Track Of The Day: Dott – ‘Extra Introvert’

A tender, buoyant guitar tune that helps to playfully shake off feelings of social anxiety; Dott have shared their latest single, ‘Extra Introvert’. Self-described as a “sombre summer bop”, the track confronts the “Lockdown Anxiety” many of us have been dealing with during the Covid-19 pandemic.

Galway-based dream-poppers Dott were in the middle of recording their third album, the follow up to 2018’s Heart Swell, when the pandemic put an abrupt stop to proceedings. ‘Extra Introvert’ was recorded in a cottage in Leitrim with Frankie Pollard (Oh Boland) and mastered by Steve Fallone (The Breeders, Alvvays), and provides a breath of fresh air for anyone who’s been feeling apprehensive about re-joining their social circles.

The accompanying video features the band’s vocalist Anna using her smart phone to interact with friends again, and by “friends” we mean some very, very cute dogs. Most people have been extra reliant on their devices to help them socialise during the lockdown period, so the video is shot vertically and best appreciated on a phone screen. The visuals compliment the upbeat nature of the track perfectly, proving there’s still space for joy and distraction even when you’re not feeling your best.

Watch the video for ‘Extra Introvert’ below and follow Dott on Facebook & Spotify for more updates.

Photo Credit: Kim McCafferty

Kate Crudgington
@KCBobCut

Introducing Interview: Koza

Having made the move from Istanbul to London in order to follow in the footsteps of her musical idols, emerging pop artist Koza recently released her second, dreamy single ‘Hold My Breath’.

We caught up with Koza to find out about her journey so far… 

Hi Koza, welcome to Get In Her Ears! Can you tell us a bit about when you initially decided to start making music?
Hi, thank you for having me! My passion for music and writing goes a long way back. If I had to pinpoint a defining moment, I would say definitely my high school years when I first joined a band and performed on stage. It was the scariest moment of my life, but also the most amazing experience. I had already been writing songs, but there was something about being able to perform them and connect with an audience. That became the dream. 

What inspired you to make the move from Istanbul to London in order to pursue a career in music?
After graduating from high school, I really didn’t know how to proceed to a career in music. All I knew then was that I wouldn’t be satisfied with doing gigs with function bands at weekends, or just singing covers. I wanted to write and sing my own songs, about things that mattered to me – I wanted to sing my own truths. I started writing in English, which came naturally to me because of all my influences growing up. This was part of the reason why I wanted to move to London, so I could explore music in a specific language. The music industry in Turkey didn’t have many established artists writing original songs, and nothing in English, so it didn’t make much sense to me. London, on the other hand, had everything that I was after; the writers, the venues and the culture which I had grown up listening to and loving. The decision to leave my studies in Istanbul and move to London was a tough one but I’m so glad I did it. It’s been tough trying to adapt to a new culture, but it’s helped me grow in ways which I would have never imagined.

Which bands or artists would you consider to be your biggest musical influences?
Growing up I found myself drawn to songs which gave me new perspectives on storytelling or song structure; I really loved Alanis Morissette for this reason. She is an amazing lyricist and her songs are so powerful in their vulnerability. Madonna is another big influence – I mean, I think we can all agree that she is one of the ultimate pop-stars. Then of course Kate Bush – she’s my number 1! I think she’s so eccentric, effortlessly cool and such a talented musician and poet. Her musical language is unique to her and that makes her an amazing artist. My other favourites growing up included Fleetwood Mac, Alicia Keys, Duman, Teoman, No Doubt, Prince, Depeche Mode and The Cure. 

You recently released your dreamy second single, ‘Hold My Breath’. Can you tell us a bit about the inspiration behind the lyrics?
The inspiration was the feeling which I got every time that I thought I was maybe falling in love. I mean, maybe I did fall in love every time… “there are all kinds of love in this world, but never the same love twice.” I don’t know if that makes sense, but every moment of love feels so magical. It’s like that feeling you get when you meet someone and think “maybe?”. These lyrics might be my rawest ones yet, I didn’t change them at all after I wrote them. They were written in a very authentic and joyous moment, and I wanted to write down that feeling and make a song which reflected that.

In ‘normal’ times, how is your local music scene? Do you have a favourite local venue?
I live in Notting Hill and yes, we have a small but very satisfying music scene. Notting Hill Arts Club has always been a favourite. Another place that’s been around for a couple of years now is Laylow, our cool neighbourhood hangout; it’s introduced me to many new artists.

Although it is rather difficult to be making plans at the moment, what are you hoping to have achieved by the end of 2020?
Like you mentioned, it’s a bit tricky right now! My plan was to release two more singles before the year ends. However, quarantine has been very fruitful for me and I am now considering finishing an EP in the same time frame. Either way, I will continue to release music and hopefully start doing live shows from late September. I am very excited to sing my new songs because they’re really special in a way that they will allow me to connect with more people than I ever have done before as an artist. It will hopefully lead to some collaborations with musicians/writers I have not yet had the chance to work with.

Thanks so much to Koza for answering our questions! 

‘Hold My Breath’ is out now. Listen here:


 

Track Of The Day: Vulpynes – ‘Sister’

Following last year’s EP Dye Me Red, and having shared a stage with the likes of Sleaford Mods, Dublin’s Molly and Kaz – aka Vulpynes – are now back to blast into our ears with a gritty new single.

Propelled by Molly’s raw, impassioned vocals, ‘Sister’ is a powerful ode to ‘pseudo sisterhood’. Driven by swirling, reverb-strewn hooks, pounding primal beats and a raging energy, it oozes an immense sense of urgency amid a seething eerie underlying force. A fantastically fierce, empowered slice of ferocious rock magnificence from the Dublin duo.

Listen to ‘Sister’ here:

Vulpynes had been halfway through recording their debut album when Covid19 struck, and so due to travel restrictions and Ireland being in complete disarray, they were sadly unable to finish it. After much consideration, they have decided to release the first half of the album as a single sided limited edition 12″. The EP, Us Against Them, will be released via F.O.A.D/Advance Records.

Mari Lane
@marimindles

EP: Elsa Hewitt – ‘Ghostcats’

Whatever your mood, electronic artist & producer Elsa Hewitt has a tune to diffuse it. What she achieves through improvisation many would struggle to create with the most calculated intentions and her dizzying blend of looped synths & vocals on new EP Ghostcats beautifully showcases her intuitive talent.

Described by Hewitt as an “opener” for her next release Lupa (due later this year), Ghostcats is a collection of minimal electronic compositions that have a soothing, almost translucent quality to them. Filled with celestial looping vocal harmonies, the ambient ‘Godly’ opens the EP, followed by the equally ethereal ‘Massive Charade’. It meanders in to brief but beautiful tracks ‘Wave State’ and ‘Mounting Up’. On each of her tracks, Hewitt’s breathy vocals and spacious synthesizers merge together to create a soothing, fuzzy atmosphere reminiscent of a lucid dream.

There’s a pleasantly jarring quality to tracks ‘Still’, ‘Kevlar’ and ‘Easy’, whilst ‘Raspberry’ is sweet and breezy. On ‘Velvet Scrunchy’, it feels like Hewitt is toying with the soft accessory the track is named after; gently opening and closing her palm around the garment. The twinkling sound of ‘Rebird’ closes the EP, which from the opening loop provides a soothing sonic head rush.

A much needed distraction in these strange times, Elsa Hewitt’s Ghostcats is a blissful electronic offering, designed to leave you reassuringly lightheaded.

 

Buy your limited edition Ghostcats cassette via Bandcamp here.

Kate Crudgington
@KCBobCut