Five Favourites: LibraLibra

Having just released their epic new EP, CUT, GIHE faves LibraLibra continue to impress with their utterly unique fusion of pop, electro and punk. Recent single, ‘Mother’s Ruin‘, for example, immediately hits you with the colossal, empowering grace of front woman Beth’s vocals as it builds with a swirling anthemic splendour. Reflecting on the process of healing from past traumas, its cathartic, emotion-rich power showcases the strength and determination that women are capable of – as the lyrics poignantly state, “girls who are beasts, we keep running…”

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of CUT, we caught up with LibraLibra to ask about the music that has inspired them the most. So, read about their five favourite ever albums, and check out the immense video for ‘Mother’s Ruin’ below…

BETH:

Erasure – Wonderland 
Erasure introduced me to the world of singing. My parents had a completion CD they played once in the car, and apparently after that, I was hooked. I would starting chanting “Moogies Love Love Dance” as soon as I was strapped into my car seat (‘Who Needs Love Like That’) and they would have to play the CD over and over again the entire car ride; I would be giggling and wiggling and singing along as best as a first time talker could – it had both me and my parents in a chokehold. I think Erasure, combined with New Order, Pet Shop Boys, Tears for Fears and Seal, were particular stand outs – as soon as I could work a CD player I would take these CDS from my parents collection and spend hours creating musical dramatics in my bedroom. Each scene was developed using particular songs from these artists, with a strong theme of triumphing over hate and pain. I would never let anyone watch – it wasn’t something I was creating to show anyone, I was insanely private, but I would spend hours on my own dancing in my room to what I thought were these profound scenes of art! I guess I was a sucker for synth led, extravagant and emotive pop.

Madonna – Ray of Light 
Madonna’s Ray of Light album was a continuation of me hiding away in my room dancing and creating make believe. I begged my parents for this album – I had started to seek out my own music, first it was Enya, All Saints, and then I heard ‘Frozen’ on Top of the Pops, and I knew I needed this album in my life. This album stuck with me for a good few years; it got me through hard times – I was bullied at a lot at school for being overweight and I loved to dance, but it was only something I could do in private. With this album I would spend hours dancing and just losing myself. I must give a lot of credit to William Orbit who produced this album, there is an essence that he added in the production and instrumentation that just tugs at my melancholic heart strings. This album fully charged my obsession with pure pop emotive drama. 

JOE: 

Oneohtrix Point Never – Replica 
I’ve been listening to a lot of dismantled dance music/leftfield electronic stuff while making this record. People like Aphex Twin and Leon Vynehall making constant appearances in my rotation. But OPN was always finding its way to the front of the queue for me. It’s hard to pick just one album but Replica might have topped it. The sound design and world he builds sonically for this album really stuck with me and inspired a lot of the production on our new EP, CUT.

GUY: 

Beach Boys – Pet Sounds 
For me, one of my most inspirational albums has to be Pet Sounds. I know it’s an obvious one, but I can’t really over estimate how much this album opened my eyes to the power of arrangement. I love the harmonies and chord movements, not to mention its impact on pop music in general and everything it inspired. While this record doesn’t immediately seem like it is linked to our music, I think this was the catalyst for me starting to dive more into Brian Wilson and his inspirations which eventually led to studying Bach and other classical composer – something which definitely permeates our latest work. 


ALL 3 OF US :

Radiohead – Kid A Mnesia (compilation) 
Radiohead are a band that have had an immense impact on each of us and these influences have manifested in varying ways on CUT. It’s difficult to hone in on a specific album, as the most influential thing about Radiohead for us collectively is the freedom they have to change and grow their sound. Radiohead are a band that clearly sonically push forward with each release in an attempt to cover (or should I say discover) new ground, as opposed to latching onto a formula that works and recycling it for safety, an ethos we also share. Musically, Radiohead are a band that understand the roots of harmony and they manage to incorporate influences from classical and jazz in a way that we have also started to play with more on this record while also going to the other end of the sonic spectrum, combining these more classical elements with the extremely modern sound of microtonal electronic weirdness found in the works of artists like Aphex Twin and OneohTrix Point Never. While I’m not sure CUT really sounds anything like Radiohead, there is a similarity in the way we try to fuse similar inspirations. The re-release of Kid A & Amnesiac in the guise of KIDAMNESIAC has been on heavy rotation in the writing period for this record and exemplifies a period of their writing where they had their fingers in all of those different genre pies: classical, jazz, rock and electronic – a range of influences which also permeates CUT.

