Five Favourites: Montañera

Having recently released her captivating new album, A Flor de Piel, London-based Columbian artist María Mónica Gutiérrez – aka Montañera – creates innovative immersive soundscapes fusing together traditional South American musical influences with contemporary ambient electronics. Breaking through the confines of genre, the album offers a poignant reflection on Gutiérrez’s experience as an immigrant; an artist; a human being. Shimmering with a sweeping twinkling splendour and stirring raw emotion throughout, the album takes the listener on an exquisite sonic journey.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of A Flor de Piel, we caught up with María to ask about the music that has inspired her the most. Read about her five favourite songs and listen to latest single ‘Santa Mar‘ below!

Sona Jobarteh – Fasiya
Sona’s album has been a great inspiration for me since the moment I became interested in Senegalese music. Her voice and kora playing were a true inspiration alongside traditional griots who carry this tradition. Her style was a referent for me when I composed ‘Me Suelto Al Riesgo’ – a song I made whilst learning about Senegalese traditional kora music with my amazing teachers Kadialy Kouyate and Lucy Duran in London. I have always found kora music to be very soothing and almost celestial, the timber of its strings captivated me right away. Sona’s album, however, allowed me to understand this tradition through a lens that was in-keeping with my own music. I really enjoy how kora music makes me feel when I listen to it; the same sensation that I was looking for when making my new album A Flor De Piel.

Lido Pimienta – Miss Columbia
I have been a massive fan of Lido’s music for quite a while now. However, when she released Miss Colombia, I really identified with her music as a singer and as a songwriter. She is one of my favourite singers, I love her voice, and production-wise, her album was a great inspiration for my music as well. I love how she blends traditional Colombian music with very fresh, fun and well written arrangements. The sonic world of her music is full of colours – I wanted to achieve something similar in my album, but through my own aesthetic, heavily constructed by synths.

Kaitlyn Aurelia Smith – Ears
This is one of my favourite Kaitlyn’s albums, it captivated me right away the first time I listened to it. Personally I think it’s one of my favourite ambient albums, her tracks are always interesting and really well crafted; they are not predictable, but allow you to flow with them, and I wanted to attain something similar in my album. I wanted to make a really carefully thought ambient album with my voice playing an important role. Her sounds and aesthetic influenced me quite a lot when composing this album with my synths, I wanted each layer to be interesting – each layer to have a purpose and not just to add sounds for the sake of it. This was also the way I wanted the producers in my album to work, and her music was also a great influence to them. Ambient is a very delicate genre, and her album was a clear reference of the craftsmanship I wanted to reach.

Marina Herlop – Pripyat
I discovered Marina not so long ago, but her aesthetic and uniqueness blew me away immediately; I felt very inspired by her from the first minute I listened to her music. She has become an inspiration not only for the making of my latest album, but also for my performances. She looks like a Goddess from the future, and her music is beyond anything I’ve heard. It seems as though she has arrived from the future, and that is how her music sounds. Her aesthetic and how unpredictable her music is have become a major inspiration for me.

Canalón de Timbiquí – De Mar y Río 
I love traditional music from all around the world, however, Afro-Colombian music has been a personal favourite for quite a while now. It was maybe fifteen years ago when I sang a traditional song from Colombia’s Pacific coast for the first time, and since then a huge curiosity and interest for this music was born. Nidia Gongora has become a massive influence for this kind of music for me – she represents the strength of the Afro-Pacific Colombian women, who are all very inspiring. I find this music not only inspiring for its musical vastness, but also for the story of resistance, resilience and joy that it carries. I feel immensely honoured to have a song in my album with one of the current marimba players, Cankita, and with the amazing Cantadoras de Yerba Buena. It was through a process of research to understand their musical practice which began this musical collaboration with them. They are a massive inspiration not only to make music with, but for life.

Massive thanks to Montañera for sharing her Five Favourites with us! Listen to latest single ‘Santa Mar’ here:

A Flor de Piel, the stunning new album from Montañera, is out now via Western Vinyl. Listen / order here.

WATCH: Liv Wynter – ‘VIOLENCE’

An antagonistic, abrasive cry for autonomy and action, Trans and working-class artist and activist Liv Wynter has shared a startling set of visuals for their latest single ‘Violence’. Lifted from their recent EP of the same name, the track is a cathartic, urgent dismantling of transphobic hate and a radical cry for movement against it.

Having recently played gigs alongside other GIHE faves Scrounge, The Menstrual Cramps and Yakkie, as well as performing under their other moniker How To Catch A Pig, Liv Wynter has been a vital force in DIY music and activist spheres for many years. Now, they’re sharing new music under their solo name, with their three track EP, Violence, making a vehement and striking impact on those who have listened so far.

On the title track, Liv sets an unsettling scene; walking home alone in the dark, cold, pursued by a stranger who begins to spew vitriol and hate against trans bodies. In this moment of uncertainty, Liv chooses to respond to the “fight or flight” scenario with unfiltered rage. “I’m not here to convince anyone that we deserve to exist / I’m here to encourage violence” bites Liv, over corrosive FX and crushing, industrial beats. Their direct, no-holds-barred lyrics provide a visceral sense of relief and empowerment; even their menacing whisper of “I encourage violence” provokes a similar incendiary effect.

