Get In Her Ears Live @ Notting Hill Arts Club w/ Alyss 01.12.18

Get In Her Ears returned to West London’s Notting Hill Arts Club on Saturday night to host another successful night full of alternative electronic music. For our second gig at the venue, we chose Alyss to headline; with support coming from the brilliant Elsa Hewitt, Temples of Youth and Varley.

First up were Berlin-based trio Varley, who played a beautiful stripped back set to an appreciative, respectfully quiet crowd. Vocalist Claire-Ann Varley’s gentle, clear voice was perfectly accompanied by the acoustic & electric guitar sounds of bandmates Matthias Heising & Joschka Bender. When she cautiously asked for a little audience participation during one particular song, she was rewarded with attempts to mimic her soft voice, and the trio left the stage to well deserved and rapturous applause.

 

 

Up next were our favourites, electronic duo Temples Of Youth, who (as always) performed a stunning set. Jo & Paul’s blend of old and new songs – including ‘Darker Places’, the title track from their latest EP – captivated the crowd with their ambient guitar sounds and Jo’s standout vocals. We never tire of seeing these two live, and we were thrilled to have them on the bill with other talented electronic artists.

Penultimate act Elsa Hewitt was a one woman music machine. She played a hypnotising set, which included her latest single ‘Invisible Threads’. It’s always a pleasure to watch artists lose themselves within their own sound, and watching Elsa perform her intricate tuning and triggering, whilst simultaneously performing her soft vocals so seamlessly was a genuine pleasure to witness. We were so caught up in her soundscapes we lost track of time, and as we gently ushered her set to a close, electro-pop Queen Alyss took centre stage.

Clad in a shiny cape and black-rimmed hat, headline act Alyss dominated the stage with her powerful vocals and uncompromising attitude. Performing as a one woman band, she had the room packed full of fans who were dancing along to her pop hooks and bouncing beats.

Huge thanks to the bands and to Notting Hill Arts Club, and extended thanks to all those who donated their spare change on the door to National AIDS Trust on #WorldAIDSday – we appreciate your generosity!

Keep your eyes peeled for more gig announcements from us soon.

Photo Credit: Jon Mo Photography

PLAYLIST: November 2018

The dark winter nights are creeping in, but our brand new November playlist is filled with bright, vibrant new sounds from a range of unusual and inspiring new artists. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Temples Of Youth – ‘Darker Places’
Temples Of Youth have long been a favourite of ours here at Get In Her Ears, so we were thrilled to have them as guests on our Hoxton radio show last week (listen back here). ‘Darker Places’ is the title track of their latest EP, and I love Paul’s sweeping guitar sounds and Jo’s melancholy, but powerful vocals. We can’t wait to have them play for us at Notting Hill Arts Club on December 1st alongside Alyss, Elsa Hewitt & Varley (tickets are available on DICE. RSVP here). (Kate Crudgington)

Montauk Hotel – ‘Stains’
I poached these Dublin indie girls from Tash after she played ‘Stains’ on our Hoxton Radio show last week. I love their gentle, melodic, shimmering sound. They’re definitely ones to watch… (KC)

Scrounge – ‘Etch’
Both edgy and itchy, the appropriately named ‘Etch’ is a short, but very sweet blast of perfect scuzz-filled post-punk. A track that will indeed remain etched on your ears, demanding multiple listens, it’s propelled by Luke’s thrashing beats as Lucy’s colossal vocals rage alongside whirring hooks with a gritty sense of urgency. Oozing the duo’s epic, swirling wall of sound, with ‘Etch’ Scrounge have blown me away once again, marking themselves out as definite ones to watch. (Mari Lane)

Vulpynes – ‘2 Cents’
A song about freeing yourself from expectations, Vulpynes’ ‘2 Cents’ is propelled by the gritty, impassioned vocals of guitarist Maeve, raging with a seething energy and sublime raw power as punk-fuelled riffs are blasted out alongside intense pummelling beats. Reminiscent of the riotous force of the likes of L7 or The Distillers, it’s another storming, empowering offering from the Dublin duo, showcasing all there is to love about them. (ML)

