GIHE: Tracks Of 2023

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times, and generally saw us through 2023.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2023’ ahead of features on our favourite albums, ‘Highlights’ and ‘Ones To Watch 2024’… Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying playlist to hear just how fantastic they all are! (In addition to listening to the playlist, if you particularly love any of the tracks, please do follow the artists on social media and, if you can, buy their music and merch via Bandcamp or their websites).

pink suits – ‘Refuse The Rules’
Margate queer punk duo pink suits have been big faves of mine for a couple of years now, and have blown us away playing live for us at Shacklewell Arms a couple of times. ‘Refuse The Rules’ is the first taster of their upcoming (and perfectly named) second album, Dystopian Hellscape, which is set for release in Spring next year. The track offers a scream for space; a refusal of the rules that have been historically created to limit people’s lives and freedoms. A short and sharp rallying cry inciting us to stand up and make our voices heard in the face of suppression and aggression. Something we need now more than ever. Also, while I’m talking about my love of pink suits, I think one of the most fun events of the year for me was attending their first London Queer Cuntry with fellow GIHE writer and door person extraordinaire Kirstie. They’ve been hosting them regularly in Margate for some time, but are now building on its success and this was hopefully the first of many more in London… It really was such a joyous night; performances ranging from acoustic country ballads, to drag and cabaret, all with an unapologetically queer energy and unifying spirit.
Find out more about pink suits here.
(Mari Lane – GIHE Co-Founder)

Jock – ‘Spoilsport’
I love this driving, potent anthem from Belfast-based queer band Jock – new GIHE favourites for sure! Orla from the band explains: “’Spoilsport’ is a punk song written in reaction to the ‘culture of silence’ surrounding sexual assault cases in Belfast” – we’re all about protest songs here at GIHE so we fully support Jock’s message. Newly signed to one of our favourite labels VETA Records, I’m looking forward to hearing more from the band in 2024.
Find out more about Jock here.
(Kate Crudgington – GIHE Co-Founder)

Scrounge – ‘Starve’
I got to see long time GIHE faves Scrounge in the tiny but intimately delightful basement of Third Man Records last month. The sound in there is fantastic, what a venue to hear Scrounge banging out their tunes – as expected Lucy and Luke were brilliant. We love them.
Find out more about Scrounge here.
(Tash Walker – GIHE Co-Founder)

Gender Chores – ‘Dysphurious’
Having shared stages with the likes of Problem Patterns, Strange New Places and Sister Ghost, Belfast punks Gender Chores create empowering anthems defending reproductive rights, resisting the patriarchy and documenting the human cost of late-stage capitalism. A reflection on coming out as non-binary – a subject that’s very close to the band’s hearts – ‘Dysphurious’ offers an energising boost of confidence to be your true self in the face of adversity. The track was recorded at Belfast’s Start Together studios with GIHE fave Rocky O’Reilly. Find out more about Gender Chores here. (ML)

Touch Excellent – ‘Couch Song’
This is a very cute tune from Dublin pop punks Touch Excellent. Full of dreamy vocals, relatable lyrics and melodic riffs, ‘Couch Song’ is a buoyant musing on introversion and attraction at house parties, and how these dueling states play out in a crowded room.
Find out more about Touch Excellent here. (KC)

Panic Pocket – ‘Get Me’
Natalie and Sophie – aka Panic Pocket – released their debut album Mad Half Hour this year via Skep Wax records, and it’s been a definite highlight. I’ve been a huge fan of these two since they first played live for us back in 2019, and just can’t get enough of their uplifting indie-pop and tongue-in-cheek wit that fizzes throughout each release. ‘Get Me’ offers a sassy take on the “claustrophobic questions about settling down”, and showcases the duo’s new-found rockier sound, with the addition of ‘back pocket’ band members Healey Becks (Fightmilk) and Laura Ankles (Colour Me Wednesday). I’m super excited that Panic Pocket will be playing for us again at our next gig at Shacklewell Arms on 2nd Dec, supporting German band Roller Derby – nab tickets on Dice now. Find out more about Panic Pocket here. (ML)

Small Crush – ‘Rumblin’ Tummy’
Having released their second album, Penelope, this year, Bay area band Small Crush have been one of my favourite new discoveries. With their own distinct brand of dreamy surf-pop, I can’t get enough of their shimmering energy and whimsical nostalgic charm. They just seem to be able to perfectly balance vulnerable a raw emotion with blissful, carefree vibes and glistening allure. Find out more about Small Crush here. (ML)

Softcult – ‘Haunt You Still’
I’m a big fan of Toronto-based sibling duo Softcult. This track is a shimmering reflection on the mark we leave on others in the extended aftermath of a breakup, whether that’s platonic or romantic. Full of their trademark shadowy, swirling riffs and soft dual vocals, they explore accountability and atonement on this bittersweet offering. Haunting in all the right ways. Find out more about Softcult here. (KC)

O Hell – ‘hard times’
The chorus to this O Hell track hit me right in sternum the first time I heard it. The solo project of Projector’s Lucy Sheehan, O Hell tenderly navigates the uncertain territory between romantic and platonic love on this track; dismissing the idea that we always need to burn bridges in the aftermath of a relationship. Over atmospheric beats, cinematic synths and idiosyncratic samples, Sheehan acknowledges that we need time to recover, but true closure comes from accepting change, and moving forward with optimism, even if that goes against the grain. Find out more about O Hell here. (KC)

