PLAYLIST: April 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative anthems, industrial soundscapes, alt-pop and electronic tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Whitelands – ‘Setting Sun’
I’m really into London band Whitelands at the moment! Formed of Etienne, Jagun, Vanessa and Michael, I just love their scuzzy, shoegaze-infused soundscapes, and ‘Setting Sun’ showcases their ability to create the stuff of truly captivating sonic dreams. They’ll be playing in Brighton at The Great Escape Festival in May, so make sure you catch them if you’re lucky enough to be going! (Mari Lane)

Hypsoline – ‘With You Gone’
Having completely fallen in love with Hypsoline when they played for us, supporting Currls back in December, I’m now super excited that they’ll be returning to charm us again – for their first ever London headline show – on 19th May at The Shacklewell Arms. Support comes from The Ethical Debating Society and Rom Coms. Grab your tickets here. (ML)

Circe – ‘Riot Of Sunlight’
GIHE favourite Circe has shared her new single ‘Riot Of Sunlight’, which is taken from her upcoming EP, Drawing Wings From The Light, set for release on 19th July. Inspired by her love for Jez Butterworth and Mark Rylance’s critically acclaimed play Jerusalem, it’s a commanding, delightfully disorientating blend of dizzying synths and seraphic vocals, all delivered with her distinctive and vivid charm.
(Kate Crudgington)

Twin Rains – ‘You’re The Only One’
This apocalyptic reflection on love from Toronto-based Twin Rains is the first piece of new material from the duo since 2021. Full of intoxicating riffs and smooth vocals, it’s a potent blend of dream pop and psych rock with an electronic edge, and I can’t stop listening to it. (KC)

Draag – ‘Demonbird’
LA electro-shoegazers Draag release their debut album Dark Fire Heresy today (28th April), and this swirling sonic headrush is lifted from it. Speaking about the track, frontperson Jessica Huang explains: “‘Demonbird’ was a major breakthrough in my personal journey unpacking spiritual abuse in my past. Becoming the Demonbird character in the video was a way for me to find some sort of justice for the women who were silenced and discarded in the purity culture of my particular religious upbringing…It’s a relief that it doesn’t have the same power over me anymore.” Draag’s new record is well worth your attention. Listen to it here. (KC)

Fraulein – ‘Brand New’
GIHE faves Fraulein are back with this aptly titled new single, taken from their upcoming EP, Pedestal, which is set for release on 30th June. Speaking about the track, Joni and Karsten explain: ‘Brand New’ is the closing track on the EP, and it’s essentially the conclusion to the more negative emotions explored on the first half (‘Pet’, ‘Three’). It’s about trying to start fresh, leaving all that behind, and just feeling free to be yourself, even though it’s frightening and you feel so vulnerable when you do it.” We can’t wait to hear their new record in full. Pre-order your copy on limited edition cassette here. (KC)

Ezra Williams – ‘Bleed’
Cork-based songwriter Ezra Williams is set to release their debut album, Supernumeraries, on 18th June via AWAL, and this track ‘Bleed’ is the first single lifted from the record. It’s a hazy, melancholic tune that explores the artist’s feelings of disconnection and isolation in relationships. We’re big fans of Williams’ indie pop sounds here at GIHE and I’m looking forward to hearing Supernumeraries in full. (KC)

O Hell – ‘It Heals So Quick’
Following on from their previous singles ‘pixel‘ and ‘I Watch The Women‘ – which made our Tracks Of The Year list in 2022 – Brighton-based artist and producer Lucy Sheehan aka O Hell has shared their latest offering, ‘It Heals So Quick’. Underscored by their desire to explore the duality of past and present, and the inner processes of emotional relapse and recovery, O Hell delivers their extrapolations on sexuality, ritual and sacrifice with compelling and gritty conviction. (KC)