Massive thanks to LibraLibra for sharing their Five Favourites with us!

CUT, the new EP from LibraLibra, is out now. Watch the immense video for ‘Mother’s Ruin’ here:

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New Track: The Empty Page – ‘Level Sedentary’

In a world that moves so quickly, it’s refreshing to hear a song that praises slowness. The second single from previous GIHE headliners The Empty Page’s second album, ‘Level Sedentary’, is an empowering slice of ’90s-inspired indie rock, which applauds the time we spend doing nothing at all. 

Front person Kel explains: “I heard John Cooper Clarke say something like, you need two things to be a writer, a pen and idleness. I want to celebrate idleness in this song.” And the band certainly does. Kel’s gritty vocals are long and languid as she sings about being flat and still, buoyed further by fuzzy layers of instrumentation courtesy of guitarist Giz. 

The song’s middle section is a chaotic clash of experimental piano and doom-laden distorted guitar, reminiscent of Sonic Youth. This helps to make ‘Level Sedentary’ a whopping four and a half minutes long, so it’s far from a punchy pop banger. Instead, it’s a song that you can really bask in and savour; much like those idle, lazy days that Kel sings of.

Produced by Morton Kong, ‘Level Sedentary’ is out now.

Vic Conway
@thepicsofvic

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Five Favourites: Calva Louise

Having been a big fan of international band Calva Louise’s fierce, sparkling energy for some time now (and even witnessing their luminous charm live across the pond in New York last year), I was excited to hear that they’ll be releasing a new EP later this year. Following acclaim from the likes of BBC Radio 1, BBC 6 Music and John Kennedy at Radio X, new release Over The Threshold will not only offer an insight into how the band’s distinctive sound has developed with a heavier, cathartic metal-infused rage, but will also be accompanied by the release of a third person video game produced by Stratera Games. An innovative move from Jess Allanic and co, inspired by her own love of Sci Fi and fantasy, which is also evident in the accompanying graphic novel the band created alongside their 2019 album Rhinoceros.

In fact, the whole upcoming EP is inspired by Allanic’s passion for story-telling and illustration – aiming to create a complete immersive universe through their sounds, as well as visually portraying the captivating world behind the tracks in the video game. And now, ahead of the EP’s release, the band have shared a fiercely riotous new single, ‘Feast Is Over’ – of the track, Allanic explains:

“When circumstances push us back to square one, we often think that the best thing to do is to start over. But when we choose to go forward, fighting and assuming the consequences of our own decisions, it feels like accepting a new challenge to get out of a loop once and for all.”

In a Five Favourites first, we’ve spoken to Jess Allanic about her passion for Sci Fi and how this has inspired not only the band’s new releases, but her work and love of storytelling as a whole. Read about her favourite graphic novels below, and make sure you watch the brand new video for ‘Feast Is Over‘ at the end of this feature.

James O’Barr – The Crow 
The Crow is to me one of the greatest graphic novels of all times. The anger and the injustice that you feel through the characters eyes made me try to have a deeper understanding of what the writer was trying to convey. The essence of the story is mainly autobiographical as James O’Barr put his emotions into paper with his drawings, and that catharsis encouraged me to try and do the same. Instead of imploding with my own thoughts, I wanted to put my beliefs into a graphic novel.

Joe Hill & Gabriel Rodriguez – Locke And Key
This is my favourite graphic novel. I remember the comic shop owner kindly let me read all the issues in the store before I actually bought them! Joe Hill’s story is awesome – it sucked me into this Lovecraftian universe, full of fantasy and horror, also reminiscent of Stephen King. Gabriel Rodriguez’s use of architecture in his illustrations inspired me to draw the buildings of Rouen in Rhinoceros (Calva Louise’s own graphic novel). If you love the comic, I highly recommend the audiobook, which I listened to while I was in the midst of drawing my own illustrations. I also love the fact that at one point in the story, the characters goes to see a Muse show and that one of the main characters looks exactly like Josh Homme!

Sean Murphy – Punk Rock Jesus
Just like James O’Barr, Sean Murphy wrote and illustrated this graphic novel himself. And again, what a story: Jesus is cloned for a reality show and is reborn as a punk rocker, refusing to be used as a weapon of control, so he starts his own punk rock band. I love Sean Murphy’s style and humour – he also uses a lot of his personal experiences and each chapter is inspired by a song, so thanks to his graphic novel I discovered so many amazing bands!

