Track Of The Day: Fears – ’16’

Transforming her ruminations on a troubled past relationship into an elegant, exquisitely raw new offering, Irish musician and producer Constance Keane aka Fears has shared her latest single ’16’. Released via her own imprint TULLE, the track is a combination of meditative synth loops, tentative beats – inspired by the traditional Irish bodhrán drum – and the instrumentals of her late friend, classically trained cellist and trans rights activist Sophie Gwen Williams, which all mesh together to create a truly soothing, magnetic soundscape.

Accompanied by a beautiful video, shot in The Maharees in County Kerry in south west Ireland and directed by Zoe Greenway who performs alongside Keane in punk band M(h)aol, the visuals are a poignant tribute to Williams too.

“Sophie was an incredible artist and a very close friend of mine,” Keane explains. “We did a filmed performance together last March, thinking we’d get a chance to record it ‘properly’ in a studio, but she passed away before we could. Zoe and I dedicate the video for ’16’ to her memory. I had made her a dress for the original performance out of pink tulle – the same fabric I have with me in the video. She was a really inspirational and encouraging person, and I wanted to create something that shows how I carry her with me, even though I no longer have her physically here.”

Using her art as a canvas to express and process her grief, Keane’s soft vocals and candid lyrics – “It’s been a while since I cried / unusual for me / normally once a week / since we were 16” – combine to create a delicate, shadowy landscape for her listeners to dwell in. On her debut album Oíche, she underwent a significant and moving personal metamorphosis and now with ’16’ she continues to shapeshift and thread her own experiences into immersive, illuminating sounds.

Fears will perform live in London as part of a TULLE Collective showcase on 7th May at Chat’s Palace. Watch the video for ’16’ below.

Sophie Gwen Williams was an acclaimed performance artist, classically trained musician and trans rights activist from Northern Ireland who co-founded We Exist, a charity which raises vital funds to help trans people across the UK pay for healthcare costs. She was also the chair and one of the original members of The 343, a Belfast-based queer art collective. Here she also founded 343 radio, which is Ireland’s first ever queer radio.

Follow Fears on bandcamp, Spotify, Instagram, Twitter & Facebook
Follow TULLE on Instagram & Twitter

Kate Crudgington
@KCBobCut

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Track Of The Day: Greta Isaac – ‘how are you not freaking out?’

Welsh singer-songwriter Greta Isaac has released her expansive new single ‘how are you not freaking out?’, the latest installment to her eagerly anticipated second EP, ‘I Think You’d Hate It Here.’

‘how are you not freaking out?’ offers a change in pace to the power-pop sounds found on previous tasters to the EP (‘5’1”’, ‘NUH UH’). The song has a soft dream-pop start, with subdued hooks accompanying Greta’s vulnerable vocals -“If you saw it through my eyes… You would hate it here”. As the song builds, it introduces a powerful emotional allure as the vocals become more passionate, and the soaring guitar creates an anthemic energy, allowing us to “see the wood for the trees and they’re on fire…”

Reflecting on the need to suppress feelings or perform to expectations, ‘how are you not freaking out?’ is a truly stirring, yet instantly catchy, alt-pop earworm. 

Greta Isaac’s upcoming EP, I Think You’d Hate It Here, will be released on 6th May. And she headlines Jack Saunders’ Hopscotch club night at Oslo on 8th April. You too will be freaking out if you miss this inspiring up-and-coming artist! 

Fi Ni Aicead
@gotnomoniker

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Track Of The Day: Francis of Delirium – ‘The Funhouse’

“This is a call to arms” sings Jana Bahrich aka Francis Of Delirium in the opening to her latest single ‘The Funhouse’, instantly commanding listeners with her grungy riffs and clear vocals. A reflection on the manic and disorientating mindset that’s been accepted as “the new normal” over the past few years, Bahrich’s track is a cathartic rush of angst that questions what’s “left to believe” in such an overwhelming world.

“’The Funhouse’ is largely about how we are adapting to the chaos that is present in our everyday lives,” Bahrich explains about her new single. “The way it can feel that the world is crashing down around us and in order to protect ourselves, we become numb to the sheer terror of it all. Sort of like walking through a funhouse and attempting to remain un-phased by the mayhem that surrounds you.”

Through her frantic riffs, urgent vocals and conflicted lyrics, Bahrich explores the strange mix of apathy, adrenaline and dread that we’ve all been ricocheting between since the Covid-19 pandemic hit in 2020. The track is accompanied by a self-directed video, with its fast-paced editing and flashing lights reflecting the chaos she sings of. Despite its uneasy context, ‘The Funhouse’ is a powerful dose of riotous guitar music that breaks down the remnants of underlying anxiety that originally fuelled it.

Watch the video for ‘The Funhouse’ below.

Follow Francis Of Delirium on bandcamp, Spotify, Facebook, Twitter & Instagram

Francis of Delirium will play their first-ever North American tour supporting The Districts this spring.

Photo Credit: Pit Reding
 
Kate Crudgington
@KCBobCut

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Track Of The Day: Kathleen Frances – ‘Boy’

What a voice! Bristol artist Kathleen Frances and her mesmerising vocals are here with ‘Boy’, the third single from her freshly released debut EP Through The Blue. 

‘Boy’ is mellow and at times devastating, but strong and cathartic. Frances explores the pain of a break-up whilst offering a sense of comfort and assurance. It’s one of those songs where you feel the need to stop everything you are doing and just listen.

The simplicity of ‘Boy’ is poignant; there is a sense of restraint and balance in the sparse instrumentation. It doesn’t need anything else – it perfectly captures a stunning intimacy. The vocals will pull you into the song, as Frances’ warm baritone voice enchants the ears, creating a whole soundscape in itself and unmistakably driving the song. The track is brimming with emotion, yet somehow it finds a sense of reassuring sense of calm. Pulsing piano chords gently accompany the vocals, adding to this reflective space. Of the track, Frances explains:

“This one took me ages to write. I was really hurting from a breakup. I just wasn’t ready to go there. I had a few nice ideas but nothing that felt right. It was all too surface level. I had to find what I really felt about it deep down, underneath the feelings of betrayal and bruised ego. I had to figure out what I really wanted from this person now… Things change, people change. It’s sad but it’s also hopeful, it allows you to take stock and figure out what you really want. With this song, I was attempting to get the balance right between cathartic sadness and self-assuredness.”

Through The Blue, the debut EP from Kathleen Frances, is out now. And you can catch Kathleen Frances live on her tour this March and in May – details here.

Jaz Kelly
@surfjaz

Photo Credit: Michaela Frances 

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