PLAYLIST: May 2020

At Get In Her Ears, we’re still sharing all the new music we can in order to distract you from the day-to-day reality of lockdown life. Our May playlist is filled with some electronic stunners, a couple of grunge-infused ragers, and the occasional tentative jazzy tune. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist at the end of the page.

Jessica Winter – ‘Sad Music’ 
This latest single from Jessica Winter hits your ears with its full force of pop beats, electronica and snappy synths. At a time like this, I’m loving the unifying lyrics and pulsing vibes of this track, which tells you upfront to lean into the expression music gives you, as Winter explains: “This song was born out of a particularly bad day and how music was a saviour at that time”. Jessica Winters’ debut EP will be released on 22nd May. (Tash Walker)

Beckie Margaret – ‘God’
Released via Cool Thing Records, Beckie Margaret’s latest single is a truly beautiful reflection on what it feels like to be caught in the grasp of a love that’s not reciprocated. I reviewed the track for The Line Of Best Fit, so if you want to read 200 words on how emotional she makes me, you can click here. (Kate Crudgington)

Temples Of Youth – ‘Suburbia’
The new single from GIHE faves, Temples Of Youth, ‘Suburbia’ is another truly majestic offering from the Winchester duo. An utterly dreamy soundscape oozing a twinkling emotion and mystical allure, as heaving synths are interwoven with fuzzed out hooks, whilst the beautifully rich vocals of Jo Carson soar. (Mari Lane)

Tora – ‘Call Your Name’
This is the second release from new R&B artist Tora. ‘Call Your Name’ focuses on confronting the conflicting unbalanced power dynamics that she sees in the world, a truly empowering call to arms that will get you moving whilst raging. Love it. (TW)

Allegra Krieger – ‘Rot’ 
‘Rot’ is the latest release from Brooklyn based Allegra Krieger, aptly named for a song about toxic apathy, originally inspired by the climate crisis. Kriege says it’s a tale of “someone who has assimilated into a culture of wanting and taking without reparation,” which mirrors the human arrogances exposed by the COVID-19 crisis. I love the grunge rock tone to this single. (TW)

Tired Lion – ‘Waterbed’
When I grow up, I want to be a guitar-wielding, chain-smoking Nun – just like Tired Lion’s front-woman Sophie Hopes in the accompanying video to this track. ‘Waterbed’ is a grunge-infused goodbye to the past, and a bold leap into the band’s future sound. (KC)

Diet Cig – ‘Who Are You?’
Flowing with Alex Luciano’s luscious honey-sweet vocals, infectious jangly melodies and all the twinkling energy you could ever need, ‘Who Are You?’ is a delectably catchy slice of dreamy indie-pop from Diet Cig. Juxtaposing an emotion-strewn lilting charm and subtle gritty angst, it’s a shimmering, sunny delight; perfectly uplifting isolation listening. Diet Cig’s new album, Do You Wonder About Me? is out now. (ML)

MOURN – ‘Call You Back’
An edgy, relatable exploration of the anxieties around answering the phone; MOURN’s latest single is an instantly gratifying, cathartic guitar tune. Released via Captured Tracks, the Catalan-based trio are adept at tapping into universal insecurities, providing a personal angle, and deconstructing them through indie guitar hooks and direct vocals. (KC)

Ganser – ‘Lucky’
Ganser’s music has garnered comparisons to 90s noise-makers Fugazi, Shellac, and Sonic Youth. Their jolting rhythms, confrontational vocals, and manic riffs fuse together to create defiant, jarring tunes; and new single ‘Lucky’ is a sturdy example of this. (KC)

Scrounge – ‘Etch’ 
Not a new song, but a darn good one. ‘Etch’ by Scrounge got me through one of my lowest moments during this lockdown. The infectious drums, catchy chorus and memories of seeing them live dragged me out of my cloud and reminded me of the importance of music in dealing with life’s challenges. Thank you Scrounge – I owe you. x (TW)

Alice Bag – ‘Spark’
The new single from prolific punk legend Alice Bag, ‘Spark’ is propelled by gritty hooks and a punk-fuelled frenzied energy, as the raw power of Bag’s vocals rage with a passion, asserting “Hell no, I’m not dimming my spark!” An uplifting burst of empowering strength in the face of adversity; a wonderfully vibrant and super catchy celebration of queer culture and the joy that comes with being able to express your true self. (ML)

Stef Fi – ‘Nowhere’
Lifted from her debut EP, Girlhood, Stef Fi’S single ‘Nowhere’ is a lo-fi dose of grunge-infused punk. The quiet, uncertain lyrics of the verses contrast well with the distorted riffs and defiant words in the chorus. Best known as the vocalist & guitarist of black feminist punk band Big Joanie, Stef Fi’s (aka Stephanie Phillips) debut shows “sketches of a girl” resisting hate, and trying to find hope in the harshest of realities. (KC)