Hand Habits – ‘The Bust Of Nefertiti’
LA based artist Meg Duffy – aka Hand Habits – released their EP Sugar The Bruise earlier this year; a collection of songs focused on being in the moment. The EP was written after Duffy had taught a month long songwriting class last summer, in which they discovered a newfound clarity in embracing the unknown. I just really love this track’s driving emotion and cinematic soundscape – it’s been one of my most-listened to songs of 2023 for sure.
Find out more about Hand Habits here. (ML)

girl with dream – ‘H.R.T’ (Heart Replacement Theory)
One of my favourite songs of this year, from girl with dream who I first heard almost a year ago when they reached out to me via email. Girl with dream is the project of trans singer-songwriter Chris Lawson and Rhy Climenhage. And this song is all about the sacred power found in embracing yourself and participating in the an act of healing, guided by self-love and harnessing agency. Something that we can all lean into a bit more I think, and a lovely note to take us from 2023 to 2024. Find out more about girl with dream here. (TW)

Becca Mancari (ft. Julien Baker) – ‘Over and Over’
Having collaborated with big names such as Hayley Williams (Paramore) and Julien Baker (boygenius), Nashville artist Becca Mancari released latest album, Left Hand, this year. Rippling throughout with a beautifully heartfelt emotion and twinkling musicality, it offers a dreamy and gently empowering reflection on queer identities and our relation to the natural world; a shimmering and relatable ode to being your true self. I was lucky enough to chat to Becca back in September, have a read! Find out more about about Becca Mancari here.
(ML)

Nina Keith – ‘Blow Up Yr Life (U Need To)’
A comforting reminder to let go of negativity and doubt, ‘Blow Up Yr Life (U Need To)’ is a gentle offering from LA-based trans artist, producer and composer Nina Keith. Featuring the vocals of indie pop artist Barrie and composer and musician Qur’an Shaheed, the track is a considered, delicate blend of lilting electronics, fragmented voices and crisp production, all of which melt together to create an exquisite, emotive listening experience.
Find out more about Nina Keith here. (KC)

Sheherazaad – ‘Mashoor’
One of my most-listened to songs of the year comes from New York based artist Sheherazaad with her debut single, ‘Mashoor’. Reflecting on her South Asian sonic lineage, it draws on themes of displacement and nostalgia with a contemporary, genre-defying spirit. Exuding an exquisite rippling allure, Sherherazaad’s sumptuous vocals flow throughout, allowing ‘Mashoor’ to immerse you in its soaring, spellbinding beauty on first listen. It’s just exquisite and I can’t wait to hear more from Sheherazaad in 2024.
Find out more about Sheherazaad here. (ML)

Twin Rains – ‘You’re The Only One’
This apocalyptic reflection on love from Toronto-based Twin Rains has been swirling around my skull all year. Full of intoxicating riffs and smooth vocals, it’s a potent blend of dream pop and psych rock with an electronic edge, and I can’t stop listening to it.
Find out more about Twin Rains here. (KC)

Brenda – ‘Microscopic Babe’
Glaswegian band Brenda joined us on the radio show earlier this year. I love their self-titled album, each song is like a different fairground ride, chaotic bangers! We’ve had some amazing guests joining us here in the studio at Soho Radio throughout 2023. So, remember you can always listen back to our past shows here! Find out more about Brenda here. (TW)

Girl Ray – ‘Everybody’s Saying That’
I think ‘Everybody’s Saying That’ showcases all there is to love about Girl Ray. It’s taken from this year’s album Prestige, which is inspired by the ballroom scene of the 1980s, and oozes bucketfuls of queer joy throughout. Being one of my total faves, it was a real honour to interview Girl Ray this year – they were even lovelier than expected! I also was lucky enough to catch them live (an experience that always leaves me feeling super happy and nourished) for about the fifth time a couple of weeks back at Village Underground – a night filled with blissful vibes, celebrating the new album and all the band has achieved. I continue to love everything that Poppy, Sophie and Iris do – and can’t wait to see what they do next. Find out more about Girl Ray here. (ML)

Say She She – ‘Astral Plane’
I caught Say She She in all their glory at Village Underground earlier this year and they were honestly exceptional. If you get the change to catch Say She She live, grab it with all your fingers! I had the best night bopping along in the crowd.
Find out more about Say She She here. (TW)

Bas Jan – ‘No More Swamp’
London collective, and long time faves, Bas Jan, released their new album Back To The Swamp this year, and this fellow swamp-themed track ‘No More Swamp’ perfectly showcases the band’s trademark quirky energy and perceptive songwriting ability. Reflecting on how the band’s lives have changed over the years, it interweaves shimmering instrumentation to create a wonderfully danceable cacophony. Find out more about Bas Jan here. (ML)

Sylvan Esso – ‘Echo Party’
This track by Sylvan Esso came out at the beginning of 2023. What an epic tune, the production is just sublime, and it has not stopped me dancing since I first played it on our February radio show at the beginning of the year. How good is that!! 
Find out more about Sylvan Esso here. (TW)

jellyskin – ‘Bringer of Brine’
Leeds-based electronic duo jellyskin were one of my favourite new music discoveries this year. ‘Bringer of Brine’ is taken from their debut album, In Brine, which they released via Wrong Speed Records back in June. They’ve combined throbbing beats, hypnotic vocals and industrial-techno inspired synths to create this manic and massively enjoyable anthem.
Find out more about jellyskin here. (KC)

Gabriel Gifford ft. Apthy Khéa – ‘Voice From The Wind’
I love this collaboration between Berlin-based producer Gabriel Gifford and Greek-born artist Aphty Khéa. Featured on Gifford’s concept mini-album, Hailstone King, which explores themes of grief, masculinity, mental health, identity and legacy through the story of a mythical king, ‘Voice From The Wind’ is described as an experimental anthem that tackles queerphobic attitudes. Sung in their native Greek language, Aphty Khéa’s potent voice compliments Gifford’s deconstructed club beats so well.
Find out more about Gabriel Gifford here. (KC)

