LISTEN: Naz & Ella – ‘Freedom’

Inspired by the experience of Rahaf Mohammed – a young Saudi Arabian woman who fled an abusive family and oppressive regime with the hope of making it to Australia – Naz & Ella have shared their latest single. ‘Freedom’. Through tentative guitar picking and a clear lyrical narrative, the duo have created an understated, empowering tune.

“Freedom is a luxury” sing Naz & Ella, something that Rahaf Mohammed must know only too well. After fleeing her Saudi home, she was stopped in Thailand and almost deported back (where she would likely be incarcerated), before she was eventually granted asylum in Canada. Naz & Ella use their music to tell Rahaf’s inspirational story, communicating her feelings of desperation and relief along the way.

Listen to ‘Freedom’ below, and follow Naz & Ella on bandcamp and visit their website for more updates.

The duo have also recorded a podcast to accompany the single, which you can listen to here:

Kate Crudgington
@KCBobCut

Track Of The Day: Fran Lobo – ‘Monster’

Jagged electronics, pulsing beats and striking vocals permeate ‘Monster’, the latest single from London-based artist Fran Lobo. Lifted from her new EP Brave, which is set for release on 19th June via via Slow Dance Records, the track is a collaborative effort exploring the frustrations surrounding identity, relationships, and reality.

Speaking about the track, Fran explains: “[It] started from a jam on a Volca sample I’d bought myself, and evolved into an embodiment of frustration with identity, relationships and dreams/reality. The song includes the voices of Deep Throat Choir, LIPS and the Roundhouse Choir, Jemma Freeman on guitar, [and] samples, rare drum machines and synthesisers”.

Fran’s fusion of voices, sounds, and themes makes ‘Monster’ a cohesive, impressive listen. The track is accompanied by a set of visuals that also hold significance for the artist: “The video is a journey from London to Southern India and back, exploring the displacement and search for identity experienced as a child of the diaspora. It deals with the idea of family, belonging and friendship and in doing so, asks audiences to question their own sense of identity.”

Watch the video for ‘Monster’ below, and follow Fran Lobo on Facebook & Spotify for more updates.

Photo credit: El Hardwick

Kate Crudgington
@KCBobCut

LISTEN: Zoe Wees – ‘Control’

A tender, deeply personal, uplifting offering; Zoe Wees has shared her latest track ‘Control’. The seventeen year old Hamburg-born singer uses her clear, powerful vocals to tentatively explore her struggles with rolandic childhood epilepsy.

“The sickness was stronger than me, and left scars that have become part of my life”, explains Wees about the condition. “Accepting them has taken so much time, but they make me what I am today: a fighter.” It’s this fighting spirit that underscores her lyrics on ‘Control’. Despite it’s upsetting premise, the track has a universal message of hope and recovery.

Wees is currently working on her debut EP, and with songs as poignant as ‘Control’, we look forward to hearing more from this promising young artist. Listen to the track below, and follow Zoe Wees on Facebook and Spotify for more updates.

Photo Credit: Svenja Blobel

Kate Crudgington
@KCBobCut

PLAYLIST: St. Patrick’s Day 2020

We began drafting this St. Patrick’s Day Playlist before we were fully aware of the extent of the coronavirus pandemic in Ireland and before the Irish government called for the mass closure of pubs and clubs, thus removing any chance to publicly celebrate on the 17th. We debated whether it was appropriate to mention St. Patrick’s Day at all – especially after the numerous gig & parade cancellations both in Ireland and here in London – but seeing the resilience of our Irish friends and musicians on social media motivated us into completing it.

We all need a distraction during these uncertain times, so dive into our St. Patrick’s Day playlist – you’re going to find a new favourite artist among our choices! We’ve included links to each artist’s social media, Spotify and/or Bandcamp accounts and we urge you to stream or purchase their music if you have the funds to do so. Make sure you scroll all the way down for the playlist link…

Æ MAK – ‘Dancing Bug’ (Spotify)
A solid fan of Æ MAK otherwise known as Aoife McCann, I’ve followed her since the beginning of 2019, fresh off her recent support of both tUnE-yArDs and Warpaint. ‘Dancing Bug’ is her latest offering which speaks to her chaotic electronic beats and primitive vocal rhythms. (Tash Walker)

Cosha – ‘Do You Wanna Dance’ (Spotify)
A previous favourite of mine known as Bonzai, who released an old favourite of mine Where Are U Now, came back in 2018 under the name Cosha, teaming up with producer Rostam for this single. I’ve been keeping my ears and eyes peeled for their new music ever since. (TW)

New Pagans – ‘Admire’ (Spotify & bandcamp)
Filled with urgent, intensely catchy songs that challenge the norms surrounding relationships, history and gender, New Pagans’ debut EP Glacial Erratic is a powerful blend of alternative sounds. The Belfast band take the best elements of post-punk, grunge and indie rock and transform them in to abrasive, melodic noise. ‘Admire’ is my favourite track from the EP. (Kate Crudgington)

HAVVK – ’52’ (Spotify)
HAVVK have been long term favourites here at GIHE; a band who continually combine activism with their unique musical prowess, their exquisite, spine-tingling splendour resonates now more than ever. Although written about the extreme political dynamics in the run up to the Brexit vote in 2017, their track ‘52’ remains a poignant soundscape with all that’s happening in the world right now. Oozing a stark, stirring emotion, alongside the soaring, celestial splendour and gritty raw emotion of front woman Julie’s vocals, it’s filled with a glistening musicality juxtaposed with a frenzied, angst-driven climax. (Mari Lane)

