Tag: underground music scene

The Get In Her Ears team have put together another mix of feminist punk, alternative & shoegaze anthems, eclectic electronic sounds, indie-folk musings, and alt pop tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Schande – ‘We’re Not Twins’
The latest single from faves Schande, ‘We’re Not Twins’ ripples with shimmering hooks and a fuzzy immersive energy. Offering another beautiful insight into the twinkling world of the London based band, I love the lush, ethereal tones that ooze throughout. Of the track, front woman Jen explains that the song is about “owning and repairing your habits that make you act like a dufus… Sometimes you have to take a hard look in the mirror and take stock of the ways that insecurity, pride, and stubbornness affect your relationships.” Schande’s debut album, Once Around, is set for release this summer via Thurston Moore’s The Daydream Library Series. You can catch Schande playing live for us at our next gig at Shacklewell Arms on 21st June, supporting indie-pop supergroup Felicette, along with Caleb Nichols and Spring Major. It really helps if you’re able to nab tickets in advance, so head over to DICE now! (Mari Lane – Managing Editor)

Softcult – ‘Heaven’
Since I heard their debut single ‘Another Bish’ back in 2021, Canadian twin siblings Phoenix and Mercedes Arn-Horn have consistently impressed me with their shadowy shoegaze-inspired sounds. Three years on, the duo have shared their fourth EP, Heaven, via Easy Life, and it’s another poetic musing on the contradictions within society and how we deal with them. Softcult gently urge their listeners to question their own behaviours, and move through the world with open eyes and an open heart; their layering of heavy riffs and soft dual vocals on this title track acting as a guiding light during this process.
(Kate Crudgington – Features Editor)

SASAMI – ‘Honeycrash’
I am THRILLED that SASAMI is back with this powerful new song and accompanying video directed by Andrew Thomas Huang. Speaking about ‘Honeycrash’, SASAMI explains: “I wanted to write a song with all the drama of a 19th century classical opera but with the patience and understanding of someone in therapy in 2024,” and it’s this clash of styles and emotions that makes her new single so compelling. “I am really thrilled to unleash this first of many new songs in an era of melodrama, romance, and hooks of course” – inject it into my veins! (KC)

Brimheim – ‘Into The Ooze’
I saw Danish-Faroese artist Brimheim perform at The Lexington for her debut London headline show earlier this month, and I can’t stop thinking about it. She was so invested in the performance – giving ‘Literally Everything’ – and savouring her well deserved moment in the spotlight. Her equally talented band mates helped bring the raw power of the tracks on her debut record, can’t hate myself into a different shape, and her recent album, RATKING, vividly to life. She revealed on stage that she had considered giving up music for good back in 2020, but I’m glad she persevered and is now blooming into the distinctive and idiosyncratic artist she was meant to be. (KC)

youbet – ‘carsick’
I love the hazy, summery sound of this single from Brooklyn-based trio youbet, which is lifted from their recent album, Way To Be, released via Hardly Art. It’s a totally effortless listen. (KC) 

Roller Derby – ‘Dreams’
Following the success of last year’s beautiful EP, Always on Mind, and selling out our gig at Shacklewell Arms in February, Hamburg dream-pop duo Roller Derby have now shared a lush new single. Reflecting on the emotional highs and lows of an intense relationship, ‘Dreams’ showcases a richer, more layered sound than previous offerings, as Philine Meyer’s distinctive soaring vocals float above the music, immersing the listener in its blissful musicality. Watch the beautiful video for ‘Dreams’ here. (ML)

NikNak ft. AGAAMA – ‘Pandora’s Box’
An absolute A-STAR collaboration here between experimental producer & DJ NikNak and electronic artist & songwriter AGAAMA. ‘Pandora’s Box’ is lifted from NikNak’s new album, Ireti, which she released earlier this month via Accidental Records, and it is well worth your attention. I was so excited to hear new music from AGAAMA too, who’s EP, Wandering Worlds, was a favourite of mine back in 2022. Check out the accompanying Sci-Fi/AI inspired visuals for ‘Pandora’s Box’ here. (KC)