Chorusgirl – ‘Demon Baby’
Following 2015’s wonderful self-titled debut, GIHE faves Chorusgirl have now announced their long-awaited new album Shimmer And Spin, and we couldn’t be happier for them. Taken from the album, ‘Demon Baby’ is the first song of the band’s to be released that’s written and sung by Faith Taylor (also of faves Suggested Friends). A slight change in tone from the usually guitar-driven jangly indie of Chorusgirl, ‘Demon Baby’ combines those welcome fuzz-filled hooks with a backdrop of a glitchy, electronic soundscape, filled with sparkling effects and luscious cascading harmonies. Shimmer And Spin is out 16th November via Reckless Yes. (ML)

Worst Place – ‘Square Eyes’ 
Oozing all the totally dreamy vibes we’ve come to expect from the East London band and GIHE faves Worst Place, ‘Square Eyes’ is an ode to Netflix lovers (me!) everywhere. Flowing with the scuzzy whirr of guitars alongside bassist Amy’s luscious honey-sweet vocals, it’s a simply perfect slice of sparkling, woozy indie-pop. ‘Square Eyes’ is out now on limited edition green glitter cassette, along with its double A Side ‘Soak’. (ML)

Bryde ‘On the Subject of Breathing’
Following a nomination for the Welsh Music Prize for her debut album Like An Island, London-based Welsh songwriter Bryde has share this new single ahead of her UK tour. It’s strummy, it’s seething, it’s sullen. (Tash Walker)

The Orielles – ‘Bobbi’s Second World’ 
The story of a cat named Bobbi, this new track from faves The Orielles flows with an onslaught of scuzzy, funk-fuelled hooks and groove-laden, disco-reminiscent vibes. With the noticeable addition of keys courtesy of new member Alex, ‘Bobbi’s Second World’ initially sounds a lot less ‘indie’ than previous releases – focusing on creating a poppy danceability -, but it is certainly no less innovative. It remains distinctly The Orielles; an instantly infectious anthem filled with a buoyant energy and oozing a colourful spirit. ‘Bobbi’s Second World’, along with accompanying track ‘Makes You Forget (Itgehane)’, is out now via Heavenly Recordings. (ML)

Planningtorock – ‘Much Too Touch’
I have loved Planningtorock for many a year now, having seen them for the first time in 2011.  Oh how the years fly by and the music just gets better and better. ‘Much Too Touch’ is the second track Planningtorock has shared in the run up to their very recently released album Powerhouse and the only track from the album to feature a co-producer, who is long time friend and collaborator Olof Dreijer of The Knife. Powerhouse was released last week on the 9th November via DFA records and is EXCELLENT. Go listen. (TW)

Queen Zee – ‘Hunger Pains’
Will there ever be a day when Liverpool rockers Queen Zee release something we don’t immediately love? (errr, no). ‘Hunger Pains’ is the band’s latest knockout single, and it’s accompanied by the news that they’ll be releasing their debut album in February 2019. We. Can’t. Wait. (KC)

Nasty Little Lonely – ‘Excuses Excuses’
Bristol’s Nasty Little Lonely are taking a step back from band life for the foreseeable future, but they’ve released the powerful ‘Excuses Excuses’ in to the world just before they do. Of the track, vocalist & bassist Charlie explains: “The song is about how fucked the planet is and how we all know we need to do something about it, but things need to get serious right now or it’ll be too late”. We’re definitely aware of the climate change epidemic, and we’re glad we have the riotous sounds of NLL to motivate us in to action. (KC)

Zilla With Her Eyes Shut – ‘Cut Me Boy’
‘Cut Me Boy’ is the latest single from Zilla, who now goes by the name Zilla With Her Eyes Shut. This track was created using samples of unconventional objects such as a Stanley knife, liquid iron, rocks, elastic bands and an eye mask. The results are a thick mixture of unusual beats and warped vocals. I love it. (TW)

Elsa Hewitt – ‘Invisible Threads’
I saw Elsa Hewitt at The Great Escape Festival in May and her ambient, altruistic electronics have been floating around my head ever since. This is her latest stand-alone single, and it’s full of intricate loops and hushed vocals. She’ll be playing for us alongside Alyss at our next Notting Hill Arts Club on December 1st, so grab a ticket on DICE now and come along to appreciate her talent in all its live glory (RSVP here). (KC)

CHINAH – ‘Real Thing?’
Oh-so-many sultry beats which carry the promise of more to come. ‘Real Thing?’ comes from Copenhagen’s CHINAH, and their debut LP Anyone is out now. You can read more about them in our GIHEs interview with them here. (TW)

