LISTEN: Floor 4 – ‘Tooth Infection’

A heavy, thundering rejection of dismissive and unfair comments made by a former manager, Manchester-based non-binary punks Floor 4 have shared their latest single ‘Tooth Infection’. Fueled by feelings of rage and distrust, the track is a cathartic middle finger in the face of anyone who thinks they can get away with humiliating someone in their day-to-day environment.

Inspired by the likes of Periphery, Slaughter to Prevail, Pretty Vicious and Bikini Kill, Floor 4 work together to create energetic, punk-infused anthems that smash down the patriarchal structures they feel restricted by. Through crashing percussion, defiant vocals and raging guitar riffs, the trio vent their frustrations about everyday discrimination with palpable fury. Full of righteous attitude and anarchic energy, their latest single ‘Tooth Infection’ is a defiant anthem that urges listeners to shout back at those who attempt to belittle or intimidate them.

“The track is inspired by one of our managers at an old, pretentious hospitality job,” the band explain about their new single. “We wanted to capture the hate that everyone at our work had for him and his shitty attitude, but also make the song applicable to any situation where someone has had inappropriate comments made towards them. Both metaphorical and bluntly in your face, the song addresses an issue that people face on a daily basis by returning the favour of a cross examination to the ones that need to hear it the most. ‘Tooth Infection’ has had a place in our hearts since the second we wrote it, we hope you feel the same way.”

Listen to ‘Tooth Infection’ below.

 

Follow Floor 4 on Spotify, Instagram, Twitter & Facebook

Kate Crudgington
@KCBobCut

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LISTEN: Grandmas House – ‘Girl’

A playful ode to the joys and frustrations of queer love, Bristol punk trio Grandmas House have shared their latest single ‘Girl’. Taken from their upcoming self-titled debut EP, which is set for release on 15th October via Brace Yourself Records (JOHN, Nuha Ruby Ra, Laundromat, Peeping Drexels), the track is a headrush of rumbling bass lines, surf-pop melodies and gritty vocals.

Formed of Yasmin Berndt (vocals, guitar), Poppy Dodgson (vocals, drums) and Zoë Zinsmeister (bass), Grandmas House formed in late 2018 and were busy cutting their teeth on the UK gig circuit before Covid-19 put an abrupt stop to live music. The trio decided to use their time in the following lockdowns constructively, quickly writing and recording new material, including their upcoming EP. Balancing their thoughts on capitalism and gender inequality alongside everyday annoyances and joys, the band have crafted a playful yet passionate collection of anthems that provide intense moments of catharsis.

Their latest single ‘Girl’ captures a slightly softer moment, mirrored in the track’s upbeat tempo and witty call and response vocals. Grandmas House are now gearing up for their forthcoming UK tour, which includes opening slots with IDLES, Katy J Pearson, TV Priest and a own headline show at The Windmill in Brixton on 3rd November.

Listen to ‘Girl’ below.

Follow Grandmas House on bandcamp, Spotify, Instagram, Twitter & Facebook

Photo Credit: Rosie Carne

Kate Crudgington
@KCBobCut

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ALBUM: Queen Zee – ‘Queen Zee’

Making weirdness in to wonderful, inclusive, explosive new tunes; GIHEs favourites Queen Zee have shared their debut self-titled album and it’s every bit as glorious as we’d hoped. Released via their own label Sasstone Records, the group have created ten tracks that gleefully cut down any of the forces that attempt to stand in the way of equality.

The tongue-in-cheek ‘Loner’ opens the record, and it’s an in-your-face anthem taking the piss out of being a solitary, socially inept loser. Zee’s vocals dominate the track as swirling guitar and non-stop percussion keep the riot going. It’s followed by the equally punchy ‘Lucy Fur’ and ‘Sissy Fists’, which are belting fusions of grunge & punk. The latter smashes apart any associations of weakness and is a proper hardcore two minutes of pure adrenaline.

‘Idle Crown’ is a riotously executed piece of Marilyn Manson-esque pop sleaze. The narrative centers around two LGBTQ+ characters trapped in a toxic heteronormative relationship, who are unable to live as their true selves. It’s hard to resist screaming along to the chorus of ‘Porno’ and ‘Victim Age’, both of which will have you kicking and screeching around a dance floor.

The album’s standout track is undoubtedly ‘Boy’. It’s an anthem for trans-gender rockers and their allies who refuse to be ignored, or oppressed by transphobic or homophobic attitudes. “You can try and bury my head in the sand, but that won’t make the body at the surface a man’s” sings Zee, as manic guitar and heart-pounding drums smash out for just shy of five minutes. ‘Hunger Pains’ follows with Zee’s ravenous screeching and more trademark corkscrew guitar riffs, whereas the brief interlude ‘Anxiety’ is a mellow yet candid admission to not feeling well.

Whether you admit to it or not, we can all relate to closing track ‘I Hate Your New Boyfriend’. It’s a hilariously vicious take-down of a misogynistic partner who drains your friend and by default drains you too. Turn it up extra loud anytime you know said antagonist is in the vicinity. With their punk attitude and ability to write abrasive and infectious tracks, there’s no danger of Queen Zee being melted in to a “masculine mould” – and we’re rejoicing in support of this “whipping girl born into a big man’s world”. What a debut, invest immediately.

Photo Credit: Jon Mo Photography

Kate Crudgington
@KCBobCut

Kate CrudgingtonLeave a comment