Grove – ‘Dead Bird Blues’
A beautifully stark reflection on the state of the world, contemplating omens for the past and future, Grove’s ‘Dead Bird Blues’ was inspired by the disturbing experience of seeing two dead birds at the side of the road. The track is a collaboration with James Storm, taken from Grove’s 2023 EP, PWR Play, and it now also features on the No Pride In Genocide compilation of queer artists that Byenary has put together to raise money for eSims for people in Gaza. ESims help Gazans stay connected, coordinate emergency responses and aid, help people locate loved ones, and help Gazan journalists to continue their vital work. The compilation was created with support from Queers For Palestine and also features faves like Jemma Freeman and The Cosmic Something and The Menstrual Cramps. It’s available to pay what you can for on bandcamp now. (ML)

Coolgirl – ‘Road Closures’
Dublin-based electronic artist and GIHE fave Coolgirl aka Lizzie Fitzpatrick has gifted us another sonic gem with her latest album, Road Closures, released via VETA Records. The ambient collection of songs is inspired by the “strange juxtaposition” that we find ourselves in online, as we’re exposed to graphic real-life news footage on genocide, alongside reels of unnecessary promo footage of products that promise to solve your first world problems. I’m always impressed by the experimental worlds that Coolgirl creates, but Road Closures in particular has really resonated with me. Definitely listen to the album in full. She donated the proceeds she made from the record on bandcamp to a Gaza relief charity too. (KC)

Fishwyfe – ‘Get Out’
Some strong melancholy, gloomy vibes on this track by Galway-based musician and producer Fishwyfe. This is a new sound for the artist, who used to perform under the moniker HOST. The accompanying visuals for ‘Get Out’ are as unsettling and mesmeric as her distorted vocals and hazy synths. Watch it here. (KC)

Dream Phone – ‘Fogo’
Having completely won me over playing live for us supporting Me Rex last year, and now fresh from being utterly brilliant once again playing with Ray Aggs last month, Oxford duo Dream Phone have now shared an addictive new single. Reflecting on the fear of going out (rather than the fear of missing out), ‘fogo’ offers a comforting ode to anyone who may not enjoy going out as much as they used to. Delivered with a playful riot grrrl-inspired spirit, ‘fogo’ showcases all there is to love about Dream Phone; listening to its scuzzy layers of shimmering musicality, I feel instantly uplifted by its infectious quirky allure and blissfully danceable energy. Watch the accompanying homemade video for ‘fogo’ here. (ML)

Touch Excellent – ‘Overtone’
We’re big fans of Dublin punks Touch Excellent at GIHE and admire their tenacious spirit when writing songs about social issues close to their hearts. Their latest single ‘Overtone’ is a heavy reflection on the frustrating lack of access to, and long wait-list for treatment for transgender patients in Ireland. (KC)

The Menstrual Cramps – ‘Antagonistic’
Releasing immense singles ‘Abortion’ and ‘Body Politics’ earlier this year, and having just made headlines by being part of the incredibly successful Bands Boycott Barclays campaign (targeting the Barclaycard sponsorship of The Great Escape over ties to arms companies supplying Israel), Bristol punks The Menstrual Cramps are back with another fierce and to-the-point offering. Reflecting on front person Emilia’s experience of working at a homeless hostel during the pandemic, ‘Antagonistic’ races with an impassioned, seething energy. Providing a ferocious raging catharsis, it’s propelled by a raw, relatable anger at the stark injustices of society. Of the track, Emilia explains: “This song is me trying to process and come to terms with the anger and trauma I experienced working through COVID and how this has shaped me as a person and as a support worker.” (ML)

Bikini Kill – ‘Feels Blind’
I couldn’t not include a Kathleen Hanna song this month. Her memoir, Rebel Girl: My Life As A Feminist Punk, has just come out, and the GIHE team are lucky enough to be seeing Bikini Kill for a second time on 12th June! Although I haven’t yet had time to read the book, I did cry just receiving my signed copy in the post the other day, and can’t wait to delve into my hero’s inspiring story as soon as I’ve finished my studies. This year has been difficult, mentally and physically, and Kathleen Hanna and all she does continues to be a constant source of motivation and comfort to me. This song is my favourite, and I’m dedicating it to anyone else living with a chronic condition. (ML)