 

PLAYLIST: August 2018

The British heatwave rages on with its blue skies and scorching sun, and us Get In Her Ears girls are here to help you through the head-melting heat with a mixture of cool new tunes. Take some time to scroll through our track selections, and hit play on the Spotify link at the bottom of the page…

Dream Nails – ‘Merkury’
Fast becoming known for their sparkling combination of activism and catchy tunes, GIHE faves Dream Nails are back with a new disco-punk banger. Perhaps less political than previous hits, ‘Merkury’ is a tongue-in-cheek take on the adverse effects of the planets misaligning and causing havoc in our everyday lives when Mercury Retrograde strikes. Flowing with sweeping honey-sweet vocals and shimmering melodies alongside groovy basslines, it’s a truly infectious intergalactic delight. Watch the wonderfully spacey, psychedelic video for ‘Merkury’ here. (Mari Lane)

WHITE RING – ‘Nothing’
Warped, watery vocals and thumping percussion combine in densely hypnotic style on WHITE RING‘s latest single, ‘Nothing’. Taken from their recent album Gate Of Grief, the track is accompanied by a video which shows the pair immersed in their own sound. Watch it here(Kate Crudgington)

AyOwA – ‘Sommer’
I couldn’t not include ‘Sommer’ by AyOwA in August’s playlist. Having seen these guys for the first time last week at our Notting Hill Arts Club event, they totally stole the show for me!  Seeing AyOwa peform Sommer was a highlight for me – more heady and more haunting then I could have wished for. (Tash Walker)

hear – ‘OYSTERS’
I’ve found a new addiction and it comes in the form of new musical project hear with their dark, hypnotic, lyrically enchanting music. ‘OYSTERS’ in particular stood out for me with it’s poetically pertinent messages of sexual perversion, discovery, frustration, desire… ‘did it please you well? to see her hanging there’. It’s hard for me not to draw parallels to early Savages, however hear are of course distinct in their own version of post-ponk. hear is a musical project from Jorinde Croese and Natalie Connlly who aptly say “We’re not quite sure how to classify – labels perhaps feel a little old, and the music doesn’t quite come from obvious reference points, at least not for us.” Without a doubt hear are now firmly on my ‘Ones to Watch’ list, fingers crossed for some live dates soon. (TW)

Something Leather – ‘Disappear On Me’
I saw Brighton’s Something Leather live for the second time at The Lock Tavern last weekend at We Can Do It’s all-day gig, and they didn’t disappoint! The trio’s sound ricochets between loud and quiet, up and down, mad and melancholy – and I can’t get enough of their marvelous noise. (KC)

Æ Mak – ‘Love Flush’
‘Love Flush’ is the latest single Æ Mak (pronounced “Eh Mack”). Having just played Latitude with what sounded like an incredibly energetic show, I think it makes sense that so much of the media are drawing comparisons to early Bjork. Of the track she says “‘Love Flush’ is a twisted love song. It’s about choosing your own ambitions over a true love, pushing that someone away to embrace this higher vision you have of yourself, even though that’s what made you happy. Ego’s a bitch.” I could not be more into how this track starts and then breaks into an alt-pop tune! Enjoy. (TW)

Temples Of Youth – ‘Darker Places’
This duo have been firm favourites of the GIHEs team for a while now, and new single ‘Darker Places’ is another electronic treat. Paul’s trademark atmospheric guitar sounds combine with Jo’s jaded beats and beautiful vocals to create this sultry pop-noir gem. (KC)

Princess Chelsea – ‘I Love My Boyfriend’
What a sweet sentiment from New Zealand’s retro-futuristic pop artist Princess Chelsea. She might be mocking romance, or she might be promoting it – either way – I love her strung-out bass lines and sugary vocals. The single is taken from her upcoming album The Loneliest Girl, released on the 7th September via Lil’ Chief Records (KC)

Value Void – ‘Babeland’
‘Babeland’ by London trio Value Void is taken from their upcoming debut album, set for release on 26th October via Tough Love. They’ve described the record as “a luxuriantly deep, shag pile-warm, analogue proto punk collection”, and ‘Babeland’ is a track about one night in a pub when everything looked grim except for two very attractive men kissing. I love the hazy dreamlike sound to that track which seems the perfect accompaniment to the hazy warmth of this endless London Summer. (TW)

