experimental sounds, the Phoenix-based producer and multimedia artist’s new record is a cathartic medium for her innermost thoughts on the human condition, grief and navigating tragedy. You can listen to the album and read about some of the music that inspired her to write it in our Five Favourites feature here. (KC)

MANDY, INDIANA – ‘Pinking Shears’
A brittle, abrasive blend of beats, noise and bittersweet French vocals, this track from Manchester-based four-piece MANDY, INDIANA seethes with a palpable frustration. The track is taken from their upcoming debut album, i’ve seen a way, which is set for release on 19th May via Fire Talk Records. (KC)

DEBBY FRIDAY – ‘Hot Love’
Taken from her upcoming debut album, GOOD LUCK, which is set for release via Sub Pop on 24th March, ‘Hot Love’ is another industrial-tinged, explosive electronic banger from DEBBY FRIDAY. The Nigerian-born, Toronto-based artist continues to provide the soundtrack for messy nights on the dancefloor, and the impact that the intoxicating and toxic people we meet in the hedonistic process. (KC)

ARXX – ‘God Knows’
The latest single from absolute faves, Brighton’s ARXX, ‘God Knows’ offers a perfectly heartfelt and instantly catchy anthem. Embracing their love of all things pop, it veers away from the more gritty sound of previous offerings whilst maintaining the duo’s distinctive emotion-strewn power. Of the track, they explain: “We really pushed ourselves to step into Dua Lipa’s shoes. We were able to live our Cher dreams and dive into the world of auto tune and swoopy synths.” ARXX’s upcoming debut album, Ride or Die, is out on 31st March – pre-order here. Catch ARXX live on tour over the next couple of months (I can’t wait to catch them at Rough Trade East on my birthday!) (ML)

Gabi Garbutt and Du Blonde – ‘Panic’
A perfect collaboration between Gabi Garbutt and acclaimed artist Du Blonde, ‘Panic’ is propelled by a swirling post-punk energy alongside sugar-sweet pop melodies as the two vocals fuse together with a shimmering charm, creating a truly blissful, instantly infectious, indie-pop anthem. Watch the wonderful DIY video for ‘Panic’ here. (ML)

Tiiva – ‘Teenage Dirtbag’ (Wheatus Cover)
Taking a classic 00s anthem and putting their own euphoric spin on it, London-based producer Tiiva’s cover of Wheatus’ ‘Teenage Dirtbag’ is a celebration of queer love. Full of quirky synths and dreamy vocals, the track reflects Tiiva’s own feelings about coming-of-age as a queer person. “I wanted to cover something that I could sing about and be like, ‘yeah that’s me, that’s how I feel’,” Tiiva explains. “The lyrics feel hyper real, my first crush on a girl, feeling invisible in my queerness and wanting to be accepted, to be cool. I feel like this song is such an anthem but also so fun, celebrating how to just be yourself and enjoy it, that’s what the song means to me, and I wanted to share that.” (KC)

Panic Pocket – ‘Mad Half Hour’
The first taste of their upcoming album of the same name, Panic Pocket’s latest single ‘Mad Half Hour’ offers a joyous ode to Spice Girls legend Geri Haliwell, oozing all the playful tongue-in-cheek energy that we’ve come to know and love from the London duo. An instantly catchy slice of fizzing punk-pop, it will have you singing along on first listen; so, don your thigh high boots, scream ‘Girl Power!’ and relish in the nostalgic bliss of this witty anthem. (ML)

Jen Cloher – ‘Mana Takatāpui’
This poignant single from Australian artist Jen Cloher, ‘Mana Takatāpui’ offers a blissful celebration of the indigenous Polynesian people of Aotearoa, New Zealand, the Māori LGBTQ+ community. Showcasing Jen’s trademark luscious soothing vocals alongside a shimmering musicality, it builds with an uplifting energy to a truly joyous unifying anthem. I Am The River, The River Is Me, the upcoming new album from Jen Cloher, is out now via Milk! Records / Marathon Artists (ML)

Girl Ray – ‘Everybody’s Saying That’
Reflecting on themes of new love and self-doubt, ‘Everybody’s Saying That‘ is the latest single from London trio Girl Ray. Swirling with a disco-inspired energy, oozing the band’s colourful charisma and uplifting charm, I just love its funk-fuelled hooks and sparkling danceable allure – a perfect uplifting anthem, that will elevate your spirits, leaving you ready to hit the dancefloor/roller-disco/bedroom with a revived sense of optimism. (ML)