‘Violence’ is accompanied by a striking set of visuals, directed by Asher McLaughlin. They reflect the sequence of events Liv explores in their lyrics, enhancing the track’s defiant underlying message of radical love, and fighting back against those who attempt to push their hatred on to marginalised communities.

Watch the video for ‘Violence’ below.

Follow Liv Wynter on bandcamp and Instagram

Photo Credit: Jody Evans

Kate Crudgington
@KCBobCut

NEW TRACK: Chelsea Wolfe – ‘Tunnel Lights’

Another dynamic, shape-shifting musing that seamlessly blends delicate keys and dense waves of sound, Chelsea Wolfe has shared her latest single ‘Tunnel Lights’. Taken from her seventh album, She Reaches Out To She Reaches Out To She, which is set for release on 9th February 2024 via Loma Vista, the track leans towards love and acceptance, as the artist actively chooses to step out of the shadows and embrace the light.

Exploring the cyclical nature of healing, Wolfe’s new album is described as “a rebirth”, breaking the physical and emotional chains that once prohibited this cathartic process. “It’s a story of freeing yourself from situations and patterns that are holding you back in order to become self-empowered,” she explains in more detail, and “an invitation to step into your authenticity.”

Whilst Wolfe explored this rejuvenation process on her previous singles ‘Dusk’ and ‘Whispers In The Echo Chamber‘, she fully embraces it on new offering ‘Tunnel Lights’. Tentative piano dissolves into waves of all-consuming sound, guided by her tender, idiosyncratic vocals. “‘Tunnel Lights’ is about actually living instead of just ‘getting by’,” she explains about the new track. “It’s about waking up to the fact that you’ve been languishing in the dark and it’s time to start taking steps towards the lights that’ll guide you out of the tunnel-cave.”

This single marks another poignant metamorphosis for Wolfe, which is reflected in the track’s accompanying video, filmed in Colombia and directed by longtime collaborator George Gallardo Kattah. Watch the video for ‘Tunnel Lights’ below.

Chelsea Wolfe will be playing London headline show at Heaven on Sunday 21st April 2024. Tickets are on sale now.

Pre-order Chelsea Wolfe’s new album She Reaches Out To She Reaches Out To She here

Follow Chelsea Wolfe on bandcamp, Spotify, Instagram, Facebook & Tik Tok

Photo credit: Ebru Yildiz

Kate Crudgington
@KCBobCut

EP: Safari Inn – ‘Welcome To Safari Inn’

Consisting of former members of London rockers The Franklys, Jen and Lexy, Safari Inn are the super group you need in your life right now, and we’ve been loving their debut EP.

Inspired by a shared love of the 1993 Quentin Tarantino film ‘True Romance’, Welcome to Safari Inn condenses the movie’s action-packed emotional journey into four expertly crafted tracks. While familiarity with the film will surely give you a deeper appreciation of the EP, you don’t need to be a die-hard fan to enjoy it. Even with only a passing understanding of the source material, Safari Inn have infused their debut with a lot of their own character that shines through, despite very direct references to the movie.

Welcome to Safari Inn kicks off with ‘Drexl Spivey‘, named for the notorious pimp character played by Gary Oldman. As both a single and first track, ‘Drexl Spivey’ is perfectly suited to establishing the psychedelic sound you can expect from the rest of the EP. It is a whirlwind of roaring guitars and deep, moody vocals.

The whole EP has a different vibe than you might expect from the two musicians who make up Safari Inn, if you’re familiar with their previous work with garage rock band The Franklys. It’s clear that they’re experimenting in a way that leans into their strengths and the chances they take consistently pay off. Welcome To Safari Inn aches with reverb, echoing vocals and heady swirling guitars over throbbing drums that ground you even when the music threatens to carry you away from reality. With each immersive offering, it evokes a chaotic heady atmosphere that is masterfully reminiscent of the film.

Second track, ‘Blue Lou Boyle’, picks up the pace, with a pounding bass riff that rolls in from the very beginning. The quicker start slows down to lend the soaring vocals a platform in the verses; ramping up again to a rambunctious, wailing chorus. This is the chaotic heart of the EP, the action and meaning that make up the majority of ‘True Romance’ all concentrated into a thrilling 3.15 minutes.

Welcome to Safari Inn softens with the reflective ‘The Sun Sets Slowly in the West’. This third track offers a gentle come down from the excitement. It’s slower paced, with crooning vocals that linger over drawn out lilting words, processing everything now that the storm has passed. The full realisation of everything that has happened sinks in with gut-wrenching bass and drums that deliver an immense sucker-punch of the consequences.

No less chaotic, but maintaining a distinct sense of hope, the EP wraps up with ‘Dinosaur Corkscrew’. It puts the debilitating trauma of True Romance behind you and looks forward to a world where you can emerge on the other side still holding onto faith in a normal, happy life.

As a collection, Welcome To Safari Inn offers a swirling whirlwind of psychedelic splendour; a truly immersive debut that leaves you desperate for more.

Welcome To Safari Inn is out now. Listen / buy on Bandcamp now.

Kirstie Summers
@ActuallyKurt