H.Grimace – ‘In The Body’ 
Following last year’s debut album Self-Architect, GIHE faves H.Grimace have returned with a gritty new single. Inspired by poet Vivienne Griffin and reflecting on society’s pressure on the individual, ‘In The Body’ is filled with the band’s raw post-punk sound and scuzzy, seething power, alongside the deep, sweeping vocals of Hannah Gledhill; creating a dreamy, Sonic Youth-reminiscent haze. (ML)

Happy Accidents – ‘Free Time’
Taken from their latest album Everything But The Here And Now, ‘Free Time’ is the perfect example of Happy Accidents’ instantly uplifting pop-punk. Oozing luscious harmonies and an infectious buoyant energy, I fell in love with their shimmering creations when coming across them at Indietracks Festival last weekend, and now I’m truly addicted. (ML)

Le Tigre – ‘TKO’ 
With it being LGBTQ+ activist and artist J.D.Samson’s birthday on Saturday, I couldn’t not include a Le Tigre track in this month’s playlist. She holds a very special place in my heart, and the memory of dancing the night away in total euphoria to tunes that she hand-picked at M.I.A’s Meltdown Festival last year is still one of my life highlights. Really, Le Tigre’s ‘TKO’ should be on every playlist ever – it’s an instant blast of empowering energy on each listen. (ML)

Get In Her Ears w/ AyOwA 02.08.18

Fresh from their first night at Notting Hill Arts Club, Tash and Kate were back in the studio with heaps of new music from the likes of LIERS, Bess Atwell, Pi Ja Ma, Temples Of Youth, Value Void & Bugeye.

Plus, Tash aired her pre-gig interview with Get In Her Ears favourites AyOwA!

Listen back to the show here:

Ones To Watch 2018

We’re approaching the beginning of a new year – the perfect time to celebrate new music. As we leave 2017 – and all it’s thrown at us – behind, we’re ready to venture into 2018 alongside some of the music we’re most excited about for the upcoming year.

Have a read, and keep your ears peeled for these incredible bands and artists over the coming months…

Having recently supported GIHE faves PINS on tour, and received much acclaim for their eponymous debut album from the likes of Mojo and Q Magazine, London collective Madonnatron would seem to have had a pretty successful 2017.

We’ve been in love with these four awesome women since their captivating cacophony left us completely spellbound at The Finsbury back in March. And now, with the seething vocals and haunting discordant hooks of tracks such as ‘Sangue Neuf’ and ‘Headless Children’ having provided an eerily majestic soundtrack to much of this year, we’re quite sure that the beguiling ‘Witch Prog’ of Madonnatron will be headed for big things in 2018. (Mari Lane)

We currently hold the record for “how many times you can feature Queen Zee on a roundups/playlist” article – and it’s one we’re proud to be upholding. The Liverpool-based band blew us away with their visceral, politically switched on sounds at The Garage in October, and we’ve been hooked on their punk-like anthems ever since.

Fronted by Queen Zee, the group use their platform to shout back against transphobia and homophobia, as well as supporting and celebrating equality. They’re set to record and hopefully release their debut album in 2018, as well as hitting the road again in support of The Marmozets. Make sure you put your ‘Idle Crown’ on, and get behind this incredible set of talented individuals in 2018. (Kate Crudgington)

Having blown us away with their completely captivating live performance at The Finsbury, Sink Ya Teeth are fast becoming one of our favourite bands. With the addictive, pulsating beats and ‘80s-inspired dance-pop hooks of singles ‘If You See Me’ and ‘Glass’, they’ve showcased their ability to create utterly infectious, uptempo offerings, and we cannot wait to hear more.

With praise from the likes of BBC 6 Music, and support slots with Chk Chk Chk already under their belt, this Norwich duo are sure to be continuing to seduce many an ear throughout 2018. (ML)

Although we’ve been aware of them for some time, Slowcoaches caught our full attention this year with the release of their brilliant track ‘Complex’ – a snarling comeback to the music industry’s misogynist bullshit.