Alien Chicks – ‘Candlestick Maker’
Mari & I were part of the sold out crowd at The Lexington watching Alien Chicks play their biggest headline show to date earlier this month, and they were absolutely electric. The Brixton-based trio, formed of Martha, Stefan and Joe, smashed through a setlist of their potent punk-inspired anthems, including this track ‘Candlestick Maker’. We’ve been obsessed with them since they played a GIHE gig for us at The Shacklewell Arms in December last year, and that’s why we named them as ‘Ones To Watch’ at the end of 2022. Go and see the band play live at The 100 Club in November this year. It’s the perfect venue to hear and see what they’re all about. Grab a ticket now. (KC)

CLT DRP – ‘New Boy’
Brighton Feminist Electro-Punks CLT DRP’s latest single is a visceral, incendiary anthem exploring the conflicting thoughts in the aftermath of a breakup. Released via Gallows’ label Venn Records, who the band have recently singed to, ‘New Boy’ is a rush of potent emotion, from it’s candid opening line about barely affording therapy, to its various cathartic, noisy breakdowns. The track is lifted from CLT DRP’s upcoming album, which is set for release later this year. (KC)

jellyskin – ‘Bringer Of Brine’
I love this new banger from Leeds-based duo jellyskin. Taken from their upcoming debut album, In Brine, which is set for release on 9th June via Wrong Speed Records, the pair combine their eccentric ideas with throbbing percussion and commanding electronics to create their techno-inspired, industrial sounds. (KC)

Calva Louise – ‘Feast Is Over’
Having been a big fan of international band Calva Louise’s fierce, sparkling energy for some time now (and even witnessing their luminous charm live across the pond in New York last year), I was excited to hear that they’ll be releasing a new EP soon. Over The Threshold will not only offer an insight into how the band’s distinctive sound has developed with a heavier, cathartic metal-infused rage, but will also be accompanied by the release of a third person video game produced by Stratera Games. An innovative move from Jess Allanic and co, inspired by her own love of Sci Fi and fantasy, which is also evident in the accompanying graphic novel the band created alongside their 2019 album Rhinoceros. Ahead of the EP’s release, the band have shared a fiercely riotous new single, ‘Feast Is Over’ – reflecting on overcoming the challenges of life, it’s an immense, raging call to arms. (ML)

Dream Phone – ‘Bad Girls’
Having been completely blown away by Oxford duo Dream Phone when they played live for us supporting Me Rex last month, I was thrilled to hear they’ll be releasing their debut EP in May. Lead single ‘Bad Girls’ offers a joyous ode to Buffy and Faith (from the best TV show ever, Buffy The Vampire Slayer), celebrating friendship and discovering your “bad side” as Jenny Bell and Hannah Watts’ sparkling charisma and vibrant energy shine through. Showcasing the duo’s ability to combine quirky voice augmentation with infectious, synth-driven glitch-pop soundscapes, it harks back to the innovative layering and sampling of Kathleen Hanna’s solo Julie Ruin record; oozing a euphoric riot grrrl inspired drive, whilst maintaining Dream Phone’s trademark playful allure. The self-titled debut EP from Dream Phone is set for release on 19th May via Divine Schism. (ML)

Jemma Freeman & The Cosmic Something – ‘Huge’
The latest single from London psych rockers Jemma Freeman and the Cosmic Something, ‘Huge’ channels the mindset of a child with ADHD. Rippling with fizzing hooks as the swirling power of Jemma’s truly distinctive vocals soars, it builds with a sparkling psychedelic allure to an immense, colourful cacophony. Showcasing the raw emotive majesty that this innovative artist is able to create, ‘Huge’ offers an epic, frenzied anthem. (ML)

Tokky Horror – ‘Toilet’
It was a total pleasure to chat to producer Zee back in March about Tokky Horror’s upcoming EP, KAPPACORE, which is set for release on 12th May via Venn Records. Lead single ‘Toilet’ is a blend of drum & bass beats, manic riffs and surprisingly vulnerable lyrics, inspired by Zee’s own experiences of finding their feet within activist scenes in music and queer spaces. Alongside dual vocalists Mollie Rush and Ava Akira, Zee will be bringing the riotous Tokky Horror show to Blondies in East London on 18th May. Full tour dates and interview here. (KC)