Maria Uzor – ‘Ventolin’
I think it’s fair to say that Maria Uzor is one of our GIHE all time fave artists, and this has been such an amazing year for her. It’s such a joy watching an artist you support and admire receive the deserved praise and accolades they deserve. And, to round it all off with an amazing album Soft Cuts which she released this autumn, celebrating with a fantastic launch party at the Windmill in Brixton. Sublime. 10 out of 10. And this is one of my favourite tracks from the album – shout out to all my fellow ventolin users out there!
Find out more about Maria Uzor here. (TW)

Lauren Auder – ‘the ripple’
Lifted from her highly anticipated debut album, the infinite spine, ‘the ripple’ is a tenacious alt-pop gem that showcases London-based, French-born musician Lauren Auder’s distinctive artistic talent. Her album is a potent, pop-drenched exploration and celebration of her true self, and what it’s like being a trans woman in a world that increasingly tries to deny trans women the right to exist on their own terms. Described as “the monkey’s paw of having your voice heard,” ‘the ripple’ is Auder’s rallying cry “to accept, to be duped / to not grimace at the absolute”, a message that she fully delivers via racing, distorted electronics and cathartic screams that permeate the track’s chorus.
Find out more about Lauren Auder here. (KC)

Dermabrasion – ‘Halbadier’
I love this ominous cacophony of industrial-tinged post punk from Toronto-based duo Dermabrasion. Taken from their upcoming debut album, Pain Behaviour, which is set for release on 26th January 2024 via Hand Drawn Dracula, ‘Halbadier’ is a heavy, brooding gothic anthem that rumbles with discontent. Find out more about Dermabrasion here. (KC)

afromerm – ‘held’
Oram Award-winning artist and producer afromerm shared her debut single ‘held’ exclusively on bandcamp back in July. Formerly known as CIL (who we named as one of our ‘Ones To Watch‘ in 2022) under her updated moniker, afromerm is marking a “new era” of her journey into sound. ‘held’ is an eclectic rumination on the duality of emotion, flowing with afromerm’s instinctive musicality. It was a pleasure to interview her on our November Soho Radio show this year too. Listen back here. Find out more about afromerm here. (KC)

Massive thanks to all the artists and bands creating wonderful tunes this year – be sure to check them out and support their work! And keep an eye out for our Albums & EPs Of The Year, 2023 Highlights and Ones To Watch for 2024.

Listen to our Tracks Of 2023 playlist now!

 

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LISTEN: GIHE on Soho Radio Highlights of 2023 (11.12.23)

All three of the GIHE team were were back on Soho Radio’s airwaves for one final time this year, playing some of their favourite tracks that were released in 2023 by female, non-binary and LGBTQIA+ artists. Tash, Kate and Mari enthused about the eclectic mix of tracks on the playlist, including Maria Uzor, Circe, ARXX, SPIDER, Problem Patterns, Brenda, O Hell, Joanna Sternberg, Panic Pocket, Say She She and more.

The trio spoke about their favourite gigs, albums and tracks of the year, plus, they threw in a some alternative festive tracks from Tits Up, Peaness and Wyldest – ’tis the season after all. They also laughed their way through Great Western Train delays, Christmas party memories and fan-girled heavily over ARXX and Problem Patterns.

Huge love to everyone who has been a guest in the Soho Radio studio, or who’s listened in to our shows this year. Thank you for your support. We’ll be back on air in January 2024. Take it easy until then. x

Listen back to the show below:

Tracklist
The Big Moon – Carol Of The Bells
Sylvan Esso – Echo Party
Maria Uzor – Ventolin
Coolgirl – Druid’s Hood
pink suits – Refuse The Rules
Problem Patterns – Letter Of Resignation
girl with dream – H.R.T. (Heart Replacement Theory)
Girl Ray – Everybody’s Saying That
ARXX – Ride Or Die
CLT DRP – Nothing Clever, Just Feelings
Lauren Auder – The Ripple
Aldous Harding – The Barrel
Joanna Sternberg – I’ve Got Me
Tits Up – ChristmASS
Peaness – Kiss Me, Sweet Pea
Wyldest – Office Christmas Party
Scrounge – Starve
English Teacher – The World’s Biggest Paving Slab
O Hell – Hard Times
Circe – Riot Of Sunlight
ANONHI, Mykki Blanco, Kelsey Lu – French Lessons
Brenda – Microscopic Babe
Say She She – Astral Plane
Dream Phone – Bad Girls
SPIDER – America’s Next Top Model
Panic Pocket – Get Me
Anenome – Dregs
Sheherazaad – Mashoor
Midwife & Vyva Melinkolya – Hounds Of Heaven
Norah Jones – Blue Christmas