Comprised of Heather (bass & vocals), Neil (drums), and Oliver (guitar), the band are a grunge-fuelled, alternative force to be reckoned with. With wicked tracks like ‘Living Out’ and ‘Complex’ behind them, we’re excited to see what 2018 holds for this talented trio. (KC)

With support from the likes of BBC Introducing and Amazing Radio, and an ever growing reputation for their vibrant live performances, London collective Kid Cupid have been alluring our ears with their blissful electro-pop for some time.

Now, with the recent release of latest single ‘Easy’, they’ve shown themselves to be true masters of their craft; creating utterly euphoric layers of sound alongside Laura Shaw’s rich, soulful vocals. With shades of the likes of Oh Wonder and Little Dragon, we cannot wait to hear more of Kid Cupid’s dreamy, sonic delights throughout 2018. (ML)

 

We’ve made no secret of our love for Essex songwriter Beckie Margaret, and we want everyone’s ears to be blessed with the sound of her impeccable voice.

Inspired by the likes of Lucy Rose, Jeff Buckley and Bon Iver, Beckie’s songs are tender, intuitive, and effortlessly delivered. She’s still at University in the final year of her song-writing degree, but there’s something about her music that can’t be learned from the pages of a textbook. Signed to Cool Thing Records, we’re confident the future for this talented vocalist, writer, and producer is blindingly bright. (KC)

Receiving support across the industry from the likes of Joe Talbot (IDLES) and BBC 6 Music’s Tom Ravenscroft and Steve Lamacq, Birmingham trio Table Scraps are certainly worth paying attention to.

Creating dark and gritty garage-punk, with tracks such as ‘My Obsession’ and latest single ‘Sick Of Me’, the band deliver thrashing riffs and stomping beats, fuelled by a ferocious force. A perfect example of raw, raging DIY music at its best.

Now, with their debut full-length album Autonomy set for release in February, the enraged, empowering energy of Table Scraps looks set to take the world by storm in 2018. (ML)

If you’re a fan of ambient electronic music with a melancholy edge, Temples Of Youth are a band you need to invest in. The Winchester duo sent divine shivers down our spines when they headlined our December show at The Finsbury, and we’ve been spinning their recent self-titled EP in an attempt to stay hypnotised by their magnetic sounds.

We’re confident that tracks like ‘Amber’ and the beautifully articulate ‘Churches’ will propel the pair further in to the spotlight in 2018. We also recommend you check out their superb cover of Nirvana’s ‘Heart-Shaped Box’ – it’s urgent and unforgettable. (KC)

With 2017’s highlights including supporting Desperate Journalist and Nelson Can on various tour dates, Manchester trio LIINES have fast been gaining attention from the likes of John Kennedy, The Quietus and BBC Introducing throughout the year, and we’re loving their gritty, post-punk sounds.

As the pummelling beats and raw vocals of tracks ‘Disappear’ and ‘Blackout’ blast into the ears with all the brooding, impassioned energy you could ever desire, we’re desperate to hear more from LIINES and wait with excitement for what they have in store for us in 2018.

We’re also extremely excited to announce that LIINES will be headlining for us at The Finsbury on 9th February with Bugeye, Suggested Friends and Duck. See you there! (ML)

Get In Her Ears live @ The Finsbury w/ Temples Of Youth, 08.12.17

Following a host of super amazing bands playing for us over the last year – including The Magnettes, H.Grimace, REWS, Trash Kit, Kid Cupid and Deux Furieuses – we were back at The Finsbury last Friday for our monthly dose of incredible live music.

Kicking off the night is Dorset’s The Gravity Drive with their swirling, emotionally rich effervescent pop.

Second band of the night HMS Morris have travelled from Cardiff to blow us all away with the totally dreamy and impressively eclectic sounds of their playful, psychedelic offerings.

Returning to The Finsbury to play for us for a second time, headliners Temples Of Youth cast their hypnotic spell with their unique brand of sparkling, musically rich neo-pop. Oozing their impossibly cool swathe and majestic, emotion strewn splendour, the Winchester duo succeed in completely captivating us all once again.

Huge thanks to the three magnificent bands who played for us on Friday. And make sure you all join us back at The Finsbury to see in the new year in style on 12th January 2018 with Witch Fever, The Nyx, ARXX and more!

Words:
Mari Lane / @marimindles

Photo Credit: 
Paul Dawes / @paullikesrobots
Jon Mo / @jonmophoto