Scott Snyder & Rafael Albuquerque – American Vampire
This comic was recommended to me by a comic store owner and I immediately felt a rush of inspiration through Rafael Albuquerque’s illustrations – they complement Scott Snyder’s story perfectly. And I loved reading about vampires in the Wild West.

Jason Aaron & R.M Guera – Scalped
Scalped was also an inspiration for me, not only for its illustrations but also because of the depth of the story. It tackles interesting topics such as cultural identity and organised crime in a fictional Indian reservation.The graphic style is incredible, blending watercolours and high contrasts.

Massive thanks to Jess for sharing her five favourites with us!

Over The Threshold, the upcoming EP from Calva Louise, is set for release later this year. In the meantime, watch the brand new video for single ‘Feast Is Over’ here!

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PLAYLIST: March 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative anthems, alt-pop tunes and electronic sounds for your listening pleasure. We skipped February’s edition of the Playlist, so March is packed with loads of new music! Take some time to scroll through our track choices below and then press play at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Fraulein – ‘Pet’
Is it even a GIHE Playlist if we don’t include a Fraulein track? Since Mari first introduced Joni & Karsten to the GIHE team in 2020, we’ve been fans of everything the grunge duo have released, including this new track ‘Pet’. It was a pleasure to have them in the studio chatting about it on our February Soho Radio show, which you can listen back to here.
(Kate Crudgington)

Hot Wax – ‘Treasure’
Full of buzzing basslines, commanding beats and raucous guitar sounds, this track from Hastings trio HotWax flicks between melodic verses and riff-heavy breakdowns, providing listeners with a welcome rush of blood to the head. The band are gearing up for their own mini UK tour this month, before joining The Pearl Harts as main support in May. (KC)

Brix Smith – ‘Fast Net’
The awesome latest single from rock legend Brix Smith, ‘Fast Net’ is propelled by a fierce energy and gritty punk-fuelled spirit. Racing with pummelling hooks alongside Smith’s soaring honey-sweet vocals and immersive charisma, it offers a raging reflection on facing up to your vulnerabilities. ‘Fast Net’ is taken from Smith’s debut solo album, Valley Of The Dolls, out now. (Mari Lane)

Hannah Jadagu – ‘What You Did’
I love this hazy guitar tune from Texas-based musician Hannah Jadagu, who only recently appeared on my radar. Taken from her upcoming debut album Aperture, which is set for release on 19th May via Sub Pop, Jadagu’s bittersweet vocals and reverb-laden riffs are totally infectious. I can’t wait to hear the record in full. (KC)

Lunch Machine – ‘Pipedream Graveyard’
On ‘Pipedream Graveyard’, Belfast-based alt rockers Lunch Machine blend the angst of 90s grunge and melodic pop sensibilities to push past feelings of apathy. Marking their first piece of new music in five years, the track is a grunge-infused take on the futility of planning for the future whilst the planet is slowly collapsing around us. (KC)

Earthlung – ‘Joy¿’
Full of sardonic spoken-word style vocals, cutting lyrics and distorted riffs, this single from Brighton-based band Earthlung is a search for meaning and relief amidst the mind-numbing everyday tasks we undertake in order to keep living our best lives. (KC)

English Teacher – ‘Song About Love’
Out now via Speedy Wunderground, ‘Song About Love’ is the latest single from Leeds band English Teacher. As the sultry smooth vocals of front woman Lily Fontaine flow alongside chiming hooks and steady beats, it offers a wonderfully infectious exploration into the romance that can be found in the mundane; a whirring ode to “doing the chores, instead of doing someone else.” Watch the fantastic, Sims-inspired, video for ‘Song About Love’ here. (ML)

cruush – ‘Stick In The Mud’
“I guess you can say our music has the sweet elements of having a crush on someone, but the screeching of an industrial car crusher…” explains cruush’s vocalist Amber Warren. Say no more, Amber, I love it! This track is taken from the Manchester-based shoegaze band’s upcoming EP Wishful Thinker, which is set for release on 14th April via Heist Or Hit. (KC)

Red Sun Alert – ‘Huge’
Taken from their recent EP Assume Power, this track from Cork-based post-hardcore band Red Sun Alert is an angst-ridden banger. Their new record is full of raging riffs, relentless beats and anthemic vocals, so definitely check it out if you like the sound of this. (KC)