Dermabrasion – ‘Grim Sister’
Toronto Death rockers Dermabrasion have shared a new video for their single ‘Grim Sister’, which features on their debut album, Pain Behaviour, released via Hand Drawn Dracula at the start of this year. The track is a riotous mix of defiant, angst-ridden vocals and visceral riffs, which can be observed in the mix of live footage and gothic imagery in the video. Check it out here – I love the quote from M. Night Shyamalan’s Signs at the start as well! (KC)

Calva Louise – ‘Under The Skin’
Jess Allanic’s vocal range on this Calva Louise track is truly extraordinary. Alongside her bandmates Alizon Taho (Bass/Backing Vocals) and Ben Parker (Drums/Backing Vocals), she rips through ‘Under The Skin’, which is a thundering exploration of consciousness and the duplicity of freedom. The accompanying video provides a conceptual storyline about the characters that the band have developed and built into their own dystopian Sci-Fi universe. Watch it here. (KC)

House Of Women – ‘Overgrown’
Another heavy, psych-tinged offering from London-based four piece House Of Women here. ‘Overgrown’ is a brooding anthem full of their trademark intense riffs and soft-but-potent vocals. The band are currently working on new material ahead of a busy festival season, so keep your eyes peeled for more new music soon. You can watch the accompanying video for ‘Overgrown’ here. (KC)

Midwife, Amulets – ‘Do You Know How To Waltz’ (Low Cover)
Another exquisite collaboration and cover from GIHE fave Midwife and her label mates Amulets. Make sure you listen all the way through to the end! This track is lifted from the album Your Voice Is Not Enough: A Tribute to Low, released via The Flenser. Listen to it in full here. (KC)

mui zyu ft. Miss Grit – ‘please be ok’
Taken from her recent album, nothing or something to die for, I love this gritty-yet-gentle cut from British Hong Kong London-based artist mui zyu. Featuring guest vocals and production from Miss Grit, ‘please be ok’ is a reflection on the absurdity of over-analysing emotions and situations, when ultimately, things will work out how they’re supposed to in the end. (KC)

Tiiva – ‘Run’
“‘Run’ is a song about healing and retrieving yourself among the chaos of the world,” explains Bristol-based artist & producer Tiiva. They create lush, emotive electronic soundscapes, and this latest release flows in a similar dreamy vein. Tiiva extrapolates further on ‘Run’: “It is about discovering your true power and letting go of painful memories to return back to yourself, the kindness of community and reawakening your seemingly impossible dreams…allowing yourself to be flawed and human and reframing pain into power and strength.” (KC)

Elsa Hewitt – ‘Unimaginable Pain’
Although it was released back in April, I’ve been playing electronic artist & producer Elsa Hewitt’s latest album, Chaos Emeralds, on repeat lately. Her intuitive mix of lilting vocals, emotive lyrics and hypnotic synth loops have helped reduce the cortisol levels in my body significantly. Despite its namesake, this track ‘Unimaginable Pain’ is a soothing and uplifting listen. (KC)

AVR – ‘Confirm Humanity’
Berlin-based artist & producer AVR headlined one of our GIHE gigs at Notting Hill Arts Club back in 2019, and her performance was mesmerizing. She’s achieved so much since then, and now she’s preparing to release her debut album, Salvation, on 7th June. ‘Confirm Humanity’ is lifted from the record, which I’m really looking forward to hearing in full. (KC) 

KÁRYYN – ‘ODAR’
‘ODAR’ – which translates as “other” in Armenian – is multi-instrumentalist KÁRYYN’s interpretation of the traditional folk song ‘Odaroutioun’, a song which is passed down through generations, and was often sung at gatherings in her grandparents’ house in Aleppo, Syria. Written by Armenian poet and political activist Avetik Isahakyan, the words were lifted from a letter he’d written to his family whilst in political exile, which later turned into a song adopted post-genocide to represent the Armenian’s plight. Most commonly sung by men, KÁRYYN’s interpretation poses a critical examination of what it means to live in otherness. “Our Armenian language is an ancient written alphabet, found in the illuminated manuscripts, a language on the endangered language list today,” KÁRYYN explains. “The language is threatened further due to the refugee crisis caused by the genocide, and by the crisis which moved and destroyed one of the largest Armenian communities during the 2011 Syrian war. When we speak and sing in Armenian, it is an act of survival and activism. A language from as far back as the 5th century, only Sanskrit and a few others are older.” ‘ODAR’ is lifted from KÁRYYN’s recent EP, Calm KAOSS!. (KC)

