LISTEN: GIHE on Soho Radio Highlights of 2023 (11.12.23)

All three of the GIHE team were were back on Soho Radio’s airwaves for one final time this year, playing some of their favourite tracks that were released in 2023 by female, non-binary and LGBTQIA+ artists. Tash, Kate and Mari enthused about the eclectic mix of tracks on the playlist, including Maria Uzor, Circe, ARXX, SPIDER, Problem Patterns, Brenda, O Hell, Joanna Sternberg, Panic PocketSay She She and more.

The trio spoke about their favourite gigs, albums and tracks of the year, plus, they threw in a some alternative festive tracks from Tits Up, Peaness and Wyldest – ’tis the season after all. They also laughed their way through Great Western Train delays, Christmas party memories and fan-girled heavily over ARXX and Problem Patterns.

Huge love to everyone who has been a guest in the Soho Radio studio, or who’s listened in to our shows this year. Thank you for your support. We’ll be back on air in January 2024. Take it easy until then. x

Listen back to the show below:

Tracklist
The Big Moon – Carol Of The Bells
Sylvan Esso – Echo Party
Maria Uzor – Ventolin
Coolgirl – Druid’s Hood
pink suits – Refuse The Rules
Problem Patterns – Letter Of Resignation
girl with dream – H.R.T. (Heart Replacement Theory)
Girl Ray – Everybody’s Saying That
ARXX – Ride Or Die
CLT DRP – Nothing Clever, Just Feelings
Lauren Auder – The Ripple
Aldous Harding – The Barrel
Joanna Sternberg – I’ve Got Me
Tits Up – ChristmASS
Peaness – Kiss Me, Sweet Pea
Wyldest – Office Christmas Party
Scrounge – Starve
English Teacher – The World’s Biggest Paving Slab
O Hell – Hard Times
Circe – Riot Of Sunlight
ANONHI, Mykki Blanco, Kelsey Lu – French Lessons
Brenda – Microscopic Babe
Say She She – Astral Plane
Dream Phone – Bad Girls
SPIDER – America’s Next Top Model
Panic Pocket – Get Me
Anenome – Dregs
Sheherazaad – Mashoor
Midwife & Vyva Melinkolya – Hounds Of Heaven
Norah Jones – Blue Christmas

ALBUM: ¡Ay Carmela! – ‘Tokens’

Tokens, the long-awaited second album by Bristol-based indie rock trio ¡Ay Carmela!, brims with sass and sincerity. At heart, this is a melancholic record, exploring themes of grief and disappointment, but it never feels like ¡Ay Carmela! want your pity. Front-person Carmela’s understated, downbeat vocal is supercharged by a banging rhythm section, giving the whole album a powerful swagger. 

The band wears their ’90s alt influences on their sleeves, and fans of Belly and Warpaint will find a lot to love on too. Opener ‘Host’ gets the album off to a memorable start with heavy guitars and punchy, powerful vocals that lure the listener in, before it builds to a proper pop chorus with swooning harmonies.

Recent single ‘Magnolia Walls’ is real standout. Carmela’s evocative, relatable lyrics reflect on ageing, the threat of unfulfilled potential and craving stability. “It used to be fun, living in a dump…”, she sings, “I thought I’d have moved on, instead I’ve just moved around.” ‘Rear View’ is another high point; it’s quieter and more intimate than some of the other songs on the album, bringing in keys rather than guitars, so we can really focus on Carmela’s vocal and lyrics. A torch song, tinged with nostalgia, it’s a beautiful portrait of loss and longing. 

It’s been seven years since the band’s debut album and it’s been worth the wait. With a new line-up and a different home city, the band seem re-charged and reinvigorated. And that’s a great thing, because songs as beautifully written and crafted as these need to be heard.

The band has been playing shows throughout 2023, and we’re super excited to have them playing for us at our next gig at Shacklewell Arms on 2nd February next year, supporting German dream-poppers Roller Derby with faves Panic Pocket. Nab tickets on Dice now!

Tokens is out now. Download / buy the album on Bandcamp now.

Photo Credit: Elise Wootten

Five Favourites: Montañera

Having recently released her captivating new album, A Flor de Piel, London-based Columbian artist María Mónica Gutiérrez – aka Montañera – creates innovative immersive soundscapes fusing together traditional South American musical influences with contemporary ambient electronics. Breaking through the confines of genre, the album offers a poignant reflection on Gutiérrez’s experience as an immigrant; an artist; a human being. Shimmering with a sweeping twinkling splendour and stirring raw emotion throughout, the album takes the listener on an exquisite sonic journey.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of A Flor de Piel, we caught up with María to ask about the music that has inspired her the most. Read about her five favourite songs and listen to latest single ‘Santa Mar‘ below!

Sona Jobarteh – Fasiya
Sona’s album has been a great inspiration for me since the moment I became interested in Senegalese music. Her voice and kora playing were a true inspiration alongside traditional griots who carry this tradition. Her style was a referent for me when I composed ‘Me Suelto Al Riesgo’ – a song I made whilst learning about Senegalese traditional kora music with my amazing teachers Kadialy Kouyate and Lucy Duran in London. I have always found kora music to be very soothing and almost celestial, the timber of its strings captivated me right away. Sona’s album, however, allowed me to understand this tradition through a lens that was in-keeping with my own music. I really enjoy how kora music makes me feel when I listen to it; the same sensation that I was looking for when making my new album A Flor De Piel.