Problem Patterns – ‘Who Do We Not Save?’
The first piece of new music since their visceral 2022 anthem ‘Y.A.W‘ (Yes All Women), I’m a big fan of Belfast-based DIY punks Problem Patterns’ latest single. Released via Alcopop! Records who the band have recently signed to, ‘Who Do We Not Save?’ takes aim at the incompetent Tory government and their continued attempts to privatise the NHS. Giving their listeners a space to release their pent up frustrations, fears and disappointments is a core value of Problem Patterns’ music, and with this track the band have provided another cathartic aural antidote to offset the anxiety of the uncertain times we’re currently living through. (KC)

SPIDER – ‘America’s Next Top Model’
Written in response to the backlash she received and the whitewashing she witnessed on popular online platforms, SPIDER chooses to thrive in the face of adversity on her new track, ‘America’s Next Top Model’. Taking aim at her critics via abrasive riffs and candid lyrics, the London-based, Irish musician & producer has channelled her vitriolic energy into another empowering anthem and accompanying video, which acts as a defiant cry for better black representation in alternative music scenes. (KC)

Momma – ‘Bang Bang’
New York City four-piece Momma are back – with a bang – on their latest single. This track was co-written by band members Etta Friedman and Allegra Weingarten when they both caught Covid-19 last year. Making the most of their time in isolation, the pair got drunk together and ended up writing a fun song about great sex, with ‘Bang Bang’ being the result. All of Momma’s songs are mega catchy and this one is no exception. (KC)

Lilies In My Brain – ‘Blue Sky’
Inspired by everyone from Alkaline Trio, to Angel Olsen and Wet Leg, South London-based four-piece Lilies In My Brain create shimmering indie-pop anthems. This track is taken from their album, 21 = 2a + 7, which the band released back in 2021. They’re currently working on their second album, which they’re planning to release later this year. (KC)

Perlee – ‘Lampshade’
Inspired by everything from the nature of unconditional love to the banality of capitalist society, Berlin-based Irish band Perlee are preparing to release their debut album, Speaking from Other Rooms on 21st April. This track is lifted from the record, and its full of glistening guitars and dreamy vocals. (KC)

Lunar Vacation – ‘Only You’
Following the release of their debut album in 2021, ‘Only You’ is the latest single from Atlanta-based Lunar Vacation. Rippling with beautifully lilting melodies, it shimmers with a stirring emotion and sparkling, cinematic grace, offering an irresistibly effervescent slice of indie-pop with shades of the likes of Alvvays and Best Coast. (ML)

Lusa Morena – ‘Where’s The Spark (If Not In You)’
Having wowed us with the fierce charisma of their live show at The Shacklewell Arms last year, London-based five piece Lusa Morena have recently released a twinkling new single. Reflecting on society’s frequent dismissal of – and stigma around – feelings of depression or mental health struggles, ‘Where’s The Spark’ is a beautifully moving ballad, oozing sweeping, glossy riffs alongside front woman Bárbara’s rich, luscious vocals. (ML)

Aisha Badru – ‘Lazy River’
Flowing with a lilting energy, ‘Lazy River’ reflects on the journey of emotional healing and the time that this can take. Rippling with the shimmering grace of Badru’s vocals and a twinkling folk-strewn musicality, it oozes an exquisite stirring splendour. Learning To Love Again, the upcoming new EP from Aisha Badru, is set for release in June. (ML)

JFDR – ‘Spectator’
I notice something different each time I listen to this beautiful track by Icelandic experimental songwriter JFDR. Her tender voice and concise, gentle lyrics compliment the glimmering synths perfectly. ‘Spectator’ is lifted from her upcoming album Museum, which is set for release on 28th April via Houndstooth Records. Speaking about the track, JFDR explains “‘Spectator’ is an anthem for the codependent, a lullaby for the ones slightly codependent and for those who have never felt it; a mirror into the raw thought process of someone deep in the trenches of it.” (KC)

Midwife & Vyva Melinkolya – ‘NMP’
I never tire of listening to Midwife’s melancholy sounds, and this new collaborative effort with Vyva Melinkolya is no exception. ‘NMP’ is taken from the duo’s upcoming 5-song album, Orbweaving, which will be released on 12th May via The Flenser. The record is described as “a web like structure – a gauze of sorrow and visceral connective thread” that combines their experiences of hopelessness, calling on a higher power, being alone, and the sublime horror of the natural world. I can’t wait to hear it. (KC)

