EP: Vulpynes – ‘Dye Me Red’

With four unforgiving, relentlessly scuzzy songs, Irish grunge duo Vulpynes release their second EP Dye Me Red.

Kicking off the stormy ride with a riveting riff dripping in fuzz, Molly and Kas launch their EP’s roller-coaster ride with ‘I Can’t Sit Still’: immediately introducing listeners to a perfect taste of what’s to come. Tastefully driven angst spoken through guitar tones meets hard hitting vocal melodies that marry in a chaotic yet sparse way. No matter the moment, Dye Me Red hosts a harmony between noise and sparseness throughout, allowing each instrument their room to thrive and dance within their own vein. With such tight instrumentals in correspondence to rebellious, catchy melodies, Vulpynes draw wisps of early Foo Fighters or The Distillers with a chanting tone throughout the whole of this EP. 

It is hard not to feel Riot Grrrl energy with the powerful vocal doubles coating Dye Me Red. At just the right times, listeners feel like they’re invited to the party with the EP’s punchy communal vocal layers. ‘Bitches Are Like Waves’, the follow up track to ‘I Can’t Sit Still’, serves a protest-like disposition. As much as this song emotes lyrically, it also draws severe attention with its instrumentals. With delicate percussion sounds in a punk setting and classic guitar character, Vulpynes do an incredible job of showcasing the dance-ability of electric guitar. It is indeed hard to sit still throughout the journey of this EP’s sounds, there is truly an undeniable movement to it. 

In more ways than one, Vulpynes embody their lyrics – “won’t settle down, gotta settle up” -throughout their music that doesn’t wait for anyone. ‘The Hunt’, the EP’s finale, is a noisy, ghostly outro that haunts the EP with its feet sturdy in the ground. With elements reminiscent of Kim Gordon, Molly and Kas leave us with a hushy universal sentence: “I am not your prey.” Through their bold lyrics, sharp instrumentals and unique chemistry, Vulpynes create a space for everyone to celebrate themselves as emotional human beings. Dye Me Red is an empowering, charging EP for anyone seeking a release. 

 

Jillian Goyeau
@jillybxxn

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FIVE FAVOURITES: Sea Change

Norwegian newcomer Sea Change is skilled at crafting atmospheric, transformative, electronic sounds. She’s set to release her new album INSIDE on 15th November, and if recent singles ‘Stepping Out’ and ‘Flown’ are anything to go by, it’ll be filled with intriguing synth textures, longing vocals, and irresistible lo-fi beats. 

Sea Change (aka Ellen Sunde) wrote her new album after she relocated to Berlin, and during her many trips back and forth to LA; resulting in seven tracks that meander through intimate and stimulating personal territories.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Ellen to ask her about her “Five Favourites” – five albums that have influenced her song writing techniques. Check out her choices below, and scroll down to listen to her latest track ‘Flown’ at the end of this post.

 

1. PJ Harvey – Is This Desire / 4-Track Demos
Discovering PJ Harvey at 16 made my whole world turn around. Before that, I loved music and I knew that I needed to do music myself, but I’d never heard anything by a female voice or musician that I loved with all my heart (how sad is that !?). But then I discovered PJ Harvey and the way she sang and made her music was so gut wrenching and vulnerable and beautiful and horrible at the same time; I realized that I don’t have to sing in a pretty voice to make music. When I heard Is This Desire, it was like – yes – this is the music I’m gonna make. Everything kind of fell into place when I discovered her. She taught me that being raw and honest is what makes amazing art. She has a special place in my heart.

2. Sidsel Endresen & Bugge Wesseltoft – Duplex Ride / Out There. In There.
At 18 I started to discover more and more experimental music and in Norway. There’s an amazing improv and jazz scene. I discovered Sidsel Endresen which is an experimental jazz singer. I think the way she uses silence and minimalism in her music is incredible. She is an amazing improviser, it’s super intuitive. In her music there’s nothing of that showing off-virtuosity you can often find in jazz music, but it’s actually something that comes from her heart. And I think she also taught me to not give a crap about what other people think, and to do your own thing. Her lyrics are also utterly beautiful.

3. Arthur Russell – World Of Echo
Arthur Russel makes the perfect blend of club music/disco/experimental and vulnerability. He has something that I can’t explain. His music and lyricism is so naive and beautiful in it’s simplicity, and I love that it’s electronic music but it has this off-kilter and strange vibe. It sounds like he is improvising and jamming by himself in his living room, and it’s so rare to listen to electronic music that is so unperfected. His songs don’t really have one proper studio version, they have about 10 different ones that make his artistry so utterly interesting. He has a mixture of authority, intuition and vulnerability in his music that I will always strive after, ‘cos its so explosive in an artist. I recently heard that he will be releasing a new mix of unreleased songs/demos on the 15th of November (the same day I’m releasing my record!) and I can’t wait to listen.