Duck – ‘Happy Back’
The new single from GIHE faves, Duck, ‘Happy Back’ offers an anthem for anyone awkward and self-deprecating who needs a bit of love. A wonderfully fizzing cacophony, propelled by whirring hooks and a scuzz filled goodness, it’s the first release from the band’s upcoming third album and was recorded at Make Noise Studios in Sheffield with engineer/co-producer Tom Henthorn. (ML)

Hand Habits – ‘Something Wrong’
The latest single from Hand Habits – one of my most listened to artists at the moment, and someone who’s collaborated with legends like Perfume Genius – ‘Something Wrong’ is an utterly captivating offering. Propelled by a majestic dark energy, an utterly dreamy soundscape is created; instantly immersing the listener in its haunting, emotion-strewn grace. Sugar The Bruise, the upcoming mini album from Hand Habits, is set for release in June. (ML)

Hazel Mills – ‘Enclosure’
‘Enclosure’ is the first single to be lifted from Bristol-based multi-instrumentalist Hazel Mills’ upcoming EP, The Embrace, which is set for release on the 19th of May. A beautiful blend of lilting synths, altruistic beats and evocative vocals, Mills has created a gentle hypnotising soundscape that feels more affecting each time it’s listened to. (KC)

Mere Child – ‘Not Good Enough’
Written, recorded and produced in her “poorly soundproofed kitchen/conservatory”, independent artist Aimee Herbert aka Mere Child’s latest single is a tender, atmospheric ode to persevering in the face of adversity. A poignant reflection on a difficult time, ‘Don’t Let Me Go’ shimmers with its melodic guitars, earnest lyrics and Herbert’s soft, clear vocals, which provide a lullaby-like comfort. (KC)

Prima Hera – ‘Michigan’
Described as “a classic tale of unrequited love, strewn across the highways of middle America,” this is the latest single from Sheffield-based musician Prima Hera. Full of her lush vocals, yearning lyrics and sultry reverb-drenched piano, ‘Michigan’ is a rumination on an unbalanced romantic relationship, filtered through Prima Hera’s seductive melancholy-pop lens. (KC)

Midwife & Vyva Melinkolya – ‘Miss America’
‘Miss America’ is another heavy-yet-heavenly collaboration from GIHE fave Midwife and new fave Vyva Melinkolya. This single is lifted from the duo’s upcoming 5-song album, Orbweaving, which will be released on 12th May via The Flenser. The record is described as “a web like structure – a gauze of sorrow and visceral connective thread” that combines their experiences of hopelessness, calling on a higher power, being alone, and the sublime horror of the natural world. I can’t wait to hear it. (KC)

HUSSY – ‘Blew’
This is the title track on South London-based musician Sophie Ellison aka HUSSY’s latest EP, which she released earlier this month. On Blew, she extrapolates on her inner thoughts and existential crises, whilst looking outward to the wider social contexts of why she feels the way that she does. Ellison delivers these ruminations over atmospheric, grungy guitar sounds and via her clear, brooding vocals. (KC)

The White Roses – ‘This Town’
On their brand new single, Yorkshire-based indie rock four piece The White Roses try to capture “the difficulty of what it’s like to be a young person growing up in a small town.” Full of urgent riffs and direct lyrics, the band try to work through feelings of anxiety and apathy about being left behind, whilst ignoring the “small talk” and trying to make something of themselves. (KC)

Alex Lahey – ‘They Wouldn’t Let Me In’
The latest single from Australian artist Alex Lahey, ‘They Wouldn’t Let Me In’ reflects on the isolation felt during her teenage years, as a queer person growing up. Inspired by the Netflix series Heartstopper, it oozes a comforting, heartfelt catharsis as Lahey puts into words those tough moments many queer teens experience as they try to adapt to a seemingly non-inclusive world: “I spent a lot of time thinking about my own experiences growing up as a queer teenager, being excluded from conventional romantic rites of passage, feeling like I couldn’t relate to anyone around me.” The Answer Is Always Yes, the upcoming album from Alex Lahey, is set for release on 19th May via Liberation. (ML)

