Track Of The Day: Bitch Hunt – ‘Eau Claire’

Following last year’s split cassette release with adults, London based non-binary band Bitch Hunt are set to release their debut EP, out next month via Reckless Yes. Having formed at First Timers Fest in 2017, and since charmed us with an immense live set at a GIHE night back when gigs were a thing, the band have now shared the first single from their upcoming EP.

With stripped back jangling hooks and raw, heartfelt vocals, ‘Eau Claire’ is an ode to a Wisconsin town where singer Sian used to live. Building in momentum and shimmering harmonies to a gently scuzzy, emotion-strewn anthem, it oozes shades of the sparse, twinkling energy of Seattle faves Tacocat, creating an effervescent, stirring slice of punk-pop. With its swirling riffs and reflective lyricism, it conjures a warms sense of nostalgia for long summer nights spent with friends; something we can hopefully start to look forward to now… Of the track, the band explain:

‘Eau Claire’ is the name of the town in Wisconsin where Sian lived some years ago, and the song is very much for the good people they met and the good time they spent. It’s also about the rose-tinted glasses we wear when we look at past summers. There was pain and heartbreak among the fun so don’t miss yesterday too much, maybe next year can be even better.

‘Eau Claire’ is out now, available to listen on Spotify. Shapeshifter, the debut EP from Bitch Hunt, is set for release on 28th May via Reckless Yes. Pre-order now via bandcamp.

Mari Lane
@marimindles

Photo Credit: Glen Michael-Harper

Track Of The Day: Errunhrd – ‘Rain (Sun Is Gone)’

An evocative electronic soundscape that deals with emotional burnout, Niagara Falls based multi-instrumentalist and producer Errunhrd has shared her latest single ‘Rain (Sun Is Gone)’. Laced with melancholy vocals, cinematic synths and sparse, clicking percussion, the track embraces a difficult topic but is underscored by Errunhrd’s hope that things will eventually improve.

“‘Rain (Sun is Gone)’ is about being emotionally overwhelmed during the pandemic while my grandma got diagnosed with colon cancer and is still going through treatment,” Errunhrd aka Shirin Ghoujalou explains. “It’s also my way of letting everyone out there struggling right now know that I hope we’ll be okay and get through this, while keeping the anger and frustration of the situation in there.”

Influenced by the likes of New Order, Grimes, Daughter and London Grammar, Errunhrd creates music that has “some kind of melancholy hope” and writes lyrics directly from her life experiences. ‘Rain (Sun Is Gone)’ epitomises her creative outlook, diving deep into her vulnerabilities and fears about her own well-being, as well as extending an olive branch to her Grandmother and to her listeners who are struggling to tread water in these testing times.

Watch the video for ‘Rain (Sun Is Gone)’ below.

 

Follow Errunhrd on bandcamp, Spotify, Twitter, Instagram & Facebook

Kate Crudgington
@KCBobCut

ALBUM: ĠENN – ‘Liminal’

Made for playing loud, Brighton-based genre-blenders ĠENN have released Liminal, an extended play that takes us on an audible journey of post-punky psychedelia. Following the release of their debut record, 2018’s Titty Monster (released under their previous name, Cryptic Street), ĠENN left their Maltese archipelago in the middle of the Mediterranean Sea to shoegaze at the British seaside, crafting six tracks that clearly define their transition to a more free-flowing sound, whilst still staying intrinsically true to their DIY punk-rock ethos.

Opening with ‘Feel’, Leanne Zammit’s funky basslines and Leona Farrugia’s ethereal vocals build to a hypnotic hazy, wavy kaleidoscopic conclusion of psychedelic instrumentation; perfectly encapsulating all the elements of seventies acid rock such as The Doors. Next up, Janelle Borg hooks us in (pun intended) with a cacophony of melodic guitar riffs on ‘Mackerel’s Funky Mission’, whilst Leona’s seductive spoken word escapism is steeped in mesmerising, rolling percussion, courtesy of Sofia Rosa Cooper. It’s fun to pretend you’re something else, so why not pretend to be a fish?

’23rd March’ – a date we here in the UK will not reflect upon with any warmth – forces us back to reality with passionate lyrics concerning the current political landscape, written in the style of Maltese expression. Leona prays for the souls of an inept Government and their failure in handling Covid-19, Brexit and Black Lives Matter. “I’m just gonna say a lil’ prayer for your soul / Yeah, we ain’t gonna stop ’cause you told us so!”

Chants for revolution see ĠENN exploring darker territories with the more politically direct and raw ‘Catalyst’; a furious combination of scuzzy guitar riffs, rumbling beats, and anthemic, indignant Riot Grrrl lyrics rallying for change: “We’re awake now / Stay awake now!”

‘Just Another Sad Song’ follows with a slow burn of emotionally-driven melody, making way for Janelle’s guitar to flourish – a tender moment further showcasing the versatility of the band – before ‘Falling Out’ concludes Liminal with an upbeat fusion of fuzzy basslines, grungy guitar licks, disco-influenced percussion, and a catchy Warpaint-esque chorus that will stay with you long after the needle is lifted.

