Track Of The Day: Karima Francis – ‘Say’

In what feels like a gentle stroll down a dim, busy street, LA based Karima Francis releases her stripped-back single ‘Say‘. With a steady, comforting mix that is folk-inspired in its narrative, and indie in its disposition, it sparkles in its simplicity, allowing Karima’s songwriting to shine through without obstacles. 

With ample time to dabble, reflection advances Karima to a moment of realisation where she becomes aware of her self-made walls. In times of isolation, sometimes our relationships may feel like they are under a microscope, even the relationship with one’s self may become that way. This poignant offering is self-aware in its apprehensive footsteps, offering to become smaller to make space from a place of anxiety. With both its beautiful musicality and stirring lyricism, ‘Say’s universe builds up boundaries whilst tearing others down. 

Warm, widespread bass and laid back drums spread a blanket out for Karima’s ideas to nestle in balance. There is a subtle energy to ‘Say’ that feels like a summer breeze, whilst lush guitar hooks stay humble and satisfying, passing through naturally without invasion. Oozing an immersive intimacy, Karima whispers her worries in a delicately rousing close vocal, with shades of the emotion-strewn splendour of Phoebe Bridgers. 

Of the track, Karima explains:

“Say’ is about the isolation caused by Covid -19 and how that can impact relationships closest to you.The song lyrics came to me whilst I was on my daily run, the whole cycle of Covid repetition was becoming overwhelming. My ongoing battles with CPTSD (complex post-traumatic stress disorder) became more outward and started to impact those around me.” 

‘Say’ is a ticket for a walk in Karima’s shoes, a saunter down awakening realisation; a necessary catharsis.

Jillian Goyeau
@jillybxxn

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LISTEN: Daisy Coburn – ‘My Paradise’

Having previously released music with her project Daisy Dares You and with years of experience playing in various other bands, last year innovative artist Daisy Coburn released her debut solo EP, and has now shared her new single, ‘My Paradise’. A festival ready stomp-through-the-woodlands-until-you-find-a-magical-clearing type listen, it’s utterly enchanting as airy chimes weave through swirling guitars and trundling bass, creating a beguiling indie track which is as whimsical and eerie as Alice heading down the rabbit hole. 

As Coburn’s vocals whisper, we’re treated to the unique, celestial Tinkerbell-like quality of her voice: delicate without being fragile, emanating light while a darker mischievousness lingers too (making the accompanying press image of Daisy bathed in absinthe green light pleasingly fitting). 

Her self-written lyrics are a call to get up and discover yourself, to stop making the same mistakes. Her admission that “my paradise is that you’d think twice” is particularly poignant advice given the knowledge that her career has seen a decade’s worth of iterations – you may remember her from various outfits including The Duke Spirit. 

While there are nods to her history, there’s an unrelenting sense of Daisy’s evolution as an artist. Having left the industry as a teenager, her return is wise, well crafted and extremely welcome. As ever, it’s refreshing to hear an artist truly find her sound and it’s with great excitement we await forthcoming EP Cut The Demon.

Tutku Barbaros
@tutkubarbaros

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LIVE (Photos): Berries @ The Grace, London, 12.08.21

It’s been a long eighteen months, but gigs as we know and love them are slowly starting to return… Our photographer Jon Mo ventured out to his first live event in a long while last Thursday to catch GIHE faves Berries at North London venue The Grace; and what better way to dive back into things?!

Kicking off the night was the gritty, swirling energy and frenzied electro-rock sounds of Wyse.

Next up was friends of GIHE, Tiger Mimic. Blasting out thrashing beats, racing riffs and the soaring sleek vocals of front woman Jess, they never fail to energise the crowd.

Celebrating the release of their dazzling new single, ‘The Expert’, headliners Berries consistently deliver a fun-filled energy and sparkling charisma with each of their performances. With front woman Holly’s distinctive spiky vocals and an all-encompassing life-affirming sense of unity, the trio don’t disappoint, with their admirable raw passion and uplifting spirit.

Photo Credit: Jon Mo / @jonmophoto

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Track of The Day: The Crystal Furs – ‘Miss Hughes / Please Fade Away’

Having previously charmed our ears with their debut album Beautiful and True, Portland’s indie jangle pop band The Crystal Furs have spent their career channelling their growth as individuals and as a group into their music. Their sound reflects the shifting, unpredictable nature of life and deftly changes with each curveball thrown. Their two new tracks, ‘Miss Hughes’ and ‘Please Fade Away’ show that same keenness to embrace change and throw the full weight of their creativity behind their own growth.

Both songs are built on a foundation of The Crystal Furs’ ’60s-inspired pop sound, with high lilting vocals harmonising over a chirpy combination of strings and keyboard. This is complemented by a more contemporary-sounding reverb and deep bass, blending the old and new styles in a way that marry together to create something unique and exciting.

‘Miss Hughes’ opens with the rich boom of an organ, striking a decisive and powerful note that rumbles beneath the lighter vocals and strings as they jump in. You can feel the vintage influences soaking into the sound in the way the harmonies dance around each other, as the delightfully simple yet immersive riffs play around the chord progression. The reverb lends an almost club-like vibe to the track underlying the chirpy upbeat singing, which creates a fun contrast that sees the two styles balance each other out into a playful whole.

‘Please Fade Away’ is another wonderfully constructed song, playing off vocals teeming with attitude against that same bright ‘60s sound. The vocals are absolutely fantastic, with the relatable premise of wishing someone would stop being so clingy and just disappear. The snark comes through the wording in a way that is effectively juxtaposed against tones that are otherwise very gentle in their sound and rhythm. These seemingly simple structural decisions give the track’s details so much character. The delicate tambourine jingles feel almost sarcastic, so lightly played against the lyrics, given power by the throbbing drums and signature chirping guitars.

Both tracks show an evolution in The Crystal Furs’ sound. The way the more contemporary musical elements enhance the effect of the vintage style gives the songs a distinct and timeless flavour that feels at once familiar, yet novel. Two dreamily uplifting offerings that leave us longing for more of The Crystal Furs’ playfully honey-sweet creations.

Kirstie Summers
@ActuallyKurt

Artwork: Kara Buchanan

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