Track Of The Day: Bait Bag – ‘The Pattern’

A lo-fi, woozy tune about star signs, destiny and finding joy in the unknown, Maine-based trio Bait Bag have shared their latest single ‘The Pattern’. Released on 26th March to coincide with the appearance of the Worm Moon – which is thought to mark the arrival of spring – the track is “a little wink and a nod” to those who find comfort in the power of the cosmos.

Formed in the summer of 2018 by North Haven Island-based pals Fiona Robins, Claire Donnelly and Courtney Naliboff, Bait Bag are inspired by the sounds of Sleater-Kinney, Blondie and Le Tigre. Driven by a collective desire to escape the constant flow of bad news, the band blend playful lyrics with raucous, dancing beats to create bright moments of catharsis, but on their new single ‘The Pattern’, they’ve taken a leap into psychedelic territory. 

“Whether you start your day with Chani Nichols, or can’t tell a Pisces from a pescatarian, this song provides a fun dance break and the opportunity to tell yourself, ‘I’m fine’ (even if you aren’t)” the band explain about the track. Full of wah-guitar, farfisa and soft layered vocals, ‘The Pattern’ is a buoyant trip through astrology and a charming distraction for those who would rather let these thoughts float over their head.

Listen to ‘The Pattern’ below.

 

Follow Bait Bag on bandcampSpotifyFacebookTwitter & Instagram

Kate Crudgington
@KCBobCut

ALBUM: Noga Erez – ‘KIDS’

A stylish, swaggering collection of songs that explore personal growth, morality and what it means to disconnect from, or reconnect with the world around you, Tel-Aviv producer & pop renegade Noga Erez has shared her second album KIDS. Released via City Slang, Erez has worked closely alongside her collaborative & life partner Ori Rousso to create this razor sharp, intensely catchy record that proves she’s got the musical mileage she sings of.

Since the release of her acclaimed debut album Off The Radar in 2017, Erez & Rousso have been busy working on the songs that form the tracklist for KIDS. “These are songs about what we inherit from past generations, how we pass things on,” Erez explains. “KIDS talks about humanity’s potential for both beauty and destruction.” Through her witty lyrics, slick production and commanding beats, Erez blazes a unique trail through these binary opposites, acknowledging the darkness along with the light.

Opening the record with a sample of her Mother’s voice exhaling “Kids these days,” Erez hits the ground running with the triumphant sounding ‘CIPI’. Despite admitting to feeling depressed and pessimistic throughout the track, the joy of the lyric “You think you are the boss of me / when most the time, you’re my bitch” centres Erez as the ringmaster of this provocative, intuitive showcase of sound. On ‘VIEWS’, Erez & Rousso stylishly explore the absurdity of paying for exposure on social media. Collaborating with LA-based hip-hop artist Reo Cragun, her clear vocals glide over slick beats and pop hooks to create an infectiously powerful anti-fakeness anthem.

When we interviewed Erez back in 2019, she spoke of dealing with an “inner violence” and how her art helps her deal with her own internal conflicts. These sentiments resonate deeply after listening to ‘You So Done’. It’s a resilient, emotionally charged offering that delves into her memories of a toxic relationship that she started having un-nerving flashbacks about. “What a joke, what a joke you made me / What’s a Queen to a Joker, tell me?” Erez taunts over spacious beats and warped electronics. She has transformed this inner violence into a powerful lament that radiates with artistic confidence – exposing the chinks in her emotional armour with a poignant, polished flair.

On the infectiously upbeat ‘End of the Road’, Erez explores the thrill of the unknown via her commanding beats and slick rap verses, casually shrugging off the tight grip of human mortality. Following track ‘Bark Loud’ sees this “underdog” pack a serious rap punch with her effortless flow, whilst the trippy, jazz infused beats on eponymous track ‘KIDS’ featuring San Francisco MC BLIMES are intoxicating. Erez & Rousso’s spirited duet ‘Story’ explores the way our personal history can affect our behaviour towards those we love. The pair take life’s challenges on the chin together (quite literally in the accompanying video) and shine a spotlight on the grit and the joy that’s needed to maintain a close relationship.

