Get In Her Ears Live @ The Finsbury w/ Dream Nails, 13.04.18

Following a host of super amazing bands playing for us recently – including LIINES, Witch Fever, The Magnettes, H.Grimace, Temples Of Youth and Ghum  – we were back at The Finsbury on Friday night for another jam-packed night of the best new music.

Kicking off the night is Gold Baby. Treating us to their twinkling slices of utterly infectious indie-pop, lush vocals and jangly hooks flow as the sunny charisma of front-woman Siân Alex charms each and every one of us.

Next up, the raw, soulful punk pop of Madame So blows us all away. As her gritty vocals ooze a refreshing honesty, scuzzy melodies leave us completely engrossed in her unique, catchy offerings.

Penultimate band of the night The Franklys blast into our eyes and ears with the ferocious intensity of their raging garage rock. Complete with some witty between-song banter, they deliver a truly unforgettable, energy-fuelled set.

Headlining are Get In Her Ears’ favourite Feminist Punk Witches, Dream Nails. Dressed in matching sparkling white, they fill the packed-out venue with their seething, punk-filled power and empowering force. With their impassioned plea for ‘All Girls To The Front’, they treat us to their inspired, raucous offerings, raging against domestic violence, misogyny and bullies with all the effervescent, buoyant energy you could ever desire. As a wonderful aura of female unity and motivation sweeps throughout the crowd, we’re reminded once again why we need Dream Nails in our lives. It’s truly an honour to have these strong-spirited, inspirational women return to headline for us after they opened our first ever night at The Finsbury back in October 2016.

Huge thanks to the four AMAZING bands who played for us and for all who came along to make it such a wonderful night. Next month, we have not one but two gigs! We’ll be at The Finsbury on 11th May with Suzie Stapleton, and on 23rd May we’ll have our first gig at The Windmill with Heavy Heart!

Mari Lane
@marimindles

 

WATCH: Ms Mohammed – ‘Pandora’

Musician and activist Ms Mohammed has shared a video to accompany her latest single ‘Pandora’, and it’s a direct challenge to anyone who dares to suppress the feminine in all its forms.

Taken from her critically acclaimed EP Alibi, ‘Pandora’ brims with relentless riffs and thundering percussion which reflect the strength and endurance of all the women Ms Mohammed features in the video. We recognise Madame So, Kat Five of Feral Five, and Zel from VODUN; but we’re looking forward to discovering more about the other brilliant women who prominently feature throughout the footage.

Talking about the video’s themes, Ms Mohammed explains: “We are sold limiting ideas of what it means to be female. The feminine is still derided in all cultures, still frowned upon, still synonymous with weakness. Truly celebrating the feminine would bring about the revolution that is so desperately needed. The Future is Femme!”

Ms Mohammed founded the Clit Rock movement in 2013 as a way of speaking out against female genital mutilation. As a champion of cross-cultural tolerance and an out queer artist who advocates for LGBT rights and visibility, Ms Mohammed is challenging prejudice through her music. We are happy to be her allies in this fight for equality.

Watch the video for ‘Pandora’ below, and follow Ms Mohammed on Facebook for more updates.

Kate Crudgington
@KCBobCut

Tracks Of The Year 2017

As Time Magazine recently called it, 2017 is the year of The Silence Breakers, and us Get In Her Ears girls are here to support the women who are making all the right kinds of noise.

It has been increasingly difficult to absorb and process daily news stories about women and girls who have been sexually assaulted and raped by powerful men who (wrongly) assumed they would get away with it. Women from all walks of life started to use the #MeToo campaign to document their experiences of sexual harassment and assault earlier this year, and since then perpetrators have been called out, shamed, and fired – though few have apologised for their actions.

Whilst we can’t seem to stem the flow of pain caused by stories of inherent societal sexism, or the tories’ budget cuts to vital women’s services here in the UK, we can provide some respite in the form of some of our favourite immensely talented, informed, brilliant female musicians. These are the women who rocked our world in 2017 – we’d be lost without their precious anthems. Take a look at our top tracks below…

The Nyx – ‘Fire Breathing Lady’
Exuding their intense, raucous energy The Nyx deliver immense, electrifying offerings. Fuelled by a seething passion, ‘Fire Breathing Lady’ hits you with its fierce, empowering force like nothing you’ve heard before. I’ve had this track on repeat throughout the year – its thrashing power having seen me through the trials and tribulations of 2017, and marking these exceptional women out as a real force to be reckoned with. So, turn up the riotous sound of ‘Fire Breathing Lady’ and celebrate your womanly powers in all their glory. (Mari Lane)

Nova Twins – ‘Mood Swings’
Driven by devious and distorted basslines, Nova Twins (aka Amy & Georgia) have unmatchable attitude and instinct for writing anarchic anthems, and ‘Mood Swings’ is a warped reflection of swift emotional shifts that will be buzzing around your brain long after it’s stopped playing.
(Kate Crudgington)