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PLAYLIST: November 2023

The Get In Her Ears team have put together another eclectic mix of pure punk anthems, indie & alternative tunes, grunge & shoegaze musings and alt-pop and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Problem Patterns – ‘Terfs Out’
Hosting Problem Patterns’ sold out London gig at Sebright Arms last Friday was a total dream. The second time they’ve played for us, and with support from total faves Fightmilk and band-on-the-rise Dogviolet, it was a wonderful night, topped off with an epic headline set from the Belfast punks – uniting the crowd in solidarity with both their swirling righteous anger and vibrant, joyous sense of fun. ‘Terfs Out’ is always a particularly powerful song to witness live, and one whose message in support of our Trans siblings is more poignant now than ever: “LGB is nothing if not for the T / so show up with some real solidarity.” Problem Patterns remain one of the most exciting bands around and deserve every success to come their way; having recently won a Northern Irish Music prize for best video, released their incredible debut album, Blouse Club, and shared a stage with total legends Le Tigre. I cannot wait to see what they have in store for us next.
(Mari Lane – Managing Editor)

pink suits – ‘Refuse The Rules’
Having blown us away with their immense live show on more than one occasion, Margate queer punk duo pink suits have become firm favourites at GIHE. We couldn’t be happier to hear that they’ll be releasing their second album in Spring 2024. Our first taster from the record comes in the form of perfectly raging new single, ‘Refuse The Rules’. Just over a minute and a half of pure empowered rage, it’s a scream for space – a refusal of the rules that have been historically created to limit people’s lives and freedoms. As Ray’s fierce growl and driving beats seethe alongside Lennie’s frenzied raw hooks, it offers a perfect raging catharsis; a short and sharp rallying cry, inciting us to stand up and make our voices heard in the face of suppression and aggression. Dystopian Hellscape, the upcoming second album from pink suits, is set for release in Spring 2024. (ML)

The Menstrual Cramps – ‘Body Politics’
I’ve been waiting a long time for new music from Bristol-based punk legends The Menstrual Cramps, and now it’s finally here! Released via the loveliest of labels, Alcopop! Records and sounding as vital as ever, ‘Body Politics’ is based around American philosopher Judith Butler’s idea of gender performativity (from her book ‘Gender Trouble’), and rallies against the ways in which gender constructs are forced upon us all under capitalism to benefit the patriarchal structure. Seething with their trademark ferocious energy, and building to a fierce RATM-esque climax, it’s a perfectly empowering and cathartic explosion of necessary rage. (ML)

Touch Excellent – ‘Overtone’
This is the latest single from Dublin punks Touch Excellent, who have described it as a “Trans Rights Anthem”. The track reflects on the band’s own experiences of the years-long waiting lists they’ve faced when trying to access trans health care in Ireland. They explain that the “heart of the song” is the personified “long wait”, where lead singer Lenny holds a 21 second wailing note, demonstrating the extended frustrations of those who are still waiting to be treated. (Kate Crudgington – Features Editor)

Jock – ‘Moving’
Belfast based queer punk band Jock have recently joined the VETA Records roster, and released this new anthem titled ‘Moving’. It’s inspired by the housing crisis in Northern Ireland and further afield, rumbling with a raw and righteous discontent. (KC)

HAVVK – ‘City Creep’
The latest single from total faves, Irish band HAVVK, ‘City Creep’ offers a stirring reflection on the impact that Dublin’s housing crisis is having on cultural spaces in the city. Propelled by a fierce energy as celestial vocals and scuzzy hooks seethe with an unrelenting sense of urgency, it showcases the band’s ability to exquisitely create a shimmering immersive grace whilst emanating a raw, politically-charged rage. ‘City Creep’ is out now via VETA Records, and we cannot wait for HAVVK to return to the Get In Her Ears stage, headlining for us on 28th March next year at Shacklewell Arms. Tickets are cheaper in advance. Get yours here. (ML)

SPRINTS – ‘Shadow Of A Doubt’
Described as their “most vulnerable moment to date”, Dublin punks SPRINTS have shared this cathartic anthem, which deals with the experience of “trauma, depression and the aftermath.” Vocalist and guitarist Karla Chubb’s clear, cutting lyrics reveal the intensity and range of emotions that underscored the track’s conception, which tentatively builds to a swell of all-encompassing noise. ‘Shadow Of A Doubt’ is taken from SPRINTS upcoming debut album, Letter To Self, which is set for release on 5th January 2024 via City Slang. (KC)

Schande – ‘52 Hz’
I’ve been a big fan of Schande for some time now, especially since they charmed our socks off at our first gig post-covid in November 2021. Their new single ‘52 Hz’ offers a soaring slice of shimmering shoegaze-tinged indie-pop; inspired by a whale whose calls resonate at a different frequency than other whales, it flutters with fizzing hooks and Jen Chochinov’s distinctive brooding vocals. A truly dreamy sonic experience. ‘52 Hz’ is out now via The Daydream Library Series, the house record label of Thurston Moore & Eva Prinz’ Ecstatic Peace Library. (ML)

Dermabrasion – ‘Goblin Dance’
This is only the second track I’ve heard from Dermabrasion, but the Toronto-based duo are fast becoming firm favourites of mine. Such a banger! ‘Goblin Dance’ is taken from the band’s upcoming debut album, Pain Behaviour, which is set for release on 26th January via Hand Drawn Dracula. (KC)

Meg Elsier – ‘iznotreal’
I love this new single from Nashville-based artist Meg Elsier. Punishingly heavy riffs and soft, sultry vocals – strong #GloomyGirl vibes, which we all know, are the best type of vibes. Check out the excellent accompanying video for it here. (KC)

Wisp – ‘Once then we’ll be free’
19 year old San Francisco-based artist WISP makes music inspired by the likes of Deftones, My Bloody Valentine and Whirr. This is her latest single and it’s full of brooding bass lines, hushed vocals and heavy reverb. I’m looking forward to hearing more from her in the near future. (KC)

Softcult – ‘Haunt You Still’
Toronto-based duo Softcult’s latest single is a shimmering reflection on the mark we leave on others in the extended aftermath of a breakup. Full of their trademark shadowy, swirling riffs and soft dual vocals, the band explore accountability and atonement on this bittersweet offering. (KC)

body / negative ft. Midwife – ‘sleepy’
This delicate lullaby by body / negative is a tender, moving ode to their late parents, accompanied by a deeply nostalgic video. I’ve loved everything that body / negative has released this year, and I’m looking forward to hearing their new record, everett, in full when it’s out on 8th December. (KC)

