Get In Her Ears Live @ Notting Hill Arts Club w/ Alyss 01.12.18

Get In Her Ears returned to West London’s Notting Hill Arts Club on Saturday night to host another successful night full of alternative electronic music. For our second gig at the venue, we chose Alyss to headline; with support coming from the brilliant Elsa Hewitt, Temples of Youth and Varley.

First up were Berlin-based trio Varley, who played a beautiful stripped back set to an appreciative, respectfully quiet crowd. Vocalist Claire-Ann Varley’s gentle, clear voice was perfectly accompanied by the acoustic & electric guitar sounds of bandmates Matthias Heising & Joschka Bender. When she cautiously asked for a little audience participation during one particular song, she was rewarded with attempts to mimic her soft voice, and the trio left the stage to well deserved and rapturous applause.

 

 

Up next were our favourites, electronic duo Temples Of Youth, who (as always) performed a stunning set. Jo & Paul’s blend of old and new songs – including ‘Darker Places’, the title track from their latest EP – captivated the crowd with their ambient guitar sounds and Jo’s standout vocals. We never tire of seeing these two live, and we were thrilled to have them on the bill with other talented electronic artists.

Penultimate act Elsa Hewitt was a one woman music machine. She played a hypnotising set, which included her latest single ‘Invisible Threads’. It’s always a pleasure to watch artists lose themselves within their own sound, and watching Elsa perform her intricate tuning and triggering, whilst simultaneously performing her soft vocals so seamlessly was a genuine pleasure to witness. We were so caught up in her soundscapes we lost track of time, and as we gently ushered her set to a close, electro-pop Queen Alyss took centre stage.

Clad in a shiny cape and black-rimmed hat, headline act Alyss dominated the stage with her powerful vocals and uncompromising attitude. Performing as a one woman band, she had the room packed full of fans who were dancing along to her pop hooks and bouncing beats.

Huge thanks to the bands and to Notting Hill Arts Club, and extended thanks to all those who donated their spare change on the door to National AIDS Trust on #WorldAIDSday – we appreciate your generosity!

Keep your eyes peeled for more gig announcements from us soon.

Photo Credit: Jon Mo Photography

LIVE (Photos): The Great Escape Festival 2018

The Great Escape kicked off UK festival season in sun-soaked style last weekend, and it’s taken us a few days to gather our thoughts on the prolific 3-day event, renowned for championing new music. Spread across multiple venues in Brighton, we managed to catch some of the brightest talents in between sunbathing on the beach, and consuming our body weight in fish & chips.

Irish beauts Pillow Queens kicked off proceedings with their packed set at The Prince Albert on Thursday afternoon, setting a high standard for the rest of the weekend, before Scottish alt-rockers The Ninth Wave blew us away at Horatios at the end of the Pier. They had three shows by the sea, so they definitely made waves.

Soccer Mommy

Gracing the brand new Beach House stage were Snail Mail and Soccer Mommy, both of whom performed to big crowds with their understated, catchy slacker-anthems. We saw out Thursday in spectacular style at The Hope and Ruin with our favourites, Queen Zee. Their packed set included a cover of Dizzee Rascal’s ‘Bonkers’ and their usual crowd-pleasers ‘Boy’ and ‘Sass Or Die’.

Queen Zee

We partied a little too hard post Queen Zee, so Friday was pretty hazy until our favourite rock-pop duo REWS blew our hangovers away with their set at the Beach House. We caught this duo in 2016 at The Speigltent, and since then they’ve signed to Marshall Records, released their debut album Pyro, and have started sharing their singles in America! These girls are exceptionally talented and always entertaining to see live.

REWS

We had high hopes of catching Bodega, but the queue outside The Haunt was longer than the equator, so we took off in search of venues supporting The Alternative Escape. We caught some of psych-rockers Strange Cages before calling it a night.

Saturday started off with Canada’s Partner, who were a complete joy to watch live at The Walrus. We caught some final rays of sunshine and had our last portion of chips before heading over to Sticky Mikes Frog Bar to catch Copenhagen’s Nelson Can, who were ultra-cool all clad in white. We spotted Brighton’s ARRX on the barrier watching them too. Electronic one-woman-wonder Elsa Hewitt was the last act we caught in Komedia before the festival was over. She hypnotised us with her well-crafted electronic beats.

Our photographer Jon Mo was arguably the most productive man in Britain over The Great Escape weekend, and he managed to catch all the bands we didn’t (aside from Dream Wife, who unsurprisingly packed out The Beach stage to capacity). Check out his incredible shots below. Brighton, we’ll see you again in 2019!

Audiobooks

Brooke Bentham

Chroma

Hatchie

Jealous Of The Birds

Stella Donelly

Photo Credit: Jon Mo

Kate Crudgington
@KCBobCut