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Five Favourites: Jen Cloher

Having been a big fan of Australian artist Jen Cloher for a number of years now, I was excited to hear that they’re set to release a new album next month. Our first taster from the album, latest single ‘Mana Takatāpui‘ offers a blissful celebration of the indigenous Polynesian people of Aotearoa, New Zealand, the Māori LGBTQ+ community. Showcasing Jen’s trademark luscious soothing vocals alongside a shimmering musicality, it builds with an uplifting energy to a truly joyous unifying anthem.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of Jen Cloher’s upcoming album, we caught up with them to ask about the music that has inspired them the most. So, read about their five favourite ever albums, and check out the beautifully empowering video for single ‘Mana Takatāpui‘ below…

PJ Harvey – To Bring You My Love
There’s an incredible in-depth podcast (in 2 parts) with the legendary music critic Ann Powers where she covers every PJ Harvey album, collaboration and movie soundtrack with the loving attention to detail that an artist of PJ’s magnitude deserves. I came away realising 3 things – that To Bring You My Love is my favourite of her albums (and that’s a tough call), that PJ paved the way for the incredible influence women have on guitar rock music today and that Ann Powers brings the kind of intelligence and reflection we all dream music critics would bring to our work. Go checkout this Bandsplain podcast episode, it’s a treat.

Gillian Welch – Time (The Revelator)
The first time I saw Gillian Welch and David Rawlings play was at a club in Melbourne. I went in with high expectations as I’d fallen in love with the songs on the album in a way where they feel like they’re yours and you hope the artist doesn’t ruin them for you! Lols. I needn’t have worried. David Rawlings’ guitar playing alone floored me. For the first time in my life I felt an inkling of what it might have been like to watch Jimi Hendrix play live – guitar and human as one. This album is simple – two acoustic guitars, vocal harmonies and great songs. It’s a masterpiece.

The Doors – LA Woman
The Doors were my first teen band crush. I ‘discovered’ Jim Morrison when I was 13 and spent the next three years listening to and reading anything Doors related that I could get my hands on. I even had a life size Jim Morrison poster above my bed – the topless one with the beads and leather pants. Was Jim Morrison one of the few that could pull off leather pants? All teen obsessions aside (it’s weird falling in love with a dead person), The Doors wrote some classic blues rock jams. ‘Riders On The Storm’, ‘Light My Fire’ and ‘Break On Through’ still stand up as classics today.

Aretha Franklin – Lady Soul
This is one of the albums I remember most as a child. My Mum was a mega fan of the great women Soul and Blues singers. From Billie Holiday to Sarah Vaughan, to Ella Fitzgerald, there were always powerful voices floating up from the turntable in our lounge room. ‘Chain of Fools’, ‘Respect’ and ‘Natural Woman’ reimagined by Aretha Franklin still stand as the penultimate versions of these classics.

Te Kaahu O Rangi – s/t
Te Kaahu is the waiata Māori project of pop artist Theia who is based in Aotearoa, New Zealand. Theia grew up speaking and writing songs in her native tongue Te reo Māori and collaborated with me on my new album. We wrote a song together called ‘He Toka-Tu-Moana’ – which means to stand strong like a rock in the ocean. Her debut Te Kaahu album (2022) is a beautiful combination of traditional Māori songs with indie folk pop leanings. She pulls it off effortlessly.


Massive thanks to Jen for sharing their Five Favourites with us!

I Am The River, The River Is Me, the upcoming new album from Jen Cloher, is set for release on 3rd March via Milk! Records / Marathon Artists. Watch the beautiful video for latest single ‘Mana Takatāpui‘ here:


Photo Credit: Marcelle Bradbeer

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Track Of The Day: Jen Cloher – ‘Mana Takatāpui’

How am I so late to the Jen Cloher party?! An integral part of the Melbourne indie scene that also gave us Courtney Barnett, Cloher is a long-established and hugely respected songwriter and performer. And, when you listen to ‘Mana Takatāpui’, taken from their first album in five years, it’s not hard to see why. It’s dazzling. A masterclass in songwriting, ‘Mana Takatāpui‘ celebrates the indigenous Polynesian people of Aotearoa, New Zealand and the Māori, LGBTQ+ community. It’s also an important reflection on finding yourself and the concept of ‘home’. 

Cloher’s warm honeyed vocal, reminiscent of early Cat Power, is so soothing and spiritual that it makes your heart swell. And, while their lyrics are both personal and political, they are delivered with such love and pride that the song never feels heavy. From the opening harmonies to the upbeat affirmations that come later, it’s joyous. This is music to bathe yourself in.