House Of Women – ‘Hypocrite’
London-based newcomers House Of Women released their debut EP, People Printing, via their own label earlier this month, and this track ‘Hypocrite’ is a standout listen. They will be headlining London’s Omeara on 5th December, so grab a ticket if you like what you hear. (KC)

Felicette – ‘Go To Hell’
Named after the first cat in space, Felicette are your new favourite DIY indie-pop band, formed of members of faves like Cheerbleederz, Supermilk and Doe. Set to release their debut EP next month, they’ve now shared the title track – a wonderfully scuzzy ode to the catharsis that comes with being honest about your feelings after being hurt. I love its grunge-tinged hooks and gritty energy, and can’t wait to hear more from this lot! Go To Hell, the debut EP from Felicette, is out on 5th December via Everything Sucks Music. (ML)

King Isis – ‘Make It Up’
“I wrote the first version of this song at home, going through lows in love and life,” explains Oakland-born artist King Isis about their latest single. Full of angsty lyrics and their smooth vocals, ‘Make It Up’ is a taste of what’s to come from the artist in the near future. The track is also accompanied by a brooding, vampire themed video, which you can watch here. (KC)

ARXX – ‘Baby Uh Huh’
As if a single from ARXX wasn’t exciting enough, the new one features a whole chorus of favourites! Including familiar voices from the likes of CLT DRP, Cherym, Soft Lad, Ailbhe Reddy, and DIY legend Beth White, this rendition of ‘Baby Uh Huh’ is a beautifully uplifting and empowering anthem, released to raise funds for We Exist – whose work is invaluable in supporting trans and queer communities. ARXX explain: “We were looking at the world around us, at all the attacks on Queer lives and in particular Trans lives, and we wanted to do something to show our support with our Queer community. ‘Baby Uh Huh’ is about finding the right people to surround yourself with to make you a better version of yourself, which is a very Queer experience.” Once again establishing themselves as master creators of the freshest, most addictive and most euphoric anthems, ARXX continue to make me fall more and more in love with them with each release. I can’t wait to see them live again on 7th December at The Lexington! Tickets still available here. (ML)

Personnel – ‘Her City I Was After’
Taken from their forthcoming album set for release next year, ‘Her City I Was After’ by Personnel was released via queer record label Staying Out Records. It’s a kind of unrequited love song to Soho. The song draws on places and characters finding queer life in London from the 30s to the 70s, with the video bringing it alive in the 90s, using archival footage by film maker Mark Harriott of direct action queer activist group OUTRAGE! Check it out now. The more I listen to that song the more I love it. (Tash Walker – Digital Editor)

ALYSS – ‘Hydra’
I am SO into this track from Alyss, who played live for us back in 2018 at Notting Hill Arts Club – which was such a great show! Talking about the track, ALYSS explains: “She is one. A singular point that has roamed between the shadow & ether of every cell for the past 7 years”. (TW)

Catherine Moan – ‘Undo Undo’
Another heady dose of synth-pop from Catherine Moan here. Released via Born Losers Records, the track is an intoxicating blend of Catherine’s honeyed vocals, 80s-esque electronics and catchy beats. (KC)

Seraphina Simone – ‘Liverpool’
This was my Track Of the Show on November’s Soho Radio show, we are LOVING it at Get In Her Ears! Seraphina wrote this while on tour with Self Esteem in Liverpool, and it’s all about love, loss and memory. Close your eyes and allow yourselves to dive deep into the sounds of Seraphina Simone. (TW)

Stainwasher – ‘Circle Trails’
Stockholm-based musician Stainwasher has released this “slowcore/dreampop gem” that explores how counterproductive infatuation and obsession can be. Released via Oh Sister Records, it’s a bittersweet, shoegazey rumination on wasted time. (KC)

Holysseus Fly – ‘Bloom’
Such a mesmerising track from Holysseus Fly, taken from her debut solo EP, Birthpool, released earlier this month. You may recognise Holly’s vocals from Ishmael Ensemble, where she is the vocalist and songwriter, but this is her solo iteration! She’s going to be headlining three UK shows this month, the first in Bristol at The exchange on the 23rd, Corsica Studio in London on 24th November, and the Carlton club on 28th. (TW)

Montañera – ‘Santa Mar’
London-based Columbian artist Montañera creates innovative immersive soundscapes fusing together traditional South American musical influences with contemporary ambient electronics. Featuring marimba player Cankita (from the band Bejuco) and the expressive voices of Las Cantadoras de Yerba Buena, a group of traditional singers from Tumaco, latest single ‘Santa Mar’ is poignant reflection on on peace, specifically for afro pacific women, and shimmers with a sweeping twinkling splendour and captivating raw emotion. A Flor de Piel, the new album from Montañera, is out now via Western Vinyl. (ML)

Ratboys – ‘The Window’
I’d been desperate to see Chicago’s Ratboys for some time (especially as this year’s album, The Window, is in my personal top five of 2023 for sure), so it was a real treat to finally catch them live at Omeara last Sunday, along with Norwich faves SUDS. Delivering a set even more dreamy than I could have hoped for, each lilting hook oozed fuzzy surf-pop perfection as front person Julia Steiner’s vocals exuded a shimmering raw emotion throughout. As the crowd sand and swayed along in blissful unity, it was captivating and comforting in equal measure; a much-needed ray of sunlight in an increasingly dark time. Thank you Ratboys! (ML)