Mabe Fratti – ‘Enfrente’
Set to release her new album next month, Guatemalan artist Mabe Fratti has now shared stirring new single ‘Enfrente’. Rippling with jangling percussion and sweeping strings alongside sumptuous evocative vocals, fizzing layers of sound intertwine to create a truly blissful cacophony. Of the track, Fratti comments: “There’s a sensation of fear of being heard in the intention of the song, and being one step behind everything that’s going on, and feeling overwhelmed by the pressure to follow up.” Sentir Que No Sabes, the new album from Mabe Fratti, is set for release on 28th June via Unheard Of Hope. (ML)

Maria Kelly – ‘Drive’
Following her 2021 debut album, The Sum of the In-Between, Irish artist Maria Kelly has now shared a dreamy new single. A song about longing for closure, ‘Drive’ flows with beautifully twinkling melodies as the rich, delicate power of Kelly’s vocals simmers with a raw emotion and effervescent grace. Produced by Matt Harris (HAVVK), and mixed/mastered by Belfast legend Rocky O’Reilly at Start Together studios, ‘Drive’ is featured in the trailer for the film Ezra, starring Bobby Cannavale, Rose Byrne, Whoopi Goldberg, and Robert De Niro. (ML)

Holly Munro – ‘Out Of Style’
Another tender offering from Irish indie-pop musician Holly Munro here, taken from her upcoming EP, Crescendo Ending, set for release on 20th June. “This song is about a relationship falling apart because of not talking about your problems,” she explains, “It reminisces about the good times, while at the same time recognising that something has changed”. The track is also accompanied by a poignant, beautifully choreographed video that you can watch here. (KC)

Naima Adams – ‘Fragile’
‘Fragile’ is the debut single from Rome via D.C.-raised, now South London-based artist Naima Adams. The track is a smooth musing on the complexities of hope and how it can be lost in the face of overwhelming adversity. Naima’s clear voice and urgent lyrics also serve as a reminder that there’s strength in fragility too. (KC)

Brennan Wedl – ‘Scorpio’
The new single from Brennan Wedl, ‘Scorpio’ advocates for an upfront approach to love as their trademark rich, rasping vocals soar with a resonant emotion alongside lilting catchy hooks. A perfect slice of Americana tinged indie-pop, I can’t wait to hear more from this exciting New York artist throughout the year. (ML)

Midnight Ambulance – ‘Alice’
The new single from Edinburgh duo Midnight Ambulance, ‘Alice’ reflects on the disconcerting rise of disinformation and the dominance of the media. Soaring with rich, impassioned vocals depicting striking poignant imagery, a celestial swirling soundscape is created. Of the inspiration behind the track, the band explain: “Our realities are becoming distorted. As we try to battle the noise and confusion of disinformation, we are at risk of being engulfed by this strange world. It seems Wonderland is no longer a thing of fairytales…” (ML)

adults – ‘Trouble’
Taken from the new split EP that they’ve just released with Oxford band Spank Hair, the new single from South London faves adults offers all the band’s trademark jangly melodies and scuzzy energy that I love so much. Reflecting on feelings of anxiety and sadness, the band add – “one day we’ll write songs about finding joy in the throes of late capitalism, but not today!’…In The Big League, the new split EP from adults and Spank Hair, is out now via Fika Recordings. It’s available digitally from bandcamp, along with a 20 page riso-printed zine with download. (ML)

Mammoth Penguins – ‘A Plea For Kindness’
Having recently released their new album, Here, Cambridge indie-pop trio Mammoth Penguins have been faves of mine for a number of years now. Taken from the album, ‘A Plea For Kindness’ is directed at the completely ill-founded and unnecessary hatred and prejudice that transphobic people insist on sharing. Propelled by Emma’s stirring emotion-strewn vocals and jangly hooks, it builds with an anthemic shimmering splendour, offering a heartfelt message of solidarity with our trans and gender non-conforming siblings. A beautifully resonant plea for unity and kindness at a time when it is needed more than ever, because trans rights are human rights, and trans kids deserve to grow up. Here is out now via Fika Recordings. (ML)