Of the meaning behind the track, Cloher explains:

“I’m no expert but I’m guessing Māori pre-colonisation didn’t hold the same beliefs around gender and sexuality as Queen Victoria’s England. I’ve read that our men were hands on dedicated fathers and some of our best midwives; that our women fought side by side on the battlefield and that our wāhine atua (female gods) held as much mana (power and respect) as our tāne atua. Christianity came hand in hand with colonisation; their missionaries introducing the concepts of body shame, sexual repression, a woman’s menstrual cycle as impure, homosexuality as a perversion and gender as binary.“

Watch the poignant new video for Mana Takatāpui here:


Cloher’s upcoming new album, I Am The River, The River Is Me, is set for release on 3rd March 2023 via Milk! Records/Marathon Artists.

Vic Conway
@thepicsofvic

Photo Credit: Marcelle Bradbeer

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FIVE FAVOURITES: Bryony Williams

Wolverhampton based artist Bryony Williams has been busy building self-confidence and exploring new territories on her upcoming EP, State I’m In. Set for release via Beth Shalom Records on 18th September, the songwriter has crafted a collection of her boldest sounds to date, and latest single ‘I Can Be’ is a shining example of this.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Bryony to ask about her “Five Favourites” – five songs that have inspired her new EP. Check out her choices below, and scroll down to listen to her single ‘I Can Be’ at the end of this post.

 

1. Julia Jacklin – ‘Pressure to Party’
After seeing Julia perform live at the Castle & Falcon in Birmingham last year or so, she absolutely floored me. I was only aware of this single of hers, yet I was so transfixed with her presence. Julia was herself, she didn’t feel the need to excite the crowd through body movement or any stage tactics. Her songs were simply enough. That was a pivotal point for me when reflecting on how I approach my own music. ‘Pressure to Party’ will always be a reminder of that, and when you trace back the lyrics through the dry production, she’s telling you a story that we all know too well. But we don’t mind being told again, because she tells it so forgivingly.

2. Jen Cloher – ‘Forgot Myself’
To choose one song from Jen’s self-titled album is hard, but this particular track just goes that extra little bit further for me. It’s self-deprecating and whiney, yet so poetic and raw. It’s a direct reflection of how she was feeling towards herself at the time and she’s brutally honest about that, yet the guitars almost give Jen an opportunity to show her inner-strength and that this negative spout she’s going through is only temporary. It shows guts and I like that. I actually interviewed Jen a couple years ago for the Grrrl Groannn publication when she was touring this album, and let me tell you, it has been my favourite interview since. We spoke all things music for a good hour while drinking Guinness (okay, it was only me drinking Guinness). But the things she said were just so honest and true, to take a quote from our interview, “When you’re younger you do worry about what people think. It’s just human. But as you evolve as a person you care less and less and with this album, I’m not worried about what people will think.” And so with this record of mine coming out, that’s exactly the energy that I have adopted.

3. Chastity Belt – ‘Different Now’
This SONG. It humbles me. My personal memory of this song was when I was being driven to the New Orleans airport in a beach buggy?? After just being broken up with half way across the world, and this song came on as we were all wistfully and awkwardly watching the Louisianan landscape pass us by in our final moments together. That was a hard time. But this song to me represents change, and yeah that can suck, but you have to make light of whatever you’ve got and grow from that. Just like Chastity Belt say: “You’re hard on yourself / Well you can’t always be right / All those little things that keep you up at night / You should take some time to figure out your life”.

4. Clairo – ‘Bags’
Taking it down a little for a moment now… The storytelling here just blows me away. On a surface level it can seem quite easy, yet with every line there is meaning behind it whether that’s hidden or not. You can tell it comes from a place of deep emotion and that really grabs you. I always find it interesting when an artist can write something so open and heart on their sleeve and have it listened to anyone and everyone, yet it could be a situation from their personal life that showcases them being the opposite of that. So these juxtapositions really compel me and I’ve not been afraid to lyrically story tell my inner-demons through song in the past, but if you unpick this track, it’s just genius. Plus my mum really digs this track too so, thanks Clairo!

5. Anna Burch – ‘Tea-Soaked Letter’
Okay, so Anna Burch is my current no.1 inspiration. All these tracks have all contributed to the making of my upcoming EP, from drum rhythms to the lyrical storytelling, but this track takes the cake! I am just so jealous that I didn’t think to write this song! The lyrics really make me think about how I want to move forward with my self-portrayal and I’m kind of sick of writing sad songs. I’m just not that person anymore. So Anna has really drawn out a different lyrical direction for me in order to express myself in perhaps more of a nonchalant way.

Thanks to Bryony for sharing her favourites with us. Follow her on Facebook & Spotify for more updates.

State I’m In by Bryony Williams

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