Teens In Trouble – ‘Sharon’
With a collaborative split EP with LA based Desert Mambas out now, Teens In Trouble (the indie creative project of writer, guitarist, and vocalist Lizzie Killian) create perfect emo-tinged pop-punk with a quirky, playful energy and fuzzy allure. Offering emotive yet upbeat songs about being present in the moment and mental health, based on true stories/experiences of Killian, the EP provides a must-have soundtrack for anyone experiencing existential crises right now. Teens In Trouble / Desert Mambas, the split EP, is out now via Kill Rock Stars and Asian Man Records. (ML)

¡Ay Carmela! – ‘Rear View’
Bristol-based trio ¡Ay Carmela! have just released their much awaited second album, Tokens. Reflecting on themes around cherished memories and inevitable change, it showcases the band’s gritty ‘90s-inspired indie-rock sounds, interweaving their distinctive catchy hooks with a sparkling emotion. Tokens is out now. ¡Ay Carmela! will be playing for us at The Shacklewell Arms on 2nd February 2024, supporting German dream-pop band Roller Derby with Panic Pocket. Tickets are cheaper in advance and are available here. (ML)

Ida Kudo – ‘The Power That Is Woman’
With her upcoming new EP set for release in Spring next year, Danish-Japanese alt-pop artist Ida Kudo has recently shared anthemic single. Her first material in four years, ‘The Power That Is Woman’ is propelled by a fierce empowering energy and alluring soulful grace as Kudo urges us to fight for a new kind of leadership, putting people before profit.
‘The Power That Is Woman’ is produced by Andrew Hunt. (ML)

NESS NOST – ‘The Regular’
This is the second release from NESS NOST’s EP called ‘The Regular’. The song’s narrative centers around the protagonist working in a restaurant, this time being confronted by a regular customer, that ends with a decision between making a living, or standing up for herself to this overbearing man. Boundaries crossed, where in many places of work women have to choose between dignity or money. (TW)

 

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PLAYLIST: September 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, grunge and shoegaze anthems, post punk and Riot Grrrl bangers, alt-pop and R&B gems and experimental electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Whitelands – ‘The Prophet & I’
The latest single from London band Whitelands, ‘The Prophet and I’ is based around the philosophical book, The Prophet, by Lebanese-American author Kahlil Gibran. A beautifully woozy soundscape, it flows with fuzzy hooks and shimmering harmonies; oozing all the dreamy, shoegaze-inspired vibes. (Mari Lane – Managing Editor)

NewDad – ‘Angel’
Taken from their upcoming debut album, Madra, which is set for release on 26th January 2024 via Fair Youth/Atlantic Records, this track from Galway alt-rock four piece NewDad is inspired by the destructive relationship between characters Rue and Jules in hit TV show Euphoria. It’s a magnetic, heady guitar tune that’s been swirling around my skull since I first heard it. (Kate Crudgington – Features Editor)

Coolgirl – ‘High Altar’
Taken from her upcoming EP, Failed Reboot, which is set for release on 8th November via VETA Records, this Coolgirl track is a hypnotic blend of synths, intriguing samples and atmospheric beats. GIHE fans will recognise Coolgirl aka Lizzie Fitzpatrick as the front person of grunge trio Bitch Falcon, but under her new solo moniker she uses electronics to create vivid, sometimes ambient, sometimes upbeat soundscapes. (KC)

Maria Uzor – ‘Sometimes They Look At You’
Maria Uzor consistently delivers with her amazing electronic soundscapes, and ‘Sometimes They Look At You’ is no exception. It’s taken from her upcoming debut album, SOFT CUTS, which is set for release on 13th October via Castles In space. Come to her album launch at The Windmill in Brixton on the 18th October, we’ll all be there!
(Tash Walker – Digital Editor)

Tirzah – ‘F22’
‘F22’ is taken from Tirzah’s recently released new album, trip9love…???, produced by Micah Levi. It’s a stripped back sonic sound-bath of distortion, off-key haunting piano and drum machines. Get listening. (TW)

1000 Beasts & Tomike – ‘Cherry Delight’
The latest release from Cork-based producer 1000 Beasts and London-based Irish artist Tomike! Some low-key neo soul, filled with rich jazz harmony – just lovely. (TW)

DEBBY FRIDAY – ‘let u in’
Polaris Music Prize-winning artist DEBBY FRIDAY has dropped this drum & bass-tinged pop banger. It follows on from her acclaimed debut album, GOOD LUCK, which she released via Sub Pop earlier this year. DEBBY FRIDAY will be touring the UK in November, playing a show at Thirdman Records in London on Friday 10th November, and she’ll be performing at The Roundhouse for Pitchfork Music Festival on Saturday 11th November. (KC)

Amaroun – ‘Pussy Whine’
London-based alt-R&B artist Amaroun releases her new EP, Dopamine, today (29th Sept), and this track is a definite highlight. Speaking about ‘Pussy Whine’, Amaroun explains: “I want to fly the flag for sexual freedom, especially for black and queer people that have heavily felt the impact of oppression forcing you to repress your instinctual self. I find the word an empowering way of claiming my right to pleasure and sexual expression. Lyrically, it’s about that moment when you meet someone that you then can’t stop thinking about, and the thrill of the chase! ” (KC)

Rainy Miller and Space Afrika ft. Mica Levi – ‘Maybe Time To Lay Down The Arms’
This track is absolutely mesmerising. ‘Maybe Time To Lay Down The Arms’ is the first single I’ve heard coming out of this amazing collaboration, with more set to be released on 16th November. I can’t wait. (TW)