LANA DEL RABIES – ‘Prayers of Consequence’
The opening track to her recent album STREGA BEATA – which loosely translates as “Blessed Witch” – I love this gloomy, evocative track from Lana Del Rabies. A creator of corrosive, brooding experimental sounds, the Phoenix-based producer and multimedia artist’s new record is a cathartic medium for her innermost thoughts on the human condition, grief and navigating tragedy. You can listen to the album and read about some of the music that inspired her to write it in our Five Favourites feature here. (KC)

MANDY, INDIANA – ‘Pinking Shears’
A brittle, abrasive blend of beats, noise and bittersweet French vocals, this track from Manchester-based four-piece MANDY, INDIANA seethes with a palpable frustration. The track is taken from their upcoming debut album, i’ve seen a way, which is set for release on 19th May via Fire Talk Records. (KC)

DEBBY FRIDAY – ‘Hot Love’
Taken from her upcoming debut album, GOOD LUCK, which is set for release via Sub Pop on 24th March, ‘Hot Love’ is another industrial-tinged, explosive electronic banger from DEBBY FRIDAY. The Nigerian-born, Toronto-based artist continues to provide the soundtrack for messy nights on the dancefloor, and the impact that the intoxicating and toxic people we meet in the hedonistic process. (KC)

ARXX – ‘God Knows’
The latest single from absolute faves, Brighton’s ARXX, ‘God Knows’ offers a perfectly heartfelt and instantly catchy anthem. Embracing their love of all things pop, it veers away from the more gritty sound of previous offerings whilst maintaining the duo’s distinctive emotion-strewn power. Of the track, they explain: “We really pushed ourselves to step into Dua Lipa’s shoes. We were able to live our Cher dreams and dive into the world of auto tune and swoopy synths.” ARXX’s upcoming debut album, Ride or Die, is out on 31st March – pre-order here. Catch ARXX live on tour over the next couple of months (I can’t wait to catch them at Rough Trade East on my birthday!) (ML)

Gabi Garbutt and Du Blonde – ‘Panic’
A perfect collaboration between Gabi Garbutt and acclaimed artist Du Blonde, ‘Panic’ is propelled by a swirling post-punk energy alongside sugar-sweet pop melodies as the two vocals fuse together with a shimmering charm, creating a truly blissful, instantly infectious, indie-pop anthem. Watch the wonderful DIY video for ‘Panic’ here. (ML)

Tiiva – ‘Teenage Dirtbag’ (Wheatus Cover)
Taking a classic 00s anthem and putting their own euphoric spin on it, London-based producer Tiiva’s cover of Wheatus’ ‘Teenage Dirtbag’ is a celebration of queer love. Full of quirky synths and dreamy vocals, the track reflects Tiiva’s own feelings about coming-of-age as a queer person. “I wanted to cover something that I could sing about and be like, ‘yeah that’s me, that’s how I feel’,” Tiiva explains. “The lyrics feel hyper real, my first crush on a girl, feeling invisible in my queerness and wanting to be accepted, to be cool. I feel like this song is such an anthem but also so fun, celebrating how to just be yourself and enjoy it, that’s what the song means to me, and I wanted to share that.” (KC)

Panic Pocket – ‘Mad Half Hour’
The first taste of their upcoming album of the same name, Panic Pocket’s latest single ‘Mad Half Hour’ offers a joyous ode to Spice Girls legend Geri Haliwell, oozing all the playful tongue-in-cheek energy that we’ve come to know and love from the London duo. An instantly catchy slice of fizzing punk-pop, it will have you singing along on first listen; so, don your thigh high boots, scream ‘Girl Power!’ and relish in the nostalgic bliss of this witty anthem. (ML)

Jen Cloher – ‘Mana Takatāpui’
This poignant single from Australian artist Jen Cloher, ‘Mana Takatāpui’ offers a blissful celebration of the indigenous Polynesian people of Aotearoa, New Zealand, the Māori LGBTQ+ community. Showcasing Jen’s trademark luscious soothing vocals alongside a shimmering musicality, it builds with an uplifting energy to a truly joyous unifying anthem. I Am The River, The River Is Me, the upcoming new album from Jen Cloher, is out now via Milk! Records / Marathon Artists (ML)

Girl Ray – ‘Everybody’s Saying That’
Reflecting on themes of new love and self-doubt, ‘Everybody’s Saying That‘ is the latest single from London trio Girl Ray. Swirling with a disco-inspired energy, oozing the band’s colourful charisma and uplifting charm, I just love its funk-fuelled hooks and sparkling danceable allure – a perfect uplifting anthem, that will elevate your spirits, leaving you ready to hit the dancefloor/roller-disco/bedroom with a revived sense of optimism. (ML)

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