LISTEN: GIHE on Soho Radio – Tracks of 2025 (12.12.25)

Tash, Kate and Mari were back in the Soho Radio studio for their final GIHE show of 2025, playing highlights from some of their favourite female, non-binary and LGBTQIA+ artists who released new music this year. They spoke about their top tracks and albums, reflected on GIHE 10th birthday celebrations and shared memorable live music moments from the past 12 months too.

Huge thanks to everyone who has tuned in to listen to us this year!

If you’re in the mood for some more festive fun, you can still grab a ticket to our next gig on Tuesday 16th December at The Ivy House in South London – a Flinchmas extravaganza! To celebrate the most wonderful time of the year, we’re hosting Glasgow’s indie-emo pioneers Flinch, alongside London-based DIY pop-punk faves Fightmilk and grunge-tinged band Dogviolet. Tickets are available here.

Listen back to the show below:

 

We’ll be back on Soho Radio on Thursday 8th January 2026 from 16:00-18:00
Make sure you tune in via DAB or download the Soho Radio app.
You can also listen at www.sohoradio.com

Tracklist
The Big Moon – Carol Of The Bells
Scrounge – Buzz/Cut
Baby Rose – That’s All
Amulets ft. Midwife – Lifelike
Breakup Haircut – The Algorithm Is Trying To Kill Me
Problem Patterns – I’m Fine and I’m Doing Great
Tiiva – you and i
HAAi – Can’t Stand To Lose
Kae Tempest – Statue In The Square
james K – idea.2
Whitelands – Glance
nazire – junebug
Blonde Maze ft. Lizzy Land – To Love Again
Jessie Mac – Trans is Beautiful
Sijya – Do I Know
Smerz – You Got Time and I Got Money
Strange New Places – YATPYFL
Fightmilk – No Souvenirs
TRACEY – Sleazy
Tusks x I. JORDAN – adore (remix)
jasmine.4.t – Woman
otta – FULL OF YOU
Marina Yozora – Touché
Jouska – Season Of Dread
Dogviolet – Now
Poly Styrene & Celeste Bell – Black Christmas
Dream Phone – s***e xmas

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ALBUM: Weekend Recovery – ‘Esoteric’

A welcome follow-up to their riotous recent singles, Weekend Recovery’s latest third album Esoteric builds on the distinct sound the band has built for themselves.

The album leaps into action with ‘Chemtrails’, the wildly catchy refutation to misinformation that dropped late last year. It keeps the energy high for the next few tracks, solidifying the unique flavour of this band. Continuing the fierce attitude of ‘Chemtrails’, ‘Dangerous’ blasts into the ears with its fast drums and throbbing bass, juxtaposed with its subtle lyrics that are gifted a profound sense of social commentary by the sirens remixed into the background.

Third track, ‘In The Crowd’, features the album’s first guest appearance. Joel Arthur’s (Hydeout) vocals on this and also ‘No Saint’ later on offer a rich deep contrast to those offered by Weekend Recovery’s vocalist Lori. The way the two voices play off each make for a striking mirror and adds depth to the songs on which he appears – his softer bass rumble platforming Lori’s rich tones in a way that heightens the attitude in them.

Lori’s vocals in every song are imbued with a sardonic, sarcastic weight. It’s particularly evident in ‘I Don’t Like You Anyway’, which has fantastic amounts of sass and is pitched perfectly. Every jab she makes feels like you’re siding with her against the world, never the target of her derision.

The title track comes at the midpoint of the album. ‘Esoteric’ is wonderfully chosen to demonstrate how skilled this band can be. The heavy bass line and quick drums set the stage for the vocals and fuzzy guitars to scream, aching with feeling and capturing the essence of what makes Weekend Recovery unique.

The album mellows out as it goes on, flexing the band’s versatility and offering a counter to the rough attitude you’ve come to expect. The gentle tracks are no less powerful or memorable than the ones that roar, however; ‘Her’ being a stand out. The dips in pace launch into new emotional heights, using the layers of music to carry you along with its mood, before leaping back into the familiar Weekend Recovery punch of ‘No Guts All The Glory’.

https://youtube.com/watch?v=-v_6rwaxkjM

The arrangement takes you on a finely crafted emotional journey. The soft vulnerable songs feel like they’re exposing a hidden truth beneath the upbeat angry ones, hinting at a soft reaction to the same infuriating subject matters. Each song is a joy to experience on its own, but the relationship between the tracks carries a lot of power. The movement between songs tells its own story, whilst the construction of the album as a whole shows off how much thought and effort Weekend Recovery have put into constructing their music. 

Esoteric is out now via Criminal Records. Catch Weekend Recovery live at Tramlines Festival in Sheffied on 23rd July.

Kirstie Summers
@ActuallyKurt

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New Track: Cosmic Ninja – ‘Cardiac Unrest’

Living up to the vibe you might expect of a band called Cosmic Ninja, their newest track ‘Cardiac Unrest‘ is a fast-paced futuristic banger. 

Kicking off with a low but bouncy bass riff throbbing through the first few bars, it rapidly ramps up with a raucous, powerful rage, as strings and synths leap into the fray. The resulting soundscape feels like a battlefield – exciting and dangerous, rushing with righteous adrenaline. The lyrics match this energy; phrases like “step up step up, we’re not messing around, we’re gonna hold our ground” are delivered with an infectious passion. It’s difficult to listen to this song and not end up on the band’s side against the oppressive forces they’re facing off against.

Blending a sense of personal determination (“I’m doing my own thing and i don’t give a fuck what you think”) with an undefined foe that feels much wider-reaching (“we’ve got to put a stop to this somehow”), the lyrics are left open for you to project your own concerns onto, whether you’re worried about bigoted governments with too much power or a single bully persecuting you alone. Regardless, the energy is the same. The synths scream and the drums roll like thunder; inspiring all the fury and confidence required to stand up and fight back.

The track ramps up to a screaming crescendo, before rolling back into the chorus then ending abruptly on the “we aren’t fucking backing down”. There is no room for misinterpretation here: ‘Cardiac Unrest’ is a statement, a promise and a threat all in one.

Kirstie Summers
@ActuallyKurt

Photo Credit: Rupert Gammond

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New Track: The Empty Page – ‘Level Sedentary’

In a world that moves so quickly, it’s refreshing to hear a song that praises slowness. The second single from previous GIHE headliners The Empty Page’s second album, ‘Level Sedentary’, is an empowering slice of ’90s-inspired indie rock, which applauds the time we spend doing nothing at all. 

Front person Kel explains: “I heard John Cooper Clarke say something like, you need two things to be a writer, a pen and idleness. I want to celebrate idleness in this song.” And the band certainly does. Kel’s gritty vocals are long and languid as she sings about being flat and still, buoyed further by fuzzy layers of instrumentation courtesy of guitarist Giz. 

The song’s middle section is a chaotic clash of experimental piano and doom-laden distorted guitar, reminiscent of Sonic Youth. This helps to make ‘Level Sedentary’ a whopping four and a half minutes long, so it’s far from a punchy pop banger. Instead, it’s a song that you can really bask in and savour; much like those idle, lazy days that Kel sings of.

Produced by Morton Kong, ‘Level Sedentary’ is out now.

Vic Conway
@thepicsofvic

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