Gabriel Gifford ft. Aphty Khéa – ‘Voice From The Wind’
I love this collaboration between Berlin-based producer Gabriel Gifford and Greek-born artist Aphty Khéa. Featured on Gifford’s upcoming concept mini-album, Hailstone King, which explores themes of grief, masculinity, mental health, identity and legacy through the story of a mythical king, this track is described as an experimental anthem that tackles queerphobic attitudes. Sung in their native Greek language, Aphty Khéa’s potent voice compliments Gifford’s deconstructed club beats so well. (KC)

Hinako Omori – ‘ember’
This is the latest single from London-based artist and composer Hinako Omori. Taken from her upcoming album, stillness, softness…, which is set for release via Houndstooth on 27th October, ’ember’ is an uplifting sonic delight that encourages listeners to let go of the past and relinquish feelings of doubt. I’m looking forward to hearing it live when Hinako plays at London’s ICA on 2nd December. (KC)

AVR – ‘A Closer Touch, A Plan Of Art’
Berlin-based artist AVR (formerly known as ANNA VR) played live for us at Notting Hill Arts Club a few years ago and she was wonderful. ‘A Closer Touch, A Plan Of Art’ is her latest single, and she’s preparing to release more new music later this year, so keep an eye out for announcements from her in the near future. (KC)

Clementine Valentine – ‘Selenelion’
Formally known as Purple Pilgrims, but now going by their birth names, New Zealand duo Clementine Valentine have just released a beautiful new album. Taken from the album, ‘Selenelion’ glistens with an enchanting folk-strewn majesty as its swirling, other-worldly grace immerses you completely. The Coin That Broke The Fountain Floor, the new album from Clementine Valentine, is out now via Flying Nun. (ML)

Bas Jan – ‘No More Swamp’
The latest single from London collective Bas Jan, ‘No More Swamp’ reflects on how the band’s lives have changed over the years, with shifting priorities and responsibilities. Showcasing the band’s trademark quirky energy and perceptive songwriting ability, it interweaves shimmering instrumentation to create a wonderfully danceable cacophony. (ML)

tall child – ‘Damaged’
tall child, formerly known as ZHA Gandhi and previously associated with projects like Buggs and Luce Rushton (fka TV Room), has now released their debut single ‘Damaged’. An “introspective exploration of a turbulent parent-child relationship”, it’s propelled by a stirring emotion, showcasing their soulful vocals with a captivating allure. With a shimmering ethereal musicality, it’s a beautifully cathartic ballad. (ML)

Touch Excellent – ‘Couch Song’
This is a very cute tune from Dublin pop punks Touch Excellent. Full of dreamy vocals, relatable lyrics and melodic riffs, ‘Couch Song’ is a buoyant musing on introversion and attraction at house parties, and how these dueling states play out in a crowded room. (KC)

Becca Mancari ft. Julien Baker – ‘Over and Over’
Having received acclaim from the likes of the New York Times and queer publication them, and collaborated with big names such as Hayley Williams (Paramore) and Julien Baker (boygenius), Nashville artist Becca Mancari has just released their latest album, Left Hand. Rippling throughout with a beautifully heartfelt emotion and twinkling musicality, it offers a dreamy and gently empowering reflection on queer identities and our relation to the natural world; a shimmering and relatable ode to being your true self. Read our recent interview with Becca Mancari here. (ML)

Small Crush – ‘Rumblin Tummy’
The latest single from Californian band Small Crush, ‘Rumblin Tummy’ offers a fresh perspective on 2019’s similarly named ‘Tummy Rumblin’. Oozing luscious scuzzy vibes and a twinkling uplifting energy, it’s a shimmering slice of dreamy surf-pop, reflecting on “staying in love and getting butterflies in your stomach no matter how long it’s been.”
I’m a big fan of Small Crush’s cute sounds and have been really enjoying their new album, Penelope, which is out now via Asian Man Records. (ML)

dethcaps – ‘Nightstand’
This is the debut single from non-binary indie grunge band dethcaps (great name). It’s inspired by the feeling of pure infatuation when you first start falling in love with someone, underscored by a buoyant melody and heartfelt lyrics. (KC)

Brenda – ‘Pigs’
It was so fun to chat to Litty from Brenda on our recent Soho Radio show. I love this track which is full of rage, taken from their self-titled debut album which is epic! You can listen back to my conversation with Litty on our GIHE takeover of the Morning Glory Show on Soho Radio here. (TW)

Problem Patterns – ‘Lesbo 3000 / Poverty Tourist’
What a TREAT we have for you here – a double dose of pure punk bangers from GIHE faves, Belfast Riot Grrrls Problem Patterns. On ‘Lesbo 3000’, drummer Beth takes the lead on vocals, shouting back at homophobes and screaming her lungs out. On ‘Poverty Tourist’, bassist/vocalist Ciara and vocalist/guitarist Alanah take turns to call out the appropriation of working class culture in the music industry and further afield. Both tracks are taken from Problem Patterns’ upcoming debut album, Blouse Club, which is set for release on 27th October via Alcopop Records. The band will be headlining for us at Sebright Arms on 17th November – tickets are on DICE now. (KC)

SPRINTS – ‘Up And Comer’
This riotous single from Dublin rockers SPRINTS is taken from their debut album, Letter To Self, set for release on 5th Jan 2024 via City Slang. The band have been going from strength to strength since Mari & I saw them them live at the Women’s Work Showcase in Belfast last year. If you like what you hear, you can catch them playing at The Dome in Tuffnell Park here in London on 4th October. (KC)

