Track Of The Day: OHMME – ‘Selling Candy’

A sweet new offering of guitar distortion and smooth dual harmonies; OHMME have shared their latest single, ‘Selling Candy’. The track is lifted from their upcoming album, Fantasize Your Ghost, which is set for release on 5th June via Joyful Noise Recordings.

Formed of Sima Cunningham and Macie Stewart; Chicago-based OHMME blend driving beats and brooding guitars to create their deceptively simple, catchy songs. On their latest single, the pair repeatedly sing the same six lines over heavy guitars and persistent, crashing percussion to reflect both the excitement and mundanities of childhood experiences.

“‘Selling Candy’ was pieced together from little snapshots of my childhood growing up on my block in Chicago” explains Cunnigham. “It felt like its own tiny world where I could explore my imagination, enjoy independence from my parents, and meet all kinds of people, including the pissed off hot dog vendor from whom I bought a boiled hot dog from as often as I could get my hands on a buck.” This sweet sense of freedom is reflected in the cathartic, noisy breakdown at the end of the track.

Listen to ‘Selling Candy’ below and follow OHMME on Spotify and Facebook for more updates.

Photo credit: Ash Dye

Kate Crudgington
@KCBobCut

EP: Julia-Sophie – ‘Y?’

Describing herself as finally finding her hullabaloo within the storm, new electronic artist Julia-Sophie jumped onto the scene supporting GIHE faves Sink Ya Teeth. Last week she released her debut EP, Y?, and we cannot stop listening to it.

This record draws you in from the outset. Lead track ‘Breathe’ envelopes you with its sound as the pulsating title lyric repeats, leaving it reverberating around your head after only the second listen. At points, especially on ‘x0x’, I feel that I can hear the influences of Gazelle Twin, where I am sat watching this music performed in a darkened auditorium with a light show that electrifies the stage as the music electrifies your ears.

Of the record Julia-Sophie explains “I came to point in my life when I realised that I had been coasting through life and in these songs, rather than carrying on floating I chose to rip myself open and see what would come out the other side.”

Y? is a sublime four track record of emotionally intelligent electrifying electronica. Music which builds and layers, over and over, resulting in an almost painfully blissful experience. I’m completely addicted and have not enjoyed an EP this much in a long while – Julia-Sophie is clearly an artist who has a solid understanding of producing, removing boundaries and letting music speak for itself. I cannot, and do not want to stop listening. 

Listen to Julia-Sophie’s EP Y? here. Follow Julia-Sophie on Instagram for more updates.

FIVE FAVOURITES: Julia-Sophie

Describing herself as finally finding her “hullabaloo within the storm”, new electronic artist Julia-Sophie shared her mesmerising debut EP, Y?, last week, and we cannot stop listening to it.

Y? is a sublime four track record of emotionally intelligent, electrifying electronica. Music which builds and layers, over and over, resulting in an almost painfully blissful experience; much like listening to a Gazelle Twin record. Julia-Sophie is clearly an artist who has a solid understanding of producing sound, removing boundaries and letting music speak for itself.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Julia-Sophie to ask about her “Five Favourites” – five albums that influenced her own writing techniques. Check out her choices below, and scroll down to watch the video for her single ‘x0x’ at the end of this post.

 

1. Thom Yorke – ANIMA
I’ve been listening to a lot of Thom Yorke this last year and feel very drawn into his latest album ANIMA. For me, it feels dark and tender and addresses emotional holes in my life. I’m attracted to his lyrics that have a dreamlike quality, like a stream of consciousness; like a beautiful nightmare. I love the way the album floats through unease as it slips and slides all over the place without ever becoming boring. It’s a left of centre electronic album with jabbing pulses, syncopated rhythms, spring loaded grooves and wheezy synths surging in waves; I love how effortless it all feels. I only dream of making music with that apparent ease. I love feeling like I can hear his whole creative process. The album makes me feel like I’m listening to art, like a sculptor mastering textures and layers; as I drift off the album catches me unawares. I love it and can’t recommend it enough.

2. James Blake – Assume Form
James has an infectious take on post-dubstep and downtempo, minimalistic electronica. His vocals are otherworldly, airy and his productions boundary-breaking. When the way that you relate to the world becomes difficult I look for artists who express emotions that I cannot; that I am searching for. I felt particularly connected to this album; it is melancholic yet hopeful. The record is full on emotion, and like all the best things in life, it doesn’t reveal itself immediately; it deserves time. As a producer, his sounds make me want to explore the record further and as I do, I capture themes that I didn’t quite grasp the first time round. When I feel dulled by emotion and trauma, James’ music makes me feel safe; his music makes me feel like I’m being held; arms wrapped around me delicately; all unencumbered by musical form. The guests on this album are incredible and are definitely worth revisiting, most notably Moses Sumney’s performance on ‘Tell Them’ blows me away. There’s definitely something particularly special about this album.