Pool Kids – ‘That’s Physics, Baby’
The latest single from Florida band Pool Kids, ‘That’s Physics, Baby’ harks back to the beloved emo-strewn sounds of the early noughties. With acclaim from noughties royalty Paramore’s Hayley Williams, I just love its fizzing energy, swirling impassioned drive and catchy hooks. Pool Kids have just released their self titled second album via cult label Big Scary Monsters, and you can catch them live at The Sebright Arms on 10th May. (ML)

Heart Shaped – ‘Felt’
Following on from her previous release ‘No Contact’, Houston-born, Belfast-based songwriter Heart Shaped has provided her listeners with another cinematic slice of dream pop on ‘Felt’. Inspired by the self-deception that can underpin some romantic relationships, it’s an effervescent, uplifting offering full of soothing vocals, hazy guitar sounds and tender lyrics. (KC)

Sorry Girls – ‘Prettier Things’
Montreal duo Heather Foster Kirkpatrick and Dylan Konrad Obront aka Sorry Girls are set to release their new album in June, and continue to charm our ears with their lilting heartfelt offerings. Reflecting on being honest with yourself, ‘Prettier Things’ oozes a glistening splendour as Heather’s crystalline sugar-sweet vocals ripple with a stirring emotion throughout. A truly blissful soundscape, luring the listener in with an immersive twinkling grace. (ML)

Fern Veh – ‘Galaxies’
Fern Veh are a Leeds-based solo-project-turned-five-piece band headed by Ada Fae Gilfoyle, who create sounds that flow in an dreampop-indie-post-rock vein. They’re currently working on their debut album, and this track ‘Galaxies’ is the first single from the record. Described as “an intimate and atmospheric love song”, it’s a gentle, dreamy tune. (KC)

Divide and Dissolve – ‘Blood Quantum’
I’ve been following doom instrumentalists Divide and Dissolve since they released their second album, Abomination, back in 2018, so I was thrilled earlier this month when the duo announced that they’ll be releasing their fourth album, Systemic, on 30th June via Invada Records. This single ‘Blood Quantum’ is the first taste of what’s to come. “This music is an acknowledgement of the dispossession that occurs due to colonial violence,” explains Saxophonist and guitarist Takiaya Reed. Takiaya also credits the duo’s 2021 album, Gas Lit, for laying the foundation for their new sounds: “Because of what was built with Gas Lit, Systemic is able to express itself.” I can’t wait to hear it. Watch the striking accompanying video for ‘Blood Quantum’ here. (KC)

 

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NEW TRACK: O Hell – ‘it heals so quick’

Following on from their previous singles ‘pixel‘ and ‘I Watch The Women‘ – which made our Tracks Of The Year list in 2022 – Brighton-based artist and producer Lucy Sheehan aka O Hell has shared their latest offering, ‘It Heals So Quick’. Underscored by their desire to explore the duality of past and present, and the inner processes of emotional relapse and recovery, O Hell delivers their extrapolations on sexuality, ritual and sacrifice with compelling and gritty conviction.

After years spent touring and recording music in alternative bands around the UK (including Brighton trio PROJECTOR) Sheehan ventured into fresh sonic territory under their new moniker O Hell back in 2021. Influenced by a love of the eclectic sounds of PJ Harvey and Mark Lanegan, Sheehan’s music sees them explore and deconstruct themselves over brooding electronics, twitchy beats and crystalline vocals. On ‘It Heals So Quick’, they continue this dismantling, taking inspiration from Irish modernist literature as well as their own experiences.

“The song was inspired by the novel At Swim-Two Birds by Irish author Flann O’Brien,” Sheehan explains. “Aside from being completely surreal and hilarious, I love how it pushes together gritty modern life in contemporary Dublin with the strange, colourful mythology of ancient Ireland, Gleann-na-nGealt – or ‘the valley of the mad’ – I guess I was exploring my past through that structure, where the past and present are always intertwined.”