With Liminal, ĠENN have produced an infectious record that frequently flirts with psychedelia and flows with pop sensibilities; 22 minutes of raw, escapism-fuelled post-punk – worthy of repeat spins – that displays the passion and confidence of a band not afraid to experiment with their sound without compromise. “Take me to my destination / You know where I wanna go!”

Liminal is out now via Everything Sucks Music.

Ken Wynne
@ken_wynne

Photo Credit: Bridie Florence

Introducing Interview: Lena Morris

Having released six singles over the last few years, French artist Lena Morris has now released her debut EP New Blood. Exploring themes of female sexuality, empowerment and vulnerability, the collection showcases Morris’ catchy soulful sounds and heartfelt splendour perfectly. Taking us on an emotion-strewn journey through feelings of anxiety to hope and joy, it’s a truly captivating offering.

We caught up with Lena Morris to find out more…

Hi Lena, welcome to Get In Her Ears! Can you tell us a bit about yourself?
I’m a Blues-Rock singer-songwriter-bassist. I’m a French 23 year old. I grew up in Hong Kong, but I’m now based in Brighton. I have just released my first EP New Blood, after releasing six singles. My cat is called Bowie, I’ll leave you to understand this choice of name. And I love cats. 

How did you initially decide to start creating music?
When I was fourteen years old it was the real turning point where I decided to be true to myself and to others by finally saying I wanted to make of music my life. Before then I was very shy about it, even in front of my parents I wouldn’t sing. I listened to ‘Oh! Darling’ by The Beatles and it’s this McCartney song that was like a kind of wake up call. So I immediately bought a bass, started singing and after a couple of months I had my first gig at Hong Kong’s legendary live music bar: The Wanch. Automatically I started writing my own songs. It all came very quickly after this realisation. 

You’re about to release your debut EP New Blood – are there any particular themes running throughout it? 
Yes, definitely. In the songs’ order, we have a woman taking ownership over her sexuality in ‘Little Bird’. ‘Lonely Hunter’ depicts loneliness and love hopelessness. ‘Never (Is An Awfully Long Time)’ portrays anxiety caused by low self-esteem. ‘Phaedra’ was written after Jean Racine’s tragedy of the same name, it’s in the theme of sin and tragic fate. Last but not least, ‘Dance In My Arms’ finishes the album on a more positive note. It’s a song about comfort, hope and a journey to getting better. We go from confidence to loneliness, anxiety, tragedy to finally end up on healing and hope. I believe in our society there are still too many taboos about these issues and I don’t think this is healthy, that’s why I like to sing about it. I modestly try to untwine some thoughts on these topics.

We love your catchy soulful sounds, but who would you say are your main musical influences?
Thank you! My biggest direct influences would be The Beatles, Queen and David Bowie (yes, that explains my cat’s name!). They’re the artists I’ve got under my skin. With them and that we can maybe hear more in my music there’s Rickie Lee Jones, The Pretenders… Powerplay Magazine recently reviewed my EP and they found some Sheryl Crow and Janis Joplin similarities too, which are extremely flattering and I’ll take! 

How are you connecting with your audience and other musicians during the pandemic?
I guess like everyone else, I’ve had to become a little more active on social media, which does give us a chance to maintain a contact even if I’m not too crazy about talking/playing to my phone. I’m more at ease in a good old pub, where we can discuss and drink pints with the beautiful audience.

And has there been anything/anyone specific that has been inspiring you, or helping to motivate you, throughout these strange times? 
I know it was very hard for a lot of people and I truly felt for them so I need to be honest as these times weren’t very complicated for me. I had the huge chance of keeping my everyday job by working from home. It sucks big time that we can’t play live or rehearse etc, but I’d rather focus on what I can do rather than on what I can’t. So, that’s why you’ve got an EP you can listen to today! A Covid baby we could say… and the release of an EP for an independent musician is extreme work! So, between this and my full time job, I don’t have much time to think about the situation. Also, even if I’ve been alone a significant amount of time over the past year, I’ve got great people in my life like my family and my close friends. Virtual calls are never the same, but they were good enough to keep me sane. 

As we’re a new music focused site, are there any other upcoming artists that you’d recommend we check out?
I recommend you check out Rosin. She released a beautiful single ‘Honest’ on the same day of my EP (26/03/2021). I highly recommend you check her out cause she’s got big things coming up. I also recommend you to keep an eye on Daniel Borschel- he’s the guitarist and producer on ‘Lonely Hunter’. He’s got big projects he’s working on at the moment and trust me you would want to hear it. 

Finally, what does the rest of 2021 have in store for you, music-wise?
In the rest of 2021 I’m planning on going back on stage (fingers crossed). I am also focussing a lot on new collaborations for a new album. So a lot of songwriting, recording, promoting and gigging hopefully!

Massive thanks to Lena for answering our questions!

New Blood, the new EP from Lena Morris, is out now. Listen on Spotify.