Projector – ‘And Now The End’
Brighton trio Projector continue to evolve their sound with this latest single ‘And Now The End’. Written as a response to a breakup scenario, but also inspired by the general state of chaos that we currently live in, the track ricochets between spite, apathy and a need for resolution. ‘And Now The End’ is accompanied by a beautifully shot video that you can watch here. (KC)

HotWax – ‘Phone Machine’
Hastings trio HotWax are fast becoming firm favourites here at GIHE. Full of their trademark riotous vocals and tenacious riffs, this single is taken from their upcoming EP, Invite, Me Kindly, which is set for release on 18th October. (KC)

Venus Grrrls – ‘Liar Liar’
The latest single from Leeds rockers Venus Grrrls, ‘Liar Liar’ incites the listener to reclaim their autonomy and rediscover their worth. Propelled by a seething energy and fierce, impassioned drive, it’s a perfectly riotous anthem proving this band to be a true force to be reckoned with. (ML)

Comic Sans – ‘Winter in Sokcho’
Written and inspired through tarot readings, queer experience and healing, and quest to be your true queer self, ‘Winter In Sokcho’ is the latest single from London band Comic Sans. Building with an eerie splendour and gritty allure to a dark rock anthem, it offers fierce hooks and tension-building beats, as the sweeping power of the majestic vocals takes hold. (ML)

The Vanity Project – ‘Eureka’
London-based self described “queer-freak-pop” Flora Jackson and Rob Paterson aka The Vanity Project, pride themselves on creating swirling chaotic soundscapes, interweaving multiple genres and techniques. Latest single ‘Eureka!‘ reflects on the daily grind of the 9 to 5, and the dangers of capitalism in a wonderfully wacky blast of empowering riotous energy and sparkling musicality. The Vanity Project’s debut album, We Should Never Have Come Here, is released today (29th Sept), and you can catch them live tonight at The Cavendish Arms in Stockwell to celebrate! (ML)

NESS NÖST – ‘MAID 4 U’
I love this lead single taken from NESS NÖST’s debut EP, Working Hours, which is out now. It delves into the challenges women in the service industry face, battling misogyny, self-sabotage and pursuit of dreams all wrapped up in an acoustic-pop sound. (TW)

Charlotte Carpenter – ‘You’re My Reason Why’
Described as a “dystopian gay love story’, this latest single from Midlands artist Charlotte Carpenter reflects on her fond memories of spending time with her wife in a tiny cottage during lockdown: “I can honestly say, they were some of my favourite times together. It put so much into perspective for me. I had stripped away all of those routines and expectations, and I found what I truly valued in life, which is love and time.” I just love the track’s lilting musicality, with its heartfelt twinkling emotion, it oozes a stirring grace and comforting warmth. Charlotte Carpenter’s debut album, A Modern Rage, is out on 6th October. (ML)

Anna Pancaldi – ‘Stay This Way’
Exploring the complexities of loss when it’s entangled with childhood, this latest single from London artist Anna Pancaldi offers a beautifully poignant ode to nostalgia. Shimmering with Pancaldi’s soaring rich vocals and an emotion-strewn splendour. Catch Anna Pancaldi live at The Waiting Room on 20th October. (ML)

Maria BC – ‘Still’
Newly signed to Sacred Bones, this track from Maria BC is a gentle, evocative blend of their poetic lyrics and clear vocals, accompanied by a piano motif that they composed at the tender age of sixteen. ‘Still’ is lifted from Maria BC’s upcoming album, Spike Field, which is set for release on 20th October. (KC)

Chelsea Wolfe – ‘Dusk’
Freshly signed to Loma Vista Records, this is the latest offering from the marvelously macabre Chelsea Wolfe. ‘Dusk’ is a smouldering, gritty “mythical love song” that effortlessly showcases her potent vocals. I can’t wait to hear more of her new music in the near future. (KC)

Gazelle Twin – ‘Black Dog’
New to the INVADA Records roster, this is the latest single from GIHE favourite Elizabeth Bernholz aka Gazelle Twin. Alicia from NYX Drone choir described ‘Black Dog’ as “the soundtrack to my insomnia” when we interviewed them on our recent Soho Radio show, and I couldn’t agree more. Full of Bernholz’s trademark eerie electronics and shadowy sounds, it’s a cell-tingling exploration of what haunts us in life’s darker moments. I can’t wait to hear Gazelle Twin’s new album, also titled Black Dog, when it’s released on 27th October. It’s going to sound superb when it’s ricocheting off the walls of majestic London venue Bush Hall when she performs it live on 10th November. (KC)

Hilary Woods – ‘Where The Bough Has Broken’
A hypnotic instrumental inspired by a deep love for Dublin City, I’m fascinated by this new release from Irish artist Hilary Woods. Lifted from her upcoming album, Acts Of Light, which is due on 3rd November via one of my favourite record labels Sacred Bones, ‘Where The Bough Has Broken’ is an atmospheric ode to communal growth and memory, with an accompanying video that pays homage to the seemingly minor moments that play a role in creating these things. (KC)

Yay Maria – ‘L’Appel Du Vide’
The latest single from trangender artist Yay Maria, ‘L’Appel Du Vide’ marks the upcoming release of her new EP, Suburbia, which is out on 20th October via I’m Not From London. Self-described as “queer pop music for feelz and boogying”, the new EP offers a celebration of trans joy, with the mission of combating the all-too-frequent negative narrative the media presents us with. I just love the twinkling energy and swirling, ethereal grace of the soundscapes Yay Maria creates. This single ‘L’Appel Du Vide’ is accompanied by a “fully animated extravaganza” of a new video – check it out here. (ML)

 

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