‘It Heals So Quick’ is also accompanied by a captivating video, which Sheehan directed and edited by themselves. “I was interested in the idea of human sacrifice, and how ancient cultures prepared willing victims with a combination of love and cruelty,” they explain about the context of the visuals. “Some victims were force fed hundreds of sloe berries, had their hair cut off, were dressed in their best clothes…I wanted to explore that strange duality.”

Watch the video for ‘It Heals So Quick’ below.

Follow O Hell on Spotify, Twitter, Instagram & Facebook

Photo Credit: Bridie Florence Cummings

Kate Crudgington
@KCBobCut

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NEW TRACK: O Hell – ‘pixel’

A disarming, hypnotic offering that gently taps at the inside of the head, Brighton-based artist Lucy Sheehan aka O Hell has shared their latest single ‘pixel’. Laced with eerie, tentative piano sounds and Sheehan’s clear, yearning vocals, the track is an ominous piece of lo-fi electronica, accompanied by a video shot by Jay Bartlett Films.

After years spent touring and recording music in alternative bands around the UK, Sheehan ventured into fresh sonic territory under their new moniker O Hell back in 2021. Influenced by a love of eclectic, brooding soundscapes and a desire for creative independence, Sheehan was inspired by everything from Lithuanian folk songs to DJ Shadow and PJ Harvey when it came to creating her new sounds. Mined during a period of intense isolation, ‘pixel’ is another example of Sheehan’s ability to tap into uneasy states of consciousness with her ambigous, yet palpably familiar lyrics – “I dare to find your picture / run my hand across the pixels”

Speaking about the conception of the track, Sheehan explains: “I was at a studio way out in the Sussex Downs, and I started playing this fucked piano, completely out of tune. Anyway I didn’t know it was being recorded. I was in my own world. I showed my collaborator George, and as big fans of Amnesiac we decided to scramble it into this strange, surreal piece of electronica. Around the same time a friend of mine showed me this beautiful Lithuanian folk song called ‘Zalioj Girioj Stadalelis’ and I loved the sparse and haunting melodic structure. I remembered I don’t always have to write a chorus.”

“The softer, more surreal side of artists like PJ Harvey and Vincent Vocoder Voice were also big influences on ‘pixel’,” she continues. “I like visceral music, lyrics that are fragile, disgusting or painful. There has to be an emotional edge. I couldn’t give a fuck about friendly music.” This curation of unease is something Sheehan explored on her previous single, ‘I Watch The Women‘, and continues to explore sonically on ‘pixel’ too.

Watch the video for the new single below.

Follow O Hell on Spotify, Twitter, Instagram & Facebook

Photo Credit: Bridie Florence Cummings

Kate Crudgington
@KCBobCut

Kate Crudgington1 Comment

PLAYLIST: October 2022

The Get In Her Ears team have put together another eclectic mix of guitar anthems, electronic sounds & alternative tunes for your listening pleasure this month. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

CLT DRP – ‘Aftermath’
The latest single from Brighton trio CLT DRP, ‘Aftermath’ is a compelling exploration of the way we process generational trauma following sexual assault, and the internalised guilt and grief that blurs our reactions in its aftermath. It’s a heavy but important listen, that sees vocalist Annie pushing through uncomfortable truths, finding new ways to relate to and process this generational trauma. It’s a powerful listen, and one that will resonate with many GIHE followers. The band have released the single on a 7” vinyl, with the B-side featuring a cover of the track by friends of the band The Big Moon. Order your copy here. (Kate Crudgington)

Miss Grit – ‘Like You’
Released to coincide with the news that they’ve signed to Mute Records, ‘Like You’ is the latest single from Korean-American, non-binary musician Margaret Sohn aka Miss Grit. The track is a magnetic musing, inspired by the film Ex Machina, exploring the conflicting nature of our inner voices. Miss Grit will be playing shows across Europe in October, and they will be playing in London at Amazing Grace on 1st November. (KC)