Gulls – ‘Shame Shame Shame’
Propelled by thrashing beats and a driving, riotous force, ‘Shame Shame Shame’ could not have come to our ears at a better time. A spot on social commentary, rallying against fascists and the insidious alt-right, it oozes a frenzied impassioned energy that we need now more than ever, asserting that we will not tolerate intolerance. A perfect slice of angst-driven punk; a truly necessary listen right now. Gulls were also due to be playing for us tonight at The Finsbury – we really hope to be able to book in the Brighton band again in the future. (ML)

Peaness – ‘Kaizen’
Another band I was supposed to be seeing live this week, at The Lexington on Wednesday, I had been super excited about catching the sunny, jangly melodies and sparkling uptempo energy of Manchester/Chester trio Peaness. Oozing their trademark ‘Pea-positivity’, ‘Kaizen’ is the perfect antidote to these strange and scary times. If you’d like to help venues like The Lexington keep afloat while so many events are being cancelled right now, find out more about The Music Trust’s #SaveOurVenues campaign here.  (ML)

Jemma Freeman and the Cosmic Something – ‘Keytar’ (I Was Busy)
Jemma Freeman and the Cosmic Something were due to be headlining for us tonight (Fri 8th May)at The Finsbury, and – as with all the gigs we’ve had to cancel recently – we’re super gutted that it’s had to be postponed. They have wowed us with their magnificent charisma and immense psych-infused offerings live before, and it would have been such an honour to have them return, this time at the top of the bill. (ML)

CLT DRP – ‘Like Father’ (Sit Down Remix)
Having previously completely blown us away with their live set at The Finsbury, Brighton trio  CLT DRP have now returned to blast into our ears with a seething new offering. A magnificent, whirring electro-punk cacophony that addresses the complexities of family ties, ‘Like Father’ is driven by a swirling, impassioned energy, oozing a poignant breathtaking force, showcased perfectly in this immense frenetic remix by fellow Brighton faves Sit Down.(ML)

Notelle – ‘Alive’
Self-described as “nightmare pop”, Nashville-based Notelle blends hushed vocals, warped beats, and seething synth textures to create her claustrophobic sounds. Based on her own experiences of toxic relationships and gas-lighting, ‘Alive’ is Notelle’s most personal release to date. (KC)

Stainwasher – ‘Chems’
Swedish artist Stainwasher is not one to shy away from darker states of emotion. With ‘Chems’, she’s crafted another dark, alluring lullaby that broods with bittersweet anxiety. (KC)

Lorana – ‘Am I’ 
‘Am I?’ is the latest single from self-produced artist Lorana, who sings about her love for music and questions if this love is too big. Her upcoming EP, Here In Between, was written after leaving her small Belgian hometown of Alken for the big London city. In order to reflect this lyrical narrative into her sonic identity, she recorded samples both at home and in London, which are woven throughout all the songs. ‘Am I?’ is a truly touching and beautiful offering, which is a pleasure to listen to as the vocals and samples pour in and out of your ears. (TW)

GEISTE – ‘Moonchild’ 
‘Moonchild’ is the fourth single leading up to GEISTE’s debut EP, Utopia, released on 22nd May. This is a track that hits you with its fullest force. It’s such a an empowering listen, building and building with the tribal drums and feverish samples before colliding into the chorus. ‘Moonchild’ is about not feeling like you fit with people and finding your crowd of misfits, stronger and wilder people that are not defeated by life – which is certainly relatable right now. (TW)

Anna Leone – ‘Wondering’ (TW)
‘Wondering’ is the first release from Anna Leone in two years, and it was definitely worth the wait. Slow and intense, she draws you into her world with such raw emotion, that you’re left feeling as though you’ve had a personal invitation into her thoughts.

Speaking about the new track, Anna says: “I’ve been going back and forth recently trying to decide whether I should start releasing new songs. My music is very much about isolation and being disconnected, and I’ve been kind of questioning if that‘s the energy I should put out into the world right now. I think ultimately though, the songs are also about healing, and I can only hope that that’s what people take away from them. I’ve been dealing with depression and anxiety for a long time and this album is sort of the culmination of all those feelings. I still can’t listen to it all the way through without crying, which is painful but also a good thing, I think. It feels cathartic.” It’s so important that we hear music like this right now, remembering it’s ok to not be ok, but more importantly that we are not alone.

Listen to, and follow, the full playlist here:

LISTEN: Stainwasher – ‘Chems’

Swedish artist Stainwasher is not one to shy away from darker states of emotion. Her 2019 debut EP, What Did I See, was a sonic journey through personal fears and unsettled thoughts, explored via soaring synths and tentative vocals. On new single ‘Chems’ (released via Feverish), Stainwasher has crafted another dark, alluring lullaby that broods with bittersweet anxiety.