The Cranberries – ‘Ode To My Family’
I couldn’t really not include The Cranberries on an Irish playlist. With the heartbreaking crystalline vocals of the late Dolores O’Riordan alongside a delicate twinkling musicality, each of their offerings sends shivers down my spine every time. I’ve chosen this particular track as, during these extremely troubling and anxiety-inducing times, I’d like to give an ode to MY family, and all loved ones – we need each other now more than ever, even if for some us it means not being able to physically see one another right now. Solidarity and good vibes to you all; we can get through this together. (ML)

REWS – ‘Monsters’ (Spotify)
I never fail to be impressed by the power of Shauna Tohill’s vocals and they’re out in full force again on this new REWS track. ‘Monsters’ is an aural challenge to self-doubt and a bit of fiery pop-rock encouragement to persevere in the face of anxiety. (KC)

Vulpynes – ‘2 Cents’ (Spotify)
Propelled by the gritty, impassioned vocals of guitarist Molly, ‘2 Cents’ rages with a seething energy and sublime raw power as scuzzy punk-fuelled riffs are blasted out alongside intense pummelling beats. Reminiscent of the riotous force of the likes of L7 or The Distillers, it’s a storming, empowering offering from my favourite Irish duo. We’re sad that we’re no longer able to host Vulpynes at The Finsbury on 3rd April, but we do hope to reschedule the gig for as soon as possible! (ML)

Bitch Falcon – ‘Prime Number’ (Spotify & bandcamp)
Mari booked Dubliners Bitch Falcon as the penultimate act for one of our GIHE gigs at The Finsbury a few years ago, and I was totally blown away by their live set. Such a raw, powerful sound. ‘Prime Number’ is a personal favourite, but I’d recommend listening to their latest single ‘Damp Breath’ too. (KC)

Party Fears – ‘Money’ (Spotify & bandcamp)
Party Fears are based in Berlin, but Maggie Devlin is originally from Northern Ireland. The band have been consistent favourites at GIHE since Mari first gave them a spin on our Hoxton Radio show and this track ‘Money’ is one of my favourites. Keep your eyes peeled for their new single ‘All Is Good’, set for release on 27th March. (KC)

PowPig – ‘Pretty Woman’ (Spotify & bandcamp)
PowPig are Irish DIY at its best, I was totally blown away when I found out that they were still at school. ‘Pretty Woman’ and ‘Mayday’ are their most recent releases jam packed with indie harmonies and grizzly guitars. Loving it. Here’s to hearing more from them in the future. (TW)

Hilary Woods – ‘Orange Tree’ (Spotify & bandcamp)
Dublin-based Hilary Woods creates abrasive, primal, charged soundscapes that blur industrial and orchestral elements. She uses sound and image to navigate emotional territories and I feel intensely comforted when I listen to her music (I also cry to it sometimes, but that’s okay too). “My body knows I can’t make it out” sings Woods on ‘Orange Tree’, tentatively trying to make peace with her physicality and her surroundings. This need to face her inner fears underscores her latest record, Birthmarks, which is an unsettling, but genuinely liberating listen. (KC)

Fears – ‘Blood’ (Spotify)
Fears is the moniker of London-based, Irish musician Constance Keane. I first heard her music while listening to The Irish Jam, and I’ve been keeping tabs on her ever since. I love her dark, minimal electronic sounds. Definitely a bit of me. (KC)

SOAK – ‘Bloodbuzz Ohio’ (Spotify)
I came across SOAK last year when she released her sophmore album Grim Town, which is most definitely worth a listen. This however is SOAK’s cover of The National’s ‘Bloodbuzz Ohio’, tender and gentle and a pleasingly fresh rendition. (TW)

Aoife Nessa Frances – ‘Here In The Dark’ (Spotify & bandcamp)
‘Here in the Dark’ is taken from the very enjoyable debut Land of No Junction by Aoife Nessa Frances. Her voice evokes so much emotion, you’ll soon find yourself falling into the songs reflective melodic musings. (TW)

Maria Kelly – ‘july’ (Spotify)
Alt-folk artist Maria Kelly’s ‘july’ looks inward, exploring the idea that we are ultimately in control of how we feel, and must take responsibility for what we choose to dwell on. Another truly beautiful offering from the Irish songwriter, it flows with her silky smooth, emotion strewn vocals and a stirring, bewitching musicality. Oozing a heartbreaking sense of vulnerability, it sparkles with a mystical grandeur, creating something truly mesmerising. (ML)

Rosie Carney – ‘Bud (Rose)’ (Spotify)
This is the last track to close Rosie Carney’s album Bare. ‘Bud (Rose)’ is a beautiful instrumental which mixes birdsong with piano. The piano is one of my favourite instruments to hear on record especially when it is played with such tenderness, as it is here. (TW)

B*witched – ‘C’est La Vie’
One of the first cassette singles I bought, when I was about twelve, I just wanted to include this one from the Irish girl group to put a smile on our faces – so, turn up it up, sing along and try to forget about everything for three sweet minutes! (ML)

 

We’d also like to give a shout out to GIHE allies and Irish born London-based musicians Niall Jackson and Matthew Sutton. Niall co-hosts The Irish Jam (along with Mel, Kealan & Rob) on Riverside Radio, which celebrates Irish music. Kate often contributes to their ‘New Music Sunday’ section.

Matthew fronts his own outfit called TAYNE, and is currently creating new music with his tattoo machine equipment. They both play together in Sweat Threats too. Both are trying to stay creative in a time of uncertainty, so if you can stream/purchase their music or merch, it would be greatly appreciated. (TAYNE bandcamp here. Niall ‘Swimmers’ Jackson bandcamp here).