O Hell – ‘I Watch The Women’
The follow up to their previous releases ‘Down’ and ‘Untangle’, this new track from Brighton-based Lucy Sheehan aka O Hell is underscored by a quiet agitation, exploring the personal confines of imposed femininity. I’ve been repeatedly listening to it for the last month, consistently impressed by Sheehan’s steady vocal and their twitchy, mesmeric sounds. (KC)

Maria Uzor – ‘Solitaire’
We’re super excited to hear that Norwich based vocalist and producer Maria Uzor (also half of faves Sink Ya Teeth) will be releasing her upcoming new EP in December. And now, ahead of the EP release, she has shared this captivating new single ‘Solitaire’. Flowing with a luscious, swirling groove and gnarly beats, it builds with a shimmering, pulsating majesty to a gritty slice of euphoric electro-pop. Oozing her distinctive, spellbinding sweeping vocals, it’s a gloriously uplifting synth-soaked soundscape. (Mari Lane)

AGAAMA – ‘Blackbox Oracle’
The latest single from Birmingham-based artist, composer, vocalist & producer AGAAMA, ‘Blackbox Oracle’ is an intoxicating blend of enigmatic vocals, heady electronic beats and jazz-inspired instrumentation. Taken from her recent EP Wandering Worlds, the track explores our complex relationship with Artificial Intelligence, questioning whether we can live in harmony with the machines we have created. (KC)

Helen Ganya – ‘young girls never die’
Taken from her upcoming album polish the machine, which is set for release on 18th November via Bella Union, this single from Brighton-based artist Helen Ganya is super catchy. Inspired by her reaction to a graph that showed how a male celebrity continued to age, but his girlfriends stayed the same age, Ganya has taken this unsettling concept and dismantled it over glitchy beats, crystalline vocals and altruistic electronics. (KC)

Maury Blu, Peaches – ‘Vashti Part One’
Maury Blu sort of says it all on her Instagram profile: “Recording artist, Prophetess of God & Bad Bitch in General,” LOVE IT! Then throw some Peaches into the mix…absolute gold. (Tash Walker)

Big Joanie – ‘Confident Man’
I’ve said this before, but is it even a GIHE playlist if we don’t include a Big Joanie track? The black feminist punk trio have shared this buzzy new offering ahead of the release of their second album, Back Home, on 4th November, which vocalist & guitarist Steph says is inspired by an essay in Jia Tolentino’s book Trick Mirror, which is about “scam culture and how everyone’s obsessed with con men and their stories.” Steph, Chardine & Estella kindly joined us for a chat about their new music on our most recent Soho Radio show, which you can listen back to here. (KC)

Zahra Haji Fath Ali Tehrani – ‘Waiting’
Whilst you may have come to know her under the moniker of Despicable Zee, Oxford artist Zahra Haji Fath Ali Tehrani has now decided to use her own name for her innovative solo creations. Taken from her upcoming new EP, latest single ‘Waiting‘ showcases Tehrani’s ability to create sweeping, ethereal soundscapes with a shimmering raw emotion. As unique swirling layers of instrumentation are interwoven with crystalline vocals, it’s a beautifully stirring percussion-driven ballad. (ML)

Amaroun – ‘Brown Skin Beauty’
October is Black History Month in the UK, with the theme this year of ‘sharing journeys’. This amazing song, a favourite of mine for so long now, is all about her experience of being Black and queer, and it is now the soundtrack to a podcast I’ve been working on with the wonderful Marc Thompson. He created an Instagram photo archive called Black and Gay, Back in the Day, which we’ve turned into a podcast of intergenerational conversations between younger and older Black Queer people all about the photos from the archive. Check out more wherever you get your podcasts, and the Instagram account Black and Gay, Back in the Day to see the amazing photos the series centres around. (TW)

Perera Elsewhere – ‘Who I Am’
Perera Elsewhere’s latest single, taken from her recent album Home, released via Friends of Friends. Of the song she says, “We are many people inside one person…our ancestors, present and future and a whole bunch of brainwashing, marketing, conformity, institutionalised religion and an almost branded rebellion against those things.” Perera continues: “The internet is a catalyst and a centrifuge. Thus the ongoing question of ‘Who I Am’ remains: a journey to get to the core of yourself even if your self is a construction in itself. This journey straddles individuality, identity and the simulation of spirituality and authenticity, all ideas/things that the post-materialist societies are obsessed with…” and what a beat on this track too. (TW)