On ‘Chems’, Stainwasher has blended her usual atmospheric synths and soft vocals with electric guitar to create her intoxicating new soundscape. “I always start with a sound when I’m making a new song”, she explains, “and this time it came from an electric guitar plus a bunch of effects. From there, I built the track and added stuff until it felt just as anxious as I like it. I made this song months ago, long before coronavirus, but I feel like many people might think it’s about that, but it’s a big difference between chemicals and virus infections…”

Stainwasher has a clear ability to tap in to her anxious thoughts and turn them into beguiling, cinematic tunes that showcase her talent as an emerging electronic artist. Listen to ‘Chems’ below, and follow Stainwasher on Spotify and Facebook for more updates.

Photo Credit: Henrik Lennartsson

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: Stainwasher

Swedish artist Stainwasher is not one to shy away from darker states of emotion. Her 2018 debut EP What Did I See, was a sonic journey through personal fears and unsettled thoughts, and her new single ‘Drying’ flows in a similar vein. She explores both the good and the bad in the world through soaring synths and tentative vocals, believing that it’s “easier seeing life as an experiment, rather than something absolute.”

We think one of the best ways to get to know a new artist is by asking what music inspired them to write in the first place. We caught up with Stainwasher to ask her about her “Five Favourites” – five albums that have influenced her songwriting techniques. Check out her choices below, and make sure you listen to her new track ‘Drying’ at the end of this post.

1. Mazzy star – Among My Swan
Hope Sandoval is for sure my favourite singer, and it seems that every track she sings on instantly becomes magic. This album is amazing. It’s mysterious, beautiful and very inspiring to me. This album is actually the biggest reason I use tambourines, sliding guitars and organ in my music, which says a lot about my feelings for the album. The track ‘Umbilical’ is so stunning it makes my thoughts blurry, which is very nice sometimes, and the track ‘Happy’ is just perfect with its perfect chords mixed with perfect vocals. I love CDs and have most of my favourites on CD, including this. The best way I enjoy this album is to listen to it on speakers while lying on the sofa, smiling and thinking that if we lost everything, we would still have Hope Sandoval!

2. Portishead – Third
The biggest reason for mentioning this album is the track ‘The Rip’, which I usually call my all-time favourite song. I’ve got a thing for songs that build up and slowly explode, and this song does it so well! The first times I heard Portishead I had a difficult time listening to them because I genuinely got scared by the creepy music and spooky voice, but when I heard Third, I was hooked and got used to the weird but pleasant feeling they left me with. I think the most inspiring thing about this album – and their music in general – is the structure of their songs, and how making surprising changes seem so natural.

3. The Knife – The Knife
I’ve loved this duo since I was like 13, and it is impossible to get tired of their music. This was the first full album from them that I heard, by borrowing the CD from my dad. I remember being so fascinated by their music, even though it was catchy, it still was super special. I can’t say exactly how this album inspired my own music, I think The Knife always have been in the back of my mind when making music, perhaps I wanted that uniqueness they have. The anonymous part of Stainwasher is most likely influenced by The Knife. If I wasn’t so scared of playing live, I bet my shows would be very inspired by their live performances as well, except that tour where they do aerobics since I hate sports.

4. Nordpolen – På Nordpolen
Where do I begin. This guy saved my teenage years and still saves me from time to time. I didn’t like going to concerts when I was younger due to panic attacks, but I knew I HAD to see Nordpolen live, so he became the reason I faced those fears. However the most special memory I have with his music is when he played at Emmaboda (a Swedish festival), and I was not there. I was in bed crying and listened to his album from start to end pretending I was there. Nordpolen is also the biggest reason I started making music. It sounds a bit cliché, but he had helped me so much with his music and I thought if I could help or induce some kind of emotion for someone with music, I would be so grateful. In this album, he uses a lot of synth-choirs, which inspired me to try that as well. His lyrics are very straight-forward, something I love and also try to achieve. Even though the lyrics are sad, this album leaves me with a streak of hope.

5. Hazelnut ice-cream
I have a hard time making my last choice, no album feels right. That’s why I’ll tell you about my favourite ice-cream flavour, hazelnut. I was seven years old the first time I tried hazelnut ice-cream which was in Italy on a vacation with my family. I was immediately stuck and that was pretty much my diet for the rest of the vacation. The flavour is an amazing mix of salty, fat and sweet, and I can eat a lot without getting tired of the taste. Whenever I eat something really nice I become quiet, I want to absorb what I’m eating and it bothers me when people distract me, or even worse, want to taste from my plate, so I prefer eating ice-cream alone. To me, eating hazelnut ice-cream on a warm day is like hearing Hope Sandoval’s voice; soothing, pleasurable and makes me believe that there are still good stuff in the world worth fighting for.

Thanks to Stainwasher for sharing her favourites with us. Follow her on Facebook for more updates.

Photo Credit: Ebba G Agren