Track Of The Day: Shannon & The Clams – ‘Year Of The Spider’

God, I love Shannon & The Clams. Channelling the playfulness – and the beehives – of the B52s, along with the sweet and spiky harmonies of the best ’60s girl groups, the Bay Area garage-rockers offer a fresh, fun take on rockabilly, delivered in a beautifully badass 21st century way.

With ‘Year of the Spider’, the second single from their upcoming sixth album, they retain their sense of fun, but there’s a real melancholy too. Underneath the big, bold choruses and cheeky rock ‘n’ roll posturing, front-person Shannon Shaw laments the serious illness of a family member. “Bad news called me on the phone…” – she sings – “The one you love; he needs a doctor. There were signs, I should I have known.”

Shaw’s strong and soulful voice soars, and is boosted further by the Clams’ woozy, psychedelic harmonies and raw, dirty production from the Black Keys’ Dan Auerbach. It’s a poppy, powerful song that’ll hook you in and break your heart. I love it.

Watch the fun-filled new video for ‘Year Of The Spider’ here:

Shannon & The Clams’ upcoming sixth album, also entitled Year Of The Spider, is set for release 20th August via Easy Eye Sound / Concord. Pre-order here.

Victoria Conway
@thepicsofvic

Photo Credit: Kristin Cofer

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Track Of The Day: Half Waif – ‘Sodium & Cigarettes’

‘Sodium & Cigarettes’ is the latest single from Half Waif’s forthcoming album Mythopoetics, set for release next month.

Half Waif is the creation of New York based artist Nandi Rose whose ethereal vocals sail somewhere in the gap between Phoebe Bridgers, Kate Bush, and Sinead O’Connor. Producer Zubin Hensler makes the most of her unique talent, stripping the production right back to its bare bones and allowing Rose’s voice to be the star of the show. Rose has commented that Mythopoetics is the album she has been trying to make for ten years: “My voice is changing, and my confidence has reached a point where I feel that I can sing however I want; I’ve finally come to a place where I don’t have to conform to what I think other people want it to sound like”. ‘Sodium & Cigarettes’ is an incredible showcase for her newfound confidence.

A simple solo piano accompanies Rose’s tenuous vocal through the opening verse as the lyrics ponder “Do I deserve what’s coming to me?”, but this is ultimately a song of hope. The vocal gathers in strength and resilience throughout as Rose declares in the chorus “okay, give it another day”, giving a sense of needing to take a breath before re-entering the fray – a sentiment which will no doubt be familiar to listeners exhausted by Trump-era politics, the pandemic, and an endlessly grim 24 hour news cycle. Rose implores the listener to keep looking to the future.

As the song progresses, gentle reverb-laden backing vocals swell in the background as if powering up to meet the challenge, sparse staccato synths pepper the final verses as if waking up, and the resonance of a church organ fills the delicate space beneath Rose’s vocal. The track ends with Rose challenging the listener – “Is it too late now to start running?” – her tenuous vocal taking on ever more strength and depth as she uses a vocal effect reminiscent of The Japanese House. 

‘Sodium & Cigarettes’ is a song of hope, a challenge to us all to re-energise and take up the fight, a subtle and gentle awakening in the face of exhaustion and malaise.

‘Sodium & Cigarettes’ is taken from Half Waif’s fourth album Mythopoetics, set for release on 9th July via ANTI-.

Kate Sullivan
@katesullo

Photo Credit:  Ali Cherkis

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ALBUM: Lost Chimes – ‘Lost Chimes’

Lost Chimes is Gemma and Nicky Kirk, an indie-folk duo from north London. The husband and wife team have now joined musical forces after ten years of playing in separate DIY, folk, punk-rock and post-hardcore bands.

Their new captivating self-titled album blends traditional folk with a contemporary twist. The storytelling lyrics, delicate finger-picked guitar and memorable melodies keep your ears enticed from the first track to the last. 

Opening track, and first single, ‘Island’ is a soothing track about a mystery island. Gemma’s smooth, crystal clear vocals gently bob over lush and jangly guitar lines like a boat upon the waves, with the second verse painting a beautifully nostalgic picture: “You’ll do a lot of talking and I’ll do a lot of listening and one day the records will come out of their sleeves / the one that has my name on the back and the one that has the secret track, and everything between the backdoor and the sea wall…” The accompanying video of overlaid singing, sea, and birds perfectly complements the musical content, which evokes thoughts of nature and water.

My personal album highlight, ‘Voices’, offers a traditional folk-inspired melody, encompassing a fiddle which weaves around the vocal lines with a waltz-like rhythm. The sparse yet present drum beat gets your foot tapping and gives it a sea shanty feel. Gemma’s vocals may be delicate, yet they emit a strength bringing to mind Pentangle’s Jacqui McShee.

‘Stone Steps’ offers Nicky’s most interesting guitar riff on the album, a melancholic yet hopeful refrain. Gemma’s lullaby vocals in the verses erupt into something more powerful and reminiscent of Delores O’Riordan’s vocal in the chorus. Later on in the song, a spoken word section is introduced, giving your ears a new element to enjoy.

The duo’s cover of Joy Division’s iconic song ‘Love Will Tear Us Apart’ is both atmospheric and haunting. The finger-style of the guitar combined with the cinematic vocal arrangement does this tricky-to-cover song justice, retaining its sadness and depth whilst adding Lost Chimes’ own spin.

Ella Patenall
@nazandellamusic

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Track Of The Day: Desperate Journalist – ‘Personality Girlfriend’

Having been charming us for a number of years now with their hypnotic, ’80s-reminiscent indie soundscapes, London’s Desperate Journalist have now announced a new album, set for release next month. Ahead of the album, the band recently shared new single ‘Personality Girlfriend‘.

Reflecting on society’s obsession with “putting women into boxes/on pedestals...”, ‘Personality Girlfriend’ flows with jangly, scuzzed-out hooks and a swirling, shoegaze-tinged allure. Building with a fizzing energy as the distinctive, honey-sweet vocals of Jo Bevan soar with a subtle power, it glistens with a shimmering anthemic grace and reverb-strewn splendour. Whilst harking back to the grittier Britpop of the early ’90s, here Desperate Journalist once again manage to create something that is entirely their own – exquisitely fusing together their influences, whilst adding their own unique, captivating majesty and immersing the listener in the track’s poignant subject matter. Expanding on the song’s meaning, Bevan explains:

“The stupid idea that we are either gorgeous airheads with no inner life, or Plain Janes ‘with a great personality’, is exhaustingly pervasive in the way people talk about relationships, and both ‘categories’ are negging, nasty excuses for not granting respect to the person in question… The song is also a riposte to the tired old cultural trope that in order to be worthwhile or interesting a woman has to be incredibly strong and some kind of paragon of virtue and/or intrigue, when men are rarely held to the same standard… I’m a real person with needs and desires and interests and I fucking dare you to discount me.”

Watch the new video for ‘Personality Girlfriend’ here:

Recorded entirely in Crouch End during lockdown, Maximum Sorrow – the upcoming album from Desperate Journalist – is set for release on 2nd July via Fierce Panda Records. Pre-order here.

Mari Lane
@marimindles

Photo Credit: Nick JS Thompson

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