Connie Constance – ‘Mood Hoover’
I cannot get enough of Connie Constance’s voice on her latest single! ‘Mood Hoover’ is such an on point way to describe someone too. (TW)

Coco – ‘Rough Water’
Formed in 2019, Coco is a collaborative project consisting of Maia Friedman (The Dirty Projectors), Dan Molad (Lucius), and Oliver Hill (Pavo Pavo). The first single since the release of their self titled debut album last year, ‘Rough Water’ fizzes with whirring hooks and an anthemic energy as luscious harmonies flow. An instantly catchy offering, propelled by a colourful groove reminiscent of uptempo ‘70s psych-pop hits. (ML)

Teri Gender Bender – ‘The Get Up’
I saw Mexican-born artist Teri Gender Bender live at Moth Club when they were fronting Le Butcherettes a few years ago, and I was dazzled by their natural stage presence. I’m new to their solo work, but it brims with Teri’s eccentricity and warmth, whilst remaining a little obscure – the dream combination. ‘The Get Up’ is taken from Teri’s upcoming EP, SATURN SEX, which is set for release on 21st October via Clouds Hill. (KC)

Ghost Car – ‘Selfish, Spoiled’
The latest single from London-based international band Ghost Car, ‘Selfish, Spoiled’ is a reflection on how hard the music industry can be for people from working class backgrounds. Propelled by a fuzzy allure, it oozes all the quirky charisma and swirling, synth-driven sounds we’ve come to know and love from the band. Juxtaposing the distinctive honey-sweet with a gritty, haunting aura, it’s a glorious slice of whimsical post-punk. Truly Trash, the debut album from Ghost Car, is out 28th October via One Little Independent Records (ML)

Jemma Freeman & The Cosmic Something – ‘Easy Peeler’
Ahead of the release of their second album next month, GIHE fave Jemma Freeman and the Cosmic Something has shared an earth-shattering new single. Propelled by a frantic energy, ‘Easy Peeler’ blasts into the ears with a soaring, raw power. Oozing a frenzied, psychedelic fury as it rages against the horrors of this patriarchal society, it’s a sparkling slice of majestic glam-rock. Miffed, the upcoming album from Jemma Freeman and the Cosmic Something, is out on 25th November via Trapped Animal Records. And make sure you catch them live playing for us at The Victoria on 14th October with support from KIN and Trouble Wanted – tickets here. (ML)

Grandmas House – ‘Body’
Full of candid vocals, cathartic lyrics and boisterous riffs, I love this track from GIHE faves Grandmas House. Speaking about the track, the Bristol trio explain ‘Body’ is “an anthem for anyone that’s ever felt uncomfortable in their own skin,” which I’m sure will resonate with many of our followers & listeners. (KC)

Brutus – ‘Victoria’
A cathartic reflection on teenage angst, growing up, and the solidarity that comes from facing up to these inevitable parts of life together, I love this single from Belgian heavy trio Brutus. Lifted from their upcoming third album Unison Life, which is set for release on 21st October via Hassle Records/Sargent House, I’ve been listening to it on repeat in anticipation of their headline show at The Garage in November. (KC)

A VOID – ‘Newspapers’
Two parts French, one part English, London-based A Void have recently released their new album, Dissociation. Taken from the album, latest single ‘Newspapers’ builds with the gritty scuzz of jangly guitars alongside rich, soulful vocals, as thrashing beats race with a fierce energy reminiscent of early Garbage. (ML)