4. Noise/Improv/Lasse Marhaug/Noxakt/Kevin Drumm
I need to put in this on the list but it’s more of a state of mind/genre than albums or tracks. Most of this music I’ve experienced live. When I moved to Oslo at 19 I started to go to improv and noise concerts. Oslo has an amazing experimental scene and it was really cool to be able to go to so many shows that were so well curated. There’s a rawness and punk atmosphere to this music that I love, and to be able to just close my eyes and dive into a world of raw sound is incredible. This was also at the same time I started making music myself. When I started playing live I usually had parts in the live sets that were ambient and drone like (it’s surprisingly hard to make something that actually sounds good). This music is best to experience live. I think it awakes something primal in me, and I’m really happy I went through this musical phase cos it taught me so much about what music can be and that it has no limits!

5. Fever Ray – Plunge
I’m such a huge fan of Fever Ray, it’s kind of embarrassing. When she all of the sudden dropped PLUNGE in 2017 I was listening to the record over and over for days. I can’t remember last time I had this obsession with a record, since I was in my teens I guess, and that is the most amazing feeling. I love what she’s challenging both musically and lyrically. There was a music journalist that wrote that this record was like jumping into cold water, and I really love that allegory. This record hit me in the chest and I think it came at a time in my life when I really needed it and it also influenced my newest record a lot. I love how she blends club music, pop music and listening music and makes her own breed of art with her explosive visual narrative. She is a HUGE inspiration!

I saw her live recently and she had a seven piece band with only female musicians, and I remember how shocked I was with how shocked I was. How have I never seen that before!? And that made me realize that hell, from now on I’m only gonna have female musicians on stage. Her first record was amazing and Its still a piece of art that stands steady as a rock, and I find myself going back to it over and over again.

Thanks to Ellen for sharing her favourites with us.

Follow Sea Change on Facebook for more updates.

Photo Credit: Fotini Chora

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Track Of The Day: Peggy Sue – ‘Motorcade’

Set to release their fourth album early next year, London duo Peggy Sue – Katy Young and Rosa Slade – have charmed our ears over the last few years, not only with their own band, but as part of the incredible 30-strong singing group Deep Throat Choir (whose rendition of ‘Baby’ I recently walked down the aisle to). Having taken a bit of a hiatus from writing together, they’ve now reunited and found themselves again.

Taken from the upcoming album, new single ‘Motorcade’ flows with the pair’s distinctive rich vocals as it interweaves lilting ’60s inspired melodies and a ’90s garage scuzz. Inspired by feelings of being honest with yourself when ending a relationship, luscious harmonies float along a bright, uplifting soundscape, building with a shimmering energy to create a magnificently more-ish dose of sunshine to aid these cold, rainy days. Of the track, the band explain:

“‘Motorcade’ is about recognising the difference between what you need and what you want… and asking for it as fast and loud as you like. I wrote it in the first wave of relief after a big break-up – it was probably the first moment that I was ready to be a bit mean and honest about it all…”

Made with artist and friend Catherine Repko, watch the new video for ‘Motorcade’ here:

Vices, the upcoming album from Peggy Sue, is set for release 21st February 2020 via French Exit.

Mari Lane
@marimindles

 

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VIDEO PREMIERE: Coral – ‘You’re Not Worth A Song But You Still Got One’

Expressing a sentiment that many an upset heart can relate to, Swedish newcomer Coral has shared visuals for her new track ‘You’re Not Worth A Song But You Still Got One’. The song is a b-side to her recent single ‘Find Me Wrong’, and the video is an intense two minute close-up of the artist silently processing her emotions in the shower.

Coral (aka Miranda Coral Engholm) grew up in Österlen in Sweden, but she originally has roots in Argentina and Stockholm. She began making music after she graduated from high school, and uses her songwriting to explore her own emotions.

Despite its brief duration, ‘You’re Not Worth A Song But You Still Got One’ is a poignant reflection on reluctance and divisions in feeling. The track’s sparse nature is reflected in the intimate visuals that accompany it, and the use of trickling water in both video and sound gives the track a tangible quality.

Speaking about her lyricism, Coral explains further: “I like the intimacy of it. Sometimes when I listen to a song, it can feel like a complete stranger is suddenly standing in my living room talking about something really personal. I can feel closely connected to that person even though I’m just listening to a recording…Like someone wrote it in their diary and it just happened to rhyme.”

Coral’s confessional songwriting is sure to strike a chord with tracks like this. Watch the video for ‘You’re Not Worth A Song But You Still Got One’ below, and follow Coral on Facebook for more updates.

Photo Credit: Ebba G. Ågren

Kate Crudgington
@KCBobCut

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