The free-flowing ‘Knockout’ smoulders with Erez’s formidable charisma, and contrasts beautifully with the buoyant ‘NO news on TV’. “I don’t wanna look at my phone anymore” she muses in the track’s opening line, fatigued by the constant flow of bad news. But rather than encouraging listeners to switch off from the world, Erez highlights that this apathy is an unhealthy privilege, and one that many communities do not have. The fierce sounding, politically charged ‘Fire Kites’ melts into the brooding, deceptively sweet ‘Candyman’, before the record closes with the soft sounding, aptly named ‘Switch Me Off’.

A truly impressive record that spotlights her talent as a producer, vocalist, MC and performer; Noga Erez’s new album KIDS pulses with an authentic, unique energy. Erez & her partner Rousso have created an uncompromising musical force that ignites the ear drums, and transforms the personal and political into a formidable piece of art.

 

Follow Noga Erez on bandcampInstagramTwitterFacebook & Spotify

Kate Crudgington
@KCBobCut

Premiere: Nun Habit – ‘Slip ‘n’ Slide’ / ‘Righteous Jerk’

Having wowed us with their sparkling charisma and buoyant energy playing for us at The Finsbury back in 2020, London-based queer five-piece Nun Habit have now announced their debut album, set for release in August. Taken from the album, the band have now shared a very special double A-side release with us.

First up, it’s ‘Righteous Jerk’ – “an anthem for the breaker-upperee whose only regret is that they didn’t get around to doing it first“, it oozes an eerie mysticism before being propelled by thrashing beats and scuzzy, reverb-strewn riffs. With a shimmering whirr of synths and Kate’s sweeping soulful vocals, it builds with an anthemic fuzz and twinkling energy as rich musical layers are fused together to create a frenzied, swirling splendour.

Then a different side to Nun Habit is revealed in ‘Slip n Slide’. With Greg taking the lead with the vocals this time, it begins as a gentler offering as delicate effervescent melodies flow alongside a glistening fuzzy whirr, with shades of the likes of The Postal Service. Sparkling with a lilting, jangly energy, the track graduates to a vibrant disco-infused cacophony, showcasing the band’s wonderfully quirky charisma.

Offering a much-needed euphoric sense of joy, both tracks exemplify all there is to love about Nun Habit. Not only their eclectic, musically rich soundscapes, but also their infectious sense of fun and refreshing tongue-in-cheek wit of their imaginative lyricism. Both ‘Righteous Jerk and ‘Slip n Slide’ will have you up and bopping ’round the living room, longing to be surrounded by sweaty friends dancing along to the unique, immersive energy of Nun Habit live.

‘Righteous Jerk’/’Slip n Slide’ is out on Monday, 5th April. Which also marks the day that Nun Habit launch a Kickstarter campaign to fund a vinyl pressing of their upcoming album, hedge fun. Produced by Ric James (Yassassin, Foals), hedge fun will be released in August, with an accompanying celebratory launch party on 16th August at The Victoria in Dalston. More info on bandcamp.

Mari Lane
@marimindles

Photo Credit: Armadillo Media / @Armadillo_Media

 

LISTEN: Catherine Moan – ‘Fools’ (Depeche Mode Cover)

A fun, polished cover of a Depeche Mode b-side, Philadelphia-based electro-pop artist Catherine Moan has shared their latest single ‘Fools’. Immersing themselves into the moody, catchy beats and synth sequences that the 80s new wave band were originally renowned for, Catherine’s version of ‘Fools’ shimmers with a playful yearning.

“I recorded this while taking a break from working on my album,” Catherine explains. “Ever since I started making music, one thing I always wanted to do was record a cover of Depeche Mode. I especially adore their earlier records with industrial percussion influence and campy & moody vocals layered over a repetitive but infectious groove. Their music really inspires me and is the blueprint for a creative process that doesn’t have to be complex or intellectually challenging to create something fun and danceable.”

Catherine channels these elements into her cover via smooth vocals, buoyant electronics and infectious rhythms, giving this slice of 80s alternative music nostalgia a welcome sultry twist. Listen to ‘Fools’ below.

 

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Kate Crudgington
@KCBobCut