Bikini Kill – ‘Double Dare Ya’
The Get In Her Ears website turns FIVE this month! I thought I’d celebrate by adding a Bikini Kill classic to our October playlist, because they’re a band who inspired us to create the Get In Her Ears radio show back in 2015, and then to grow the platform into a full website and live night too. It’s a privilege and a pleasure to work with two of my best friends Mari and Tash, and to share the work of so many talented musicians on this website. Thanks to everyone who has engaged with our corner of the internet so far. We’re always open to expanding our writing team, so if you’d like to get involved – even if you have no previous writing experience – please drop us a line. Contact details here. (KC)

New Pagans – ‘Better People’
Far removed from the righteous fury of the songs that formed their debut album, The Seed, The Vessel, The Roots and All, but still brimming with a strong social conscience, ‘Better People’ is Belfast-based band New Pagans’ ode to pushing through collective doubt, and veering towards hope instead of despair. (KC)

The Hyena Kill – ‘Cauterised’
I caught The Hyena Kill supporting Holy Fawn at 229 recently, and their set reminded me why you should always turn up early to see the other acts that are on the bill. Their heavy, bruising sounds thundered through the venue, commanded by drummer Lorna Blundell’s knockout percussion. Definitely catch them next time they’re in town. (KC)

Softcult – ‘One Of a Million’
I’m so glad that Canadian twin sibling duo Softcult are back with this lush, swirling new anthem. Urging listeners to recognise that “we are all more the same than different”, ‘One Of a Million’ is another atmospheric, bittersweet offering from the pair that’s perfect listening for the darker Autumn nights ahead. (KC)

th’sheridans – ‘Luka’
The latest single from indie-pop duo th’sheridans, ‘Luka’ is a cover of Suzanne Vega’s 1987 poignant country-pop classic. Whilst maintaining all the heartfelt twinkling emotion of the original as it tackles the song’s affecting theme of child abuse, it also oozes a unique fuzzy musicality and a beautiful lillting grace. (ML)

Roller Derby – ‘Only You’
Having first fallen in love with Hamburg-based indie trio Roller Derby when they supported Lunar Vacation live at Moth Club earlier this year, I was super happy to hear they had a new single out last month. Oozing a blissful allure, ‘Only You‘ flows with lilting hooks and the honey-sweet vocals of Philine Meyer as it builds with a shimmering, uplifting grace and Twin Peaks-esque eerie undertones to a truly euphoric soundscape propelled by a vibrant ’60s surf-pop energy. ‘Only You’ is out now via Practise Music. (ML)

Knife Girl – ‘Never Let Go’
A hazy, euphoric tune that meanders through early memories of a new love, this is the latest single from Finland’s Knife Girl. The track is lifted from her new album Uniform, which is described as “a mature summation of her sonic endeavours thus far.” Written when she was struggling with gender dysphoria whilst living in Japan, it’s a genre-spanding celebration, and acceptance of her new identity. (KC)

Jessica Winter – ‘Choreograph’
Jessica Winter’s gloomy girl banger ‘Sad Music’ got me through lockdown in 2020, so I’m thrilled to see she’s back with this majestic new alt-pop tune. I fully endorse dancing in the rain to it like she does in the accompanying video too, which you can watch here. (KC)

Husk – ‘Crush’
A catchy, danceable ‘tranthem’ of self-love, ‘Crush‘ is the latest single from Manchester queer artist Husk. A call to go against society’s expectations and love yourself, it’s propelled by vibrant beats and a colourful, ’80s-reminiscent groove; a glistening offering oozing all the uplifting vibes and shimmering energy needed to dance together in unity. (ML)

The Go! Team – ‘Divebomb’
Eighteen years after their debut LP, total faves The Go! Team have now announced a brand new album. Taken from the album, ‘Divebomb’ is an ode to Pro Choice activism, offering a perfect blast of colourful energy. Fizzing with frenzied layers of instrumentation and a racing drive, it’s an utterly joyous dose of sweeping euphoria. Get Up Sequences Part 2, the new album from The Go! Team, is set for release on 3rd February 2023 via Memphis Industries. (ML)

TSHA, Clementine Douglas – ‘Dancing In The Shadows’
This is song is SO GOOD, I can’t not move when I hear it! I hope it has the same impact on you too. (TW)

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