3. Art School Girlfriend – Into The Blue Hour
I’m not sure where or how I first came across Polly Mackey, aka Art School Girlfriend (knowing me, I was probably stalking Paul Epworth’s Wolftone Records as I’m a guilty Glass Animals and Harry Edwards fan). Art School Girlfriend self-produces music that for me shares the hypnotic euphoria of trance music. Her ability to create surreal, ethereal bodies of work laced with moodiness not only blows my mind and inspires me, but also gives me feelings of lustfulness and space; within this space I find myself free to think, feel, bend and reflect. I love that place she takes me to. Her music is all very dreamlike but packed with emotion and feels as menacing as it does beautiful. As someone who loves and is obsessed with electronic sounds, I love her use of electronica and only dream to be able to create hazy soundscapes like her, that are tied together with an innate pop understanding. Her music to me, feels quite sad and melancholic, but all tinged with beauty and mystery; it draws me in. Definitely music worth escaping to (plus she has a really cute dog, so what’s not to love about her and her music?)

4. TT (Theresa Wayman) – Lovelaws
I was never a huge Warpaint fan, not because I didn’t like them, but because I was late to the party. Warpaint’s music was so big that it seeped into my life all the same, always playing in the background at friend’s houses or in cafés, and so I’ve always had a wispy notion of their sound. When I heard Warpaint’s Theresa Wayman’s solo debut, I guess because I’ve become more into electronic music than guitar-led music, I was immediately drawn in. Her vocals felt intimate and her use of electronica excited me. This debut record feels really honest; where she explores themes of motherhood, isolation and romances. Her songs are dreamy and I feel she allows me to dream with her; the sound of skin on skin, she journeys fragile threads of human connections and makes me feel a certain sense of companionship and loneliness, all given in equal weight. The album never overpowers; it is warm and comforting: its songs mutate in ways that are unexpected and offer different kinds of rewards. She reminds me that we are all human, obsessing, disconnecting, passionate and jealous. I love her and this record for it.

5. Double Negative – Low
I first discovered this record at my local record store, Truck Music Store in Oxford, as they made it their album of the year. I remember Carl who works behind the counter waving it to me as I asked for recommendations. He was telling me about this album and I loved it from the get go. It’s an immensely creative, ambitious, warped slowcore album that takes you on an experimental journey from start to finish. It’s a radical record in many ways, creating all kinds of atmospheres; sometimes through drone and then also through using song as a conduit. It thumps, crackles and hums, is as oblique in its nature as it is haunting and on first listen sent shivers through me. I was hooked; I found myself lost in its noise, its darkness and heartbreak and yet the album somehow made me feel good even when I was falling apart.

Thanks to Julia-Sophie for sharing her favourites. Listen to her EP here.
Follow Julia-Sophie on Instagram for more updates.

LISTEN: Fears – ‘two_’

**Content Warning: Talk of self harm and mental health issues.**

A poignant meditation on some of her darkest hours, Constance Keane aka Fears has shared her latest single ‘two_’. The experimental pop artist has transformed her struggles with self-harm into a gentle, cathartic new offering, specially commissioned for the Northern Ireland Mental Health Arts Festival.

Today marks the beginning of Mental Health Awareness Week here in the UK & Northern Ireland and Fears is helping to raise awareness of this with the self-directed accompanying video for her track. The visuals feature repurposed footage of Fears and her family, depicting the non-linear path of recovery from trauma. She tenderly confesses in her lyrics “If not for my family / I’d never have healed,” a sentiment that’s reflected in the footage she’s chosen to share.

Two years on from receiving inpatient treatment in a hospital in Dublin, Fears now uses her musical creations as a form of therapy. “Creativity was, and still is, such a huge part of recovery for me,” she explains. “So to be part of a festival showcasing the creativity of people with mental health issues is incredible. I think when it comes to budget cuts for the mental health sector, creative resources are too often the first to go, so it’s great to see a group celebrating the significance of being creative in maintaining positive mental health.”

For many who suffer with mental health issues, the road to recovery requires immense amounts of patience and a huge shift in perspective. Fears extrapolates on this further: “For me, there is no final point where I’ve ‘gotten better’. I am better than I was before, but ‘better’ isn’t a destination. It’s about learning, maintenance and forging trust in myself.”

“It’s important for me to discuss the topic of self harm; it’s something I’ve been trying to figure out how to approach for a while now. I don’t endorse self harm. It’s an unhealthy coping mechanism when you’re distressed; but it’s also incredibly common. Within the improving awareness and discussion around mental health, I feel self harm still carries the weight of secrecy and shame. I have lines on my leg from hurting myself a few years ago. They’re most likely going to be there for a very long time. I want to wear shorts in summer. I’m going to wear shorts in summer.”

Fears’ determination and honesty in the face of adversity makes listening to ‘two_’ all the more poignant and necessary. If you’ve been affected by any of the issues discussed in this post, please reach out to Mind or other mental health charities.

Follow Fears on Spotify & Facebook for more updates.

Kate Crudgington
@KCBobCut