Lido Pimienta – Miss Columbia
I have been a massive fan of Lido’s music for quite a while now. However, when she released Miss Colombia, I really identified with her music as a singer and as a songwriter. She is one of my favourite singers, I love her voice, and production-wise, her album was a great inspiration for my music as well. I love how she blends traditional Colombian music with very fresh, fun and well written arrangements. The sonic world of her music is full of colours – I wanted to achieve something similar in my album, but through my own aesthetic, heavily constructed by synths.

Kaitlyn Aurelia Smith – Ears
This is one of my favourite Kaitlyn’s albums, it captivated me right away the first time I listened to it. Personally I think it’s one of my favourite ambient albums, her tracks are always interesting and really well crafted; they are not predictable, but allow you to flow with them, and I wanted to attain something similar in my album. I wanted to make a really carefully thought ambient album with my voice playing an important role. Her sounds and aesthetic influenced me quite a lot when composing this album with my synths, I wanted each layer to be interesting – each layer to have a purpose and not just to add sounds for the sake of it. This was also the way I wanted the producers in my album to work, and her music was also a great influence to them. Ambient is a very delicate genre, and her album was a clear reference of the craftsmanship I wanted to reach.

Marina Herlop – Pripyat
I discovered Marina not so long ago, but her aesthetic and uniqueness blew me away immediately; I felt very inspired by her from the first minute I listened to her music. She has become an inspiration not only for the making of my latest album, but also for my performances. She looks like a Goddess from the future, and her music is beyond anything I’ve heard. It seems as though she has arrived from the future, and that is how her music sounds. Her aesthetic and how unpredictable her music is have become a major inspiration for me.

Canalón de Timbiquí – De Mar y Río 
I love traditional music from all around the world, however, Afro-Colombian music has been a personal favourite for quite a while now. It was maybe fifteen years ago when I sang a traditional song from Colombia’s Pacific coast for the first time, and since then a huge curiosity and interest for this music was born. Nidia Gongora has become a massive influence for this kind of music for me – she represents the strength of the Afro-Pacific Colombian women, who are all very inspiring. I find this music not only inspiring for its musical vastness, but also for the story of resistance, resilience and joy that it carries. I feel immensely honoured to have a song in my album with one of the current marimba players, Cankita, and with the amazing Cantadoras de Yerba Buena. It was through a process of research to understand their musical practice which began this musical collaboration with them. They are a massive inspiration not only to make music with, but for life.

Massive thanks to Montañera for sharing her Five Favourites with us! Listen to latest single ‘Santa Mar’ here:

A Flor de Piel, the stunning new album from Montañera, is out now via Western Vinyl. Listen / order here.

EP: Safari Inn – ‘Welcome To Safari Inn’

Consisting of former members of London rockers The Franklys, Jen and Lexy, Safari Inn are the super group you need in your life right now, and we’ve been loving their debut EP.

Inspired by a shared love of the 1993 Quentin Tarantino film ‘True Romance’, Welcome to Safari Inn condenses the movie’s action-packed emotional journey into four expertly crafted tracks. While familiarity with the film will surely give you a deeper appreciation of the EP, you don’t need to be a die-hard fan to enjoy it. Even with only a passing understanding of the source material, Safari Inn have infused their debut with a lot of their own character that shines through, despite very direct references to the movie.

Welcome to Safari Inn kicks off with ‘Drexl Spivey‘, named for the notorious pimp character played by Gary Oldman. As both a single and first track, ‘Drexl Spivey’ is perfectly suited to establishing the psychedelic sound you can expect from the rest of the EP. It is a whirlwind of roaring guitars and deep, moody vocals.

The whole EP has a different vibe than you might expect from the two musicians who make up Safari Inn, if you’re familiar with their previous work with garage rock band The Franklys. It’s clear that they’re experimenting in a way that leans into their strengths and the chances they take consistently pay off. Welcome To Safari Inn aches with reverb, echoing vocals and heady swirling guitars over throbbing drums that ground you even when the music threatens to carry you away from reality. With each immersive offering, it evokes a chaotic heady atmosphere that is masterfully reminiscent of the film.

Second track, ‘Blue Lou Boyle’, picks up the pace, with a pounding bass riff that rolls in from the very beginning. The quicker start slows down to lend the soaring vocals a platform in the verses; ramping up again to a rambunctious, wailing chorus. This is the chaotic heart of the EP, the action and meaning that make up the majority of ‘True Romance’ all concentrated into a thrilling 3.15 minutes.

Welcome to Safari Inn softens with the reflective ‘The Sun Sets Slowly in the West’. This third track offers a gentle come down from the excitement. It’s slower paced, with crooning vocals that linger over drawn out lilting words, processing everything now that the storm has passed. The full realisation of everything that has happened sinks in with gut-wrenching bass and drums that deliver an immense sucker-punch of the consequences.

No less chaotic, but maintaining a distinct sense of hope, the EP wraps up with ‘Dinosaur Corkscrew’. It puts the debilitating trauma of True Romance behind you and looks forward to a world where you can emerge on the other side still holding onto faith in a normal, happy life.

As a collection, Welcome To Safari Inn offers a swirling whirlwind of psychedelic splendour; a truly immersive debut that leaves you desperate for more.

Welcome To Safari Inn is out now. Listen / buy on Bandcamp now.

Kirstie Summers
@ActuallyKurt