EP: Gold Baby – ‘Rabbits’

Gold Baby’s debut EP, Rabbits, is a real treat for the ears and soul. The band – fronted by singer-songwriter Siân Alex – show their versatility with this accomplished and assured collection of lush, folk-infused dream pop.

Opener ‘Bodie’ is the soothing soundtrack we all need right now. With retro, woozy guitars and drums that thump like a heartbeat, it has echoes of ’60s girl groups. And like those glorious, bittersweet ballads that bands like The Ronettes or The Shangri-Las sang back then, ‘Bodie’’s lyrics dwell on loneliness and longing. It’s a real standout.

The band show their playful, experimental side with ‘2041’ – a punk-inspired number with jerky spiky guitars and a lo-fi, shouty chorus (“And I said NO!”) that act as the perfect foil to Siân’s pure, calming voice. It’s brave and brilliant; the sound of a band who refuse to be pigeon-holed and are keen to grow and evolve.

Closing tracks ‘Betty’ and recent single, ‘Captain Dorego’, are quieter, deeper and more confessional, reminiscent of Sufjan Stevens and The Unthanks – very much in the folk storytelling tradition. ‘Captain Dorego’ is particularly affecting, dealing with Siân’s experiences of being overstimulated by modern life. Something that, in these crazy times, we can all relate to.

Ultimately, with Rabbits, Gold Baby show that they can both soothe you and make you shimmy (check out the video for ‘Captain Dorego’ for more of the latter!). The band’s confidence and chemistry, coupled with Siân’s raw, self-revelatory songwriting and beautiful vocals, come together on this release to create something that’s pure magic. Listen if you want something pretty that packs a real punch!

Rabbits is out now. Download via Gold Baby’s bandcamp

Vic Conway

Track Of The Day: Julia-Sophie – ‘and you know it’

Gothic tones swirl in a bath of glimmering synths as haunting vocals sing in Julia-Sophie’s second shimmering single, ‘and you know it‘. Dark, heavyweight pads modulate downwards and spiral into delays that descend with a cathartic grace. As the track begins to rise, it spins elegantly and captivates listeners from the very start with the art of juxtaposition.

It is with avant-pop artist Julia-Sophie’s vocal delivery that we first fully catch a true breath of her deeply emotional, electronic track that lives within a similar realm as pop artist/creator FKA Twigs. With recoiling chorus tones, ‘and you know it’ features a reflexive mix that triggers sonic elements interpersonally, emulating the ricochet of an overwhelmed mind. 

Crisp, echoing percussion and melodic synths keep the deep track mobile, never overstaying their welcome with each purging section. As articulate as the instrumentation and effects are throughout, Julia-Sophie’s lyrics take no step back in the stakes of embodying a raw, emotive spectacle. Themes of grief, fear of abandonment and the heartbreak of being misunderstood define Julia-Sophie’s story in a genuine, stirring way.

</3, the upcoming new EP from Julia-Sophie, is set for release 22nd April.

Jill Goyeau
@jillybxxn

LISTEN: Alex Loveless – ‘Through 2 U’

A slow-burning, lo-fi offering full of hazy beats and brooding vocals, Hackney-based DIY electronic artist Alex Loveless has shared their latest single ‘Through 2 U’. Taken from their recent EP Phone Keys Wallet, released via Loveless’ own label Dirty Mind (named after their own club night inspired by the Prince record) the track is an intoxicating combination of smouldering alt-pop hooks and melancholy-tinged lyrics.

As with all tracks on Loveless’ EP Phone Keys Wallet, ‘Through 2 U’ was written, produced, mixed, mastered and performed entirely by Loveless. Their talent for crafting atmospheric, trippy electronic gems shines through on this latest single, which takes its musical cues from a diverse mix of material. From the shadowy sounds of Deftones and James Blake, to the lilting duelling flutes of Richard Wagner’s opera Tristan und Isolde, Loveless has filtered these elements into their own heady, alternative soundscape.

Listen to ‘Through 2 U’ below.

 

Follow Alex Loveless on bandcamp, Spotify, Twitter & Instagram for more updates.

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: Charlotte Spiral

Informed by personal loss, the need for escapism and intense self-refection, London-based dark-pop duo Charlotte Spiral are preparing to release their upcoming EP, New Light, on 9th April. Co-produced by Speedy Wunderground’s Dan Carey (Kae Tempest, Bat For Lashes, Sia) the band’s latest offering was recorded both remotely and in-person over the last year in and out of lockdown, an experience which heightened the EP’s themes of connection and isolation.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Charlotte Spiral’s Amy Spencer to ask her about her “Five Favourites” – five songs that have inspired the band’s song-writing techniques. Check out her choices below and scroll down to listen to a live rendition of Charlotte Spiral’s latest single ‘New Light’ at the end of this post.