Sink Ya Teeth – ‘If You See Me’
‘If You See Me’ was the debut single from Sink Ya Teeth who signed to James Endeacott’s 1965 Records this year. The track is drenched in addictive beats and nods to post-punk royalty ESG. A particular highlight for me was watching Sink Ya Teeth perform this live at one of our Finsbury nights; catch them if you can, these guys are worth seeing live. (Tash Walker)

Lizzo – ‘Water Me’
I’ve been in love with (queen) Lizzo for some time… I was completely obsessed with the uplifting wit of her 2014 track ‘Batches And Cookies’. And I’ve been equally head over heels with this year’s ‘Water Me’. A super empowering anthem, it’s filled with immense hooks and the completely infectious, invigorating chorus as Lizzo repeats “I am my inspiration”. Lizzo explains of the track: It’s about needing nourishment, it’s about being loved for who you are. We’re celebrating black beauty and the meaningful freedom of water.” So, nourish yourself, inspire yourself, and fall in love with Lizzo’s ‘Water Me’. (ML)

Smerz – ‘Because’
Low slung rhythms, crunching beats and those ever so distinctive vocals, Because in short is some of the best obscure techno-pop around. Copenhagen based duo delivering distorted electro tracks, a perfect mix of minimal futurism and experimental nostalgia. I’m so into this track, it makes me feel like I want to don a heavy orange bomber jacket, an East 17 style beanie and head down to some industrial rave in a warehouse and two-step the night. (TW)

Dream Wife – ‘Let’s Make Out’
It was difficult to choose a specific Dream Wife track this year, as both ‘Somebody’ and ‘Let’s Make Out’ were equally as catchy and important as each other. Whilst ‘Somebody’ addresses victim-blaming and the shame around sexual assault, ‘Let’s Make Out’ is a shamelessly confident anthem about acting on your own consensual desires. I was fortunate enough to be on set during the video shoot, and it was a real joy to watch the band and their friends dance around at fake prom, living their best lives. (KC)

Queen Zee – ‘Boy’
I’m hooked on Liverpool punk sass-perts Queen Zee. ‘Boy’ is the first track of theirs that reached my ears, and it’s an anthem for trans-gender rockers and their allies who refuse to be oppressed by transphobic or homophobic attitudes.(KC)

The Orielles – Sugar Tastes Like Salt
In case you haven’t noticed, The Orielles have had the title of my favourite band for a while now. I named them as Ones To Watch last year, and it seems they’ve lived up to that title – having wowed crowds at festivals this summer (including a wonderful set at Green Man), become a BBC 6 Music favourite and received acclaim from the likes of The Guardian , as well as many other esteemed publications.

Though I’m a fan of everything they have to offer, this year’s ‘Sugar Tastes Like Salt’ is a truly epic creation. Racing with pounding beats, scuzzy hooks, jangly melodies and woozy vocals, Sid, Esmé and Henry show they’re capable of greatness with this dreamy offering. At just over eight minutes long, it truly is an anthem in every sense of the word. An anthem heralding the arrival of The Orielles into the ears of masses. The band’s first release on Heavenly Recordings, ‘Sugar Tastes Like Salt’ is a magnificent, clattering cacophony; a frenzied fusion of sounds that takes you on a musical adventure into the minds of its creators. (ML)

Madame So – ‘Black Is Beautiful’
London-based promoters LOUD WOMEN released their first compilation CD this year (buy a copy here), and Madame So gifted them with this superb track. ‘Black Is Beautiful’ is a poignant song about race, identity, and doing things for yourself. Her lyrics and unique voice move me each time I listen (and I love her reference to The Cure). (KC)

Amparo – ‘Reset’
If I could…I would have chosen everything that Amparo has released this year, constantly creating such beautiful dreamy soundscapes but if forced (and I am being forced) I’d go with ‘Reset’. A firm favourite of mine taken from Amparo’s EP Isolated Islands which has a melodic-chill atmosphere created with the idea of being enjoyed whilst exploring the outdoors. Absolutely excellent listening. (TW)

 

Beckie Margaret – ‘At Home (Where I Write)’
Cool Thing Records introduced me to Beckie Margaret in late 2016, and I’ve been mesmerised by her ever since. She has such a pure, faultless voice and it was a pleasure to interview her before her debut London show at The Waiting Room in October of this year. This is her second single, following on from ‘Cars & Catacombs’ and it’s totally divine. (KC)

Noga Erez – ‘Dance While You Shoot’ 
A sheer force to be reckoned with, if ever there was one, Tel Aviv artist Noga Erez has blown me away with her immense arrival into our ears (and eyes at Visions Festival!) this year. An utterly compelling performer, she oozes an hypnotic elegance as she delivers the glitchy, sweeping cacophony of ‘Dance While You Shoot’. In this utterly infectious track, Erez combines a magnetising grace with with a fiery, frenzied power; cementing herself firmly as one of the most exciting artists around, and a simply stunning performer. (ML)