1. Laura Marling – ‘Fortune’
I’ve been listening to Laura Marling since I was in high school. I used to play guitar and sing and I was very inspired by her, especially as she was so young and already releasing records. I hadn’t heard of many singer-songwriters who were that young, and who also felt like they were doing something true to themselves.

Until her latest album Song For Our Daughter came out at the start of the first lockdown, I hadn’t listened to her for quite a while, but it became my lockdown soundtrack and continues to be on repeat. This song is one of the highlights from the record – it’s so elegant and it reminds me of ‘Blackbird’ by The Beatles. I love the lyrics, in particular, the line “better off measured in coffee and wine” and the subtle arrangement of Laura’s vocal, guitar and strings. I also love that the record is written to a fictional daughter, it’s very poetic, and I’m always drawn to records that have an underlying theme throughout.

2. Rufus Wainwright – ‘Memphis Skyline’
Avi Barath (the other half of Charlotte Spiral) introduced me to Rufus Wainwright when we were at Goldsmiths University. I’d always known of his music, but I’d never properly listened to his records. When Avi and I went to Tel Aviv a few years ago, we had this song on repeat driving around in the boiling weather.

It’s a gorgeous song, the arrangement is unbelievably beautiful and it gradually builds to an epic ending. It was written about Jeff Buckley after he died. Rufus’ music is a mix of ballads, musical theatre and classical, which I think we have tried to capture within our music. The way the piano and vocal parts work together in this track in particular is an inspiration for us, and we have some new music coming out later this year, which I think feels especially influenced by Rufus’ sound. He’s a true hero of mine and one of our main references for the project. I think both of his albums, Want One and Want Two are beautiful, but this song is pretty much perfection!

3. This Mortal Coil – ‘Song To The Siren’
This track is a cover, originally by Tim Buckley, Jeff Buckley’s dad. I was recommended to listen to this song by my singing teacher when I was at Goldsmiths, she wanted me to try and embody some of Elizabeth Fraser’s vocal tone. I’ve always tried to sing this song the way she does and apply it to my sound, but it’s almost impossible because her voice is so unusual and unique. The way she sings here is with so much vibrato! It’s such a sad song, but she completely makes it her own. I think everything Elizabeth Fraser does is wonderful and I’ve always been inspired by her music, from the Cocteau Twins to her work with Yann Tiersen and Massive Attack. She has such an ethereal voice and her song-writing is one of a kind. A huge inspiration for me.

4. Moses Sumney – ‘Don’t Bother Calling’
I discovered Moses Sumney when he released his first record Aromantisism in 2017. I’d have it on repeat whilst I was working. Throughout the album, the focus is on his vocals, whether it’s his lead vocal or layers of harmonies and that’s something I’ve always loved to do throughout my music. I remember when we went to record our track ‘Wide Eyed’ from our first EP Ideal Life with Dan Carey, and he suggested Moses Sumney as a reference. This made me even more excited about working with Dan! ‘Don’t Bother Calling’ feels like a bittersweet kind of song, so dreamy and melancholy, but at the same time catchy – the perfect mix! And Moses’ falsetto is just incredible and his music is otherworldly. The lyric “the world is a wonderland scene” is beautiful.

5. Audrey Hepburn – ‘Moon River’
‘Moon River’ has got to be one of my favourite songs of all time. I love the film and book Breakfast At Tiffany’s, but it’s the song that I truly love. If anyone asks me to sing something, I’ll sing this! Just after I graduated I was a nanny and I’d sing it to the baby I looked after every day. She started singing it too at some point! It’s so graceful and understated.

I love the strings at the end of the track and the line “my huckleberry friend / moon river and me,” always gets me. I’m definitely a pretty cynical person, but I’ve got some romance in me too, and this song is that bit of romance in me. I think you can hear this romantic, rose-tinted vision touching some of our music. ‘Moon River’ is a timeless song, and that’s something we try to capture throughout our Charlotte Spiral releases. I’ll try and sneak this into one of our shows one day, whether Avi likes it or not!

Thanks to Amy for sharing her favourites with us.
Watch the video for Charlotte Spiral’s single ‘New Light’ below.

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Photo Credit: Barbora Mrazkova